Rien ne semble devoir troubler l’existence ordonnée et protégée de Pemberley, le domaine ancestral de la famille Darcy, dans le Derbyshire, ni perturber le bonheur conjugal de la maîtresse des lieux, Elizabeth Darcy. Elle est la mère de deux charmants bambins, sa sœur préférée, Jane, et son mari, Bingley, habitent à moins de trente kilomètres de là, et son père adulé, Mr Bennet, vient régulièrement en visite, attiré par l’imposante bibliothèque du château. Mais le climat s’alourdit soudain lorsque, à la veille du bal d’automne, un drame contraint les Darcy à recevoir sous leur toit la jeune sœur d’Elizabeth, Lydia, et son mari, Wickham, que leurs frasques passées ont rendu indésirables à Pemberley. Avec eux s’invitent la mort, la suspicion mais aussi le romanesque.
Dans La mort s’invite à Pemberley, P.D. James associe sa longue passion pour l’œuvre de Jane Austen à son talent d’auteur de romans policiers pour imaginer une suite à Orgueil et Préjugés, six ans après la fin du roman, et y camper une intrigue à suspense. Elle le fait avec une grande fidélité aux personnages d'Austen, et en même temps dans le plus pur style de ses romans policiers, dans lesquels elle fait affleurer, et souvent approfondit, des problèmes de société - ici ceux de l’Angleterre du début du XIXe siècle : domestiques et maîtres, dureté de la justice, abîme entre le mode de vie des privilégiés et celui des petites gens.
Un roman qui enchantera les admirateurs de P. D. James et, tout aussi nombreux, les nombreux aficionados de Jane Austen.
Maurice Seton was a famous mystery writer—but no murder he ever invented was more grisly than his own death. When his corpse is found in a drifting dinghy with both hands chopped off at the wrists, ripples of horror spread among his bizarre circle of friends. Now it’s up to brilliant Scotland Yard inspector, Adam Dalgliesh, and his extraordinary aunt to uncover the shocking truth behind the writer’s death sentence, before the plot takes another murderous turn.
Unnatural Causes inspired Cosmopolitan to fervently hope, “if we’re lucky, there will always be an England and there will always be a P.D. James.”
Sally Jupp was a sly and sensuous young woman who used her body and her brains to make her way up the social ladder. Now she lies across her bed with dark bruises from a strangler’s fingers forever marring her lily-white throat. Someone has decided that the wages of sin should be death...and it is up to Chief Inspector Adam Dalgliesh to find who that someone is.
Cover Her Face is P.D. James’ delightful debut novel, an ingeniously plotted mystery that immediately placed her among the masters of suspense.
On the surface, the Steen Psychiatric Clinic is one of the most reputable institutions in London. But when the administrative head is found dead with a chisel in her heart, that distinguished facade begins to crumble as the truth emerges. Superintendent Adam Dalgliesh of Scotland Yard is called in to investigate and quickly finds himself caught in a whirlwind of psychiatry, drugs, and deceit. Now he must analyze the deep-seated anxieties and thwarted desires of patients and staff alike to determine which of their unresolved conflicts has resulted in murder and stop a cunning killer before the next blow.
It begins, dramatically enough, with a trial for murder. The distinguished criminal lawyer Venetia Aldridge is defending Garry Ashe on charges of having brutally killed his aunt. For Aldridge the trial is mainly a test of her courtroom skills, one more opportunity to succeed--and she does. But now murder is in the air. The next victim will be Aldridge herself, stabbed to death at her desk in her Chambers in the Middle Temple, a bloodstained wig on her head. Enter Commander Adam Dalgliesh and his team, whose struggle to investigate and understand the shocking events cannot halt the spiral into more horrors, more murders...
A Certain Justice is P.D. James at her strongest. In her first foray into the strange closed world of the Law Courts and the London legal community, she has created a fascinating tale of interwoven passion and terror. As each character leaps into unforgettable life, as each scene draws us forward into new complexities of plot, she proves yet again that no other writer can match her skill in combining the excitement of the classic detective story with the richness of a fine novel. In its subtle portrayal of morality and human behavior, A Certain Justice will stand alongside Devices and Desires and A Taste for Death as one of P.D. James's most important, accomplished and entertaining works.
When a brilliant forensic scientist is found murdered in his own laboratory, Scotland Yard is called to the scene. The victim, a well-respected, authoritative member of the scientific community, was unpleasant to and greatly disliked by those who worked closest to him, leaving detectives with a wealth of suspects and murderous motives. P.D. James’ beloved detective Adam Dalgliesh is the one man who can sort through the lies, chasing down the truth to the book’s powerful climax.
P.D. James deftly weaves another tale of intrigue in Death of an Expert Witness. Engaging and thrilling, she takes readers along with her troubled detective on a case rife with psychological thrills.
