Flora S. Bowley's fun and forgiving approach to painting is based on the notion that â€œYou don't begin with a preconceived painting in mind; you allow the painting to unfold.â€? Illustrating how to work in layers, Flora gives you the freedom to cover up, re-start, wipe away, and change courses many times along the way. Unexpected and unique compositions, color combinations, and subject matter appear as you allow your paintings to emerge in an organic, unplanned way while working from a place of curiosity and letting go of fear.
This book is a compilation of aircraft scale modelling techniques, step by step guides with hundreds of colour pictures for WWI, WWII, coldwar and modern aircraft, showing a wide range of painting and weathering techniques. All aspects of aircraft modelling are covered in a way that is both easy to understand and follow. From tools, and how to use various materials, to camouflage painting, markings, engines, pilots, etc. This is a must have for aircraft modelers. F.A.Q. is a compendium of the main techniques used in aircraft modelling, explained from a beginner level, through to the most complex of tasks. Created by world famous modeller, Daniel Zamarbide, and aided by the most prominent aircraft modellers in Europe.
Vivid colors, great illustrations and imagination are all you need to keep your mind at ease!
Each picture is printed on its own 8.5 x 8.5 inch page so no need to worry about smudging.
Over 170 profiles cover schemes from the most common camouflage to the most original and unusual vehicles used by the DAK and Regio Esercito, including major artillery pieces used in Africa, highlighting above all the powerful 88 mm Flak 18/36/37.
Through the 108 pages of this book, you will find inspiration for your next African modelling project; projects that you can enhance further with the AK 550 Africa Korps Colors Acrylic Set, and the AK 068 DAK Weathering Set.
Painter Jean-Michel Basquiat was the Jimi Hendrix of the art world. In less than a decade, he went from being a teenage graffiti artist to an international art star; he was dead of a drug overdose at age twenty-seven. Basquiat’s brief career spanned the giddy 1980s art boom and epitomized its outrageous excess. A legend in his own lifetime, Basquiat was a fixture of the downtown scene, a wild nexus of music, fashion, art, and drugs. Along the way, the artist got involved with many of the period’s most celebrated personalities, from his friendships with Keith Haring and Andy Warhol to his brief romantic fling with Madonna.
Nearly thirty years after his death, Basquiat’s story—and his art—continue to resonate and inspire. Posthumously, Basquiat is more successful than ever, with international retrospectives, critical acclaim, and multimillion dollar sales. Widely considered to be a major twentieth-century artist, Basquiat’s work has permeated the culture, from hip-hop shout-outs to a plethora of products. A definitive biography of this charismatic figure, Basquiat: A Quick Killing in Art is as much a portrait of the era as a portrait of the artist; an incisive exposé of the eighties art market that paints a vivid picture of the rise and fall of the graffiti movement, the East Village art scene, and the art galleries and auction houses that fueled his meteoric career. Basquiat resurrects both the painter and his time.
Watercolor sketching is a rapidly emerging technique that enlivens sketches done in pen or pencil with the expressive washes, glazes, and luminous hues of watercolor . This lushly illustrated resource teaches artists on the go how to sketch with watercolor, rendering subjects efficiently and without inhibitions. Readers are guided through all aspects of the medium, from fundamental techniques including wet-on-wet, glazing, and washes; materials and supplies; and little known tips and tricks for getting the most out of watercolor (for example, just sprinkling a little salt on your painting creates a texture that's impossible to achieve with a brush.) A strong focus color theory provides a solid foundation for enhancing drawings with vibrant hues.
Written by popular artist Hazel Soan, the book is arranged in three parts: the first section explains all about the equipment you will need; the second section covers techniques and shows what can be achieved with watercolour in a short time span; the third section looks at various subjects that are ideal for painting quickly.
All the essential techniques are covered, focusing particularly on maximizing brushstrokes and exploring colours, and there is useful advice on deciding what to include and what to leave out. With helpful chapters on painting a wide range of subjects – people, landscapes, seascapes, buildings, gardens, flowers and still life – this little guide is ideal for quick reference when working in the studio or out in the field.
Automotive Cheap Tricks & Special F/X II, the ultimate book of automotive custom painting has been released. Automotive Cheap Tricks & Special F/X II is a compilation of step-by-step instruction by Craig Fraser, one of the greatest forces behind the popularization of automotive custom painting. In fact, Special F/X II far exceeds its predecessor, F/X I, in superior design, nearly double the content (31 chapters, including 11 introductory sub-chapters and a comprehensive glossary), and size (212 pages). The subtitle, Learn How to Paint Cars, Trucks, Motorcycles, Musical Instruments, Surfboards, and R.C. Cars, really says it all, and lives up to its promise with some of the most cutting-edge work dissected for your reference and execution.
