"... informative and inspiring reading." -- The Journal of American History
Jarena Lee, Zilpha Elaw, and Julia Foote underwent a revolution in their own sense of self that helped to launch a feminist revolution in American religious life and in American society as a whole.
The contributors consider representations of the black queer body, black queer literature, the pedagogical implications of black queer studies, and the ways that gender and sexuality have been glossed over in black studies and race and class marginalized in queer studies. Whether exploring the closet as a racially loaded metaphor, arguing for the inclusion of diaspora studies in black queer studies, considering how the black lesbian voice that was so expressive in the 1970s and 1980s is all but inaudible today, or investigating how the social sciences have solidified racial and sexual exclusionary practices, these insightful essays signal an important and necessary expansion of queer studies.
Contributors. Bryant K. Alexander, Devon Carbado, Faedra Chatard Carpenter, Keith Clark, Cathy Cohen, Roderick A. Ferguson, Jewelle Gomez, Phillip Brian Harper, Mae G. Henderson, Sharon P. Holland, E. Patrick Johnson, Kara Keeling, Dwight A. McBride, Charles I. Nero, Marlon B. Ross, Rinaldo Walcott, Maurice O. Wallace
Trites argues that the development of the genre over the past thirty years is an outgrowth of postmodernism, since YA novels are, by definition, texts that interrogate the social construction of individuals. Drawing on such nineteenth-century precursors as Little Women and Adventures of Huckleberry Finn, Disturbing the Universe demonstrates how important it is to employ poststructuralist methodologies in analyzing adolescent literature, both in critical studies and in the classroom. Among the twentieth-century authors discussed are Blume, Hamilton, Hinton, Le Guin, L'Engle, and Zindel.
Trites' work has applications for a broad range of readers, including scholars of children's literature and theorists of post-modernity as well as librarians and secondary-school teachers.
Disturbing the Universe: Power and Repression in Adolescent Literature by Roberta Seelinger Trites is the winner of the 2002 Children's Literature Association's Book Award. The award is given annually in order to promote and recognize outstanding contributions to children's literature, history, scholarship, and criticisim; it is one of the highest academic honors that can accrue to an author of children's literary criticism.
25th Anniversary Edition of Terry Eagleton’s classicintroduction to literary theory
First published in 1983, and revised in 1996 to includematerial on developments in feminist and cultural theory
Has served as an inspiration to generations of students andteachers
Continues to function as arguably the definitive undergraduatetextbook on literary theory
Reissue includes a new foreword by Eagleton himself, reflectingon the impact and enduring success of the book, and on developmentsin literary theory since it was first published
Taking his title from Richard Wright’s poem "The FB Eye Blues," Maxwell details how the FBI threatened the international travels of African American writers and prepared to jail dozens of them in times of national emergency. All the same, he shows that the Bureau’s paranoid style could prompt insightful criticism from Hoover’s ghostreaders and creative replies from their literary targets. For authors such as Claude McKay, James Baldwin, and Sonia Sanchez, the suspicion that government spy-critics tracked their every word inspired rewarding stylistic experiments as well as disabling self-censorship.
Illuminating both the serious harms of state surveillance and the ways in which imaginative writing can withstand and exploit it, F.B. Eyes is a groundbreaking account of a long-hidden dimension of African American literature.
"In his work a continent awakens to consciousness." So wrote the Swedish Academy in awarding the Nobel Prize to Pablo Neruda, the author of more than thirty-five books of poetry and one of Latin America's most revered writers, lionized during his lifetime as "the people's poet."
This selection of Neruda's poetry, the most comprehensive single volume available in English, presents nearly six hundred poems, scores of them in new and sometimes multiple translations, and many accompanied by the Spanish original. In his introduction, Ilan Stavans situates Neruda in his native milieu as well as in a contemporary English-language one, and a group of new translations by leading poets testifies to Neruda's enduring, vibrant legacy among English-speaking writers and readers today.
