“This is my kind of history book. Get ready. Here’s the action.” —BRAD MELTZER, bestselling author of The Fifth Assassin and host of Decoded
When George Washington beat a hasty retreat from New York City in August 1776, many thought the American Revolution might soon be over. Instead, Washington rallied—thanks in large part to a little-known, top-secret group called the Culper Spy Ring. He realized that he couldn’t defeat the British with military might, so he recruited a sophisticated and deeply secretive intelligence network to infiltrate New York.
Drawing on extensive research, Brian Kilmeade and Don Yaeger have offered fascinating portraits of these spies: a reserved Quaker merchant, a tavern keeper, a brash young longshoreman, a curmudgeonly Long Island bachelor, a coffeehouse owner, and a mysterious woman. Long unrecognized, the secret six are finally receiving their due among the pantheon of American heroes.
At the end of the nineteenth century, Johnstown, Pennsylvania, was a booming coal-and-steel town filled with hardworking families striving for a piece of the nation’s burgeoning industrial prosperity. In the mountains above Johnstown, an old earth dam had been hastily rebuilt to create a lake for an exclusive summer resort patronized by the tycoons of that same industrial prosperity, among them Andrew Carnegie, Henry Clay Frick, and Andrew Mellon. Despite repeated warnings of possible danger, nothing was done about the dam. Then came May 31, 1889, when the dam burst, sending a wall of water thundering down the mountain, smashing through Johnstown, and killing more than 2,000 people. It was a tragedy that became a national scandal.
Graced by David McCullough’s remarkable gift for writing richly textured, sympathetic social history, The Johnstown Flood is an absorbing, classic portrait of life in nineteenth-century America, of overweening confidence, of energy, and of tragedy. It also offers a powerful historical lesson for our century and all times: the danger of assuming that because people are in positions of responsibility they are necessarily behaving responsibly.
A fascinating Jazz Age tale of chemistry and detection, poison and murder, The Poisoner's Handbook is a page-turning account of a forgotten era. In early twentieth-century New York, poisons offered an easy path to the perfect crime. Science had no place in the Tammany Hall-controlled coroner's office, and corruption ran rampant. However, with the appointment of chief medical examiner Charles Norris in 1918, the poison game changed forever. Together with toxicologist Alexander Gettler, the duo set the justice system on fire with their trailblazing scientific detective work, triumphing over seemingly unbeatable odds to become the pioneers of forensic chemistry and the gatekeepers of justice.
In 2014, PBS's AMERICAN EXPERIENCE released a film based on The Poisoner's Handbook.
This monumental book is the enthralling story of one of the greatest events in our nation’s history, during the Age of Optimism—a period when Americans were convinced in their hearts that all things were possible.
In the years around 1870, when the project was first undertaken, the concept of building an unprecedented bridge to span the East River between the great cities of Manhattan and Brooklyn required a vision and determination comparable to that which went into the building of the great cathedrals. Throughout the fourteen years of its construction, the odds against the successful completion of the bridge seemed staggering. Bodies were crushed and broken, lives lost, political empires fell, and surges of public emotion constantly threatened the project. But this is not merely the saga of an engineering miracle; it is a sweeping narrative of the social climate of the time and of the heroes and rascals who had a hand in either constructing or exploiting the surpassing enterprise.
Midway through the twelfth century, the building of cathedrals became a crusade to erect awe-inspiring churches across Europe. In their zeal, bishops, monks, masons, and workmen created the architectural style known as Gothic, arguably Christianity’s greatest contribution to the world’s art and architecture. The style evolved slowly and almost accidentally as medieval artisans combined ingenuity, inspiration, and brute strength to create a fitting monument to their God.
Here are the dramatic stories of the building of Saint-Denis, Notre Dame, Chartres, Reims, and other Gothic cathedrals.
The story of the fire, its causes, and its legal and human aftermath is one of lives put at risk by petty economic decisions--by a band, club owners, promoters, building inspectors, and product manufacturers. Any one of those decisions, made differently, might have averted the tragedy. Together, however, they reached a fatal critical mass.
