Since its original publication in 1978, Delirious New York has attained mythic status. Back in print in a newly designed edition, this influential cultural, architectural, and social history of New York is even more popular, selling out its first printing on publication. Rem Koolhaas's celebration and analysis of New York depicts the city as a metaphor for the incredible variety of human behavior. At the end of the nineteenth century, population, information, and technology explosions made Manhattan a laboratory for the invention and testing of a metropolitan lifestyle -- "the culture of congestion" -- and its architecture.

"Manhattan," he writes, "is the 20th century's Rosetta Stone . . . occupied by architectural mutations (Central Park, the Skyscraper), utopian fragments (Rockefeller Center, the U.N. Building), and irrational phenomena (Radio City Music Hall)." Koolhaas interprets and reinterprets the dynamic relationship between architecture and culture in a number of telling episodes of New York's history, including the imposition of the Manhattan grid, the creation of Coney Island, and the development of the skyscraper. Delirious New York is also packed with intriguing and fun facts and illustrated with witty watercolors and quirky archival drawings, photographs, postcards, and maps. The spirit of this visionary investigation of Manhattan equals the energy of the city itself.

The city of Rome is the largest archaeological site in the world, capital and showcase of the Roman Empire and the centre of Christian Europe. This guide provides: · Coverage of all the important sites in the city from 800 BC to AD 600 and the start of the early middle ages, drawing on the latest discoveries and the best of recent scholarship · Over 220 high-quality maps, site plans, diagrams and photographs · Sites divided into fourteen main areas, with star ratings to help you plan and prioritize your visit: Roman Forum; Upper Via Sacra; Palatine; Imperial Forums; Campus Martius; Capitoline Hill; Circus Flaminius to Circus Maximus; Colosseum and Esquiline hill; Caelian hill and the inner via Appia; Lateran to Porta Maggiore; Viminal hill; Pyramid to Testaccio; the outer via Appia; other outlying sites; Museums and Catacombs. · Introduction offering essential background to the history and culture of ancient Rome, placing the city in the context of the development of the empire, highlighting the nature of Roman achievement, and explaining how Rome came to be the largest city in the ancient world. · Comprehensive glossaries of Rome's building materials, techniques and building types, a chronological table of kings, emperors, and the early popes, information about opening times, references and suggestions for further reading and a detailed user-friendly index. For this new edition the original text has been extensively revised, adding over 20 more sites and illustrations, the itineraries have been re-organized and expanded to suit the many changes that have taken place in the past decade, and the practical information and references have been fully updated.

Marcus Vitruvius Pollio, a Roman architect and engineer flourishing in the first century B.C., was the author of the oldest and most influential work on architecture in existence. For hundreds of years, the specific instructions he gave in his "Ten Books on Architecture" were followed faithfully, and major buildings in all parts of the world reveal the widespread influence of his precepts. According to the Encyclopedia Britannica, he was "the chief authority studied by architects, and in every point his precepts were accepted as final. Bramante, Michelangelo, Palladio, Vignola, and earlier were careful students of the work of Vitruvius." His book is thus one of those rare works that have been supremely important in the creation of the greatest art masterpieces.
Vitruvius describes the classic principles of symmetry, harmony, and proportion in architecture; the design of the treasury, prison, senate house, baths, forum, and temples; the construction of the theater: its site, foundations, and acoustics; the proper style and proportion for private dwellings; the differences between the Ionic, Doric, and Corinthian styles; methods of giving durability and beauty to polished finishings; and many other topics that help us understand the methods and beliefs of the Roman architect.
It is a direct, authoritative, and detailed introduction to the ancients' methods of construction, the materials of the architect, and the prevailing aesthetic beliefs of the times; but it is also a work of art. Vitruvius wrote in such a fascinating manner, and digressed from his subject so often (as, for instance, when he wrote about the winds, Archimedes in his bath, and why authors should receive awards and honors at least as often as athletes), that his book has had a continuing appeal to the general reader for many centuries. Besides being an instructive treatise on nearly everything connected with Roman and Greek architecture, it is an entertaining description of some aspects of the life and beliefs of the times. This edition is the standard English translation, prepared over a period of several years by Professor M. H. Morgan of Harvard University.

Andrea Palladio (1508–1580) was one of the most celebrated architects of the Renaissance, so important that the term Palladian has been applied to a particular style of architecture that adheres to classical concepts. The wide spread of Palladianism was due partly to the private and public buildings he constructed in Italy, the designs of which were copied throughout Europe. But of even greater consequence was his remarkable magnum opus, "I Quattro Libri dell'Architettura"; translated into every major Western European language in the two centuries following its publication in 1570, it has been one of the most influential books in the history of architecture.
The Four Books of Architecture offers a compendium of Palladio's art and of the ancient Roman structures that inspired him. The First Book is devoted to building materials and techniques and the five orders of architecture: Tuscan, Doric, Ionic, Corinthian, and Composite. Palladio indicates the characteristic features of each order and supplies illustrations of various architectural details. The Second Book deals with private houses and mansions, almost all of Palladio's own design. Shown and described are many of his villas in and near Venice and Vicenza (including the famous Villa Capra, or "The Rotunda," the Thiene Palace, and the Valmarana Palace). Each plate gives a front view drawing of the building and the general floor plan. The Third Book is concerned with streets, bridges, piazzas, and basilicas, most of which are of ancient Roman origin. In the Fourth Book, Palladio reproduces the designs of a number of ancient Roman temples. Plates 51 to 60 are plans and architectural sketches of the Pantheon.
In all, the text is illustrated by over 200 magnificently engraved plates, showing edifices, either of Palladio's own design or reconstructed (in these drawings) by him from classical ruins and contemporary accounts.
All the original plates are reproduced in this new single-volume edition in full size and in clear, sharp detail. This is a republication of the Isaac Ware English edition of 1738. Faithful and accurate in the translation and in its reproduction of the exquisite original engravings, it has long been a rare, sought-after work. This edition makes The Four Books available for the first time in more than 200 years to the English-speaking public.

The great Gothic cathedrals of Europe are among the most astonishing achievements of Western culture. Evoking feelings of awe and humility, they make us want to understand what inspired the people who had the audacity to build them. This engrossing book surveys an era that has fired the historical imagination for centuries. In it Robert A. Scott explores why medieval people built Gothic cathedrals, how they built them, what conception of the divine lay behind their creation, and how religious and secular leaders used cathedrals for social and political purposes. As a traveler’s companion or a rich source of knowledge for the armchair enthusiast, The Gothic Enterprise helps us understand how ordinary people managed such tremendous feats of physical and creative energy at a time when technology was rudimentary, famine and disease were rampant, the climate was often harsh, and communal life was unstable and incessantly violent.

While most books about Gothic cathedrals focus on a particular building or on the cathedrals of a specific region, The Gothic Enterprise considers the idea of the cathedral as a humanly created space. Scott discusses why an impoverished people would commit so many social and personal resources to building something so physically stupendous and what this says about their ideas of the sacred, especially the vital role they ascribed to the divine as a protector against the dangers of everyday life.

Scott’s narrative offers a wealth of fascinating details concerning daily life during medieval times. The author describes the difficulties master-builders faced in scheduling construction that wouldn’t be completed during their own lifetimes, how they managed without adequate numeric systems or paper on which to make detailed drawings, and how climate, natural disasters, wars, variations in the hours of daylight throughout the year, and the celebration of holy days affected the pace and timing of work. Scott also explains such things as the role of relics, the quarrying and transporting of stone, and the incessant conflict cathedral-building projects caused within their communities. Finally, by drawing comparisons between Gothic cathedrals and other monumental building projects, such as Stonehenge, Scott expands our understanding of the human impulses that shape our landscape.

