In this revolutionary book, Joan Breton Connelly challenges our most basic assumptions about the Parthenon and the ancient Athenians. Beginning with the natural environment and its rich mythic associations, she re-creates the development of the Acropolis—the Sacred Rock at the heart of the city-state—from its prehistoric origins to its Periklean glory days as a constellation of temples among which the Parthenon stood supreme. In particular, she probes the Parthenon’s legendary frieze: the 525-foot-long relief sculpture that originally encircled the upper reaches before it was partially destroyed by Venetian cannon fire (in the seventeenth century) and most of what remained was shipped off to Britain (in the nineteenth century) among the Elgin marbles. The frieze’s vast enigmatic procession—a dazzling pageant of cavalrymen and elders, musicians and maidens—has for more than two hundred years been thought to represent a scene of annual civic celebration in the birthplace of democracy. But thanks to a once-lost play by Euripides (the discovery of which, in the wrappings of a Hellenistic Egyptian mummy, is only one of this book’s intriguing adventures), Connelly has uncovered a long-buried meaning, a story of human sacrifice set during the city’s mythic founding. In a society startlingly preoccupied with cult ritual, this story was at the core of what it meant to be Athenian. Connelly reveals a world that beggars our popular notions of Athens as a city of staid philosophers, rationalists, and rhetoricians, a world in which our modern secular conception of democracy would have been simply incomprehensible.
The Parthenon’s full significance has been obscured until now owing in no small part, Connelly argues, to the frieze’s dismemberment. And so her investigation concludes with a call to reunite the pieces, in order that what is perhaps the greatest single work of art surviving from antiquity may be viewed more nearly as its makers intended. Marshalling a breathtaking range of textual and visual evidence, full of fresh insights woven into a thrilling narrative that brings the distant past to life, The Parthenon Enigma is sure to become a landmark in our understanding of the civilization from which we claim cultural descent.
Join Howard Carter in his fascinating odyssey toward the most dramatic archeological find of the century--the tomb of Tutankhamen. Written by Carter in 1923, only a year after the discovery, this book captures the overwhelming exhilaration of the find, the painstaking, step-by-step process of excavation, and the wonder of opening a treasure-filled inner chamber whose regal inhabitant had been dead for 3,000 years.
104 on-the-spot photographs chronicle the phases of the discovery and the scrupulous cataloging of the treasures. The opening chapters discuss the life of Tutankhamen and earlier archeological work in the Valley of the Kings. An appendix contains fully captioned photographs of the objects obtained from the tomb. A new preface by Jon Manchip White adds information on Carter's career, recent opinions on Tutankhamen's reign, and the importance of Carter's discovery to Egyptologists.
Millions have seen the stunning artifacts which came from the tomb—they are among the glories of the Cairo Museum, and have made triumphal tours to museums the world over. They are a testament to the enigmatic young king, and to the unwavering tenacity of the man who brought them to light as described in this remarkable narrative.
From the Hardcover edition.
* Beautifully illustrated with images relating to Ruskin’s life and works
* Concise introductions to the famous art books and other texts
* ALL the art criticism and published prose works, with individual contents tables
* Images of how the books were first printed, giving your eReader a taste of the original texts
* Excellent formatting of the texts
* Famous works such as MODERN PAINTERS and THE STONES OF VENICE are fully illustrated with their original artwork
* The complete poetry is presented in the scholarly Cook and Wedderburn edition
* Special alphabetical contents tables for the poetry - easily locate the poems you want to read
* The complete letters of the FORS CLAVIGERA with footnotes (Cook and Wedderburn), including the famous Whistler pamphlet – first time in digital print
* All the travel books
* Includes Ruskin’s rare autobiography PRAETERITA (Cook and Wedderburn), accompanied with the scarce DILECTA
* Special criticism section, with essays evaluating Ruskin’s contribution to literature and art criticism
* Features a bonus biography - discover Ruskin’s literary life