Killer Show is the first comprehensive exploration of the chain of events leading up to the fire, the conflagration itself, and the painstaking search for evidence to hold the guilty to account and obtain justice for the victims.
Anyone who has entered an entertainment venue and wondered, "Could I get out of here in a hurry?" will identify with concertgoers at The Station. Fans of disaster nonfiction and forensic thrillers will find ample elements of both genres in Killer Show.
Secretive—even reclusive—Russell Bufalino quietly built his organized crime empire in the decades between Prohibition and the Carter presidency. His reach extended far beyond the coal country of Scranton, Pennsylvania, and quaint Amish farms near Lancaster. Bufalino had a hand in global, national, and local politics of the largest American cities, many of its major industries, and controlled the powerful Teamsters Union. His influence also reached the highest levels of Pennsylvania government and halls of Congress, and his legacy left a culture of corruption that continues to this day.
A uniquely American saga that spans six decades, The Quiet Don follows Russell Bufalino’s remarkably quiet ascent from Sicilian immigrant to mob soldier to a man described by a United States Senate subcommittee in 1964 as “one of the most ruthless and powerful leaders of the Mafia in the United States.”
This outstanding book presents 500 small-home designs of the 1920s as they appeared in a major architectural publication of 1923. Many are by leading domestic architects of the period. Each design is presented in a handsome perspective drawing or photograph, along with floor plans and a description of its principal features.
The designs reflect many variations on the basic themes of American colonial architecture, updated by new construction technology and the design aesthetics of the post‒World War I era. The Bungalow and semi-bungalow were perhaps the biggest design news of the times, and they are generously represented in this huge collection. Because of the practicality and good looks of the best of these designs, and perhaps for the nostalgia they evoke, many are being revived today by builders and buyers in communities across America.
Architects, architectural, and social historians, students and enthusiasts of architecture and design will find in these pages a rich selection of small-home concepts that once set the standard for a new era in American home design, and that still form an integral part of our landscape many decades after their first inspiration.
From Cape Cods to Colonials, Small Houses of the Forties offers an eden of illustrations of cozy, charming domiciles, complete with color combinations, charts, and diagrams. This complete republication of a now-rare volume is also filled with vintage dollars-and-sense information for the postwar homebuyer, including mortgage guidance, amortization schedules, valuations, and construction costs of the times.
A nostalgic flashback to a simpler American dream of white picket fences, this entertaining and valuable reference will delight architecture enthusiasts, plan collectors, restorers, and historians alike.
By early 1977, the metropolis was in the grip of hysteria caused by a murderer dubbed "Son of Sam." And on a sweltering night in July, a citywide power outage touched off an orgy of looting and arson that led to the largest mass arrest in New York's history. As the turbulent year wore on, the city became absorbed in two epic battles: the fight between Yankee slugger Reggie Jackson and team manager Billy Martin, and the battle between Ed Koch and Mario Cuomo for the city's mayoralty. Buried beneath these parallel conflicts—one for the soul of baseball, the other for the soul of the city—was the subtext of race. The brash and confident Jackson took every black myth and threw it back in white America's face. Meanwhile, Koch and Cuomo ran bitterly negative campaigns that played upon urbanites' fears of soaring crime and falling municipal budgets.
These braided stories tell the history of a year that saw the opening of Studio 54, the evolution of punk rock, and the dawning of modern SoHo. As the pragmatist Koch defeated the visionary Cuomo and as Reggie Jackson finally rescued a team racked with dissension,1977 became a year of survival but also of hope.
Ladies and Gentlemen, the Bronx Is Burning is a New York Times Notable Book of the Year, and the basis of the 2007 ESPN miniseries, starring John Turturro as Billy Martin, Oliver Platt as George Steinbrenner, and Daniel Sunjata as Reggie Jackson.