The creation of the Pentagon in seventeen whirlwind months during World War II is one of the great construction feats in American history, involving a tremendous mobilization of manpower, resources, and minds. In astonishingly short order, Brigadier General Brehon B. Somervell conceived and built an institution that ranks with the White House, the Vatican, and a handful of other structures as symbols recognized around the world. Now veteran military reporter Steve Vogel reveals for the first time the remarkable story of the Pentagon’s construction, from it’s dramatic birth to its rebuilding after the September 11 attack.

At the center of the story is the tempestuous but courtly Somervell–“dynamite in a Tiffany box,” as he was once described. In July 1941, the Army construction chief sprang the idea of building a single, huge headquarters that could house the entire War Department, then scattered in seventeen buildings around Washington. Somervell ordered drawings produced in one weekend and, despite a firestorm of opposition, broke ground two months later, vowing that the building would be finished in little more than a year. Thousands of workers descended on the site, a raffish Virginia neighborhood known as Hell’s Bottom, while an army of draftsmen churned out designs barely one step ahead of their execution. Seven months later the first Pentagon employees skirted seas of mud to move into the building and went to work even as construction roared around them. The colossal Army headquarters helped recast Washington from a sleepy southern town into the bustling center of a reluctant empire.

Vivid portraits are drawn of other key figures in the drama, among them Franklin D. Roosevelt, the president who fancied himself an architect; Secretary of War Henry L. Stimson and Army Chief of Staff General George C. Marshall, both desperate for a home for the War Department as the country prepared for battle; Colonel Leslie R. Groves, the ruthless force of nature who oversaw the Pentagon’s construction (as well as the Manhattan Project to create an atomic bomb); and John McShain, the charming and dapper builder who used his relationship with FDR to help land himself the contract for the biggest office building in the world.

The Pentagon’s post-World War II history is told through its critical moments, including the troubled birth of the Department of Defense during the Cold War, the tense days of the Cuban Missile Crisis, and the tumultuous 1967 protest against the Vietnam War. The pivotal attack on September 11 is related with chilling new detail, as is the race to rebuild the damaged Pentagon, a restoration that echoed the spirit of its creation.

This study of a single enigmatic building tells a broader story of modern American history, from the eve of World War II to the new wars of the twenty-first century. Steve Vogel has crafted a dazzling work of military social history that merits comparison with the best works of David Halberstam or David McCullough. Like its namesake, The Pentagon is a true landmark.

Meticulously accurate line drawings and fascinating text trace Manhattan's growth from a tiny Dutch outpost to the commercial, financial, and cultural heart of the world. This book explains construction above and below ground, including the excavation of subway lines and the building of bridges and skyscrapers. Hundreds of illustrations reveal intricate details of construction techniques.
Author and illustrator Donald A. Mackay traces Manhattan's history from its first wood, stone, and brick houses to its famous modern structures, including the Empire State Building, Rockefeller Center, and the World Trade Center. Along with historical background, he presents clear explanations and illustrations of the skilled labor and methods behind the island's tunnels, bridges, and train lines. Mackay describes who does what at a construction site, the assembly of a tower crane, and the construction of skyscrapers, from the foundations to the floor-by-floor elevations, along with other amazing procedures that are all part of a day's work in building the big city. A selection of the Common Core State Standards Initiative.

For the house lover and the curious tourist, for the house buyer and the weekend stroller, for neighborhood preservation groups and for all who want to know more about their community -- here, at last, is a book that makes it both easy and pleasurable to identify the various styles and periods of American domestic architecture.

Concentrating not on rare landmarks but on typical dwellings in ordinary neighborhoods all across the United States -- houses built over the past three hundred years and lived in by Americans of every social and economic background -- the book provides you with the facts (and frame of reference) that will enable you to look in a fresh way at the houses you constantly see around you. It tells you -- and shows you in more than 1,200 illustrations -- what you need to know in order to be able to recognize the several distinct architectural styles and to understand their historical significance. What does that cornice mean? Or that porch? That door? When was this house built? What does its style say about the people who built it? You'll find the answers to such questions here.

This is how the book works: Each of thirty-nine chapters focuses on a particular style (and its variants). Each begins with a large schematic drawing that highlights the style's most important identifying features. Additional drawings and photographs depict the most common shapes and the principal subtypes, allowing you to see at a glance a wide range of examples of each style. Still more drawings offer close-up views of typical small details -- windows, doors, cornices, etc. -- that might be difficult to see in full-house pictures. The accompanying text is rich in information about each style -- describing in detail its identifying features, telling you where (and in what quantity) you're likely to find examples of it, discussing all of its notable variants, and revealing its origin and tracing its history.

In the book's introductory chapters you'll find invaluable general discussions of house-building materials and techniques ("Structure"), house shapes ("Form"), and the many traditions of architectural fashion ("Style") that have influenced American house design through the past three centuries. A pictorial key and glossary help lead you from simple, easily recognized architectural features -- the presence of a tile roof, for example -- to the styles in which that feature is likely to be found.

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The Millenial edition of Twentieth Century Architecture: A Visual History adheres to the original book's aim: to chart chronologically the development, strength, diversity and complexity of modern architecture. In attempting to provide a record of the twentieth century's architecture, author Dennis Sharp has purposely chosen examples which have had some generic importance or have played some innovatory part in architecture over the past 100 years.
Sharp tracks the development of architecture through periods such as modernism, revivalism, avant garde, classicism and expressionism in a decade-by-decade study of the changing face of structural design, art and culture. When the first edition of this book appeared in 1972 it very rapidly achieved the status of essential work of reference. Now, 30 years later, this greatly expanded and revised edition adds the key buildings and architectural concepts of three more decades to the survey and thus covers the entire century.
Industry professionals, students and all those fascinated by the art of architecture will benefit from this comprehensive guide to the great and sometimes controversial architectural achievements of our age.

In this enchanting meditation on ruins, Christopher Woodward takes us on a thousand-year journey from the plains of Troy to the monuments of ancient Rome, from the crumbling palaces of Sicily, Cuba, and Zanzibar to the rubble of the London Blitz. With an exquisite sense of romantic melancholy, we encounter the teenage Byron in the moldering Newstead Abbey, Flaubert watching the buzzards on the pyramids, Henry James in the Colosseum, and Freud at Pompeii. We travel the Appian Way with Dickens and behold the Baths of Caracalla with Shelley. An exhilarating tour, at once elegant and stimulating, In Ruins casts an exalting spell as it explores the bewitching power of architectural remains and their persistent hold on the imagination.


From the Trade Paperback edition.

Chartres Cathedral, south of Paris, is revered as one of the most beautiful and profound works of art in the Western canon. But what did it mean to those who constructed it in the twelfth and thirteenth centuries—and why was it built at such immense height and with such glorious play of light, in the soaring manner we now call Gothic?

In this eminently fascinating work, author Philip Ball makes sense of the visual and emotional power of Chartres and brilliantly explores how its construction—and the creation of other Gothic cathedrals—represented a profound and dramatic shift in the way medieval thinkers perceived their relationship with their world. Beautifully illustrated and written, filled with astonishing insight, Universe of Stone embeds the magnificent cathedral in the culture of the twelfth century—its schools of philosophy and science, its trades and technologies, its politics and religious debates—enabling us to view this ancient architectural marvel with fresh eyes.

For as long as humans have gathered in cities, those cities have had their shining—or shadowy—counterparts. Imaginary cities, potential cities, future cities, perfect cities. It is as if the city itself, its inescapable gritty reality and elbow-to-elbow nature, demands we call into being some alternative, yearned-for better place.
 