* Even offers a special illustrated section on Ruskin’s paintings
* Scholarly ordering of texts into chronological order and literary genres
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The Art Criticism
THE SEVEN LAMPS OF ARCHITECTURE
GIOTTO AND HIS WORKS IN PADUA
LECTURES ON ARCHITECTURE AND PAINTING DELIVERED AT EDINBURGH IN NOVEMBER, 1853
LETTERS TO THE “TIMES” ON THE TURNER BEQUEST 1856, 1857
NOTES ON THE TURNER GALLERY AT MARLBOROUGH HOUSE
THE ELEMENTS OF DRAWING
A JOY FOR EVER
THE TWO PATHS
THE ELEMENTS OF PERSPECTIVE
SESAME AND LILIES
LECTURES ON ART DELIVERED BEFORE THE UNIVERSITY OF OXFORD IN HILARY TERM, 1870
THE EAGLE’S NEST
THE POETRY OF ARCHITECTURE
NOTES BY MR. RUSKIN ON HIS DRAWINGS BY THE LATE J. M. W. TURNER
THE LAWS OF FÉSOLE
NOTES ON SAMUEL PROUT AND WILLIAM HUNT
CIRCULAR RESPECTING MEMORIAL STUDIES OF ST. MARK’S, VENICE
THE ART OF ENGLAND
THE PLEASURES OF ENGLAND
FINAL LECTURES AT OXFORD
LECTURES ON LANDSCAPE
LECTURES AND NOTES FOR LECTURES ON GREEK ART AND MYTHOLOGY
The Travel Books
THE STONES OF VENICE
MORNINGS IN FLORENCE
ST. MARK’S REST
‘OUR FATHERS HAVE TOLD US’
Other Prose Works
THE KING OF THE GOLDEN RIVER
THE HARBOURS OF ENGLAND
‘UNTO THIS LAST’
THE ETHICS OF THE DUST
THE CROWN OF WILD OLIVE
TIME AND TIDE BY WEARE AND TYNE
LEONI: A LEGEND OF ITALY
THE QUEEN OF THE AIR
ELEMENTS OF ENGLISH PROSODY
ARROWS OF THE CHACE
THE STORM CLOUD OF THE NINETEENTH CENTURY
ON THE OLD ROAD
INTRODUCTION TO RUSKIN’S POETRY by E. T. Cook
THE POEMS: TABLE OF CONTENTS
LIST OF POEMS IN ALPHABETICAL ORDER
RUSKIN by G. K. Chesterton
RUSKIN by Henry Major Tomlinson
RUSKIN AS POET by W. H. Davenport Adams
CONTEMPORARY NOTES ON WHISTLER vs. RUSKIN by Henry James
RUSKIN by Virginia Woolf
THE LIFE OF JOHN RUSKIN by W. G. Collingwood
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2nd Edition - Completely Revised for the New 2016 Exam
Crash Course is perfect for the time-crunched student, the last-minute studier, or anyone who wants a refresher on the subject.
Are you crunched for time? Have you started studying for your Advanced Placement® Art History exam yet? How will you memorize everything you need to know before the test? Do you wish there was a fast and easy way to study for the exam AND boost your score?
If this sounds like you, don't panic. REA's Crash Course for AP® Art History is just what you need.
Our Crash Course gives you:
Targeted, Focused Review - Study Only What You Need to Know
The Crash Course is based on an in-depth analysis of the new AP® Art History course description outline and actual AP® test questions. It covers only the information tested on the exam, so you can make the most of your valuable study time. Written by an AP® Art History teacher, the targeted review prepares students for the 2016 test by focusing on the new framework concepts and learning objectives tested on the redesigned AP® Art History exam.
Easy-to-read review chapters in outline format cover all the artistic traditions students need to know, including Global Prehistory, Ancient Mediterranean, Europe and the Americas, Asia, Africa, and more. The book also features must-know Art History terms all AP® students should know before test day.
Expert Test-taking Strategies
Our experienced AP® Art History teacher shares detailed question-level strategies and explains the best way to answer the multiple-choice and free-response questions you'll encounter on test day. By following our expert tips and advice, you can boost your overall point score!
FREE Practice Exam
After studying the material in the Crash Course, go to the online REA Study Center and test what you've learned. Our free practice exam features timed testing, detailed explanations of answers, and automatic scoring analysis. The exam is balanced to include every topic and type of question found on the actual AP® exam, so you know you're studying the smart way.
Whether you're cramming for the test at the last minute, looking for extra review, or want to study on your own in preparation for the exams - this is the study guide every AP® Art History student must have.
When it's crucial crunch time and your Advanced Placement® exam is just around the corner, you need REA's Crash Course for AP® Art History!
Throughout the work, Aristotle reveals not only a great intellect analyzing the nature of poetry, music, and drama, but also a down-to-earth understanding of the practical problems facing the poet and playwright. Now, in this inexpensive edition of the Poetics, readers can enjoy the seminal insights of one of the greatest minds in human history as he sets about laying the foundations of critical thought about the arts.