Over 130 illustrations — floor plans, elevations, perspective views, and more — enhance the text, which is further supplemented by two informative and useful articles: "Suggestions on House Building," by A. W. Cobb, describes the process of building a home, from the first sketches offered by the architect to his client, to property selection, scale drawings, and details of construction. “How to Plumb a Suburban House,” by Leonard D. Hosford, provided the late Victorian era homeowner with valuable advice about sewage disposal.
Restorers of old houses, preservationists, and students of American architectural history will welcome this treasury of authentic century-old plans and details. Students of social history will also find it an excellent reference.
Mornings on Horseback is the brilliant biography of the young Theodore Roosevelt. Hailed as “a masterpiece” (John A. Gable, Newsday), it is the winner of the Los Angeles Times 1981 Book Prize for Biography and the National Book Award for Biography. Written by David McCullough, the author of Truman, this is the story of a remarkable little boy, seriously handicapped by recurrent and almost fatal asthma attacks, and his struggle to manhood: an amazing metamorphosis seen in the context of the very uncommon household in which he was raised.
The father is the first Theodore Roosevelt, a figure of unbounded energy, enormously attractive and selfless, a god in the eyes of his small, frail namesake. The mother, Mittie Bulloch Roosevelt, is a Southerner and a celebrated beauty, but also considerably more, which the book makes clear as never before. There are sisters Anna and Corinne, brother Elliott (who becomes the father of Eleanor Roosevelt), and the lovely, tragic Alice Lee, TR’s first love. All are brought to life to make “a beautifully told story, filled with fresh detail” (The New York Times Book Review).
A book to be read on many levels, it is at once an enthralling story, a brilliant social history and a work of important scholarship which does away with several old myths and breaks entirely new ground. It is a book about life intensely lived, about family love and loyalty, about grief and courage, about “blessed” mornings on horseback beneath the wide blue skies of the Badlands.
This fascinating reprint of a rare architectural catalog is filled with photos of actual completed bungalows from the era, built prior to 1919. A mix of Spanish tile, stucco exteriors, wraparound porches, overhanging gables, handcrafted stone, and woodwork added up to many a homeowner's dream. Geared to the climate of the northern and eastern regions, each bungalow is an authentic Craftsman design and features a photo, description, floor plan, and original costs. A fascinating showcase of primary American architecture, Craftsman Bungalows is an indispensable resource for architects, builders, historians, and illustrators.
Each chapter provides a detailed explanation of a specific skill or technique, illustrated with easy-to-read instructional diagrams and photographs. Coach Tucker begins with lacrosse survival skills—throwing, catching, cradling, and scooping ground balls—and then moves on to more advanced techniques, such as precise checking, fast footwork, correct stick and body position, deceptive shooting, and quick dodges. Chapters on cutting-edge offensive and defensive strategy and on specialized skills, such as goal-tending and the draw, will get any team ready to hit the field.
Fully updated, this edition includes* Detailed skill instruction* Drill suggestions throughout the book* New rules regarding the center draw and running through the crease For young women who want to play at the college level, the concluding chapter on recruiting offers a timeline; testimony from players, parents, and college coaches who have been through the process; and a sample résumé. Highlighting the most current strategies and tactics in the game today, Women's Lacrosse is a comprehensive instructional guide for coaches and players at all levels.
When the British wrested New Amsterdam from the Dutch in 1664, the truth about its thriving, polyglot society began to disappear into myths about an island purchased for 24 dollars and a cartoonish peg-legged governor. But the story of the Dutch colony of New Netherland was merely lost, not destroyed: 12,000 pages of its records–recently declared a national treasure–are now being translated. Russell Shorto draws on this remarkable archive in The Island at the Center of the World, which has been hailed by The New York Times as “a book that will permanently alter the way we regard our collective past.”
The Dutch colony pre-dated the “original” thirteen colonies, yet it seems strikingly familiar. Its capital was cosmopolitan and multi-ethnic, and its citizens valued free trade, individual rights, and religious freedom. Their champion was a progressive, young lawyer named Adriaen van der Donck, who emerges in these pages as a forgotten American patriot and whose political vision brought him into conflict with Peter Stuyvesant, the autocratic director of the Dutch colony. The struggle between these two strong-willed men laid the foundation for New York City and helped shape American culture. The Island at the Center of the World uncovers a lost world and offers a surprising new perspective on our own.
