"Eminent Victorians" marked an epoch in the art of biography; it also helped to crack the old myths of high Victorianism and to usher in a new spirit by which chauvinism, hypocrisy and the stiff upper lip were debunked. In it, Strachey cleverly exposes the self-seeking ambitions of Cardinal Manning and the manipulative, neurotic Florence Nightingale; and in his essays on Dr Arnold and General Gordon, his quarries are not only his subjects but also the public-school system and the whole structure of nineteenth-century liberal values.
A list of the principal sources from which I have drawn is appended to each Biography. I would indicate, as an honourable exception to the current commodity, Sir Edward Cook's excellent Life of Florence Nightingale, without which my own study, though composed on a very different scale and from a decidedly different angle, could not have been written.
HENRY EDWARD MANNING was born in 1807 and died in 1892. His life was extraordinary in many ways, but its interest for the modern inquirer depends mainly upon two considerations—the light which his career throws upon the spirit of his age, and the psychological problems suggested by his inner history. He belonged to that class of eminent ecclesiastics—and it is by no means a small class—who have been distinguished less for saintliness and learning than for practical ability. Had he lived in the Middle Ages he would certainly have been neither a Francis nor an Aquinas, but he might have been an Innocent. As it was, born in the England of the nineteenth century, growing up in the very seed-time of modern progress, coming to maturity with the first onrush of Liberalism, and living long enough to witness the victories of Science and Democracy, he yet, by a strange concatenation of circumstances, seemed almost to revive in his own person that long line of diplomatic and administrative clerics which, one would have thought, had come to an end for ever with Cardinal Wolsey.
In Manning, so it appeared, the Middle Ages lived again. The tall gaunt figure, with the face of smiling asceticism, the robes, and the biretta, as it passed in triumph from High Mass at the Oratory to philanthropic gatherings at Exeter Hall, from Strike Committees at the Docks to Mayfair drawing-rooms where fashionable ladies knelt to the Prince of the Church, certainly bore witness to a singular condition of affairs. What had happened? Had a dominating character imposed itself upon a hostile environment? Or was the nineteenth century, after all, not so hostile? Was there something in it, scientific and progressive as it was, which went out to welcome the representative of ancient tradition and uncompromising faith? Had it, perhaps, a place in its heart for such as Manning—a soft place, one might almost say? Or, on the other hand, was it he who had been supple and yielding? He who had won by art what he would never have won by force, and who had managed, so to speak, to be one of the leaders of the procession less through merit than through a superior faculty for gliding adroitly to the front rank? And, in any case, by what odd chances, what shifts and struggles, what combinations of circumstance and character, had this old man come to be where he was? Such questions are easier to ask than to answer; but it may be instructive, and even amusing, to look a little more closely into the complexities of so curious a story.
Isabel y Essex es una de las aproximaciones más originales que se han realizado a la figura de la más controvertida de las reinas de Inglaterra.
«Todas mis pertenencias por un momento de tiempo.»
Isabel I en su lecho de muerte