The young women of Nightingale House are there to learn to nurse and comfort the suffering. But when one of the students plays patient in a demonstration of nursing skills, she is horribly, brutally killed. Another student dies equally mysteriously, and it is up to Adam Dalgliesh of Scotland Yard to unmask a killer who has decided to prescribe murder as the cure for all ills.
Featuring the famous Commander Adam Dalgliesh, Devices and Desires is a thrilling and insightfully crafted novel of fallible people caught in a net of secrets, ambitions, and schemes on a lonely stretch of Norfolk coastline.
Commander Dalgliesh of Scotland Yard has just published a new book of poems and has taken a brief respite from publicity on the remote Larksoken headland on the Norfolk coast in a converted windmill left to him by his aunt. But he cannot so easily escape murder. A psychotic strangler of young women is at large in Norfolk, and getting nearer to Larksoken with every killing. And when Dalgliesh discovers the murdered body of the Acting Administrative Officer on the beach, he finds himself caught up in the passions and dangerous secrets of the headland community and in one of the most baffling murder cases of his career.
Murders present meet murders past in P.D. James’s latest harrowing, thought-provoking thriller.
Commander Adam Dalgliesh is already acquainted with the Dupayne--a museum dedicated to the interwar years, with a room celebrating the most notorious murders of that time--when he is called to investigate the killing of one of the family trustees. He soon discovers that the victim was seeking to close the museum against the wishes of the fellow trustees and the Dupayne's devoted staff. Everyone, it seems, has something to gain from the crime. When it becomes clear that the murderer has been inspired by the real-life crimes from the murder room--and is preparing to kill again--Dalgliesh knows that to solve this case he has to get into the mind of a ruthless killer.
From the Trade Paperback edition.
Combe Island off the Cornish coast is a restful haven for the elite. But when one of its distinguished visitors is found hanging from the island’s famous lighthouse in what appears to have been a murder, the peace is shattered. Commander Adam Dalgliesh is called in to handle the sensitive case, but at a difficult time for him and his depleted team. He is uncertain about his future with his girlfriend Emma Lavenham; his principle detective Kate Miskin is going through an emotional crisis; and the ambitious Sergeant Francis Benton-Smith is not happy about having a female boss. After a second brutal killing, the whole investigation is jeopardized, and Dalgliesh is faced with a danger even more insidious than murder.
Actress Clarissa Lisle has always been famous for her ravishing beauty—and her unscrupulous manipulations. Now on the death-shrouded island of Courcy, her schemes win her a starring role in a nightmare in which she can trust no one—not her deceived husband; her dangerously insecure stepson; her ominously genial host; her dependent, desperate cousin; or her cruelly amusing ex-lover. Soon Detective Cordelia gray finds that nothing is as it seems on Courcy—especially after the curtain goes down. Here she must delve into ancient secrets and guilt-stained pasts—and risk her life to stop a brilliantly cunning murderer who has set the stage for her death.
From the Paperback edition.
On the East Anglian seacoast, a small theological college hangs precariously on an eroding shoreline and an equally precarious future. When the body of a student is found buried in the sand, the boy’s influential father demands that Scotland Yard investigate. Enter Adam Dalgliesh, a detective who loves poetry, a man who has known loss and discovery. The son of a parson, and having spent many happy boyhood summers at the school, Dalgliesh is the perfect candidate to look for the truth in this remote, rarified community of the faithful–and the frightened. And when one death leads to another, Dalgliesh finds himself steeped in a world of good and evil, of stifled passions and hidden pasts, where someone has cause not just to commit one crime but to begin an unholy order of murder. . . .
“Gracefully sculpted prose and [a] superbly executed mystery . . . Death in Holy Orders is among [James’s] most remarkable and accomplished Dalgliesh novels.”
–The Philadelphia Inquirer
“An elegant work about hope, death, and the alternately redemptive and destructive nature of love.”
–The Miami Herald
“Absorbing . . . [James’s] plotting and characterization [are] impeccable.”
“P. D. James is in top form.”
–The Boston Globe
Open the exclusive dossier at the back of this book, featuring P. D. James’ essay on penning the perfect detective novel.
Handsome Cambridge dropout Mark Callender died hanging by the neck with a faint trace of lipstick on his mouth. When the official verdict is suicide, his wealthy father hires fledgling private investigator Cordelia Gray to find out what led him to self-destruction. What she discovers instead is a twisting trail of secrets and sins, and the strong scent of murder.
Commander Adam Dalgliesh and his team are confronted with a puzzle of impenetrable complexity. A murder has taken place in the offices of the Peverell Press, a venerable London publishing house located in a dramatic mock-Venetian palace on the Thames. The victim is Gerard Etienne, the brilliant but ruthless new managing director, who had vowed to restore the firm's fortunes. Etienne was clearly a man with enemies—a discarded mistress, a rejected and humiliated author, and rebellious colleagues, one of who apparently killed herself a short time earlier. Yet Etienne's death, which occurred under bizarre circumstances, is for Dalgliesh only the beginning of the mystery, as he desperately pursues the search for a killer prepared to strike and strike again.
