On November 4, 1979, Iranian militants stormed the American embassy in Tehran and captured dozens of American hostages, sparking a 444-day ordeal and a quake in global politics still reverberating today. But there is a little-known drama connected to the crisis: six Americans escaped. And a top-level CIA officer named Antonio Mendez devised an ingenious yet incredibly risky plan to rescue them before they were detected.
Disguising himself as a Hollywood producer, and supported by a cast of expert forgers, deep cover CIA operatives, foreign agents, and Hollywood special effects artists, Mendez traveled to Tehran under the guise of scouting locations for a fake science fiction film called Argo. While pretending to find the perfect film backdrops, Mendez and a colleague succeeded in contacting the escapees, and smuggling them out of Iran.
Antonio Mendez finally details the extraordinarily complex and dangerous operation he led more than three decades ago. A riveting story of secret identities and international intrigue, Argo is the gripping account of the history-making collusion between Hollywood and high-stakes espionage.
When two of his employees were held hostage in a heavily guarded prison fortress in Iran, one man took matters into his own hands: businessman H. Ross Perot. His team consisted of a group of volunteers from the executive ranks of his corporation, handpicked and trained by a retired Green Beret officer. To free the imprisoned Americans, they would face incalculable odds on a mission that only true heroes would have dared. . . .
From the Paperback edition.
The Shah's was a life filled with contradiction—as a social reformer he built schools, increased equality for women, and greatly reduced the power of the Shia clergy. He made Iran a global power, courting Western leaders from Churchill to Carter, and nationalized his country's many natural resources. But he was deeply conflicted and insecure in his powerful role. Intolerant of political dissent, he was eventually overthrown by the very people whose loyalty he so desperately sought. This comprehensive and gripping account shows us how Iran went from politically moderate monarchy to totalitarian Islamic republic. Milani reveals the complex and sweeping road that would bring the U.S. and Iran to where they are today.
In this remarkably human portrait of one of the twentieth century's most complicated personalities, Mohammad Reza Pahlavi, Andrew Scott Cooper traces the Shah's life from childhood through his ascension to the throne in 1941. He draws the turbulence of the post-war era during which the Shah survived assassination attempts and coup plots to build a modern, pro-Western state and launch Iran onto the world stage as one of the world's top five powers. Readers get the story of the Shah's political career alongside the story of his courtship and marriage to Farah Diba, who became a power in her own right, the beloved family they created, and an exclusive look at life inside the palace during the Iranian Revolution. Cooper's investigative account ultimately delivers the fall of the Pahlavi dynasty through the eyes of those who were there: leading Iranian revolutionaries; President Jimmy Carter and White House officials; US Ambassador William Sullivan and his staff in the American embassy in Tehran; American families caught up in the drama; even Empress Farah herself, and the rest of the Iranian Imperial family. Intimate and sweeping at once, The Fall of Heaven recreates in stunning detail the dramatic and final days of one of the world's most legendary ruling families, the unseating of which helped set the stage for the current state of the Middle East.
The moving, inspiring memoir of one of the great women of our times, Shirin Ebadi, winner of the 2003 Nobel Peace Prize and advocate for the oppressed, whose spirit has remained strong in the face of political persecution and despite the challenges she has faced raising a family while pursuing her work.
Best known in this country as the lawyer working tirelessly on behalf of Canadian photojournalist, Zara Kazemi—raped, tortured and murdered in Iran—Dr. Ebadi offers us a vivid picture of the struggles of one woman against the system. The book movingly chronicles her childhood in a loving, untraditional family, her upbringing before the Revolution in 1979 that toppled the Shah, her marriage and her religious faith, as well as her life as a mother and lawyer battling an oppressive regime in the courts while bringing up her girls at home.
Outspoken, controversial, Shirin Ebadi is one of the most fascinating women today. She rose quickly to become the first female judge in the country; but when the religious authorities declared women unfit to serve as judges she was demoted to clerk in the courtroom she had once presided over. She eventually fought her way back as a human rights lawyer, defending women and children in politically charged cases that most lawyers were afraid to represent. She has been arrested and been the target of assassination, but through it all has spoken out with quiet bravery on behalf of the victims of injustice and discrimination and become a powerful voice for change, almost universally embraced as a hero.
