Unlike many other nineteenth-century antidance writers who base their arguments on Scripture, Wilkinson asks that his readers formulate their opinions on reason, conscience, and common sense. In fact, Wilkinson argues that he is not an enemy of dance and declares it to be perfectly innocent. His argument is against the "modern manner of dancing" that requires expensive clothing and the "massing together of a jostling crowd of mute or merely gibbering animals." Thus, he summarizes, dancing does nothing to "enhance the intellectual improvement of society."
The action of The Epic of Paul begins with that conspiracy formed at Jerusalem against the life of the apostle which in the sequel led to a prolonged suspension of his free missionary career. It embraces the incidents of his removal from Jerusalem to Caesarea, of his imprisonment at the latter place, of his journey to Rome for trial before Caesar, and of his final martyrdom. The design of the poem as a whole is to present, through conduct on Paul's part and through speech from him, a living portrait of the man that he was, together with a reflex of his most central and most characteristic teaching."