In Unclaimed Experience, Cathy Caruth proposes that in the "widespread and bewildering experience of trauma" in our century—both in its occurrence and in our attempt to understand it—we can recognize the possibility of a history no longer based on simple models of straightforward experience and reference. Through the notion of trauma, she contends, we come to a new understanding that permits history to arise where immediate understanding is impossible. In her wide-ranging discussion, Caruth engages Freud's theory of trauma as outlined in Moses and Monotheism and Beyond the Pleasure Principle; the notion of reference and the figure of the falling body in de Man, Kleist, and Kant; the narratives of personal catastrophe in Hiroshima mon amour; and the traumatic address in Lecompte's reinterpretation of Freud's narrative of the dream of the burning child.-- Robert Jay Lifton, M.D., author of Hiroshima in America and The Protean Self
From the Hardcover edition.
Starting with such well-known caricatures as the Uncle Tom and the black rapist, Richardson investigates a range of pathologies of black masculinity that derive ideological force from their associations with the South. Military policy, black-liberation discourse, and contemporary rap, she argues, are just some of the instruments by which egregious pathologies of black masculinity in southern history have been sustained. Richardson's sources are eclectic and provocative, including Ralph Ellison's fiction, Charles Fuller's plays, Spike Lee's films, Huey Newton's and Malcolm X's political rhetoric, the O. J. Simpson discourse, and the music production of Master P, the Cash Money Millionaires, and other Dirty South rappers.
Filled with new insights into the region's role in producing hierarchies of race and gender in and beyond their African American contexts, this new study points the way toward more epistemological frameworks for southern literature, southern studies, and gender studies.
Moving seamlessly across genres and disciplines, Dayan considers legal practices and spiritual beliefs from medieval England, the North American colonies, and the Caribbean that have survived in our legal discourse, and she explores the civil deaths of felons and slaves through lawful repression. Tracing the legacy of slavery in the United States in the structures of the contemporary American prison system and in the administrative detention of ghostly supermax facilities, she also demonstrates how contemporary jurisprudence regarding cruel and unusual punishment prepared the way for abuses in Abu Ghraib and Guantánamo.
Using conventional historical and legal sources to answer unconventional questions, The Law Is a White Dog illuminates stark truths about civil society's ability to marginalize, exclude, and dehumanize.
Very little documented evidence is available about Doña Marina. This is the first serious study tracing La Malinche in texts from the conquest period to the present day. It is also the first study to delineate the transformation of this historical figure into a literary sign with multiple manifestations.
Cypess includes such seldom analyzed texts as Ireneo Paz's Amor y suplicio and Doña Marina, as well as new readings of well-known texts like Octavio Paz's El laberinto de la soledad. Using a feminist perspective, she convincingly demonstrates how the literary depiction and presentation of La Malinche is tied to the political agenda of the moment. She also shows how the symbol of La Malinche has changed over time through the impact of sociopolitical events on the literary expression.
Characterization has long been a troubled and neglected problem within literary theory. Through close readings of such novels as Pride and Prejudice, Great Expectations, and Le Père Goriot, Woloch demonstrates that the representation of any character takes place within a shifting field of narrative attention and obscurity. Each individual--whether the central figure or a radically subordinated one--emerges as a character only through his or her distinct and contingent space within the narrative as a whole. The "character-space," as Woloch defines it, marks the dramatic interaction between an implied person and his or her delimited position within a narrative structure. The organization of, and clashes between, many character-spaces within a single narrative totality is essential to the novel's very achievement and concerns, striking at issues central to narrative poetics, the aesthetics of realism, and the dynamics of literary representation.
Woloch's discussion of character-space allows for a different history of the novel and a new definition of characterization itself. By making the implied person indispensable to our understanding of literary form, this book offers a forward-looking avenue for contemporary narrative theory.