"A poorly planned house is usually more expensive than a modern practical plan," according to the author, architect Herbert C. Chivers. Combining "modern methods" with attractive but modestly priced plans, Chivers promoted his business with sketches of stylish homes, accompanied by brief captions stating dimensions, prices, and occasional suggestions for modifications. This reprint of his complete guide to domestic architecture of the early 1900s constitutes a valuable resource for home hobbyists, architecture students and professionals, as well as antique collectors.
On April 20th, 1989, two passersby discovered the body of the "Central Park jogger" crumpled in a ravine. She'd been raped and severely beaten. Within days five black and Latino teenagers were apprehended, all five confessing to the crime. The staggering torrent of media coverage that ensued, coupled with fierce public outcry, exposed the deep-seated race and class divisions in New York City at the time. The minors were tried and convicted as adults despite no evidence linking them to the victim. Over a decade later, when DNA tests connected serial rapist Matias Reyes to the crime, the government, law enforcement, social institutions and media of New York were exposed as having undermined the individuals they were designed to protect. Here, Sarah Burns recounts this historic case for the first time since the young men's convictions were overturned, telling, at last, the full story of one of New York’s most legendary crimes.
“A rich, lovely, debut history of New York theater in the 1970s and eighties” (Kirkus Reviews, starred review), Razzle Dazzle is a narrative account of the people and the money and the power that turned New York’s gritty back alleys and sex-shops into the glitzy, dazzling Great White Way.
In the mid-1970s Times Square was the seedy symbol of New York’s economic decline. Its once shining star, the renowned Shubert Organization, was losing theaters to make way for parking lots and losing money. Bernard Jacobs and Jerry Schoenfeld, two ambitious board members, saw the crumbling company was ripe for takeover and staged a coup and staved off corporate intrigue, personal betrayals and criminal investigations. Once Jacobs and Schoenfeld solidified their power, they turned a collapsed theater-owning holding company into one of the most successful entertainment empires in the world, spearheading the revitalization of Broadway and the renewal of Times Square.
“For those interested in the business behind the greasepaint, at a riveting time in Broadway’s and New York’s history, this is the ticket” (USA TODAY). Michael Riedel tells the stories of the Shubert Organization and the shows that re-built a city in grand style—including Cats, A Chorus Line, and Mamma Mia!—revealing the backstage drama that often rivaled what transpired onstage, exposing bitter rivalries, unlikely alliances, and inside gossip. “The trouble with Razzle Dazzle is…you can’t put the damn thing down” (Huffington Post).
Construction of the giant dam was a triumph of human ingenuity, yet the full story of this monumental endeavor has never been told. Now, in an engrossing, fast-paced narrative, Joseph E. Stevens recounts the gripping saga of Hoover Dam. Drawing on a wealth of material, including manuscript collections, government documents, contemporary newspaper and magazine accounts, and personal interviews and correspondence with men and women who were involved with the construction, he brings the Hoover Dam adventure to life.
Described here in dramatic detail are the deadly hazards the work crews faced as they hacked and blasted the dam’s foundation out of solid rock; the bitter political battles and violent labor unrest that threatened to shut the job down; the deprivation and grinding hardship endured by the workers’ families; the dam builders’ gambling, drinking, and whoring sprees in nearby Las Vegas; and the stirring triumphs and searing moments of terror as the massive concrete wedge rose inexorably from the canyon floor.
Here, too, is an unforgettable cast of characters: Henry Kaiser, Warren Bechtel, and Harry Morrison, the ambitious, headstrong construction executives who gambled fortune and fame on the Hoover Dam contract; Frank Crowe, the brilliant, obsessed field engineer who relentlessly drove the work force to finish the dam two and a half years ahead of schedule; Sims Ely, the irascible, teetotaling eccentric who ruled Boulder City, the straightlaced company town created for the dam workers by the federal government; and many more men and women whose courage and sacrifice, greed and frailty, made the dam’s construction a great human, as well as technological, adventure.