This book is about those cities. It’s neither a history of grand plans nor a literary exploration of the utopian impulse, but rather something different, hybrid, idiosyncratic. It’s a magpie’s book, full of characters and incidents and ideas drawn from cities real and imagined around the globe and throughout history. Thomas More’s allegorical island shares space with Soviet mega-planning; Marco Polo links up with James Joyce’s meticulously imagined Dublin; the medieval land of Cockaigne meets the hopeful future of Star Trek. With Darran Anderson as our guide, we find common themes and recurring dreams, tied to the seemingly ineluctable problems of our actual cities, of poverty and exclusion and waste and destruction. And that’s where Imaginary Cities becomes more than a mere—if ecstatically entertaining—intellectual exercise: for, as Anderson says, “If a city can be imagined into being, it can be re-imagined.” Every architect, philosopher, artist, writer, planner, or citizen who dreams up an imaginary city offers lessons for our real ones; harnessing those flights of hopeful fancy can help us improve the streets where we live.
 
Though it shares DNA with books as disparate as Calvino’s Invisible Cities and Jane Jacobs’s Death and Life of Great American Cities, there’s no other book quite like Imaginary Cities. After reading it, you’ll walk the streets of your city—real or imagined—with fresh eyes.
 

Award-winning author Paul Goble examines the construction, art, and significance of the tipi to the Plains Indians in his newest book, entitled Tipi: Home of the Nomadic Buffalo Hunters. Through a re-telling of the old-timer's stories, Goble shows how the tipi was more than just a home, but an expression of spiritual beliefs.

The work of Polhemus Savery DaSilva Architects Builders reflects the special qualities of Cape Cod, Martha's Vineyard and Nantucket. This is a region of stunning landscapes and water views, crisp ocean-reflected light, classic villages, and abundant opportunities for playful living. Architecture of the Cape Cod Summer presents more than ten years of evocative design and well crafted construction that is rooted in this fabled place. In an architectural world increasingly polarized between strict revivalist classicism and ?avant-garde? abstraction, the work of Polhemus Savery DaSilva displays a compelling third way. The book features twenty-five projects that range from modest to elaborate. Each is an individual creation tailored to its specific location and client. Several additional projects are depicted in a chronology of the firm's major work. The volume contains an eloquent introduction and text by Michael J. Crosbie, as well as forewords by renowned architects Cesar Pelli and Robert Venturi. An essay by John R. DaSilva, Design Partner, describes the firm's approach and revisits the genesis of the Shingle Style that is so influential in residential architecture today. Drawings by the firm and more than four hundred color photographs by leading architectural photographers illustrate this sixth volume of the New Classicists series.

In this volume, noted Columbia University Professor of Architecture Cyril M. Harris offers a unique tour through the entire history of architecture: an extraordinary compendium of clear, concise definitions for over 5,000 important terms. This thoroughly accurate and comprehensive gathering of architectural knowledge is complemented by an unprecedented collection of over 2,000 line drawings that richly illustrate significant aspects of architectural styles. Unusual cutaway views, close-ups of intricate details, and precisely rendered plans show many of the greatest architectural achievements of all time.
From ancient ruins to twentieth-century Modernism, the Illustrated Dictionary of Historic Architecture covers the full spectrum of architecture's rise and development. Subject areas include the following periods: Ancient, Islamic, Greek and Hellenistic, Mesoamerican, Roman, Romanesque, Early Christian, Gothic, Renaissance, Chinese, Japanese, Indian, and Modern. This volume is an important research tool that places particular emphasis on clarity and accuracy. For the architect, artist, historian, student, teacher, or architecture enthusiast, this valuable guide offers indispensable information and lucid illustrations covering the whole of architecture.

Companion volume to Cartoons of World War II, this is a full-colour collection of the greatest propaganda images ever. From Napoleonic war paintings via anti-Hitler posters to brutal cutting-edge material of today, this book shows you how images are used to persuade and influence.

Mies van der Rohe: A Critical Biography is a major rewriting and expansion of Franz Schulze’s acclaimed 1985 biography, the first full treatment of the master German-American modern architect. Coauthored with architect Edward Windhorst, this revised edition, three times the length of the original text, features extensive new research and commentary and draws on the best recent work of American and German scholars. The authors’ major new discoveries include the massive transcript of the early-1950s Farnsworth House court case, which discloses for the first time the facts about Mies’s epic battle with his client Edith Farnsworth. Giving voice to dozens of architects who knew and worked with (and sometimes against) Mies, this comprehensive biography tells the compelling story of how Mies and his students and followers created some of the most significant buildings of the twentieth century.
 
 

 George Washington's Farewell Address

This comprehensive study of Gothic architecture traces the distinctively beautiful elements of Gothic style through the medieval churches of Europe. Gathered from a rare two-volume Victorian classic, over 700 meticulously rendered details and illustrations display every intricate aspect of Western culture's most magnificent ecclesiastical structures, including London's Westminster Abbey Church. The only edition of these antique architectural plates in print, this splendid book is a one-of-a-kind source of authentic Gothic design.
In page after fascinating page, this rich retrospective features the finest examples of medieval masonwork, woodwork, and metalwork dating back to the thirteenth century. Explore the soaring Gothic characteristics of vaulted ceilings, arched windows, flying buttresses, pointed spires, ornamental filials, and decorative panels, plus doorways, moldings, roofing, porches, door hinges, and other elaborate architectural elements.
Filled with fascinating insights into the creation of Gothic-style churches and cathedrals, this sweeping survey also provides lively observations of the medieval period.

Afghanistan is the victim of conspiracies. History tells us about happenings and events of the past. Life would be empty in the absence of history. Therefore, the author—intrinsically motivated to understand his roots, his motherland, and the cause for the backwardness and suffering of Afghanistan—decided to take this adventurous journey and complete this three-hundred-year history in thirty years and share them with all those interested about Afghanistan issues. In the course of thirty years, the author had gone through very rough, bumpy, and sometimes painful routes, making him cry, especially feeling in his heart the pain and fear of not reaching the destiny. In spite of all his difficulties, he has dug out a lot of painful documents from very reliable sources and compiled them in this book titled Conspiracies and Atrocities in Afghanistan: 1700–2014. Thereby, the author of this book has endeavored to present the link between various eras and major historic events inside Afghanistan with the purpose of exposing the facts about the Afghan and foreign conspiracies and atrocities which, as a result, caused the backwardness of this nation. Afghanistan has suffered immensely through the course of this three-hundred-year journey and especially in the last thirty-six years. The author leaves the judgement to the respected readers.

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American ruins have become increasingly prominent, whether in discussions of  “urban blight” and home foreclosures, in commemorations of 9/11, or in postapocalyptic movies. In this highly original book, Nick Yablon argues that the association between American cities and ruins dates back to a much earlier period in the nation’s history. Recovering numerous scenes of urban desolation—from failed banks, abandoned towns, and dilapidated tenements to the crumbling skyscrapers and bridges envisioned in science fiction and cartoons—Untimely Ruins challenges the myth that ruins were absent or insignificant objects in nineteenth-century America.

The first book to document an American cult of the ruin, Untimely Ruins traces its deviations as well as derivations from European conventions. Unlike classical and Gothic ruins, which decayed gracefully over centuries and inspired philosophical meditations about the fate of civilizations, America’s ruins were often “untimely,” appearing unpredictably and disappearing before they could accrue an aura of age. As modern ruins of steel and iron, they stimulated critical reflections about contemporary cities, and the unfamiliar kinds of experience they enabled. Unearthing evocative sources everywhere from the archives of amateur photographers to the contents of time-capsules, Untimely Ruins exposes crucial debates about the economic, technological, and cultural transformations known as urban modernity. The result is a fascinating cultural history that uncovers fresh perspectives on the American city.