Cheverell Manor is a beautiful old house in Dorset, which its owner, the famous plastic surgeon George Chandler-Powell, uses as a private clinic. When the investigative journalist, Rhoda Gradwyn, arrives to have a disfiguring facial scar removed, she has every expectation of a successful operation and a peaceful week recuperating. But the clinic houses an implacable enemy and within hours of the operation Rhoda is murdered. Commander Dalgliesh and his team are called in to investigate a case complicated by old crimes and the dark secrets of the past. But Before Rhoda's murder is solved, a second horrific death adds to the complexities of one of Dalgliesh's most perplexing and fascinating cases.
It is 1803, six years since Elizabeth and Darcy embarked on their life together at Pemberley, Darcy’s magnificent estate. Their peaceful, orderly world seems almost unassailable. Elizabeth has found her footing as the chatelaine of the great house. They have two fine sons, Fitzwilliam and Charles. Elizabeth’s sister Jane and her husband, Bingley, live nearby; her father visits often; there is optimistic talk about the prospects of marriage for Darcy’s sister Georgiana. And preparations are under way for their much-anticipated annual autumn ball.
Then, on the eve of the ball, the patrician idyll is shattered. A coach careens up the drive carrying Lydia, Elizabeth’s disgraced sister, who with her husband, the very dubious Wickham, has been banned from Pemberley. She stumbles out of the carriage, hysterical, shrieking that Wickham has been murdered. With shocking suddenness, Pemberley is plunged into a frightening mystery.
Inspired by a lifelong passion for Austen, P. D. James masterfully re-creates the world of Pride and Prejudice, electrifying it with the excitement and suspense of a brilliantly crafted crime story, as only she can write it.
"Splendid, macabre," wrote the London Sunday Telegraph. "The Black Tower is a masterpiece," the London Sunday Times concurred.
From the Trade Paperback edition.
P. D. James examines the genre from top to bottom, beginning with the mysteries at the hearts of such novels as Charles Dickens’s Bleak House and Wilkie Collins’s The Woman in White, and bringing us into the present with such writers as Colin Dexter and Henning Mankell. Along the way she writes about Arthur Conan Doyle, Dorothy L. Sayers, Agatha Christie (“arch-breaker of rules”), Josephine Tey, Dashiell Hammett, and Peter Lovesey, among many others. She traces their lives into and out of their fiction, clarifies their individual styles, and gives us indelible portraits of the characters they’ve created, from Sherlock Holmes to Sara Paretsky’s sexually liberated female investigator, V. I. Warshawski. She compares British and American Golden Age mystery writing. She discusses detective fiction as social history, the stylistic components of the genre, her own process of writing, how critics have reacted over the years, and what she sees as a renewal of detective fiction—and of the detective hero—in recent years.
There is perhaps no one who could write about this enduring genre of storytelling with equal authority and flair: it is essential reading for every lover of detective fiction.
From the Hardcover edition.
Here, interwoven with reflections on her writing career and the craft of crime novels, are vivid accounts of episodes in her own past — of school days in 1920s and 1930s Cambridge . . . of the war and the tragedy of her husband's madness . . . of her determined struggle to support a family alone. She tells about the birth of her second daughter in the midst of a German buzz-bomb attack; about becoming a civil servant (and laying the groundwork for her writing career by working in the criminal justice system); about her years of public service on such bodies as the Arts Council and the BBC's Board of Governors, culminating in entry to the House of Lords. Along the way, with warmth and authority, she offers views on everything from author tours to the problems of television adaptations, from book reviewing to her obsession with Jane Austen.
Written with exceptional grace, this "fragment of autobiography" has already been received with enthusiasm by British reviewers and readers. The thousands of Americans who have enjoyed P. D. James's novels will be equally charmed. Diary or memoir or both, Time to Be in Earnest is a delight.
From the Hardcover edition.
Jean Sheridan, a college dean and prominent historian, sets out to her hometown in Cornwall-on- Hudson, New York, to attend the twenty-year reunion of alumni of Stonecroft Academy, where she is to be honored along with six other members of her class. There is, however, something uneasy in the air: one woman in the group about to be feted, Alison Kendall, a beautiful, high-powered Hollywood agent, died just a few days before, drowned in her pool during an early- morning swim, the fifth woman in the class whose life has come to a sudden, mysterious end.
Also adding to Jean's sense of unease is a taunting, anonymous fax she has just received, referring to her daughter, Lily, a child she had given up for adoption twenty years ago, the offspring of a romance between her and a West Point cadet killed in an accident a week before graduation. She had always kept the child's existence a secret, so who has found out? And why the implied threat now?