• Reveals the existence of physical evidence of alien presence on Earth in the distant past
• Identifies and describes the demigods, such as Gilgamesh, descended from these visitors
• Outlines the tests of this physical evidence of alien presence that could unlock the secrets of health, longevity, life, and death
In whose genetic image were we made? From his first book The 12th Planet on, Zecharia Sitchin has asserted that the Bible’s Elohim who said “Let us fashion The Adam in our image and after our likeness” were the gods of Sumer and Babylon--the Anunnaki who had come to Earth from their planet Nibiru. The Adam, he wrote, was genetically engineered by adding Anunnaki genes to those of an existing hominid, some 300,000 years ago. Then, according to the Bible, intermarriage took place: “There were giants upon the Earth” who took Adam’s female offspring as wives, giving birth to “heroes of renown.” With meticulous detail, Sitchin shows that these were the demigods of Sumerian and Babylonian lore, such as the famed Mesopotamian king Gilgamesh as well as the hero of the Deluge, the Babylonian Utnapishtim.
Are we then, all of us, descendants of demigods? In this crowning oeuvre, Zecharia Sitchin proceeds step-by-step through a mass of ancient writings and artifacts, leading the reader to the stunning Royal Tombs of Ur. He reveals a DNA source that could prove the biblical and Sumerian tales true, providing conclusive physical evidence for past alien presence on Earth and an unprecedented scientific opportunity to track down the “Missing Link” in humankind’s evolution, unlocking the secrets of longevity and even the ultimate mystery of life and death.
An extensive multiyear project in experimental archaeology, this pioneering study presents a thorough investigation of the linothorax, linen armor worn by the Greeks, Macedonians, and other ancient Mediterranean warriors. Because the linothorax was made of cloth, no examples of it have survived. As a result, even though there are dozens of references to the linothorax in ancient literature and nearly a thousand images of it in ancient art, this linen armor remains relatively ignored and misunderstood by scholars.
Combining traditional textual and archaeological analysis with hands-on reconstruction and experimentation, the authors unravel the mysteries surrounding the linothorax. They have collected and examined all of the literary, visual, historical, and archaeological evidence for the armor and detail their efforts to replicate the armor using materials and techniques that are as close as possible to those employed in antiquity. By reconstructing actual examples using authentic materials, the authors were able to scientifically assess the true qualities of linen armor for the first time in 1,500 years. The tests reveal that the linothorax provided surprisingly effective protection for ancient warriors, that it had several advantages over bronze armor, and that it even shared qualities with modern-day Kevlar.
Previously featured in documentaries on the Discovery Channel and the Canadian History Channel, as well as in U.S. News and World Report, MSNBC Online, and other international venues, this groundbreaking work will be a landmark in the study of ancient warfare.-- John W. I. Lee, University of California, Santa Barbara
Like many of his other works, Doré's illustrations for the Idylls possess great drama, detail, and power, overlaid with a melancholy, otherworldly mood. His masterly technique is abundantly evident in splendid, idealized scenes illustrating the romantic involvements of four lovely ladies: "the fair Elaine," much enamored of Lancelot; Guinevere, Arthur's perfidious queen; Enid, the wife of Geraint, one of Arthur's knights; and the "wily Vivien," a scheming beauty who attempts to seduce the wizard Merlin.
Accompanied by synopses and appropriate quotations from Tennyson's poem, Doré's illustrations bring these marvelous legends to vivid life.
Is history destined to repeat itself?Will biblical prophecies come true, and if so, when?
It has been more than three decades since Zecharia Sitchin's trailblazing book The 12th Planet brought to life the Sumerian civilization and its record of the Anunnaki—the extraterrestrials who fashioned man and gave mankind civilization and religion. In this new volume, Sitchin shows that the End is anchored in the events of the Beginning, and once you learn of this Beginning, it is possible to foretell the Future.
In The End of Days, a masterwork that required thirty years of additional research, Sitchin presents compelling new evidence that the Past is the Future—that mankind and its planet Earth are subject to a predetermined cyclical Celestial Time.
In an age when religious fanaticism and a clash of civilizations raise the specter of a nuclear Armageddon, Zecharia Sitchin shatters perceptions and uses history to reveal what is to come at The End of Days.
This richly illustrated book evaluates rock-art conservation in an holistic way, bringing together researchers from across the world to share experiences of work in progress or recently completed. The chapters focus on a series of key themes: documentation projects and resource assessments; the identification and impact assessment of weathering/erosion processes at work in open-air rock-art sites; the practicalities of potential or implemented conservation interventions; experimentation and monitoring programs; and general management issues connected with public presentation and the demands of ongoing research investigations. Consideration is given to the conservation of open-air rock-art imagery from many periods and cultural traditions across the Old and New Worlds. This timely volume will be of interest to conservators, managers, and researchers dealing with aesthetic and ethical issues as well as technical and practical matters regarding the conservation of open-air rock-art sites.