This amazing visual smorgasbord tutors on how to achieve stunning graphics, special effects, murals, pinstriping, and more for beginners and pros. It’s especially fascinating how perceptually difficult effects (bullet holes, fire, water droplets, old school flames, and tons more) and textures (alligator and dragon skin, chrome, cheetah fur, faux f/x, and many others) are so easily rendered with stencils, freehand shields, a variety of tapes, vinyl, and even a torch! It almost seems as if the author gave away too much, like a magician who would surprisingly reveal his secrets with impunity.
Fraser was thoughtful enough to include enough editorial and instruction for newbies that includes a Back to Da’ Basics chapter, and some great articles on self-promotion, the zen of custom painting, how to photograph your artwork (the importance of this cannot be overstated), the paint and equipment you’ll need to get started, and the business of custom painting.
In great, painstaking detail throughout, the book also addresses critically essential information on the proper sequences and steps to working with urethanes and clearcoats, among other things. The fact that improper methods can lead to catastrophic results on, say, a $100,000 vehicle makes this book even more important.
Chapters include: Flamin’ Out A Killer Skull (skull and flames on a motorcycle tank), Steampunk Guitar (mind-blowing; gorgeous), Formula Drift (classic graphics with stunning results), Dragon Drums, Da Kine Surf-Tiki (Craig proves that you, too, can paint a bitchin’ surfboard), Rice Fink (sure to be a big favorite), RC Car (you better read this before you attempt one), Donkey Frog, and Homage A Giger (H.R., that is).
Automotive Cheap Tricks & Special F/X II is beautifully printed in full color and on heavy paper stock, and it’s obvious that the publisher spared no expense in producing it. At $34.95 this volume is a steal. And it is, without question, the new gold standard for books on automotive custom painting and will remain so for years to come."
When we travel, we don't want to follow the same itinerary as everyone who's come before us. We want to feel like explorers, adventurers in undiscovered territory. And that's exactly what sketching can bring to the travel experience.
An Illustrated Journey captures the world through the eyes of 40 talented artists, illustrators and designers. You'll experience the wonder of seeing familiar sights through a fresh lens but, more important, you'll be inspired to set pen to paper and capture your own vistas.
The really wonderful thing about a sketchbook is that it can be totally private. You don't have to have an ounce of talent to enjoy learning how to really see what's in front of you. But lucky for us, the sketchbooks captured here are lovely, creative, intimate windows into each artist's mind.
So, whether you're just returning to the art of drawing, abandoned by most of us after childhood, or you're looking for inspiration to take your illustration work in a new direction, An Illustrated Journey will take you on a wonderful trip of the imagination. All you need to pack are a pencil and a piece of paper.
Designed to help architects, planners, and landscape architects use freehand sketching to quickly and creatively generate design concepts, Freehand Drawing and Discovery uses an array of cross-disciplinary examples to help readers develop their drawing skills. Taking a "both/and" approach, this book provides step-by-step guidance on drawing tools and techniques and offers practical suggestions on how to use these skills in conjunction with digital tools on real-world projects. Illustrated with nearly 300 full color drawings, the book includes a series of video demonstrations that reinforces the sketching techniques.
/divDIVGet out your favorite drawing tool, and remember, there are not just20 Ways to Draw a Tree!/div
Did you know that an octopus has three hearts?
Or that ostriches can't walk backward?
Or that a group of owls is called a parliament, or that they have three eyelids?
Sea otters hold hands in their sleep, bees never sleep, and penguins laugh when they're tickled!
This charming compendium contains over 100 pages of fascinating facts about the animal kingdom illustrated with whimsical detail.
A New York Times bestseller
Why do clouds sometimes look like cotton wool in landscape paintings? And why do mountains sometimes end up resembling pointed cones topped with cream?
Available in Kindle, large and small editions, this art book aims to offer guidance on overcoming common 'peeves' in landscape art.
If the issue persists, the problem is likely to become a creative block. This is where this book comes in.
With no-nonsense and at times direct advice, each issue is tackled in-depth: a diagnostic of the problem, suggested solutions in the form of recommended art materials and remedial painting exercises, as well as an oil painting demonstration.
In total, 26 common “peeves” associated with landscape painting are tackled within this book, including why shadows look like black splodges, trees like lollypops and why flowers look garish. In five clear sections, a myriad of other matters relating to landscape painting are explained, such as the colour theory, the rules of perspectives and introductory chapters on the essentials of oil painting, in total, with countless colour illustrations and diagrams.