Struggling to conceal her fears, Jean arrives at the hotel where the reunion is being held. One by one she sees the other honorees, including Laura Wilcox, the class beauty, whose dazzling exterior belies the fact that her television career is sinking, and the four men who, like Jean, had spent four bitterly unhappy years at Stonecroft: Carter (formerly Howie) Stewart, an acerbic and successful playwright, once the class nerd; renowned child psychiatrist and talk-show celebrity Mark Fleischman, who has never been able to resolve the pain of his own adolescence; Gordon Amory, a media mogul, hardly recognizable as the awkward boy who was the butt of cruel jokes; Robby Brent, a popular comedian, whose caustic humor emanates from a childhood of rejection. Omnipresent is an old classmate, Jack Emerson, the chairman of the reunion, whose reasons for spearheading the event may be motivated by something other than class spirit.
At the award dinner, Jean is introduced to Sam Deegan, a detective obsessed for years by the unsolved murder of a young woman in Cornwall, who may also hold the key to the identity of the Stonecroft killer and the source of the anonymous threat to her child. She does not suspect that among the distinguished people she is greeting is The Owl, a murderer nearing the countdown on his mission of vengeance against the Stonecroft women who had mocked and humiliated him, with Jean his final intended victim.
In Nighttime Is My Time, Mary Higgins Clark creates a riveting novel of psychological suspense, penetrating behind the pervading façade of status and respectability to depict the mind of a killer.
At the center of her novel is Kay Lansing, who has grown up in Englewood, New Jersey, daughter of the landscaper to the wealthy and powerful Carrington family. Their mansion -- a historic seventeenth-century manor house transported stone by stone from Wales in 1848 -- has a hidden chapel. One day, accompanying her father to work, six-year-old Kay succumbs to curiosity and sneaks into the chapel. There, she overhears a quarrel between a man and a woman who is demanding money from him. When she says that this will be the last time, his caustic response is: "I heard that song before."
That same evening, the Carringtons hold a formal dinner dance after which Peter Carrington, a student at Princeton, drives home Susan Althorp, the eighteen-year-old daughter of neighbors. While her parents hear her come in, she is not in her room the next morning and is never seen or heard from again.
Throughout the years, a cloud of suspicion hangs over Peter Carrington. At age forty-two, head of the family business empire, he is still "a person of interest" in the eyes of the police, not only for Susan Althorp's disappearance but also for the subsequent drowning death of his own pregnant wife in their swimming pool.
Kay Lansing, now living in New York and working as a librarian in Englewood, goes to see Peter Carrington to ask for permission to hold a cocktail party on his estate to benefit a literacy program, which he later grants. Kay comes to see Peter as maligned and misunderstood, and when he begins to court her after the cocktail party, she falls in love with him. Over the objections of her beloved grandmother Margaret O'Neil, who raised her after her parents' early deaths, she marries him. To her dismay, she soon finds that he is a sleepwalker whose nocturnal wanderings draw him to the spot at the pool where his wife met her end.
Susan Althorp's mother, Gladys, has always been convinced that Peter Carrington is responsible for her daughter's disappearance, a belief shared by many in the community. Disregarding her husband's protests about reopening the case, Gladys, now terminally ill, has hired a retired New York City detective to try to find out what happened to her daughter. Gladys wants to know before she dies.
Kay, too, has developed gnawing doubts about her husband. She believes that the key to the truth about his guilt or innocence lies in the scene she witnessed as a child in the chapel and knows she must learn the identity of the man and woman who quarreled there that day. Yet, she plunges into this pursuit realizing that "that knowledge may not be enough to save my husband's life, if indeed it deserves to be saved." What Kay does not even remotely suspect is that uncovering what lies behind these memories may cost her her own life.
I Heard That Song Before once again dramatically reconfirms Mary Higgins Clark's worldwide reputation as a master storyteller.
Slipped under the door of her Georgetown home, the note was an ominous reminder of Pat Traymore's past. The beautiful young television journalist had come to glamorous, high-powered Washington to produce a TV series. Her subject: Senator Abigail Jennings, slated for nomination as the first woman vice president of the United States.
With the help of an old flame, Congresman Sam Kingsley, Pat delves into Abigail's life, only to turn up horrifying facts that threaten to destroy senator's reputation and her career. Worse still, sinister connections to Pat's own childhood and the nightmare secrets hidden within are surfacing -- secrets waiting to destroy her.
Celebrating the twentieth anniversary of everyone's favorite sleuth, M. C. Beaton's Agatha Raisin is as feisty as ever-armed with her famous wit and biting sense of humor. This time, though, there's some biting of a whole other sort going on. Agatha has fallen head over heels in love-again. This time, she has her eye on the local gardener, George Marston, but so do other women in their little Cotswold village. Shamelessly determined, Agatha will do anything to get her man-including footing the bill for a charity ball just for the chance to dance with him. And then George doesn't even show up. Only partly deterred, Agatha goes looking for him, and finds his dead body in a compost heap. Murder is definitely afoot, but this killer chose no ordinary weapon: A poisonous snake delivered the fatal strike.