The volume begins with an overview of Wilson's aesthetic and dramatic agenda, along with a discussion of the forces that propelled him beyond his potentially troubled life in Pittsburgh to his current status as one of America's most gifted playwrights. A detailed plot summary of Fences is provided, followed by an overview of the play's distinguished production history. The play's historical and cultural background and themes are explored, as is Wilson's dramatic art. The reference closes with a look at the critical and scholarly reception of Fences and a bibliographical essay. Included are rare photos from the play's Broadway premiere and its 1999 premiere in Beijing.
Full literary analysis is given for One Hundred Years of Solitude, as well as Chronicle of a Death Foretold (1981), Love in the Time of Cholera (1985), two additional novels, and five of Garc DEGREESD'ia M DEGREESD'arquez's best short stories. Students are given guidance in understanding the historical contexts, as well as the characters and themes that recur in these interrelated works. Narrative technique and alternative critical perspectives are also explored for each work, helping readers fully appreciate the literary accomplishments of Gabriel Garc DEGREESD'ia M DEGREESD'arquez.
Contributors. M. M. Bakhtin, John Barth, Roland Barthes, Wayne Booth, John Brenkman, Peter Brooks, Catherine Burgass, Seymour Chatman, J. Yellowlees Douglas, Rachel Blau DuPlessis, Wendy B. Faris, Barbara Foley, E. M. Forster, Joseph Frank, Joanne S. Frye, William H. Gass, Henry Louis Gates Jr., Gérard Genette, Ursula K. Heise, Michael J. Hoffman, Linda Hutcheon, Henry James, Susan S. Lanser, Helen Lock, Georg Lukács, Patrick D. Murphy, Ruth Ronen, Joseph Tabbi, Jon Thiem, Tzvetan Todorov, Virginia Woolf
"I have been led into an exploration of the way the social form of Elizabethan holidays contributed to the dramatic form of festive comedy. To relate this drama to holiday has proved to be the most effective way to describe its character. And this historical interplay between social and artistic form has an interest of its own: we can see here, with more clarity of outline and detail than is usually possible, how art develops underlying configurations in the social life of a culture."--C. L. Barber, in the Introduction
This new edition includes a foreword by Stephen Greenblatt, who discusses Barber's influence on later scholars and the recent critical disagreements that Barber has inspired, showing that Shakespeare's Festive Comedy is as vital today as when it was originally published.
Scarry argues that our responses to beauty are perceptual events of profound significance for the individual and for society. Presenting us with a rare and exceptional opportunity to witness fairness, beauty assists us in our attention to justice. The beautiful object renders fairness, an abstract concept, concrete by making it directly available to our sensory perceptions. With its direct appeal to the senses, beauty stops us, transfixes us, fills us with a "surfeit of aliveness." In so doing, it takes the individual away from the center of his or her self-preoccupation and thus prompts a distribution of attention outward toward others and, ultimately, she contends, toward ethical fairness.
Scarry, author of the landmark The Body in Pain and one of our bravest and most creative thinkers, offers us here philosophical critique written with clarity and conviction as well as a passionate plea that we change the way we think about beauty.
In a beautifully written examination, Gene Bell-Villada traces the major forces that have shaped the novelist and describes his life, his personality, and his politics. For this edition, Bell-Villada adds new chapters to cover all of Garcia Marquez's fiction since 1988, from The General in His Labyrinth through Memories of My Melancholy Whores, and includes sections on his memoir, Living to Tell the Tale, and his journalistic account, News of a Kidnapping. Moreover, new information about Garcia Marquez's biography and artistic development make this the most comprehensive account of his life and work available.
Semi-autobiographical and more important for style than plot, After-Dinner Conversation is the diary of a Decadent sensation-collector in exile in Paris who undertakes a quest to find his beloved Helen, a vision whom his fevered imagination sees as his salvation. Along the way, he struggles with irreconcilable urges and temptations that pull him in every direction while he endures an environment indifferent or hostile to spiritual and intellectual pursuits, as did the modernista writers themselves. Kelly Washbourne's excellent translation preserves Silva's lush prose and experimental style. In the introduction, one of the most wide-ranging in Silva criticism, Washbourne places the life and work of Silva in their literary and historical contexts, including an extended discussion of how After-Dinner Conversation fits within Spanish American modernismo and the Decadent movement. Washbourne's perceptive comments and notes also make the novel accessible to general readers, who will find the work surprisingly fresh more than a century after its composition.