Available for the first time in paperback, this pioneering work has long been a model for interdisciplinary scholarship in American urban and cultural studies. For this second edition, the author provides a new preface reflecting on the research and cultural changes that have taken place since 1865.

By the 1880's, American architecture had turned to a heavily formal, almost grandiose style, forsaking the more delicate ornamentation and graceful line of the previous decade. Just prior to the shift, A. J. Bicknell & Co. published a handsome volume of contemporary designs, plans and specifications for a wide range of public and private buildings from many parts of America. Their intention was to feature a complete village which could be constructed at moderate cost; in fact they published one of the last inclusive documentations of that style of mixed Gothic, Romanesque and classical cornices, pedestals, spires and gables known as "Victorian."
Forty-five buildings of all sorts — cottages, villas, suburban houses, town houses, a farm, a jail, courthouses, banks, store fronts, churches, schools, even stables — are portrayed in beautiful architectural drawings of scaled elevations and floor plans. Large-sized details show the principal corners, panels, railings, arches, finials, window and verandah sections; scales range from 3/32 of an inch to the foot for the elevations, to 1/2"/1' for the details.
The designs come from architects in Boston, Philadelphia, Chicago, St. Louis, Nashville, and were built in many large and small communities. Along with the private homes and standard public buildings, there are plans for the first completely fireproof courthouse (built of marble and cast iron) in the United States, at Macoupin County, Illinois; the Bay County Courthouse in Bay City, Michigan, may also be numbered among the noteworthy inclusions. A three-story home in this book, with four bedrooms, dining room, kitchen, parlor, verandah, hall, portico, and cellar (with servants' quarters, if necessary) cost, at that time, $5000 to build; a series of specifications, both general and particular (for carpenters, plumbers, painters and masons) and sample contracts (with provisions for bad weather and striking workmen) offer some idea how such buildings were possible at such prices.
The detailed measurements and specifications provide modellers, miniaturists, set designers, woodworkers, or even full-scale builders, with the information necessary to recreate these designs. Historians of architecture, home restorers, anyone who delights in the felicities of American Victorian, will find this book a superb primary source of authentic building style.

During the 1950s and 1960s, the use of local building styles and traditional materials seemed to be on the wane. But shortly after that the historic architecture of the American Southwest rapidly began to win a new popularity. The turnaround was partly a product of the back-to-earth movement, the energy crises of the 1970s, and a reawakening of interest in regional history. But it received a boost, too, from advances in the use of solar energy--many of the new developments being especially adaptable to adobe structures. Individuals planning their dream house led the way, but many home builders and architects, taking note of the demand, followed the trend setters. At the same time, "how-to" books and articles on Southwestern traditional architecture began to find a large readership. Among those in the forefront of this small phenomenon was artist and writer Myrtle Stedman. A long-time resident of the Santa Fe, New Mexico area, she had been a champion of the old ways in building for much of her adult life. Indeed, her books "Adobe Architecture" and "Adobe Remodeling and Fireplaces" in significant measure helped spark the return to traditional construction. Mrs. Stedman has now added to her earlier accomplishments with the present sketchbook, focusing on the numerous fascinating and picturesque aspects of rural architecture, focusing on northern New Mexico and southern Colorado. Her splendid pen and ink drawings, reminding one of Eric Sloane's work on rural America, have a three-fold value. In the first instance, they serve as an accurate documentary record of features and styles that comprise the unique architecture of this area. Secondly, the drawings will prove a boon to those wishing to restore buildings and improve rural properties along traditional lines. And finally, the artistic merit and natural charm of the sketchbook should appeal to all those who possess an aesthetic appreciation for the Southwestern landscape, be it natural or that part which is manmade.

Dear reader, if you are holding in your hands the book “Legends of the Phoenix” by A.V.Trehlebov, then in just a moment a magnificent journey awaits you filled with fascinating knowledge about the hidden history of our world and some of the most fascinating societal processes to ever occur. If you have already read a few dozen books on the subject but are still asking yourself the questions "Who am i?" "What is my purpose here?" or "Why do we die?" then this book will become a treasure within your library. If you are still searching for the answers to the age old questions of the origins of life on earth, the origins and evolution of our modern civilization, the origins of different races, the true history of the people on earth, our spiritual growth as humans, or the universal laws of the universe, then this book has come to you at the right time. Through years of scientific study, this non-fiction tractate is written in a simple yet fascinating manner and is suitable for all readers. The phoenix, as in the title of the book, is an ancient Russian symbol symbolizing the rebirth of Russia and the Slavic people. From folk tales it is written that these birds rise from their ashes, are then reborn in a magical flame and appear in a purer form. Since history has always been written by, and for the benefit of the current rulers, disregarding any previous facts or knowledge, we use the experience and heritage of our ancestors which have been laid out in the "Legends of the Phoenix." “Legends of the Phoenix” is devoted to the revival of the ancient, million year old culture and heritage of the Slavic people. The information in this book has deep roots from the Slavic Vedas dating back hundreds of thousands of years with knowledge not yet fully discovered by our modern civilization. Consisting of two parts, the first part “Origin of the Slavic-Aryans” discusses the root origins of the Slavic people, the ancient texts and archaeological monuments, the eon old Slavic ancestry, our beliefs, morals, commandments, and the answers to the mysterious wise tales of the Slavs. The second part called "The Path to Light" discusses the connection and meaning of the Slavic and Hindu Vedas, the stages of the ancient Slavic spiritual belief "Rodoveriye", the meaning of spiritual development, the paths and goals of our ancient societies, the wisdom behind each stage of life and how to get ready for and create virtuous offspring, the nature of divine and demonic entities and their purpose, the importance of understanding your inner self and past lives, the structure of all our energy bodies, the origins of the Vedas, what it means to have a non-dualistic view of the universe, and the secrets of the Golden Path.

Buildings have often been studies whole in space, but never before have they been studied whole in time. How Buildings Learn is a masterful new synthesis that proposes that buildings adapt best when constantly refined and reshaped by their occupants, and that architects can mature from being artists of space to becoming artists of time.

From the connected farmhouses of New England to I.M. Pei's Media Lab, from "satisficing" to "form follows funding," from the evolution of bungalows to the invention of Santa Fe Style, from Low Road military surplus buildings to a High Road English classic like Chatsworth—this is a far-ranging survey of unexplored essential territory.

More than any other human artifacts, buildings improve with time—if they're allowed to. How Buildings Learn shows how to work with time rather than against it.

Winner of the 2016 Antoinette Forrester Downing Award presented by the Society of Architectural Historians.

In many cities across the world, particularly in Europe, old buildings form a prominent part of the built environment, and we often take it for granted that their contribution is intrinsically positive. How has that widely-shared belief come about, and is its continued general acceptance inevitable?

Certainly, ancient structures have long been treated with care and reverence in many societies, including classical Rome and Greece. But only in modern Europe and America, in the last two centuries, has this care been elaborated and energised into a forceful, dynamic ideology: a ‘Conservation Movement’, infused with a sense of historical destiny and loss, that paradoxically shared many of the characteristics of Enlightenment modernity. The close inter-relationship between conservation and modern civilisation was most dramatically heightened in periods of war or social upheaval, beginning with the French Revolution, and rising to a tragic climax in the 20th-century age of totalitarian extremism; more recently the troubled relationship of ‘heritage’ and global commercialism has become dominant.

Miles Glendinning’s new book authoritatively presents, for the first time, the entire history of this architectural Conservation Movement, and traces its dramatic fluctuations in ideas and popularity, ending by questioning whether its recent international ascendancy can last indefinitely.