Rising to the occasion, Agatha rallies her little detective agency to find the killer, only to learn that George had quite a complicated love life. But murderously complicated? Well, if she can't have George, at least Agatha can have the satisfaction of confronting the other women and solving the crime. With Hiss & Hers, once again, "M. C. Beaton has a foolproof plot for the village mystery" (The New York Times Book Review) in the irresistible adventures of the irrepressible Agatha.
When Agatha learns that Jill had hired a private detective to investigate her background, she barges into Jill's office and gives her a piece of her mind, yelling "I could kill you!" So when Jill is found strangled to death in her office two days later, Agatha becomes the prime suspect. But Agatha, along with her team of private detectives, is determined to prove her innocence and find the real culprit. This time Agatha must use her skills to save her own skin.
With Dishing the Dirt, MC Beaton proves that "once you meet Agatha Raisin, you'll keep coming back."(New York Journal of Books)
Brynn stumbles onto a scene of true horror and narrowly escapes from two professional criminals. She and a terrified visitor to the weekend house, Michelle, flee into the woods in a race for their lives. As different as night and day, and stripped of modern-day resources, Brynn, a tough deputy with a difficult past, and Michelle, a pampered city girl, must overcome their natural reluctance to trust each other and learn to use their wits and courage to survive the relentless pursuit. The deputy's disappearance spurs both her troubled son and her new husband into action, while the incident sets in motion Brynn's loyal fellow deputies and elements from Milwaukee's underside. These various forces race along inexorably toward the novel's gritty and stunning conclusion.
The Bodies Left Behind is an epic cat-and-mouse chase, told nearly in real-time, and is filled with Deaver's patented twists and turns, where nothing is what it seems, and death lingers just around the next curve on a deserted path deep in the midnight forest.
Detective Lincoln Rhyme, the foremost criminalist in the NYPD, is on the hunt for an elusive murderer known as the Coffin Dancer. He’s a brilliant hit man who changes his appearance faster than he adds to his trail of victims, only one of whom has lived long enough to offer a clue: the assassin has an eerie tattoo on his arm of the Grim Reaper waltzing in front of a casket.
Rhyme, paralyzed from a line-of-duty accident, is certain he’s seen this killer before, and his suspicion of an earlier encounter fuels a bitter taste for vengeance. When the chameleon-like assassin targets three federal witnesses for death, the stakes reach a new high. Now Rhyme’s brainpower and his protégée Detective Amelia Sachs’s legwork are the only tools they have to track the cunning murderer through a darkly painted New York City—and they have only forty-eight hours before the Coffin Dancer strikes again.
Like Deaver’s previous bestselling Lincoln Rhyme novels, this psychological thriller combines spine-chilling forensic detail with a turbocharged plot. This is page-turning suspense of the highest order.
Meanwhile, in a Casablanca hotel room, Hilary Craven prepares to take her own life. But her suicide attempt is about to be interrupted by a man who will offer her an altogether more thrilling way to die. . . .
Dr. Chris Shepard has never seen his new patient before. But the attractive young woman with the scarred face knows him all too well. An FBI agent working undercover, Alex Morse has come to Dr. Shepard's office in Natchez, Mississippi, to unmask a killer. A local divorce attorney has a cluster of clients whose spouses have all died under mysterious circumstances. Agent Morse's own brother-in-law was one of those clients, and now her beloved sister is dead. Then comes Morse's bombshell: Dr. Shepard's own beautiful wife consulted this lawyer one week ago, a visit Shepard knew nothing about. Will he help Alex Morse catch a killer? Or is he the next one to fall victim to a deadly trap of sex, lies, and murder?
When Lincoln’s estranged cousin Arthur Rhyme is arrested on murder charges, the case is perfect—too perfect. Forensic evidence from Arthur’s home is found all over the scene of the crime, and it looks like the fate of Lincoln’s relative is sealed.
At the behest of Arthur’s wife, Judy, Lincoln grudgingly agrees to investigate the case. Soon Lincoln and Amelia uncover a string of similar murders and rapes with perpetrators claiming innocence and ignorance—despite ironclad evidence at the scenes of the crime. Rhyme’s team realizes this “perfect” evidence may actually be the result of masterful identity theft and manipulation.
An information service company—the huge data miner Strategic Systems Datacorp—seems to have all the answers but is reluctant to help the police. Still, Rhyme and Sachs and their assembled team begin uncovering a chilling pattern of vicious crimes and cover-ups, and their investigation points to one master criminal, whom they dub “522.”
When “522” learns the identities of the crime-fighting team, the hunters become the hunted. Full of Deaver’s trademark plot twists, The Broken Window will put the partnership of Lincoln Rhyme and Amelia Sachs to the ultimate test.
They Came to Baghdad is one of Agatha Christie's highly successful forays into the spy thriller genre. In this novel, Baghdad is the chosen location for a secret superpower summit. But the word is out, and an underground organisation is plotting to sabotage the talks.