Her memoir is a gripping story—a must-read for anyone interested in Zara Kazemi’s case, in the life of a remarkable woman, or in understanding the political and religious upheaval in our world.
Praise for Shirin Ebadi and Iran Awakening
“This is the riveting story of an amazing and very brave woman living through some quite turbulent times. And she emerges with head unbowed.”—Archbishop Desmond Tutu
“The safety and freedom of citizens in democracies is irretrievably bound with the safety and freedom of people like Shirin Ebadi who are fighting to reassert the best achievements of mankind: universal human rights. One of the staunchest advocates for human rights in her country and beyond, Ms. Ebadi, herself a devout Muslim, represents hope for many in Muslim societies that Islam and democracy are indeed compatible.”—Azar Nafisi
“A moving portrait of a life lived in truth.”—The New York Times Book Review
“A riveting account of a brave, lonely struggle . . . [Iran Awakening] reads like a police thriller, its drama heightened by Ebadi’s determination to keep up the quotidian aspects of her family life.”—The Washington Post Book World
“A must read . . . may be the most important book you could read this year.”—Seattle Post-Intelligencer
“As a testament to how a single, inspired voice can rise above the cacophony . . . the book should be required reading.”—The Nation
“Some of her admirers in Iran call her a woman of steel. Sure, the Iranian human rights champion also has a heart of gold. But it is Shirin Ebadi’s unbending will that explains how she has become the conscience of the Islamic Republic.”—Time
“[Ebadi] has come forward with professional force and unflagging courage, and she has defied any danger to her own safety. She is truly a woman of the people!”—Ole Danbolt Mjos, chairman of the Norwegian Nobel Committee
From the Hardcover edition.
For more than a quarter of a century, few countries have been as resistant to American influence or understanding as Iran. The United States and Iran have long eyed each other with suspicion, all too eager to jump to conclusions and slam the door. What gets lost along the way is a sense of what is actually happening inside Iran and why it matters. With a new hard-line Iranian president making incendiary pronouncements and pressing for nuclear developments, the consequences of not understanding Iran have never been higher.
Ray Takeyh, a leading expert on Iran's politics and history, has written a groundbreaking book that demystifies the Iranian regime and shows how the fault lines of Iran's domestic politics serve to explain its behavior. In Hidden Iran, he explains why this country has so often confounded American expectations and why its outward hostility does not necessarily preclude the normalization of relations. Through a clearer understanding of the competing claims of Muslim theology, republican pragmatism, and factional competition, he offers a new paradigm for managing our relations with this rising power.
From the actor who somehow lived through it all, a “sharply detailed…funny book about a cinematic comedy of errors” (The New York Times): the making of the cult film phenomenon The Room.
In 2003, an independent film called The Room—starring and written, produced, and directed by a mysteriously wealthy social misfit named Tommy Wiseau—made its disastrous debut in Los Angeles. Described by one reviewer as “like getting stabbed in the head,” the $6 million film earned a grand total of $1,800 at the box office and closed after two weeks. Ten years later, it’s an international cult phenomenon, whose legions of fans attend screenings featuring costumes, audience rituals, merchandising, and thousands of plastic spoons.
Hailed by The Huffington Post as “possibly the most important piece of literature ever printed,” The Disaster Artist is the hilarious, behind-the-scenes story of a deliciously awful cinematic phenomenon as well as the story of an odd and inspiring Hollywood friendship. Greg Sestero, Tommy’s costar, recounts the film’s bizarre journey to infamy, explaining how the movie’s many nonsensical scenes and bits of dialogue came to be and unraveling the mystery of Tommy Wiseau himself. But more than just a riotously funny story about cinematic hubris, “The Disaster Artist is one of the most honest books about friendship I’ve read in years” (Los Angeles Times).
This is the latest 45-page report from the team behind the SOFREP website.