... a first-rate edition, which supersedes all other portable Peirces.... all the Peirce most people will ever need." —Louis Menand, The New York Review of Books
Volume 2 of this convenient two-volume chronological reader’s edition provides the first comprehensive anthology of the brilliant American thinker Charles Sanders Peirce’s mature philosophy. A central focus of Volume 2 is Peirce’s evolving theory of signs and its appplication to his pragmatism.
Through the compelling stories of Nina Gordon, the mistress of a slave plantation, and Dred, a black revolutionary, Stowe brings to life conflicting beliefs about race, the institution of slavery, and the possibilities of violent resistance. Probing the political and spiritual goals that fuel Dred's rebellion, Stowe creates a figure far different from the acquiescent Christian martyr Uncle Tom.
In his introduction to the classic novel, Robert S. Levine outlines the antislavery debates in which Stowe had become deeply involved before and during her writing of Dred. Levine shows that in addition to its significance in literary history, the novel remains relevant to present-day discussions of cross-racial perspectives.
What is the nature of the relationship of Jacques Derrida and deconstruction to Edmund Husserl and phenomenology? Is deconstruction a radical departure from phenomenology or does it trace its origins to the phenomenological project? In Derrida and Husserl, Leonard Lawlor illuminates Husserl's influence on the French philosophical tradition that inspired Derrida's thought. Beginning with Eugen Fink's pivotal essay on Husserl's philosophy, Lawlor carefully reconstructs the conceptual context in which Derrida developed his interpretation of Husserl. Lawlor's investigations of the work of Jean CavaillÃ ̈s, Tran-Duc-Thao, and Jean Hyppolite, as well as recent texts by Derrida, reveal the depth of Derrida's relationship to Husserl's phenomenology. Along the way, Lawlor revisits and sheds light on the origin of many important Derridean concepts, such as deconstruction, the metaphysics of presence, diffÃ©rance, intentionality, the trace, and spectrality.
This strikingly original book provides eloquent analyses of such postmodernist feminists as Judith Butler, Donna Haraway, Norma Alarcón, and Chela Sandoval, and counters the assimilationist proposals of minority neoconservatives such as Shelby Steele and Richard Rodriguez. It advances realist proposals for multicultural education and offers an understanding of the interpretive power of Chicana feminists including Cherríe Moraga, Gloria Anzaldúa, and Helena María Viramontes. Learning from Experience enlarges our concept of identity and offers new ways to situate aspects of race, gender, class, and sexual orientation in discursive and sociopolitical contexts.
"Mr. Harris, I'm sorry, but you have cancer." Although devastated to learn he has just one year to live, fifty-five-year-old Julius Harris has always known that the day would come when he would pay for walking out on his wife and three children twenty years earlier. Now, with a sudden and passionate determination to make his family whole again, Julius begins trying to find a way back to his sons.
Caleb, the youngest, struggling to support a son and make his way in a
relentless world, couldn't care less about his own absentee father. Middle
son Marcus can't abide even his father's memory, which gets in the way
of his committing to the one woman who has turned his life around. And Austin, Julius' eldest child, so adores what he remembers of his father that he's following in his footsteps, abandoning his wife and children just
as Julius had done.
Inspired by RM Johnson's own fragile family history, The Harris Men is his poignant exploration of the increasing problem of absentee fathers -- and of the compromises made by the families they leave behind. As the Harris men grapple with their fears and their choices, Johnson gets to the very heart of what it means to be a man.
In CliffsNotes on The Color Purple, you follow the beautiful and difficult story of a shy and abused Southern black woman's struggle to create an identity, a feeling of self-worth, and love.