Into this explosive situation stumbles Victoria Jones, a young woman with a yearning for adventure who gets more than she bargains for when a wounded secret agent dies in her hotel room. Now, if only she could make sense of his final words: 'Lucifer ... Basrah ... Lefarge ...'
The Los Angeles Times calls his novels "thrill rides between covers." The New York Times hails them as "dazzling," and The Times of London crowns him "the best psychological thriller writer around." Now Jeffery Deaver, America's "master of ticking-bomb suspense" (People) delivers his most electrifying novel yet.
It begins at a prestigious music school in New York City. A killer flees the scene of a homicide and locks himself in a classroom. Within minutes, the police have him surrounded. When a scream rings out, followed by a gunshot, they break down the door. The room is empty.
Lincoln Rhyme and Amelia Sachs are brought in to help with the high-profile investigation. For the ambitious Sachs, solving the case could earn her a promotion. For the quadriplegic Rhyme, it means relying on his protégée to ferret out a master illusionist they've dubbed "the conjurer," who baits them with gruesome murders that become more diabolical with each fresh crime. As the fatalities rise and the minutes tick down, Rhyme and Sachs must move beyond the smoke and mirrors to prevent a terrifying act of vengeance that could become the greatest vanishing act of all.
A Trick of the Light
When Three Pines artist Clara Morrow's former friend is found dead in her garden, Chief Inspector Gamache finds the art world is one of shading and nuance, shadow and light. And even when facts are slowly exposed, it is no longer clear to Gamache and his team if what they've found is the truth, or simply a trick of the light.
The Beautiful Mystery
No outsiders are ever admitted to the monastery of Saint-Gilbert-Entre-les-Loups, where the monks have become world-famous for their glorious chants. But when the renowned choir director is murdered, the lock is drawn back to admit Chief Inspector Gamache. Before he can find the killer, the Chief must first consider the divine, the human, and the cracks in between.
How the Light Gets In
As Christmas approaches, Chief Inspector Gamache travels to Three Pines as a favor to the bookshop owner, whose friend has gone missing—a friend who was once one of the most famous people in the world. With mounting crises in his own homicide department, Gamache finds himself not only investigating a murder, but also seeking refuge for himself and his still-loyal colleagues—if such a refuge exists.
Dawn can hardly believe she's a student at one of New York City's best music schools. Now her most precious wish, to become a singer, can come true. But Dawn still dreams about Jimmy, her strong, intense boyfriend, and the love and anguished secrets they share.
Then Michael Sutton arrives, a new teacher at the school, a singing star and the most wonderful looking man Dawn has ever seen. Together they create a world of feeling Dawn has never known. In his embrace Dawn awakens to disturbing, unfamiliar desires, and Michael's promises offer a vision of music and romance forever...until he disappears.
Dazed by his cruelty, alone with the bitter fruit of his betrayal, Dawn becomes, once again, a victim of her grandmothers twisted schemes. Desolate, she clings to the tender hope that Jimmy will return and renew with her their deepest hearts' dream...
Margaret and Steve Frawley celebrate the third birthday of their twin girls, Kelly and Kathy, with an afternoon party in their new home, a modest fixer-upper in Ridgefield, Connecticut.
The evening of the twins' birthday party, Steve and Margaret attend a black-tie dinner in New York. When they return home, the police are in the house, and they are told that the babysitter had been found unconscious, the children are gone, and a note demanding an eight-million-dollar ransom had been left in their room.
Steve Frawley's firm, a global investment company, agrees to pay the ransom. The kidnapper, who identifies himself as the "Pied Piper," makes his terms known -- on delivery of the ransom, a call will come, revealing the girls' whereabouts. The call comes, but only Kelly is in the car parked behind a deserted restaurant. The driver is dead from a gunshot wound and has left a suicide note, saying he had inadvertently killed Kathy and had dumped her body in the ocean.
At the private memorial Mass for Kathy, Kelly tugs Margaret's arm and says: "Mommy, Kathy is very scared of that lady. She wants to come home right now." More unexplainable occurrences follow, indicating that Kelly is in touch with Kathy. At first, no one except the mother believes that the twins are communicating and that Kathy is still alive. As Kelly's warnings become increasingly specific and alarming, however, FBI agents set out on a search for Kathy. The novel reaches a breathtaking climax as they close in on the Pied Piper and his accomplices, while Kathy's life hangs by a thread.
In delving into the well-documented but still unexplained phenomenon of twin telepathy, Mary Higgins Clark tells a spellbinding tale that takes us deep into the minds of her characters while lifting us to the heights of suspense.
For Tempe Brennan, the discovery of a young girl's skeleton in Acadia, Canada, is more than just another case. Evangeline, Tempe's childhood best friend, was also from Acadia. Named for the character in the Longfellow poem, Evangeline was the most exotic person in Tempe's eight-year-old world. When Evangeline disappeared, Tempe was warned not to search for her, that the girl was "dangerous."
