Yahoo's national political columnist and the former chief political correspondent for The New York Times Magazine brilliantly revisits the Gary Hart affair and looks at how it changed forever the intersection of American media and politics.
In 1987, Gary Hart-articulate, dashing, refreshingly progressive-seemed a shoo-in for the Democratic nomination for president and led George H. W. Bush comfortably in the polls. And then: rumors of marital infidelity, an indelible photo of Hart and a model snapped near a fatefully named yacht (Monkey Business), and it all came crashing down in a blaze of flashbulbs, the birth of 24-hour news cycles, tabloid speculation, and late-night farce. Matt Bai shows how the Hart affair marked a crucial turning point in the ethos of political media-and, by extension, politics itself-when candidates' "character" began to draw more fixation than their political experience. Bai offers a poignant, highly original, and news-making reappraisal of Hart's fall from grace (and overlooked political legacy) as he makes the compelling case that this was the moment when the paradigm shifted-private lives became public, news became entertainment, and politics became the stuff of Page Six.
From the Hardcover edition.
In her critically acclaimed memoir, Whip Smart, Melissa Febos laid bare the intimate world of the professional dominatrix, turning an honest examination of her life into a lyrical study of power, desire, and fulfillment.
In her dazzling Abandon Me, Febos captures the intense bonds of love and the need for connection -- with family, lovers, and oneself. First, her birth father, who left her with only an inheritance of addiction and Native American blood, its meaning a mystery. As Febos tentatively reconnects, she sees how both these lineages manifest in her own life, marked by compulsion and an instinct for self-erasure. Meanwhile, she remains closely tied to the sea captain who raised her, his parenting ardent but intermittent as his work took him away for months at a time. Woven throughout is the hypnotic story of an all-consuming, long-distance love affair with a woman, marked equally by worship and withdrawal. In visceral, erotic prose, Febos captures their mutual abandonment to passion and obsession -- and the terror and exhilaration of losing herself in another.
At once a fearlessly vulnerable memoir and an incisive investigation of art, love, and identity, Abandon Me draws on childhood stories, religion, psychology, mythology, popular culture, and the intimacies of one writer's life to reveal intellectual and emotional truths that feel startlingly universal.
While a college student at The New School, Melissa Febos spent four years working as a dominatrix in a midtown dungeon. In poetic, nuanced prose she charts how unchecked risk-taking eventually gave way to a course of self-destruction. But as she recounts crossing over the very boundaries that she set for her own safety, she never plays the victim. In fact, the glory of this memoir is Melissa's ability to illuminate the strange and powerful truths that she learned as she found her way out of a hell of her own making. Rest assured; the reader will emerge from the journey more or less unscathed.
If you're a writer or have an interest in writing, Write Now! will lead you into the writer's lifeto the life of rejection, questioning your writing abilities, wondering if you'll ever get published and what to do when no one comes to your book reading. This book is not only the story of the making of a writer, it's a book that will make you want to write.
Halaby heeds Cameron's advice. And what we see, as the words come gushing out of his pen and soul every morning, is not only the creative process in action, but we see a man turning into his old storytelling self again.
“Didion has the instincts of an exceptional reporter and the focus of a historian . . . a novelist’s appreciation of the surreal.” —Los Angeles Times Book Review
Whether she’s writing about civil war in Central America, political scurrility in Washington, or the tightl -braided myths and realities of her native California, Joan Didion expresses an unblinking vision of the truth.
Vintage Didion includes three chapters from Miami; an excerpt from Salvador; and three separate essays from After Henry that cover topics from Ronald Reagan to the Central Park jogger case. Also included is “Clinton Agonistes” from Political Fictions, and “Fixed Opinions, or the Hinge of History,” a scathing analysis of the ongoing war on terror.
From the Trade Paperback edition.
In Felix Holt, the Radical, George Eliot observes that progressive reformers can be even more self-serving than their conservative counterparts; in The Prime Minister, Anthony Trollope suggests that honest men must cope with the corruption of politics–or leave leadership entirely to the crooked; and the works of Nadine Gordimer and George Orwell reveal that those who overturn tyrants often envy their power and repeat their mistakes. Anyone trying to understand today’s confused and violent world will be both challenged and inspired by this unique and important collection.
From the Trade Paperback edition.
The trial and acquittal of Till's murderers became, in the words of one historian, "the first great media event of the civil rights movement," and since then, the lynching has assumed a central place in literary memory. The international group of contributors to this volume explores how the Emmett Till story has been fashioned and refashioned in fiction, poetry, drama, and autobiography by writers as diverse as William Bradford Huie, James Baldwin, Langston Hughes, Gwendolyn Brooks, Audre Lorde, Anne Moody, Nicolás Guillén, Aimé Césaire, Bebe Moore Campbell, and Lewis Nordan. They suggest the presence of an "Emmett Till narrative" deeply embedded in post-1955 literature, an overarching recurrent plot that builds on recognizable elements and is as legible as the "lynching narrative" or the "passing narrative." Writers have fashioned Till's story in many ways: an the annotated bibliography that ends the volume discusses more than 130 works that memorialize the lynching, calling attention to the full extent of Till's presence in literary memory.
Breaking new ground in civil rights studies and the discussion of race in America, Emmett Till in Literary Memory and Imagination eloquently attests to the special power and artistic resonance of one young man's murder.