More than 100 magnificent home plans provide lovers of Victoriana the finest examples of period architecture. Compiled by Isaac Hobbs, a prominent Philadelphia architect of the period, the book also offers an informative discussion on the principles and practices of practical home design and construction.
Designs and floor and ground plans for villas, cottages, and other residences are revealed in 122 detailed engravings, among them a six-room ornamental cottage (without bathroom facilities) for $1,500; an elegant Elizabethan villa, with entry hall, library, china closet, and five bedrooms, for $27,000; and an ornate Gothic suburban residence, complete with parlor, sitting room, dressing rooms, six bedrooms, and two bathrooms, at a cost of $33,000.
Invaluable to architects, preservationists, and home restorers, this authentic guide to a wealth of house styles from the late 1800s will also delight anyone intrigued by Victorian life.

Here are two dozen tales in the grand adventure of engineering from the Henry Petroski, who has been called America’s poet laureate of technology. Pushing the Limits celebrates some of the largest things we have created–bridges, dams, buildings--and provides a startling new vision of engineering’s past, its present, and its future. Along the way it highlights our greatest successes, like London’s Tower Bridge; our most ambitious projects, like China’s Three Gorges Dam; our most embarrassing moments, like the wobbly Millennium Bridge in London; and our greatest failures, like the collapse of the twin towers on September 11. Throughout, Petroski provides fascinating and provocative insights into the world of technology with his trademark erudition and enthusiasm for the subject.


From the Trade Paperback edition.

"the best thing on the market and essential for anyone who takes their Syrian travelling seriously" Hugh Kennedy, Times Literary Supplement Syria is home to some of the world’s richest historical and archaeological remains dating from the Bronze Age through biblical and Byzantine times to the early Islamic and Ottoman periods. Yet even in an age of mass tourism these magnificent monuments are little known and rarely visited - in other words, ripe for discovery by independent-minded and adventurous travellers. Only a handful of sites are familiar from travel literature: the Roman desert city of Palmyra, the Crusader castle of Krak des Chevaliers, the monumental Citadel of Aleppo and the great Umayyad Mosque of Damascus. This handbook reveals the wealth of other, equally magnificent sites, guiding visitors through the layers of history, linking them to such figures as Alexander and Saladin and decoding the various cultural influences which shaped the many monuments. Widely praised as the definitive historical guide to the country, this new and updated edition will be welcomed by everyone planning to visit Syria or with an interest in its history, art or architecture. The Monuments of Syria is organised as a gazetteer of all Syria’s historical sites, with complementary sections on history and architectural influences and comprehensive chronologies and glossaries. This fully revised edition includes the latest information about site visits and the lay out of museums, extensive and detailed itineraries for further travel and a new 24-page colour section.

“This book is the most comprehensively global and critically sensitive synthesis of what we now know of the material and socio-cultural evolution of the so-called First Societies. Written by a distinguished architectural historian and theorist, this truly remarkable and indispensable study shows how the material culture of our forebears, from building to clothing, food, ritual and dance, was inextricably bound up with the mode of survival obtained in a particular place and time…It is a study that will surely become required reading for every student of material culture.”—Kenneth Frampton Starting with the dawn of human society, through early civilizations, to the pre-Columbian American tribes, Architecture of First Societies: A Global Perspective traces the different cultural formations that developed in various places throughout the world to form the built environment. Looking through the lens of both time and geography, the history of early architecture is brought to life with full-color photographs, maps, and drawings. Drawing on the latest research in archaeological and anthropological knowledge, this landmark book also looks at how indigenous societies build today in order to help inform the past.

An introduction to the medieval cathedral, those churches that are regarded as the greatest achievements of medieval architecture. Details their social history, who built them, how they were built, and why. Forty photos and maps help to guide the reader through a narrated tour of these awe-inspiring churches.

When we think of cathedrals, we usually envision the great Gothic Buildings of 12th- and 13th-century Europe. But other than being a large church, a cathedral is neither a specific building type nor specifically medieval. What a makes a large church a cathedral is the presence of a single item of furniture: the chair (in Latin: cathedra) or throne that is the symbol of the ecclesiastical and spiritual authority of a bishop. This book is an introduction to the medieval cathedral, those churches that are usually regarded as among the greatest achievements of medieval architecture.

While cathedrals were often the most prominent urban structure in many European cities, their construction was never a civic responsibility, but remained the responsibility of the clergy in charge of the day to day activities and services. Beginning with an overview of the social history of cathedrals, Clark examines such topics as patrons, builders and artists, and planning and construction; and provides an in-depth examination of the French Cathedral at Reims--a seminal building with significant technological advances, important sculptural programs, a surviving bishop's palace, and other structures. The volume concludes with a series of illustrations, a selection of original texts, and a selected bibliography for further study. A full index is also provided.

A cultural icon who defined the twentieth-century American landscape, Frank Lloyd Wright has been studied from what seems to be every possible angle. While many books focus on his works, torrid personal life, or both, few solely consider his professional persona, as a man enmeshed in a web of prominent public figures and political ideas. In this new biography, Robert McCarter distills Wright’s life and work into a concise account that explores the beliefs and relationships so powerfully reflected in his architectural works. 

McCarter examines here how Wright aspired to influence America’s evolving democratic society by the challenges his buildings posed to traditional views of private and public space. He investigates Wright’s relationships with key leaders of art, industry, and society, and how their views came to have concrete significance in Wright’s work and writings. Wright argued that architecture should be the “background or framework” for daily life, not the “object,” and McCarter dissects how and why he aspired to this and other ideals, such as his belief in the ethical duty of architects to improve society and culture. 

A penetrating study of the foremost pioneer in modern architecture, Frank Lloyd Wright offers a fascinating biographical chronicle that reveals the principles and relationships at the base of Wright’s production.

Since the mid 1970s, there has been an extraordinary renewal of interest in early modern architecture, both as a way of gaining insight into contemporary architectural culture and as a reaction to neoconservative postmodernism. This book undertakes a critical reappraisal of the notion of modernity in Mexican architecture and its influence on a generation of Mexican architects whose works spanned the 1920s through the 1960s.

Nine essays by noted architects and architectural historians cover a range of topics from broad-based critical commentaries to discussions of individual architects and buildings. Among the latter are the architects Enrique del Moral, Juan O'Gorman, Carlos Obregón Santacilia, Juan Segura, Mario Pani, and the campus and stadium of the Ciudad Universitaria in Mexico City.

Relatively little has been published in English regarding this era in Mexican architecture. Thus, Modernity and the Architecture of Mexico will play a groundbreaking role in making the underlying assumptions, ideological and political constructs, and specific architect's agendas known to a wide audience in the humanities. Likewise, it should inspire greater appreciation for this undervalued body of works as an important contribution to the modern movement.

A look at historic structures in this coastal city. A study in the architecture, culture, and history of one of the most elegant cities in the Deep South, this collection of profiles preserves in full-color photographs this fragile town on the Alabama Gulf Coast. Each historic district is covered in chronological order beginning with the Church Street District in the 1830s, and readers will discover the interesting characters who built and owned the 60 featured buildings.

"Houses can become poetic expressions of longing for a lost past, voices of a lived present, and dreams of an ideal future." Carel Bertram discovered this truth when she went to Turkey in the 1990s and began asking people about their memories of "the Turkish house." The fondness and nostalgia with which people recalled the distinctive wooden houses that were once ubiquitous throughout the Ottoman Empire made her realize that "the Turkish house" carries rich symbolic meaning. In this delightfully readable book, Bertram considers representations of the Turkish house in literature, art, and architecture to understand why the idea of the house has become such a potent signifier of Turkish identity.