Probing into ancient perspectives on the legitimacy and legality of rule, the title also explores the relationship between ruling and law. Law, personified as 'king' (nomos basileus), came to be seen as the ultimate source of sovereignty especially as expressed through the constitutional machinery of the city, and became an important balance and constraint for personal rule.
Finally, Heroic Rulers demonstrates that monarchy, which is generally thought to have disappeared before the end of the archaic period, remained a valid political option from the Early Iron Age through to the Hellenistic period.
Few accounts of the period are as exhaustively researched; fewer still are as alive with historical insight and compelling detail. At once accessible and comprehensive, ‘Ancient Ireland’ is an indispensable guide to early Irish civilisation, its culture and mythology.
Why are the Elgin Marbles in London and not on the Acropolis? Why do there seem to be as many mummies in France as there are in Egypt? Why are so many Etruscan masterworks in America? For the past two centuries, the West has been plundering the treasures of the ancient world to fill its great museums, but in recent years, the countries where ancient civilizations originated have begun to push back, taking museums to court, prosecuting curators, and threatening to force the return of these priceless objects.
Where do these treasures rightly belong? Sharon Waxman, a former culture reporter for The New York Times and a longtime foreign correspondent, brings us inside this high-stakes conflict, examining the implications for the preservation of the objects themselves and for how we understand our shared cultural heritage. Her journey takes readers from the great cities of Europe and America to Egypt, Turkey, Greece, and Italy, as these countries face down the Louvre, the Metropolitan Museum, the British Museum, and the J. Paul Getty Museum. She also introduces a cast of determined and implacable characters whose battles may strip these museums of some of their most cherished treasures.
For readers who are fascinated by antiquity, who love to frequent museums, and who believe in the value of cultural exchange, Loot opens a new window on an enduring conflict.
are all warriors. Each of us struggles every day to define and defend
our sense of purpose and integrity, to justify our existence on the
planet and to understand, if only within our own hearts, who we are and
what we believe in. Do we fight by a code? If so, what is it? What is
the Warrior Ethos? Where did it come from? What form does it take today?
How do we (and how can we) use it and be true to it in our internal and
The Warrior Ethos is intended not only for men
and women in uniform, but artists, entrepreneurs and other warriors in
other walks of life. The book examines the evolution of the warrior code
of honor and "mental toughness." It goes back to the ancient Spartans
and Athenians, to Caesar's Romans, Alexander's Macedonians and the
Persians of Cyrus the Great (not excluding the Garden of Eden and the
primitive hunting band). Sources include Herodotus, Thucydides,
Plutarch, Xenophon, Vegetius, Arrian and Curtius--and on down to Gen.
George Patton, Field Marshal Erwin Rommel, and Israeli Minister of
Defense, Moshe Dayan.
From the conquest of the Mediterranean beginning in the third century BC to the destruction of the Roman Empire at the hands of barbarian invaders some seven centuries later, we discover the most critical episodes in Roman history: the spectacular collapse of the 'free' republic, the birth of the age of the 'Caesars', the violent suppression of the strongest rebellion against Roman power, and the bloody civil war that launched Christianity as a world religion.
At the heart of this account are the dynamic, complex but flawed characters of some of the most powerful rulers in history: men such as Pompey the Great, Julius Caesar, Augustus, Nero and Constantine. Putting flesh on the bones of these distant, legendary figures, Simon Baker looks beyond the dusty, toga-clad caricatures and explores their real motivations and ambitions, intrigues and rivalries.
The superb narrative, full of energy and imagination, is a brilliant distillation of the latest scholarship and a wonderfully evocative account of Ancient Rome.
In ancient Egypt, wrapping sacred objects, including mummified bodies, in layers of cloth was a ritual that lay at the core of Egyptian society. Yet in the modern world, attention has focused instead on unwrapping all the careful arrangements of linen textiles the Egyptians had put in place.
This book breaks new ground by looking at the significance of textile wrappings in ancient Egypt, and at how their unwrapping has shaped the way we think about the Egyptian past. Wrapping mummified bodies and divine statues in linen reflected the cultural values attached to this textile, with implications for understanding gender, materiality and hierarchy in Egyptian society. Unwrapping mummies and statues similarly reflects the values attached to Egyptian antiquities in the West, where the colonial legacies of archaeology, Egyptology and racial science still influence how Egypt appears in museums and the press.