Hoover Dam is a compelling, irresistible account of an extraordinary American epic.
Combining personal memoir and historical narrative, Striking Steel argues for reassessment of unionism in American life during the second half of the twentieth century and a recasting of "official memory." As he traces the history of union steelworkers after World War II, Metzgar draws on his father's powerful stories about the publishing work in the mills, stories in which time is divided between "before the union" and since. His father, Johnny Metzgar, fought ardently for workplace rules as a means of giving "the men" some control over their working conditions and protection from venal foremen. He pursued grievances until he eroded management's authority, and he badgered foremen until he established shop-floor practices that would become part of the next negotiated contract. As a passionate advocate of solidarity, he urged coworkers to stick together so that the rules were upheld and everyone could earn a decent wage.
Striking Steel's pivotal event is the four-month nationwide steel strike of 1959, a landmark union victory that has been all but erased from public memory. With remarkable tenacity, union members held out for the shop-floor rules that gave them dignity in the workplace and raised their standard of living. Their victory underscored the value of sticking together and reinforced their sense that they were contributing to a general improvement in American working and living conditions.
The Metzgar family's story vividly illustrates the larger narrative of how unionism lifted the fortunes and prospects of working-class families. It also offers an account of how the broad social changes of the period helped to shift the balance of power in a conflict-ridden, patriarchal household. Even if the optimism of his generation faded in the upheavals of the 1960s, Johnny Metzgar's commitment to his union and the strike itself stands as an honorable example of what a collective action can and did achieve. Jack Metzgar's Striking Steel is a stirring call to remember and renew the struggle.
But who, exactly, is that someone? And why is he—or she—so unknown?
In Picking Up, the anthropologist Robin Nagle introduces us to the men and women of New York City's Department of Sanitation and makes clear why this small army of uniformed workers is the most important labor force on the streets. Seeking to understand every aspect of the Department's mission, Nagle accompanied crews on their routes, questioned supervisors and commissioners, and listened to story after story about blizzards, hazardous wastes, and the insults of everyday New Yorkers. But the more time she spent with the DSNY, the more Nagle realized that observing wasn't quite enough—so she joined the force herself. Driving the hulking trucks, she obtained an insider's perspective on the complex kinships, arcane rules, and obscure lingo unique to the realm of sanitation workers.
Nagle chronicles New York City's four-hundred-year struggle with trash, and traces the city's waste-management efforts from a time when filth overwhelmed the streets to the far more rigorous practices of today, when the Big Apple is as clean as it's ever been.
Throughout, Nagle reveals the many unexpected ways in which sanitation workers stand between our seemingly well-ordered lives and the sea of refuse that would otherwise overwhelm us. In the process, she changes the way we understand cities—and ourselves within them.
Acropolis - Greece, Ajanta Caves - India, Alcatraz Island - USA, Alpirsbach Monastery - Germany, Arequipa (The White City) - Peru, Aurora Borealis - Scandinavia, Berlin Wall - Germany, Big Ben - UK, Blarney Castle – Republic Of Ireland, Blue Lagoon -Iceland, Bora Bora – French Polynesia, Brandenburg Gate - Germany, Buckingham Palace - UK, Bwindi Impenetrable National Park And The Mountain Gorillas - Uganda, Canterbury Cathedral - UK, Carthage - Tunisia, Champs Elysees - France, Chateau Of Versailles - France, Chichen Itza Ruins - Mexico, Christ The Redeemer Statue – Brazil, Cliffs Of Moher – Republic Of Ireland, Coliseum - Rome, Crazy Horse Monument and Memorial - USA, David (Michelangelo) – Florence, Dead Sea - Israel, Death Valley - USA, Devils Tower - USA, Easter Island - Polynesia, Edinburgh Castle - Scotland
And of course there are many more.......