Thirty years later, flooded with memories, Tempe cannot help wondering if this skeleton could be the friend she had lost so many years ago. And what is the meaning of the strange skeletal lesions found on the bones of the young girl?
Meanwhile, Tempe's beau, Ryan, investigates a series of cold cases. Two girls dead. Three missing. Could the New Brunswick skeleton be part of the pattern? As Tempe draws on the latest advances in forensic anthropology to penetrate the past, Ryan hunts down a serial predator.
Nancy Harmon had been found guilty in a California court of murdering her two young children, but she was released from prison on a legal technicality. Deciding to make a fresh start, to change her identity, she left San Francisco and sought tranquillity on Cape Cod.
Seven years later, Nancy is remarried and has two small children: five-year-old Michael and three-year-old Missy. Finally she feels that she has been able to reclaim all that she had lost. Then the nightmare begins again.
One day a local Cape Cod paper runs an article about a famous California murder trial involving a mother accused of killing her two children. Along with the article is a photo of Nancy. On that same morning, Michael and Missy disappear. They had been playing in the yard, but when she looked for them, they were gone...all that remained was Missy's red mitten.
While Nancy becomes the prime suspect in the disappearance of her children, no one in the small Cape Cod town is aware of a stranger in their midst -- someone whose plans for revenge have been festering for seven long years.
Suddenly he is on the front page of every New York newspaper, and his life is hopelessly entwined in the increasingly shocking life (and perhaps death) of Sasha Nijinsky, the country's hottest and most beautiful television anchorwoman.
No matter where he turns, the case is waiting for him, haunting his nights and turning his days into a living hell. Stone finds himself caught in a perilous web of unspeakable crimes, dangerous friends, and sexual depravity that has throughout it one common thread: Sasha.
Just as 200,000 fans are pouring into town for Race Week, a body is found in a barrel of asphalt next to the Charlotte Motor Speedway. The next day, a NASCAR crew member comes to Temperance Brennan’s office at the Mecklenburg County Medical Examiner to share a devastating story. Twelve years earlier, Wayne Gamble’s sister, Cindi, then a high school senior and aspiring racer, disappeared along with her boyfriend, Cale Lovette. Lovette kept company with a group of right-wing extremists known as the Patriot Posse. Could the body be Cindi’s? Or Cale’s?
At the time of their disappearance, the FBI joined the investigation, only to terminate it weeks later. Was there a cover-up? As Tempe juggles multiple theories, the discovery of a strange, deadly substance in the barrel alongside the body throws everything into question. Then an employee of the Centers for Disease Control and Prevention goes missing during Race Week. Tempe can’t overlook the coincidence. Was this man using his lab chemicals for murder? Or is the explanation even more sinister? What other secrets lurk behind the festive veneer of Race Week?
A turbocharged story of secrets and murder unfolds in this, the fourteenth thrilling novel in Reichs’s “cleverly plotted and expertly maintained series” (The New York Times Book Review). With the smash hit Bones about to enter its seventh season and in full syndication—and her most recent novel, Spider Bones, an instant New York Times bestseller—Kathy Reichs is at the top of her game.
The Scotland Yard verdict is accidental death. But Anne is not satisfied. After all, who was the man in the brown suit who examined the body? And why did he race off, leaving a cryptic message behind: "17-122 Kilmorden Castle"?
In England’s young silent-film industry, the megalomaniacal Randolph Fflytte is king. But rumors of criminal activities swirl around his popular movie studio. At the request of Scotland Yard, Mary Russell travels undercover to the set of Fflytte’s latest cinematic extravaganza, Pirate King. Based on Gilbert and Sullivan’s The Pirates of Penzance, the project will either set the standard for moviemaking for a generation . . . or sink a boatload of careers.
As the company starts rehearsals in Lisbon, the thirteen blond-haired, blue-eyed actresses whom Mary is chaperoning meet the swarm of real buccaneers Fflytte has recruited to provide authenticity. But when the crew embarks for Morocco and the actual filming, Russell senses ominous currents of trouble: a derelict boat, a film crew with many secrets, decks awash with budding romance—and now the pirates are ignoring Fflytte and answering only to their outlaw leader. Where can Sherlock Holmes be? As movie make-believe becomes true terror, Russell and Holmes themselves may experience a final fadeout.
Features Laurie R. King’s short story, Beekeepers for Beginners, and an excerpt from Laurie R. King's Garment of Shadows.
Their first case is a success—the triumphant recovery of a pink pearl. Other cases soon follow—a stabbing on Sunningdale golf course; cryptic messages in the personal columns of newspapers; and even a box of poisoned chocolates. But can they live up to their slogan of "Any case solved in 24 hours"?