From the tomb of Tutankhamun to the Arab Spring, Unwrapping Ancient Egypt raises critical questions about the deep-seated fascination with this culture – and what that fascination says about our own.
NAMED ONE OF THE BEST BOOKS OF THE YEAR BY
Good Housekeeping • Booklist • Publishers Weekly • Bookish
Two thousand years ago, an itinerant Jewish preacher and miracle worker walked across the Galilee, gathering followers to establish what he called the “Kingdom of God.” The revolutionary movement he launched was so threatening to the established order that he was captured, tortured, and executed as a state criminal.
Within decades after his shameful death, his followers would call him God.
Sifting through centuries of mythmaking, Reza Aslan sheds new light on one of history’s most influential and enigmatic characters by examining Jesus through the lens of the tumultuous era in which he lived: first-century Palestine, an age awash in apocalyptic fervor. Scores of Jewish prophets, preachers, and would-be messiahs wandered through the Holy Land, bearing messages from God. This was the age of zealotry—a fervent nationalism that made resistance to the Roman occupation a sacred duty incumbent on all Jews. And few figures better exemplified this principle than the charismatic Galilean who defied both the imperial authorities and their allies in the Jewish religious hierarchy.
Balancing the Jesus of the Gospels against the historical sources, Aslan describes a man full of conviction and passion, yet rife with contradiction; a man of peace who exhorted his followers to arm themselves with swords; an exorcist and faith healer who urged his disciples to keep his identity a secret; and ultimately the seditious “King of the Jews” whose promise of liberation from Rome went unfulfilled in his brief lifetime. Aslan explores the reasons why the early Christian church preferred to promulgate an image of Jesus as a peaceful spiritual teacher rather than a politically conscious revolutionary. And he grapples with the riddle of how Jesus understood himself, the mystery that is at the heart of all subsequent claims about his divinity.
Zealot yields a fresh perspective on one of the greatest stories ever told even as it affirms the radical and transformative nature of Jesus of Nazareth’s life and mission. The result is a thought-provoking, elegantly written biography with the pulse of a fast-paced novel: a singularly brilliant portrait of a man, a time, and the birth of a religion.
Praise for Zealot
“Riveting . . . Aslan synthesizes Scripture and scholarship to create an original account.”—The New Yorker
“A lucid, intelligent page-turner.”—Los Angeles Times
“Fascinatingly and convincingly drawn . . . Aslan may come as close as one can to respecting those who revere Jesus as the peace-loving, turn-the-other-cheek, true son of God depicted in modern Christianity, even as he knocks down that image.”—The Seattle Times
“[Aslan’s] literary talent is as essential to the effect of Zealot as are his scholarly and journalistic chops. . . . A vivid, persuasive portrait.”—Salon
“This tough-minded, deeply political book does full justice to the real Jesus, and honors him in the process.”—San Francisco Chronicle
Near the end of the last Ice Age 12,800 years ago, a giant comet that had entered the solar system from deep space thousands of years earlier, broke into multiple fragments. Some of these struck the Earth causing a global cataclysm on a scale unseen since the extinction of the dinosaurs. At least eight of the fragments hit the North American ice cap, while further fragments hit the northern European ice cap. The impacts, from comet fragments a mile wide approaching at more than 60,000 miles an hour, generated huge amounts of heat which instantly liquidized millions of square kilometers of ice, destabilizing the Earth's crust and causing the global Deluge that is remembered in myths all around the world. A second series of impacts, equally devastating, causing further cataclysmic flooding, occurred 11,600 years ago, the exact date that Plato gives for the destruction and submergence of Atlantis.
The evidence revealed in this book shows beyond reasonable doubt that an advanced civilization that flourished during the Ice Age was destroyed in the global cataclysms between 12,800 and 11,600 years ago. But there were survivors - known to later cultures by names such as 'the Sages', 'the Magicians', 'the Shining Ones', and 'the Mystery Teachers of Heaven'. They travelled the world in their great ships doing all in their power to keep the spark of civilization burning. They settled at key locations - Gobekli Tepe in Turkey, Baalbek in the Lebanon, Giza in Egypt, ancient Sumer, Mexico, Peru and across the Pacific where a huge pyramid has recently been discovered in Indonesia. Everywhere they went these 'Magicians of the Gods' brought with them the memory of a time when mankind had fallen out of harmony with the universe and paid a heavy price. A memory and a warning to the future...