In this first general history of the Eiffel Tower in English, Jill Jonnes-acclaimed author of Conquering Gotham-offers an eye- opening look not only at the construction of one of the modern world's most iconic structures, but also the epochal event that surrounded its arrival as a wonder of the world. In this marvelously entertaining portrait of Belle Époque France, fear and loathing over Eiffel's brash design share the spotlight with the celebrities that made the 1889 Exposition Universelle an event to remember-including Buffalo Bill and his sharpshooter Annie Oakley, Thomas Edison, and artists Whistler, Gauguin, and van Gogh. Eiffel's Tower is a richly textured portrait of an era at the dawn of modernity, reveling in the limitless promise of the future.
From the Trade Paperback edition.
In 1984, the landscape historian Mac Griswold was rowing along a Long Island creek when she came upon a stately yellow house and a garden guarded by looming boxwoods. She instantly knew that boxwoods that large—twelve feet tall, fifteen feet wide—had to be hundreds of years old. So, as it happened, was the house: Sylvester Manor had been held in the same family for eleven generations.
Formerly encompassing all of Shelter Island, New York, a pearl of 8,000 acres caught between the North and South Forks of Long Island, the manor had dwindled to 243 acres. Still, its hidden vault proved to be full of revelations and treasures, including the 1666 charter for the land, and correspondence from Thomas Jefferson. Most notable was the short and steep flight of steps the family had called the "slave staircase," which would provide clues to the extensive but little-known story of Northern slavery. Alongside a team of archaeologists, Griswold began a dig that would uncover a landscape bursting with stories.
Based on years of archival and field research, as well as voyages to Africa, the West Indies, and Europe, The Manor is at once an investigation into forgotten lives and a sweeping drama that captures our history in all its richness and suffering. It is a monumental achievement.
The book takes a look at equipment and materials, architectural drafting, and architectural drawing conventions. Discussions focus on drawing pencils, technical drawing pens, set squares/templates, circle templates/compasses, line weight/line types, drafting technique, drawing circular elements, floor plan, doors and windows in plan, stairs, wall indications, plan grids, and site boundaries. The manuscript examines rendition of value and context and graphic symbols and lettering. Topics include tonal values, media and techniques, value/texture rendition, material rendition, shades and shadows, people, furniture, graphic representation symbols, and hand lettering. The text explores freehand drawing and architectural presentations, including freehand sketching, graphic diagraming, and sketching equipment.
The publication is a valuable reference for architects interested in doing further studies in architectural graphics.
How Newark Became Newark is a fresh, unflinching popular history that spans the city's epic transformation from a tiny Puritan village into a manufacturing powerhouse, on to its desperate struggles in the twentieth century and beyond. After World War II, unrest mounted as the minority community was increasingly marginalized, leading to the wrenching civic disturbances of the 1960s. Though much of the city was crippled for years, How Newark Became Newark is also a story of survival and hope. Today, a real estate revival and growing population are signs that Newark is once again in ascendance.
Fifty years after she was viciously attacked in full view of several neighbors and within earshot of still more, the name of murder victim Kitty Genovese still conjures the ugly spectre of American apathy. “37 Saw Murder but Didn’t Call Police” ran the Times headline that created a legend. A thirty-eighth witness did call—“after much deliberation”—half an hour after the first attack left Kitty wounded on the street. By then, her killer had returned and finished the job: Kitty Genovese lay dying in a stairwell, just steps from the safety of her own apartment.
The apparent indifference of Kitty’s neighbors to her screams—and the cold-blooded calm of the killer who came back—fixed this case in the memory of detective chief Albert Seedman. Ten years later, he gave coauthor Peter Hellman the inside scoop on the murder that haunts a quiet corner of Kew Gardens, Queens—and the American conscience.
Seedman’s account of the investigation, now bookended by incisive new commentary from Hellman, is as gripping today as ever, and the plight of Kitty Genovese as chilling. When Seedman questioned the murderer about Kitty’s neighbors, he replied, “I knew they wouldn’t do anything. People never do. That late at night, they just go back to sleep.” If he struck today, would we prove him wrong?