Bertram's exploration of the Turkish house shows how this feature of Ottoman culture took on symbolic meaning in the Turkish imagination as Turkey became more Westernized and secular in the early decades of the twentieth century. She shows how artists, writers, and architects all drew on the memory of the Turkish house as a space where changing notions of spirituality, modernity, and identity—as well as the social roles of women and the family—could be approached, contested, revised, or embraced during this period of tumultuous change.

Metabolism, the Japanese architectural avant-garde movement of the 1960s, profoundly influenced contemporary architecture and urbanism. This book focuses on the Metabolists’ utopian concept of the city and investigates the design and political implications of their visionary planning in the postwar society. At the root of the group’s urban utopias was a particular biotechical notion of the city as an organic process. It stood in opposition to the Modernist view of city design and led to such radical design concepts as marine civilization and artificial terrains, which embodied the metabolists’ ideals of social change.

Tracing the evolution of Metabolism from its inception at the 1960 World Design Conference to its spectacular swansong at the Osaka World Exposition in 1970, this book situates Metabolism in the context of Japan’s mass urban reconstruction, economic miracle, and socio-political reorientation. This new study will interest architectural and urban historians, architects and all those interested in avant-garde design and Japanese architecture.

 Brief Guide to the History of Architectural Styles is a full-color illustrated edition of the classic study of the history of World's architecture.This handbook has been written by Tatyana Fedulova - Russian art critic, lecturer and popularizer of history of Fine Arts, the expert in the History of Art and Religion.

The Roaring Twenties in New York was a time of exuberant ambition, free-flowing optimism, an explosion of artistic expression in the age of Prohibition. New York was the city that embodied the spirit and strength of a newly powerful America. 

In 1924, in the vibrant heart of Manhattan, a fierce rivalry was born.  Two architects, William Van Alen and Craig Severance (former friends and successful partners, but now bitter adversaries), set out to imprint their individual marks on the greatest canvas in the world--the rapidly evolving skyline of New York City.  Each man desired to build the city’s tallest building, or ‘skyscraper.’ Each would stop at nothing to outdo his rival.

Van Alen was a creative genius who envisioned a bold, contemporary building that would move beyond the tired architecture of the previous century.  By a stroke of good fortune he found a larger-than-life patron in automobile magnate Walter Chrysler, and they set out to build the legendary Chrysler building.  Severance, by comparison, was a brilliant businessman, and he tapped his circle of downtown, old-money investors to begin construction on the Manhattan Company Building at 40 Wall Street. 

From ground-breaking to bricklaying, Van Alen and Severance fought a cunning duel of wills. Each man was forced to revamp his architectural design in an attempt to push higher, to overcome his rival in mid-construction, as the structures rose, floor by floor, in record time.  Yet just as the battle was underway, a third party entered the arena and announced plans to build an even larger building.  This project would be overseen by one of Chrysler’s principal rivals--a representative of the General Motors group--and the building ultimately became known as The Empire State Building.

Infused with narrative thrills and perfectly rendered historical and engineering detail, Higher brings to life a sensational episode in American history. Author Neal Bascomb interweaves characters such as Al Smith and Governor Franklin Delano Roosevelt, leading up to an astonishing climax that illustrates one of the most ingenious (and secret) architectural achievements of all time.

The Mughal Empire dominated India politically, culturally, socially, economically and environmentally, from its foundation by Babur, a Central Asian adventurer, in 1526 to the final trial and exile of the last emperor Bahadur Shah Zafar at the hands of the British in 1858. Throughout the empire's three centuries of rise, preeminence and decline, it remained a dynamic and complex entity within and against which diverse peoples and interests conflicted. The empire's significance continues to be controversial among scholars and politicians with fresh and exciting new insights, theories and interpretations being put forward in recent years. This book engages students and general readers with a clear, lively and informed narrative of the core political events, the struggles and interactions of key individuals, groups and cultures, and of the contending historiographical arguments surrounding the Mughal Empire.

A lively and provocative history of the contested landscapes where the majority of Americans now live.

From rustic cottages reached by steamboat to big box stores at the exit ramps of eight-lane highways, Dolores Hayden defines seven eras of suburban development since 1820. An urban historian and architect, she portrays housewives and politicians as well as designers and builders making the decisions that have generated America’s diverse suburbs. Residents have sought home, nature, and community in suburbia. Developers have cherished different dreams, seeking profit from economies of scale and increased suburban densities, while lobbying local and federal government to reduce the risk of real estate speculation. Encompassing environmental controversies as well as the complexities of race, gender, and class, Hayden’s fascinating account will forever alter how we think about the communities we build and inhabit.

The ancient churches and cathedrals of England's towns and countryside are among the glories of our national heritage, the church spire one of the quintessential features of the landscape. Yet how were our ancestors able to construct these often substantial edifices without the benefit of modern techniques? How did medieval masons plan, design and oversee their construction? What methods of construction were used to achieve the magnificent church spires and ceilings that we marvel at today? Geoffrey R. Sharpe brings more that forty years of experience of managing and caring for historic buildings to provide a unique guide to the design and construction of our historic churches and cathedrals. Building a cathedral could require a workforce of 300 to 400 men, the quarrying of 80,000 tons of stone and involve the felling of 1500 trees. How all this was organized, managed and realized is explained in this compelling volume. The author deals with all aspects - from original planning and preparation, to the final construction and decoration. The layout and choice of materials, the construction of the foundations, walls and ceilings, the work of the highly skilled medieval masons, blacksmiths and carpenters are all described and explained. Individual aspects of church architecture such as corbels, tracery and windows, as well as important features of church interiors such as galleries, burial vaults and screens are included. And in a final chapter the author shows the reader how to assess the history and development of a church from the constructional and architectural clues contained within its features. The result is a work that will add a whole new dimension to understanding English church building and architecture.

A strikingly original, beautifully narrated history of Western architecture and the cultural transformations that it represents

Concrete, marble, steel, brick: little else made by human hands seems as stable, as immutable, as a building. Yet the life of any structure is neither fixed nor timeless. Outliving their original contexts and purposes, buildings are forced to adapt to each succeeding age. To survive, they must become shape-shifters.

In an inspired refashioning of architectural history, Edward Hollis recounts more than a dozen stories of such metamorphosis, highlighting the way in which even the most familiar structures all change over time into "something rich and strange." The Parthenon, that epitome of a ruined temple, was for centuries a working church and then a mosque; the cathedral of Notre Dame was "restored" to a design that none of its original makers would have recognized. Remains of the Berlin Wall, meanwhile, which was once gleefully smashed and bulldozed, are now treated as precious relics.

With The Secret Lives of Buildings, Edward Hollis recounts the most enthralling of these metamorphoses and shows how buildings have come to embody the history of Western culture.

Exquisitely detailed, exceptionally handsome designs for an enormous variety of attractive city dwellings, spacious suburban and country homes, charming "cottages" and other structures — all accompanied by perspective views and floor plans with measurements. Invaluable to architects, home restorers and preservationists; of immense interest to lovers of Victorian architecture.

Arguably the most influential document in the history of urban planning, Daniel Burnham’s 1909 Plan of Chicago, coauthored by Edward Bennett and produced in collaboration with the Commercial Club of Chicago, proposed many of the city’s most distinctive features, including its lakefront parks and roadways, the Magnificent Mile, and Navy Pier. Carl Smith’s fascinating history reveals the Plan’s central role in shaping the ways people envision the cityscape and urban life itself. 