Covering a series of personal letters that span a 40-year period, this study guide shares a story about growth, endurance, loyalty, solidarity, and joy -- all nurtured by the strength of love. You'll gain comfort with the black folk language main character Celie's uses to express herself as you move through critical commentaries on each of the novel's 89 letters. Other features that help you figure out this important work includeLife and background of the author, Alice WalkerAnalyses of a large cast of charactersIntroduction to the novelA review section that tests your knowledge and suggests essay topicsA selected bibliography that leads you to more great resources
Classic literature or modern-day treasure — you'll understand it all with expert information and insight from CliffsNotes study guides.
The Souls of Mixed Folk seeks a middle way between competing hagiographic and apocalyptic impulses in mixed race scholarship, between those who proselytize mixed race as the great hallelujah to the "race problem" and those who can only hear the alarmist bells of civil rights destruction. Both approaches can obscure some of the more critically astute engagements with new millennial iterations of mixed race by the multi-generic cohort of contemporary writers, artists, and performers discussed in this book. The Souls of Mixed Folk offers case studies of their creative work in an effort to expand the contemporary idiom about mixed race in the so-called post-race moment, asking how might new millennial expressive forms suggest an aesthetics of mixed race? And how might such an aesthetics productively reimagine the relations between race, art, and social equity in the twenty-first century?
Northup accepted an offer from two strangers in Saratoga, New York, to catch up with their traveling circus and play in its band. But when the chase ended, Northup had been drugged, beaten, and sold to a slave trader in Washington, D.C. Subsequently, he was shipped to New Orleans, where he was purchased by a planter in the Red River region of Louisiana. For the next twelve years Northup lived as a chattel slave under several masters. He might well have died a slave, except for another set of bizarre circumstances which enabled him to get word to his family and finally regain his freedom.
These elements alone -- the kidnapping, enslavement, and rescue -- are sufficient for a sensational story. But Northup provides more. He was a shrewd observer of people and events. His memory was remarkable. He described cultivation of cotton and sugar in the Deep South. He detailed the daily routine and general life of the Negro slave. Indeed, he vividly portrayed the world of slavery -- from the underside.
Originally published in 1853, Northup's autobiography is regarded as one of the best accounts of American Negro slavery ever written by a slave. It is reprinted in full here for the first time, as the initial volume in The Library of Southern Civilization.
Northup's account has been carefully checked by the editors and has been found to be remarkably accurate. To his own narrative of a long and tragic adventure, Professors Eakin and Logsdon have added significant new details about Northup and the plantation country where he spent most of his time as a slave. Heretofore unknown information about the capture and trial of Northup's kidnappers has been included, adding still another fascinating episode to an already astounding story.
This work presents a provocative theory: that drawings and sequential images are structured the same as language. Building on contemporary theories from linguistics and cognitive psychology, it argues that comics are written in a visual language of sequential images that combines with text. Like spoken and signed languages, visual narratives use a lexicon of systematic patterns stored in memory, strategies for combining these patterns into meaningful units, and a hierarchic grammar governing the combination of sequential images into coherent expressions. Filled with examples and illustrations, this book details each of these levels of structure, explains how cross-cultural differences arise in diverse visual languages of the world, and describes what the newest neuroscience research reveals about the brain's comprehension of visual narratives. From this emerges the foundation for a new line of research within the linguistic and cognitive sciences, raising intriguing questions about the connections between language and the diversity of humans' expressive behaviours in the mind and brain.
The trial and acquittal of Till's murderers became, in the words of one historian, "the first great media event of the civil rights movement," and since then, the lynching has assumed a central place in literary memory. The international group of contributors to this volume explores how the Emmett Till story has been fashioned and refashioned in fiction, poetry, drama, and autobiography by writers as diverse as William Bradford Huie, James Baldwin, Langston Hughes, Gwendolyn Brooks, Audre Lorde, Anne Moody, Nicolás Guillén, Aimé Césaire, Bebe Moore Campbell, and Lewis Nordan. They suggest the presence of an "Emmett Till narrative" deeply embedded in post-1955 literature, an overarching recurrent plot that builds on recognizable elements and is as legible as the "lynching narrative" or the "passing narrative." Writers have fashioned Till's story in many ways: an the annotated bibliography that ends the volume discusses more than 130 works that memorialize the lynching, calling attention to the full extent of Till's presence in literary memory.