Volume one of Brother Joseph: Seer of a New Dispensation begins the amazing story of the life of the Prophet Joseph Smith. Drawn from hundreds of authoritative sources, it delivers a fascinating and sweeping view of the first half of Joseph’s eventful and inspiring life.
Growing into manhood while suffering many trials and relentless persecution, Joseph was forged into a humble servant of God who led the people by example and whom the Saints admired and deeply loved.
As the Lord taught and strengthened Joseph, he imparted profound doctrines that enriched the lives of the Saints—teachings that caused them to ponder in sincere reflection. They treasured the opportunity to associate with their beloved Brother Joseph and to learn from him.
Written in a very readable style by using Joseph’s own recorded history and the observations of those knew him, this volume offers a clear and vivid portrait of the Prophet Joseph Smith. It illustrates the breadth and depth of the dynamic life of this exceptional servant of God. In this book is an inspiring and impressive biography of a singular man and prophet of God.
On a warm spring evening in 1982, thirty-seven-year-old accountant Margaret Barbera left work in New York City and walked to the West Side parking lot where she kept her BMW. Finding the lock on the driver’s side door jammed, she went to the passenger’s side and inserted her key. A man leaned through the open window of a van parked in the next spot, pressed a silenced pistol to the back of Margaret’s head, and fired. She was dead before she hit the pavement.
It was a professional hit, meticulously planned—but the killer didn’t expect three employees of the nearby CBS television studios to stumble onto the scene of the crime. “You didn’t see nothin’, did you?” he demanded, before shooting the first eyewitness in the head. After chasing down and executing the other two men, the murderer sped out of the parking lot with Margaret’s lifeless body in the back of his van.
Thirty minutes later, the first detectives arrived on the scene. Veterans of Midtown North, a sprawling precinct stretching from the exclusive shops of Fifth Avenue to the flophouses of Hell’s Kitchen, they thought they’d seen it all. But a bloodbath in the heart of Manhattan was a shocking new level of depravity, and the investigation would unfold under intense media coverage. Setting out on the trail of an assassin, the NYPD uncovered one of the most diabolical criminal conspiracies in the city’s history.
Richard Hammer’s blow-by-blow account of “the CBS Murders” is a thrilling tale of greed, violence, and betrayal, and a fascinating portrait of how a big-city police department solved the toughest of cases.
Roosevelt and his “Brain Trust”—shrewd, energetic advisors such as Harold Ickes and Harry Hopkins—sought to fight the Depression by channeling federal resources through America’s cities and counties. La Guardia had replaced Tammany Hall cronies with policy experts, such as the imperious Robert Moses, who were committed to a strong public sector. The two leaders worked closely together. La Guardia had a direct line of communication with FDR and his staff, often visiting Washington carrying piles of blueprints. Roosevelt relied on the mayor as his link to the nation’s cities and their needs. The combination was potent. La Guardia’s Gotham became a laboratory for New Deal reform. Roosevelt’s New Deal transformed city initiatives into major programs such as the Works Progress Administration, which changed the physical face of the United States. Together they built parks, bridges, and schools; put the unemployed to work; and strengthened the Progressive vision of government as serving the public purpose.
Today everyone knows the FDR Drive as a main route to La Guardia Airport. The intersection of steel and concrete speaks to a pair of dynamic leaders whose collaboration lifted a city and a nation. Here is their story.
Ranging in price from less than $4,000 to over $13,000, these homes offer a fascinating cross section of the most popular building styles in America over 60 years ago. For each home, the catalog provides an illustration of the exterior, complete floor plans with dimensions, costs and a brief description of the features and advantages of the house. Helpful commentary is often included: "The living room should offer an invitation to relax mentally and physically. Comfortable chairs, shaded lights, and soft-tone hangings, draperies and walls will help create the homelike, restful atmosphere so desirable in a living room. For the decoration of the living room walls, tans, medium brown, warm gray, old blue, gray, green and other soft colors are excellent."