Smith’s concise and accessible narrative begins with a survey of Chicago’s stunning rise from a tiny frontier settlement to the nation’s second-largest city. He then offers an illuminating exploration of the Plan’s creation and reveals how it embodies the renowned architect’s belief that cities can and must be remade for the better. The Plan defined the City Beautiful movement and was the first comprehensive attempt to reimagine a major American city. Smith points out the ways the Plan continues to influence debates, even a century after its publication, about how to create a vibrant and habitable urban environment. 

Richly illustrated and incisively written, his insightful book will be indispensable to our understanding of Chicago, Daniel Burnham, and the emergence of the modern city.

Dealing not only with architecture, sculpture, and painting, but also with bronze and ceramics, this text offers a complete panorama of Chinese arts and civilisation. In his text, the author Bushell stresses the importance of knowing the society to understand the arts.

This book takes a bird's eye view of architecture in time, and explores the different ways architects have responded to civilizations, giving them the buildings and cities they deserve.

 

The rivalry between the brilliant seventeenth-century Italian architects Gianlorenzo Bernini and Francesco Borromini is the stuff of legend. Enormously talented and ambitious artists, they met as contemporaries in the building yards of St. Peter's in Rome, became the greatest architects of their era by designing some of the most beautiful buildings in the world, and ended their lives as bitter enemies. Engrossing and impeccably researched, full of dramatic tension and breathtaking insight, The Genius in the Design is the remarkable tale of how two extraordinary visionaries schemed and maneuvered to get the better of each other and, in the process, created the spectacular Roman cityscape of today.

For seventy-five years, it’s been Manhattan’s richest apartment building, and one of the most lusted-after addresses in the world. One apartment had 37 rooms, 14 bathrooms, 43 closets, 11 working fireplaces, a private elevator, and his-and-hers saunas; another at one time had a live-in service staff of 16. To this day, it is steeped in the purest luxury, the kind most of us could only imagine, until now.

The last great building to go up along New York’s Gold Coast, construction on 740 Park finished in 1930. Since then, 740 has been home to an ever-evolving cadre of our wealthiest and most powerful families, some of America’s (and the world’s) oldest money—the kind attached to names like Vanderbilt, Rockefeller, Bouvier, Chrysler, Niarchos, Houghton, and Harkness—and some whose names evoke the excesses of today’s monied elite: Kravis, Koch, Bronfman, Perelman, Steinberg, and Schwarzman. All along, the building has housed titans of industry, political power brokers, international royalty, fabulous scam-artists, and even the lowest scoundrels.

The book begins with the tumultuous story of the building’s construction. Conceived in the bubbling financial, artistic, and social cauldron of 1920’s Manhattan, 740 Park rose to its dizzying heights as the stock market plunged in 1929—the building was in dire financial straits before the first apartments were sold. The builders include the architectural genius Rosario Candela, the scheming businessman James T. Lee (Jacqueline Kennedy Onassis’s grandfather), and a raft of financiers, many of whom were little more than white-collar crooks and grand-scale hustlers.

Once finished, 740 became a magnet for the richest, oldest families in the country: the Brewsters, descendents of the leader of the Plymouth Colony; the socially-registered Bordens, Hoppins, Scovilles, Thornes, and Schermerhorns; and top executives of the Chase Bank, American Express, and U.S. Rubber. Outside the walls of 740 Park, these were the people shaping America culturally and economically. Within those walls, they were indulging in all of the Seven Deadly Sins.

As the social climate evolved throughout the last century, so did 740 Park: after World War II, the building’s rulers eased their more restrictive policies and began allowing Jews (though not to this day African Americans) to reside within their hallowed walls. Nowadays, it is full to bursting with new money, people whose fortunes, though freshly-made, are large enough to buy their way in.

At its core this book is a social history of the American rich, and how the locus of power and influence has shifted haltingly from old bloodlines to new money. But it’s also much more than that: filled with meaty, startling, often tragic stories of the people who lived behind 740’s walls, the book gives us an unprecedented access to worlds of wealth, privilege, and extraordinary folly that are usually hidden behind a scrim of money and influence. This is, truly, how the other half—or at least the other one hundredth of one percent—lives.

Islam fostered the development of a distinctive culture with its own unique artistic language that is reflected in art and architecture throughout the Muslim world.

With its geographic spread and long history, Islamic art was subject to a wide range of regional and even national styles and influences, as well as changes within the various periods of its development throughout history. 

The principles of the religion of Islam where applied to local culture, each region of the Islamic world flourishing at various periods in Islam’s history producing a unique style.

This Photography Book presents that Art in it's full richness and beauty in a landscape layout.

Visit the forum and blog @ http://SunnahMuakadah.com/

Metal Detecting is Easy

Finding New Places that are Old & Forgotten is the Tricky Part…

If we all had a Treasure Map then this would be too easy and there would be no buried Treasure left to go out and find. My guide will help you create your own real treasure map. 

I quickly learned about 6 months after I started metal detecting that I need to do something different. I have hunted the beaches, hunted all kinds of parks and every school yard within 30 miles, I want to hunt something different. I wanted to hunt something really old; I want to hunt somewhere that would give me the chance to find something worth bragging about on all the Social Media outlets. I wanted to find relics that have a story. 

I was so tired of reading and seeing all the pictures on Facebook and other social media outlets about these great finds from the 1800’s or even older, why can’t I dig up something like what other people seem to be finding? 

So I started researching about old places and the history right here in my own zip code, I was shocked at what I was quickly learning about my own city. I couldn't believe how much history had taken place within a few miles from my own front porch. Even though I grew up here, I most have forgotten about all the land marks that I have passed by over the last 40 years, tunnel vision as most would call it. 

So after finding all kinds of new hunting places, I did what anyone else would do these days, I created a group page on Facebook and I started posting information and the pictures of all the new locations I had found to go out and hunt. 

Next thing I know, I have over 600 followers. Then people started posting request for me to help find Old & Forgotten places where they lived. I started posting those new places for them to go out and hunt. Then I started to get even more request on a daily basis. 

A lot of the new requests were coming in as a private message asking me if I “would not post the info I had found publicly”. We Treasure Hunters DO NOT like to share information about a great location; hmmmm seems when we do share a location, everyone shows up with a Metal Detector looking for buried Treasure. 

After getting more request then I could get to on a daily bases, someone had asked me if I had an eBook or any kind of Instructable guide, which could show them how to Research and Locate Old and Forgotten Places. 

What a Great Idea… 

So here is my complete step by step guide on how to research online, using several FREE interactive tools and websites available to anyone. I would also like to add, there is nothing to sign up for or purchase with the websites and online resources I use.  By following my Guide, I explain in great detail how to use each of these FREE tools available. When you use these tools in conjunction with each other, you will see that you have a complete arsenal of information that will help anyone locate new hunting places quickly. 

Let the hunt begin…

Methods of Early Golf Architecture features selected writings from premier architects C.B. Macdonald, George C. Thomas, and Robert Hunter. With precision and detail, these visionaries discuss each element of golf course design, and no detail is left untouched.

Methods of Early Golf Architecture Includes:
- Characteristics of a Golf Architect
- Psychology of Design
- Deciding Where to Build
- The Design Process
- Utilizing Natural Features
- Teeing Grounds
- Through the Green
- Hazards
- Greens and Greenkeeping
- Ideal Holes
- The Construction Process
- Overseeing Construction

Characteristics of a Golf Architect
“A golf architect must be a student of agriculture, understand nature, have a knowledge of soils, knowledge of implements, drainage, and above all the particular character of the layout which tantalizes a lover of the game and holds him spellbound.”
– C.B. Macdonald

Psychology of Design
“How deadly dull are two or three holes of the same character when they follow each other! A drive and pitch followed by a drive and pitch is a good deal like serving a watery pudding after a watery soup.”
– Robert Hunter

The Design Process
“The ability to create is to consider all the problems of a golf course. The architect must visualize the effect his work will produce from all angles of the game.”
– George C. Thomas   Utilizing Natural Features
"Now and then one finds a hole of real distinction which nature herself has modeled, and to add anything artificial would be a crime.”
– Robert Hunter

On August 19, 1418, a competition concerning Florence's magnificent new cathedral, Santa Maria del Fiore--already under construction for more than a century--was announced: "Whoever desires to make any model or design for the vaulting of the main Dome....shall do so before the end of the month of September." The proposed dome was regarded far and wide as all but impossible to build: not only would it be enormous, but its original and sacrosanct design shunned the flying buttresses that supported cathedrals all over Europe. The dome would literally need to be erected over thin air.