Crafted and edited with care, Worth Books set the standard for quality and give you the tools you need to be a well-informed reader.
This short summary and analysis of It Can’t Happen Here includes:
Historical contextChapter-by-chapter overviewsProfiles of the main charactersDetailed timeline of key eventsThemes and symbolsImportant quotes and analysisFascinating triviaGlossary of termsSupporting material to enhance your understanding of the original work
About It Can’t Happen Here by Sinclair Lewis:
Sinclair Lewis’s satirical novel It Can’t Happen Here documents the rise of a fascist government in the United States.
It follows a small town newspaper editor, Doremus Jessup, as he watches his country come out of economic depression only to embrace a smoke-and-mirrors presidential candidate who wraps himself in patriotic zeal. This charismatic demagogue and his cronies amass power and wealth as the rest of the population watches its rights and freedoms disappear.
There is censorship, the random violence of an unchecked paramilitary force, and the emergence of concentration camps. Jews, foreigners, and intellectuals are singled out for especially brutal treatment. Universities are taken over and books are burned.
As he watches the devastating toll exacted from his friends and family, the once easygoing Jessup is swept into an underground resistance movement in which he must ignore his moral compass. A revolution is launched, but the outcome is uncertain.
Lewis’s dystopian work asks: could it happen here and, if it does, how would it be stopped?
The summary and analysis in this ebook are intended to complement your reading experience and bring you closer to a great work of fiction.
Although many editors place demands on their authors, these examples invite special scholarly attention given the power imbalance between white editors and publishers and African American authors. "Black Writers, White Publishers: Marketplace Politics in Twentieth-Century African American Literature" examines the complex negotiations behind the production of African American literature.
In chapters on Larsen's "Passing," Ishmael Reed's "Mumbo Jumbo," Gwendolyn Brooks's "Children Coming Home," Morrison's "Oprah's Book Club" selections, and Ralph Ellison's "Juneteenth," John K. Young presents the first book-length application of editorial theory to African American literature. Focusing on the manuscripts, drafts, book covers, colophons, and advertisements that trace book production, Young expands upon the concept of socialized authorship and demonstrates how the study of publishing history and practice and African American literary criticism enrich each other.
John K. Young is an associate professor of English at Marshall University. His work has appeared in journals such as "College English," "African American Review," and "Critique."
However, as the writers discussed in Tell This Silence suggest, silence too has multiple meanings especially in contexts like the U.S., where speech has never been a guaranteed right for all citizens. Duncan argues that writers such as Maxine Hong Kingston, Mitsuye Yamada, Joy Kogawa, Theresa Hak Kyung Cha, Nora Okja Keller, and Anchee Min deploy silence as a means of resistance. Juxtaposing their “unofficial narratives” against other histories—official U.S. histories that have excluded them and American feminist narratives that have stereotyped them or distorted their participation—they argue for recognition of their cultural participation and offer analyses of the intersections among gender, race, nation, and sexuality.
Tell This Silence offers innovative ways to consider Asian American gender politics, feminism, and issues of immigration and language. This exciting new study will be of interest to literary theorists and scholars in women's, American, and Asian American studies.
About this issue:
This issue of Socrates witnessed many changes in our publication policies. One of the most encouraging changes is our presence through Open journal system. These changes will not only facilitate the authors but also boost our presence on international platform. This issue of Socrates has been divided into seven sections. The first section is Language & Literature- English which contains a paper which is analysis on Laura Mulvey’s theory of visual pleasure and attempts to apply it on the re-imagination of sexuality in cinematic spaces. The paper also examines the consumer spaces where the homo-sexual communities occupy substantial space as target audience which has enough potential to determine the direction and success of any popular cultural medium. The second section is History, which contains a paper that is extracted from a project that records the memories of men and women in Manipur, who witnessed the Nupi Lan (1939) and Second World War (1942 – 1945). Scored highly by the Referee, this paper is undoubtedly an asset for researchers. The third section is Philosophy contains a few excellent papers. The first paper of this section argues that Nozick’s entitlement theory leads to indirect injustice and is therefore an unfitting philosophical theory. The second paper of this section draws comparisons between Socratic Questioning and Zen Buddhist Koan Practice. The third paper of this section contains a Dialectic and Literary Essay Intimate Marxist Space: The Dialectic House must read for the scholars. The fourth paper of this section is my personal favorite. This paper has attempted a critical analysis of the arguments from alternation and recollection for the immortality of the soul in Plato’s Phaedo. It argues that Plato fails to prove beyond reasonable doubt the reality of the soul. It also mentions that its proof for reincarnation which is hinged on the reality of the soul is not tenable. The fifth paper of this section is a Creative writing focused on Exaggeration, Human nature and moral values. The fourth section of this issue Politics, Law and Governance contains two selected articles. The first paper of this section highlights the Need for south - south cooperation to confront the challenges posed by the Global north as to north -south. The second paper of this section highlights the 21st century scramble for Africa, must read for development thinkers. The fifth section of this issue is Sociology, contains a paper based on a study conducted at University of Kashmir which attempts to find out the impact of internet on research. The sixth section of this issue is Economics, Management and commerce which contains a paper that highlights the Role of Microfinance in the Socio Economic development of Women. The seventh section of this issue contains Interview of renowned contemporary poet Dr. A.k. Chaudhary.