In addition to complete plans, the catalog also includes plumbing and bathroom fixtures, wiring, closet fixtures, tiling, heaters, and other necessities. The result is an authentic reference guide for a wide range of homes still extant in American cities and towns. For anyone seeking to buy or restore one of these houses, the Loizeaux plan book represents an unparalleled resource containing original plans, detailed descriptions, dimensions and prices.
Historic sites along the Mall, such as the U.S. Capitol building, the White House and the Lincoln Memorial, are explored from an entirely new perspective in this book, with never-before-told stories and statistics about the role of blacks in their creation. This is an iconoclastic guide to Washington, D.C., in that it shines a light on the African Americans who have not traditionally been properly credited for actually building important landmarks in the city. New research by a top Washington journalist brings this information together in a powerful retelling of an important part of our country's history.
In addition the book includes sections devoted to specific monuments such as the African American Civil War Memorial, the real “Uncle Tom's cabin,” the Benjamin Banneker Overlook and Frederick Douglass Museum, the Hall of Fame for Caring Americans, and other existing statues, memorials and monuments. It also details the many other places being planned right now to house, for the first time, rich collections of black American history that have not previously been accessible to the public, such as the soon-to-open Smithsonian Institution National Museum of African American History and Culture, and the Martin Luther King, Jr., National Monument, as well as others opening over the next decade. This book will be a source of pride for African Americans who live in or come from the D.C., Maryland, and Virginia area as well as for the 18 million annual African American visitors to our nation's capital.
Jesse J. Holland is a political journalist who lives in the Capitol Hill neighborhood of Washington, D.C. He is the Congressional legal affairs correspondent for the Associated Press, and his stories frequently appear in the New York Times and other major papers. In 2004, Holland became the first African American elected to Congressional Standing Committee of Correspondents, which represents the entire press corps before the Senate and the House of Representatives. A graduate of the University of Mississippi, he is a frequent lecturer at universities and media talk shows across the country.
Women "treated" when they exchanged sexual favors for dinner and an evening's entertainment or, more tangibly, for stockings, shoes, and other material goods. These "charity girls" created for themselves a moral space between prostitution and courtship that preserved both sexual barter and respectability. Although treating, as a clearly articulated language and identity, began to disappear after the 1920s and 1930s, Clement argues that it still had significant, lasting effects on modern sexual norms. She demonstrates how treating shaped courtship and dating practices, the prevalence and meaning of premarital sex, and America's developing commercial sex industry. Even further, her study illuminates the ways in which sexuality and morality interact and contribute to our understanding of the broader social categories of race, gender, and class.
These masterpieces (along with several previously uncollected stories) are available in one volume, which presents an indelible collective portrait of an unsuspected New York and its odder citizens—as depicted by one of the great writers of this or any other time.
Alcohol was essential to colonial life; the region’s water was foul, milk was generally unavailable, and tea and coffee were far too expensive for all but the very wealthy. Colonists used alcohol to drink, in cooking, as a cleaning agent, in beauty products, and as medicine. Meacham finds that the distillation and brewing of alcohol for these purposes traditionally fell to women. Advice and recipes in such guidebooks as The Accomplisht Ladys Delight demonstrate that women were the main producers of alcohol until the middle of the 18th century. Men, mostly small planters, then supplanted women, using new and cheaper technologies to make the region’s cider, ale, and whiskey.
Meacham compares alcohol production in the Chesapeake with that in New England, the middle colonies, and Europe, finding the Chesapeake to be far more isolated than even the other American colonies. She explains how home brewers used new technologies, such as small alembic stills and inexpensive cider pressing machines, in their alcoholic enterprises. She links the importation of coffee and tea in America to the temperance movement, showing how the wealthy became concerned with alcohol consumption only after they found something less inebriating to drink.
Taking a few pages from contemporary guidebooks, Every Home a Distillery includes samples of historic recipes and instructions on how to make alcoholic beverages. American historians will find this study both enlightening and surprising.