Of the many plans submitted, one stood out--a daring and unorthodox solution to vaulting what is still the largest dome (143 feet in diameter) in the world. It was offered not by a master mason or carpenter, but by a goldsmith and clockmaker named Filippo Brunelleschi, who would dedicate the next twenty-eight years to solving the puzzles of the dome's construction. In the process, he did nothing less than reinvent the field of architecture.

Brunelleschi's Dome is the story of how a Renaissance genius bent men, materials, and the very forces of nature to build an architectural wonder we continue to marvel at today. Denounced at first as a madman, Brunelleschi was celebrated at the end as a genius. He engineered the perfect placement of brick and stone, built ingenious hoists and cranes to carry an estimated 70 million pounds hundreds of feet into the air, and designed the workers' platforms and routines so carefully that only one man died during the decades of construction--all the while defying those who said the dome would surely collapse and his own personal obstacles that at times threatened to overwhelm him.

Even today, in an age of soaring skyscrapers, the cathedral dome of Santa Maria del Fiore retains a rare power to astonish. Ross King brings its creation to life in a fifteenth-century chronicle with twenty-first-century resonance.

The revered architectural reference, updated with contemporary examples and interactive 3D models

The Interactive Resource Center is an online learning environment where instructors and students can access the tools they need to make efficient use of their time, while reinforcing and assessing their understanding of key concepts for successful understanding of the course. An access card with redemption code for the online Interactive Resource Center is included with all new, print copies or can be purchased separately.    (***If you rent or purchase a used book with an access code, the access code may have been redeemed previously and you may have to purchase a new access code -ISBN: 9781118986837).

The online Interactive Resource Center contains resources tied to the book, such as:

Interactive Animations highlighting key concepts Photo Gallery of architectural precedents illustrated in the book Flashcards for focused learning

Architecture: Form, Space, and Order, Fourth Edition is the classic introduction to the basic vocabulary of architectural design, updated with new information on emerging trends and recent developments. This bestselling visual reference helps both students and professionals understand the vocabulary of architectural design by examining how space and form are ordered in the environment.

Essential and timeless, the fundamental elements of space and form still present a challenge to those who crave a deeper understanding. Taking a critical look at the evolution of spaces, Architecture distills complex concepts of design into a clear focus that inspires, bringing difficult abstractions to life. The book is illustrated throughout to demonstrate the concepts presented, and show the relationships between fundamental elements of architecture through the ages and across cultures. Topics include:

Primary elements and the principles of space design Form and space, including light, view, openings, and enclosures Organization of space, and the elements and relationships of circulation Proportion and scale, including proportioning systems and anthropometry

Prepare for the LEED Green Associate v4 exam with an expert who has been there – and passed!

Guide to the LEED Green Associate V4 Exam is a comprehensive study guide for the LEED Green Associate v4 exam. Written by a LEED expert and consultant who actually passed the exam, this guide provides a first-hand account of preparation strategies that work. The book is designed to work with how people study, organized for quick navigation, with sample questions and flashcards throughout. The companion website offers additional study aids, including more sample test questions and flashcards. The book covers all topics and principles included on the exam, and provides all the information necessary to pass.

Passing the LEED Green Associate v4 exam is the only way to get the Green Associate credential, so a complete, comprehensive study guide is essential. The Guide to the LEED Green Associate Exam has been updated specifically to align with the most current version of the exam. Topics include:

The three tiers of the credentialing process Concepts and processes of sustainable design LEED design strategies and technologies How and what to study for the exam

Beyond just providing information, this book offers the insight of someone who's been there, and can manage expectations and eliminate surprises. Motivating, engaging, and packed with expert advice, the Guide to the LEED Green Associate Exam helps eager professionals prepare for – and pass – the LEED Green Associate v4 exam.

By examining the Japanese history of buildings and building designs from prehistory to modern day, lovers of Japan will develop a deeper understanding and appreciation of this island country.

Simplicity, sensitivity to the natural environment, and the use of natural materials are the hallmarks of Japanese architecture. The Art of Japanese Architecture provides a broad overview of traditional Japanese architecture in its historical and cultural context. It begins with a discussion of prehistoric dwellings and concludes with a description of modern Japanese buildings. Important historical influences and trends—notably the introduction of Buddhist culture from Korea and China, the development of feudalism, and the influence of modern Western styles of building—are all discussed in detail as facets of Japanese design.

Through all of these changes, a restrained architectural tradition developed in marked contrast to an exuberant tradition characterized by monumentality and the use of bold colors. The book provides tremendous insights into the dynamic nature of Japanese architecture and how it reflects an underlying diversity within Japanese culture.

The book is profusely illustrated with over 370 color photographs, woodblock prints, maps, diagrams, and specially commissioned watercolors. A classic in the making, The Art of Japanese Architecture will be sure to enlighten and delight readers.

The classic visual guide to the basics of building construction, now with a 3D digital building model for interactive learning

For over three decades, Building Construction Illustrated has offered an outstanding introduction to the principles of building construction. This new edition of the revered classic remains as relevant as ever, providing the latest information in Francis D.K. Ching's signature style. Its rich and comprehensive approach clearly presents all of the basic concepts underlying building construction.

New to this edition are digital enhancements delivered as an online companion to the print edition and also embedded in e-book editions. Features include a 3D model showing how building components come together in a final project.

llustrated throughout with clear and accurate drawings that present the state of the art in construction processes and materials Updated and revised to include the latest knowledge on sustainability, incorporation of building systems, and use of new materials Contains archetypal drawings that offer clear inspiration for designers and drafters Reflects the 2012 International Building Codes and 2012 LEED system

This new edition of Building Construction Illustrated remains as relevant as ever, with the most current knowledge presented in a rich and comprehensive manner that does not disappoint.

For nearly eighteen centuries, two fundamental spatial plans dominated Christian architecture: the basilica and the central plan. In the 1880s, however, profound socio-economic and technological changes in the United States contributed to the rejection of these traditions and the development of a radically new worship building, the auditorium church. When Church Became Theatre focuses on this radical shift in evangelical Protestant architecture and links it to changes in worship style and religious mission. The auditorium style, featuring a prominent stage from which rows of pews radiated up a sloping floor, was derived directly from the theatre, an unusual source for religious architecture but one with a similar goal-to gather large groups within range of a speaker's voice. Theatrical elements were prominent; many featured proscenium arches, marquee lighting, theatre seats, and even opera boxes. Examining these churches and the discussions surrounding their development, Jeanne Halgren Kilde focuses on how these buildings helped congregations negotiate supernatural, social, and personal power. These worship spaces underscored performative and entertainment aspects of the service and in so doing transformed relationships between clergy and audiences. In auditorium churches, the congregants' personal and social power derived as much from consumerism as from piety, and clerical power lay in dramatic expertise rather than connections to social institutions. By erecting these buildings, argues Kilde, middle class religious audiences demonstrated the move toward a consumer-oriented model of religious participation that gave them unprecedented influence over the worship experience and church mission.