For the comet that wrought such destruction between 12,800 and 11,600 years may not be done with us yet. Astronomers believe that a 20-mile wide 'dark' fragment of the original giant comet remains hidden within its debris stream and threatens the Earth. An astronomical message encoded at Gobekli Tepe, and in the Sphinx and the pyramids of Egypt,warns that the 'Great Return' will occur in our time...
• Offers easy access to the myriad characters and subjects covered by the seven books of The Earth Chronicles series
• Provides alphabetical listings to the terminology of ancient civilizations concerning their gods, kings, cultures, and religions
• Contains detailed summations, commentaries, and instructions for locating topics within all the author’s books
The Earth Chronicles series, a historical and archaeological adventure into the origins of mankind and planet Earth, began with the publication of the bestselling The 12th Planet. The series is based on the premise that the myths from the world’s earliest civilizations were in fact recollections of actual events and that the gods of ancient peoples were visitors to Earth from another planet--the Anunnaki, inhabitants of the 12th planet. The series’ books include The 12th Planet, The Stairway to Heaven, The Wars of Gods and Men, The Lost Realms, When Time Began, The Cosmic Code, and The End of Days, all products of the author’s unmatched study of the ancient records of Sumer, Babylonia, Assyria, Israel, and Egypt and the civilizations of pre-Columbian America. Unearthing the hidden history of Earth and mankind, the series uses the past to unveil the meaning of the prophesied future.
Zecharia Sitchin has created an encyclopedic compendium of the key figures, sites, concepts, and beliefs to provide a unique navigational tool through this entire opus. Entries are coded to indicate at a glance their cultural origin and contain summations, commentaries, and guidance for locating the topics within all of his books, including Genesis Revisited, Divine Encounters, The Lost Book of Enki, The Earth Chronicles Expeditions, and Journeys to the Mythical Past.
Twenty thousand years ago, women were making and wearing the first clothing created from spun fibers. In fact, right up to the Industrial Revolution the fiber arts were an enormous economic force, belonging primarily to women.
Despite the great toil required in making cloth and clothing, most books on ancient history and economics have no information on them. Much of this gap results from the extreme perishability of what women produced, but it seems clear that until now descriptions of prehistoric and early historic cultures have omitted virtually half the picture.
Elizabeth Wayland Barber has drawn from data gathered by the most sophisticated new archaeological methods—methods she herself helped to fashion. In a "brilliantly original book" (Katha Pollitt, Washington Post Book World), she argues that women were a powerful economic force in the ancient world, with their own industry: fabric.
• Explores links between the Old world and the New in search of evidence of extraterrestrial gods in the artifacts and murals of ancient civilizations
• Reveals archaeological cover-ups concerning Olmec origins in Mexico and ancient UFO artifacts in Turkey
In this autobiographical book, the internationally acclaimed author Zecharia Sitchin reveals the foundational research and the adventurous expeditions that resulted in his writing the bestselling The Earth Chronicles series. Ranging from Mayan temples in Mexico to hidden artifacts in Istanbul, Turkey, from biblical tunnels in Jerusalem to the mysteries of Mt. Sinai, from the abode of a Sumerian goddess to Greek islands, the Expeditions’ destinations and amazing discoveries unmasked established fallacies, detected the fate of mysterious artifacts, and revealed ancient connections to modern space facilities.
For the first time, Sitchin shares with the reader not only his encompassing knowledge of antiquity and his field experiences, but also the concrete evidence for his conclusions that ancient myths were recollections of factual events, that the gods of ancient peoples were visitors to Earth from another planet, and that we are not alone in our own solar system. Accompanied by photographs from his personal archive, here is Sitchin’s own story and his inner feelings about the cord that binds him to his ancestral past.
This art history text examines the various influences that have shaped the course of Japanese art history in the fields of painting, sculpture, architecture, and handicrafts. Discussed with challenging insight are the impact of the various Indian and Chinese schools, the pervasive influence of Zen philosophy, and the many other artistic developments, giving the reader a well-rounded picture of the great significance and contribution of Japanese art.
Special features of the book are sections on handicrafts and a chapter on prehistoric art. The book comes at a time when there is an awakened interest in Asian art throughout the world. In the past, due to linguistic barriers, political upheavals, and the limited number of specialists, misconceptions have been especially numerous in the field of Japanese art. The Arts of Japan admirably corrects these misinterpretations, consolidates the results of the most recent scholarship, and in one compact volume presents an up-to-date, authoritative survey of Japanese and throughout its long history and in all its colorful diversity.