Dimensions of large edition: 10x8in and 84 pages.
The author has taught oil painting and life drawing in Warwickshire. She obtained her Bachelor of Arts degree from Kingston University in Surrey and a PCET Teaching qualification from Warwick University.
Based on author Barbara Diane Barry’s popular course Art for Self-Discovery and supported by research in psychology and the science of brain function, Painting Your Way Out of a Corner guides readers through the process of overcoming blocks and expressing themselves freely in painting. Through a series of exercises that emphasize improvisation and risk-taking, readers will learn how to quiet their inner critics and strengthen their creativity. The more we learn to play and accept whatever appears on the page, the more we are able to try new things in life. Readers will be inspired by Barry’s delightful full-color paintings featured throughout the book.
"Art Lab for Kids encourages all ages to be fearless in seeking and nurturing their creativity. With lessons, inspiration, and advice, Susan Schwake gives you the tools to find and explore your artistic side." - Kathreen Ricketson, found and editor of http://www.whipup.net and http://www.action-pack.com
A refreshing source of ideas for creating fine art with children, Art Lab for Kids encourages the artist’s own voice, marks, and style. This fun and creative book features 52 fine art projects set into weekly lessons, beginning with drawing, moving through painting and printmaking, and then building to paper collage and mixed media. Each lesson features and relates to the work and style of a contemporary artist. Lisa Congdon, Megan Bogonovich, and Amy Rice are just a few of the artists included. The labs can be used as singular projects or to build up to a year of hand-on fine art experiences. The lessons in this book are open-ended to be explored over and over–with different results each time! Colorful photos illustrate how different people using the same lesson will yield different results, exemplifying the way the lesson brings out each artist’s personal style. Art Lab for Kids is the perfect book for creative families, friends, and community groups and works as lesson plans for both experienced and new art teachers. Children of all ages and experience levels can be guided by adults and will enjoy these engaging exercises.
The book is structured in three main blocks. The first part contains the different techniques and materials we have at our disposal in order to be able to represent as many different effects as it is necessary.
The second block walks us through a greatly visual and detailed description of the different processes and materials involved in representing these effects on different types of locomotives and wagons. A variety of techniques and work carried out by some of the best European and American modellers.
On the third section we will see how to weather railway buildings and rail station structures and their elements. This goes together with a chapter full of real reference pictures of trains from around the world that will really delight the reader and push many to start with the hobby.
Ever had trouble drawing ellipses, mixing skin colours or painting skies? This bumper oil painting book tackles 78 such painting ‘peeves’ with suggested solutions.
The Ultimate Oil Painting Solution comprise three full-length art books: Why do my Clouds Look Like Cotton Wool? a problem-solver for landscape painting; Why do my Skin Tones Look Lifeless? a problem-solver for portrait painting, and Why do my Ellipses Look Like Doughnuts? a problem-solver for still life painting.
Each book can be purchased singly if interested in just one subject area. However, purchasing the three in this bundle book will work out a little cheaper than buying the three books individually.
Each book comprises 26 common ‘peeves’ (in the form of chapters) associated with the oil painting area concerned, and therefore you will find 78 such peeves and suggested solutions collectively within.
The book has 73,000 words, 78 chapters and around 400 images.
Each book also possesses a step by step painting demonstration associated with the subject area. These are Castlerigg Stone Circle (for landscape art); David’s Oath of the Horatii (for portraiture) and painting strawberries (for still life).
The ‘peeves’ selected represent common problem areas that students have experienced in my art classes. Such peeves include the rendering of foreshortenings, darkening skin colours, suggesting ripples in water, painting clouds, mixing greens, suggesting soft hair, painting noses, reflections in eyes, moisture on fruit, portrait photography, measuring tones, darkening snow colours and a myriad of other peeves.
As each book are in themselves separate entities, where applicable, similar information is presented in context of landscape art, portraiture and still life painting, although the information is presented differently. Examples of this are the art materials needed for painting and the nature of pigments. However, such occurrences are mostly confined to the introductory chapters of each book and occur seldom elsewhere.
Key chapters in this book cover the colour theory, perspectives, drawing ellipses, the golden section, tonal values, underglazing, art techniques, the nature of pigments, essential art materials, monochromatic painting, composing an arrangement, negative shapes, painting en plein air, drawing foreshortenings, creating mood, making a viewfinder, colour temperatures, drawing methods, the rules of reflections, painting on a budget, types of gessoes, skin colours and much, much more.
The aim of this book is to find a ‘cure’ for a given issue and enable the developing artist to improve in the future. Most of all, to encourage creativity and growing confidence.
Dimensions of print book: 10x8in and 234 pages.