Breaking new ground in civil rights studies and the discussion of race in America, Emmett Till in Literary Memory and Imagination eloquently attests to the special power and artistic resonance of one young man's murder.
Critical Practice argues that theory matters, because it makes a difference to what we do when we read, opening up new possibilities for literary and cultural analysis. Poststructuralism, in conjunction with psychoanalysis and deconstruction, makes radical change to the way we read both a priority and a possibility.
With a new chapter, updated guidance on further reading and revisions throughout, this second edition of Critical Practice is the ideal guide to the present and future of literary studies.
Yellow stigmatization has had a long history: it goes back to the Middle Ages when Jews and prostitutes were forced to wear yellow signs to emphasize their marginal status. Although scholars have commented on these associations in particular contexts, Sabine Doran offers the first overarching account of how yellow connects disparate cultural phenomena, such as turn-of-the-century decadence (the "yellow nineties"), the rise of mass media ("yellow journalism"), mass immigration from Asia ("the yellow peril"), and mass stigmatization (the yellow star that Jews were forced to wear in Nazi Germany).
The Culture of Yellow combines cultural history with innovative readings of literary texts and visual artworks, providing a multilayered account of the unique role played by the color yellow in late nineteenth- and twentieth-century American and European culture.
Brown wrote extensively as a journalist but was also a pioneer in other literary genres. His many groundbreaking works include Clotel, the first African American novel; The Escape: or, A Leap for Freedom, the first published African American play; Three Years in Europe, the first African American European travelogue; and The Negro in the American Rebellion, the first history of African American military service in the Civil War. Brown also wrote one of the most important fugitive slave narratives and a striking array of subsequent self-narratives so inventively shifting in content, form, and textual presentation as to place him second only to Frederick Douglass among nineteenth-century African American autobiographers.
Ezra Greenspan has selected the best of Brown's work in a range of fields including fiction, drama, history, politics, autobiography, and travel. The volume opens with an introductory essay that places Brown and his work in a cultural and political context. Each chapter begins with a detailed introductory headnote, and the contents are closely annotated; there is also a selected bibliography. This reader offers an introduction to the work of a major African American writer who was engaged in many of the important debates of his time.
In this new book Zygmunt Bauman - one of the most brilliant andinfluential social thinkers of our time - retraces theperegrinations of the concept of culture and examines its fate in aworld marked by the powerful new forces of globalization, migrationand the intermingling of populations. He argues that Europe has aparticularly important role to play in revitalizing ourunderstanding of culture precisely because Europe, with its greatdiversity of peoples, languages and histories, is the space wherethe Other is always one’s neighbour and where each isconstantly called upon to learn from everyone else.
Although Niggli is perhaps best known for her fiction and folk plays, this anthology recovers her historical dramas, most of which have been long out of print or were never published. These plays are deeply concerned with the aftermath of the 1910 Mexican Revolution, imagining its implications for Mexico, Mexican Americans, and U.S.-Mexico relations. Included are Mexican Silhouettes (1928), Singing Valley (1936), The Cry of Dolores (1936), The Fair God (1936), Soldadera (1938), This is Villa! (1939), and The Ring of General Macias (1943). These works reflect on the making of history and often portray the Revolution through the lens of women’s experiences.
Also included in this volume are an extensive critical introduction to Niggli, a chronology of her life and writings, plus letters and reviews by, to, and about Josefina Niggli. that provide illuminating context for the plays. Best Books for Special Interests, selected by the American Association of School Librarians, and Outstanding Book, selected by the Public Library Association “The Best of the Best of the University Presses: Books You Should Know About” presented at the 2008 American Library Association Annual Conference