• Includes carefully selected chapters from the Earth Chronicles series as well as never-before-published letters, articles, and lectures
• Each piece includes an introduction, offering context and insight into Sitchin’s passionate work and revealing the man behind the theories
• Explains the genesis of The 12th Planet, the Anunnaki influences on the Sumerian civilization, the orbit of Nibiru, the prehistory of the Americas, the extraterrestrial origins of modern man, and much more
What if the tales from the Old Testament and other ancient writings, such as those from Sumer, Babylon, Egypt, and Greece, were not myths or allegory but accounts of actual historical events? Known for his ability to read and interpret ancient Sumerian and Akkadian clay tablets, Zecharia Sitchin (1920-2010) took the words of our most ancient ancestors as fact and, through decades of meticulous research, showed that they revealed a coherent narrative about the true origins of humanity and civilization. Drawing both widespread interest and criticism, his Earth Chronicles series of books, beginning with The 12th Planet, detailed how humanity arose after the arrival of the Anunnaki (“those who from Heaven to Earth came”), alien “gods” who created modern man in their own image and imparted gifts of civilizing knowledge.
Providing an insider’s look into the decades of research behind Zecharia Sitchin’s complete works as well as an in-depth overview of his theories, this collection includes carefully selected chapters from the Earth Chronicles series as well as never-before-published letters, articles, and lectures. We learn about the genesis of The 12th Planet in “The Book as a Story,” the Sumerians and their Anunnaki influences in “The Sudden Civilization,” the orbit of Nibiru in “UFOs, Pyramids, and the 12th Planet,” the prehistory of the Americas in “Cities Lost and Found,” the extraterrestrial origins of modern man in “The Cosmic Connection--DNA,” and much more. We get to read never-before-published lectures, culled from Sitchin’s decades of presentations, as well as the article that spurred the writing of There Were Giants Upon the Earth.
Each piece includes an introduction by Sitchin’s niece, offering context and insight into Sitchin’s passionate work. These introductions reveal the man behind the theories, a world traveler known for his scholarship, dry humor, and precisely chosen words. If his theories are true, as Sitchin wholeheartedly believed, then this collection presents some of the most important knowledge we have of our origins and future.
This eighth-century genius, whose versatility is comparable to that of the great Italian Leonardo da Vinci, lived during the Tang Dynasty when the most brilliant cultural period in Chinese history was at its height.
Whatever he attempted—as artist, poet, musician, doctor and official—he performed with a master's touch. As a poet he earned the title of "Great." He is acknowledged as the father of pure Chinese landscape painting., destined to become classic throughout the world. Wang's initiative in monochromes and his advanced skills in techniques were harbingers of different types of paintings.
Greatest of all his innovations is the long horizontal Chinese scroll, reaching a length, in some instances, of over twenty feet.
Dress of the Qing Manchu Rulers 1644-1911Dress of the Manchu Consorts 1644-1911Attire of Mandarins and MerchantsAttire of Chinese WomenRepublican Dress 1912-1949Clothing of the Lower ClassesClothing for ChildrenDress in New China 1950-2006From Imperial robes to foot binding to the cheongsam, Chinese Dress spotlights traditional Chinese dress against a background of historical, cultural and social change, opening a fascinating window for anyone seeking to deepen their understanding of China, Chinese culture and Chinese fashion history.
Here is a book with captions and a text that are highly readable blends of scholarly information and informal comment by an Indian art expert. This grants the reader special insights into the concepts that lie behind art so different from that of the West.
Author Mookerjee has judiciously selected photographs which present the vast panorama of Indian art from its earliest beginnings. Examples of Indian folk arts and some works by 20th-century Indian artists round out this rich historic survey of over 5,000 years of continuous creativity—a collection of paintings, reliefs, statues, and architectural monuments from this sprawling sub-continent now divided into the lands of India, Pakistan, Ceylon, Burma and Afghanistan.
About a PDF file
I confessed it, and I tried the registration of the epub file many times to publish this book, but was not able to carry it out. Therefore I decided to register as pdf file. I was not able to use the hyperlink function with pdf file. A table of contents and an index and the expression of the website do not open.
About the English sentence of this book
I who was the author of this book translated a Japanese sentence into an English sentence by oneself. However, the power to control my English is very insufficient. Therefore I used translation software in the publication of this book. As a result, I think that a sentence of this book is the strange sentence that it is hard to read. The motif of this book is very important to me. I want to share it with many people. Therefore I was a strange sentence, but decided to publish this English book daringly. I feel sorry for the person who was supposed to read this book by chance. And I thank such a reader very much.