"Rosemary that's for remembrance" Six people are thinking about beautiful Rosemary Barton, who died nearly a year before. There's the loving sister, the long-suffering husband, the devoted secretary, the lovers, and the betrayed wife. None of them can forget Rosemary But did one of them murder her?
Summoned to South Carolina to fill in for a negligent colleague, Tempe is stuck teaching a lackluster archaeology field school in the ruins of a Native American burial ground on the Charleston shore. But when Tempe stumbles upon a fresh skeleton among the ancient bones, her old friend Emma Rousseau, the local coroner, persuades her to stay on and help with the investigation. When Emma reveals a disturbing secret, it becomes more important than ever for Tempe to help her friend close the case.
The body count begins to climb. An unidentified man is found hanging from a tree deep in the woods. Another corpse shows up in a barrel. There are mysterious nicks on bones in several bodies, and signs of strangulation. Tempe follows the trail to a free street clinic with a belligerent staff, a suspicious doctor, and a donor who is a charismatic televangelist. Clues abound in the most unlikely places as Tempe uses her unique knowledge and skills to build her case, even as the local sheriff remains dubious and her own life is threatened.
Tempe’s love life is also complicated. Ryan, her current flame, has come down to visit her from Montreal, and Pete, her former husband, is investigating the disappearance of a local woman—and he and Tempe are staying in the same borrowed beach house. Ryan and Pete compete for her attentions, and Tempe finds herself more distracted by her feelings for both men than she expected.
Break No Bones is a smart, taut thriller featuring the kind of high-stakes crime that makes the headlines every week. Reichs, the inspiration for the hit Fox TV show Bones, is writing at the top of her form, and Tempe has never been more compelling.
Mark Easterbrook and his sidekick Ginger Corrigan are determined to find out. Maybe the three women who run The Pale Horse public house, and who are rumored to practice the “Dark Arts,” can provide some answers?
As events unfold, the combined forces of Scotland Yard and the French Sûreté gradually converge on Chimneys, the great country estate that hides an amazing secret. . . .
But within hours, Miss Pinkerton has been killed in a hit-and-run car accident. Mere coincidence? Luke is inclined to think so—until he reads in the Times of the unexpected demise of Wychwood’s Dr. Humbleby.…
A woman calling herself Amy Roberts checks into a Montreal hospital complaining of uncontrolled bleeding. Doctors see evidence of a recent birth, but before they can act, Roberts disappears. Dispatched to the address she gave at the hospital, police discover bloody towels outside in a Dumpster. Fearing the worst, they call Temperance Brennan to investigate.
In a run-down apartment Tempe makes a ghastly discovery: the decomposing bodies of three infants. According to the landlord, a woman named Alma Rogers lives there. Then a man shows up looking for Alva Rodriguez. Are Amy Roberts, Alma Rogers, and Alva Rodriguez the same person? Did she kill her own babies? And where is she now?
Heading up the investigation is Tempe’s old flame, homicide detective Andrew Ryan. His counterpart from the Royal Canadian Mounted Police is sergeant Ollie Hasty, who happens to have a little history with Tempe himself, which she regrets. This unlikely trio follows the woman’s trail, first to Edmonton and then to Yellowknife, a remote diamond-mining city deep in the Northwest Territories. What they find in Yellowknife is more sinister than they ever could have imagined.
Crackling with sexual tension, whip-smart dialogue, and the startling plot twists Reichs delivers so well, Bones Are Forever is the fifteenth thrilling novel in Reichs’s “cleverly plotted and expertly maintained series” (The New York Times Book Review). With the FOX series Bones in its eighth season and her popularity at its broadest ever, Kathy Reichs has reached new heights in suspenseful storytelling.
A quadriplegic since a beam crushed his spinal cord years ago, Rhyme is desperate to improve his condition and goes to the University of North Carolina Medical Center for high-risk experimental surgery. But he and Sachs have hardly settled in when the local authorities come calling. In a twenty-four-hour period, the sleepy Southern outpost of Tanner's Corner has seen a local teen murdered and two young women abducted. And Rhyme and Sachs are the best chance to find the girls alive.
The prime suspect is a strange teenaged truant known as the Insect Boy, so nicknamed for his disturbing obsession with bugs. Rhyme agrees to find the boy while awaiting his operation. Rhyme's unsurpassed analytical skills and stellar forensic experience, combined with Sachs's exceptional detective legwork, soon snare the perp. But even Rhyme can't anticipate that Sachs will disagree with his crime analysis and that her vehemence will put her in the swampland, harboring the very suspect whom Rhyme considers a ruthless killer. So ensues Rhyme's greatest challenge -- facing the criminalist whom he has taught everything he knows in a battle of wits, forensics, and intuition. And in this adversary, Rhyme also faces his best friend and soul mate.
With the intricate forensic detail, breathtaking speed, and masterful plot twists that are signature Deaver, The Empty Chair is page-turning suspense of the highest order, destined to continue Jeffery Deaver's bestselling track record and thrill his legions of fans worldwide.