Volumes in the Library of Ancient Israel draw on multiple disciplines--such as archaeology, anthropology, sociology, linguistics, and literary criticism--to illuminate the everyday realities and social subtleties these ancient cultures experienced. This series employs sophisticated methods resulting in original contributions that depict the reality of the people behind the Hebrew Bible and interprets these insights for a wide variety of readers.
As well as superb translations of all non-biblical texts sufficiently well preserved to be rendered into English, there are also a number of previously unpublished texts, and a new preface.
Since its first publication in 1962, The Dead Sea Scrolls in English has established itself as the standard English translation of the non-Biblical Qumran Scrolls and as giving an astonishing insight to the organization, customs, history and beliefs of the community responsible for them. This seventh edition will contain new material, together with extensive new introductory material and notes.
• Contains the most extensive and up-to-date archaeological research on Lemuria
• Reveals a lost, ancient technology in some respects more advanced than modern science
• Provides evidence that the perennial philosophies have their origin in Lemurian culture
Before the Indonesian tsunami or Hurricane Katrina’s destruction of New Orleans, there was the destruction of Lemuria. Oral tradition in Polynesia recounts the story of a splendid kingdom that was carried to the bottom of the sea by a mighty “warrior wave”--a tsunami. This lost realm has been cited in numerous other indigenous traditions, spanning the globe from Australia to Asia to the coasts of both South and North America. It was known as Lemuria or Mu, a vast realm of islands and archipelagoes that once sprawled across the Pacific Ocean. Relying on 10 years of research and extensive travel, Frank Joseph offers a compelling picture of this motherland of humanity, which he suggests was the original Garden of Eden.
Using recent deep-sea archaeological finds, enigmatic glyphs and symbols, and ancient records shared by cultures divided by great distances that document the story of this sunken world, Joseph painstakingly re-creates a picture of this civilization in which people lived in rare harmony and possessed a sophisticated technology that allowed them to harness the weather, defy gravity, and conduct genetic investigations far beyond what is possible today. When disaster struck Lemuria, the survivors made their way to other parts of the world, incorporating their scientific and mystical skills into the existing cultures of Asia, Polynesia, and the Americas. Totem poles of the Pacific Northwest, architecture in China, the colossal stone statues on Easter Island, and even the perennial philosophies all reveal their kinship to this now-vanished civilization.
From the Trade Paperback edition.
• Zecharia Sitchin tells how his life was at risk inside the Great Pyramid and reveals the existence of a secret chamber
• Reports on Vatican encounters, the Iceman of the Alps, the Antikythera computer, the temples and Ruts of Malta--and offers a solution to the enigma of the Nazca lines
• 18,000 copies sold in hardcover since September 2007
In Journeys to the Mythical Past the renowned researcher of antiquity Zecharia Sitchin reveals, for the first time, the existence of a secret chamber in Egypt’s Great Pyramid, and he tells his own story of an indefatigable dedication to finding the truth that almost cost him his life--accidentally or otherwise--when uncovering secrets of the Giza pyramids and Sphinx. Exposing hidden artifacts that contradict establishment assumptions or that baffle scientists, Sitchin’s firsthand accounts of his explorations take the reader into the inner workings of the Vatican, the enigma of a futuristic computer from millennia ago, and the secret handiwork of a Divine Architect at Stonehenge, at Malta, and at a site in the Americas.
Looking deep into antiquity, Sitchin offers astounding evidence that links the Nazca lines and a baffling adjoining site to the Departure from Earth of the Anunnaki, the ancient gods who, he believes, vowed to Return.
From Harald Bluetooth to Cnut the Great, the feared seamen and plunderers of the Viking Age ruled Norway, Sweden, and Denmark but roamed as far as Byzantium, Greenland, and America. Raiders and traders, settlers and craftsmen, the medieval Scandinavians who have become familiar to history as Vikings never lose their capacity to fascinate, from their ingeniously designed longboats to their stormy pantheon of Viking gods and goddesses, ruled by Odin in Valhalla. Robert Ferguson is a sure guide across what he calls "the treacherous marches which divide legend from fact in Viking Age history." His long familiarity with the literary culture of Scandinavia with its skaldic poetry is combined with the latest archaeological discoveries to reveal a sweeping picture of the Norsemen, one of history's most amazing civilizations.
Impeccably researched and filled with compelling accounts and analyses of legendary Viking warriors and Norse mythology, The Vikings is an indispensable guide to medieval Scandinavia and is a wonderful companion to the History Channel series.