As a young boy living in Tehran in 1979, Cyrus Copeland—child of an American father and Iranian mother—never dreamed that his dad, an employee of Westinghouse, would be in danger for his life. That is, until the moment his father was arrested on espionage charges and put on trial in a Revolutionary Court. Almost simultaneously, more than fifty other Americans were taken hostage at the U.S. Embassy by Islamist militants, an event that has recently captivated the world again with the success of the book and film Argo. With the hostage crisis receiving most of the attention from the media and White House, it was largely left to Copeland’s mother and family to negotiate his father’s reprieve from the firing squad. Now, more than thirty years later, Copeland sets out to find the truth about his father and his role in the Iranian hostage crisis. Was he in fact an intelligence operative—a weapons-system expert—caught red-handed by the Iranian regime, or was he innocent all along? Part mystery, part reportage, and part detective work, Copeland’s brilliantly original family epic is a powerful memoir and adventure.
From the Hardcover edition.
"An incredible read." —Richard Donner, Director
"People always ask me about life after childhood stardom. What would I say to parents of children in the industry? My only advice, honestly, is to get these kids out of Hollywood and let them lead normal lives." —Corey Feldman
The New York Times Bestseller
A deeply personal and revealing Hollywood-survival story.
Lovable child star by age ten, international teen idol by fifteen, and to this day a perennial pop-culture staple, Corey Feldman has not only spent the entirety of his life in the spotlight, he's become just as famous for his off-screen exploits as for his roles in such classic films as Gremlins, The Goonies, and Stand by Me. He's been linked to a slew of Hollywood starlets (including Drew Barrymore, Vanessa Marcil, and adult entertainer Ginger Lynn), shared a highly publicized friendship with Michael Jackson, and with his frequent costar Corey Haim enjoyed immeasurable success as one half of the wildly popular duo "The Two Coreys," spawning seven films, a 1-900 number, and "Coreymania" in the process. What child of the eighties didn't have a Corey Feldman poster hanging in her bedroom, or a pile of Tiger Beats stashed in his closet?
Now, in this brave and moving memoir, Corey is revealing the truth about what his life was like behind the scenes: His is a past that included physical, drug, and sexual abuse, a dysfunctional family from which he was emancipated at age fifteen, three high-profile arrests for drug possession, a nine-month stint in rehab, and a long, slow crawl back to the top of the box office.
While Corey has managed to overcome the traps that ensnared so many other entertainers of his generation—he's still acting, is a touring musician, and is a proud father to his son, Zen—many of those closest to him haven't been so lucky. In the span of one year, he mourned the passing of seven friends and family members, including Corey Haim and Michael Jackson. In the wake of those tragedies, he's spoken publicly about the dark side of fame, lobbied for legislation affording greater protections for children in the entertainment industry, and lifted the lid off of what he calls Hollywood's biggest secret.
Coreyography is his surprising account of survival and redemption.
In 1979, seemingly overnight—moving at a clip some thirty years faster than the rest of the world—Iran became the first revolutionary theocracy in modern times. Since then, the country has been largely a black box to the West, a sinister presence looming over the horizon. But inside Iran, a breathtaking drama has unfolded since then, as religious thinkers, political operatives, poets, journalists, and activists have imagined and reimagined what Iran should be. They have drawn as deeply on the traditions of the West as of the East and have acted upon their beliefs with urgency and passion, frequently staking their lives for them.
With more than a decade of experience reporting on, researching, and writing about Iran, Laura Secor narrates this unprecedented history as a story of individuals caught up in the slipstream of their time, seizing and wielding ideas powerful enough to shift its course as they wrestle with their country’s apparatus of violent repression as well as its rich and often tragic history. Essential reading at this moment when the fates of our countries have never been more entwined, Children of Paradise will stand as a classic of political reporting; an indelible portrait of a nation and its people striving for change.
From the Hardcover edition.
It will not. Almost the instant the polls close, Mahmoud Ahmadinejad will declare himself president by an overwhelming majority. And as the Western world scrambles to make sense of the brazenly fraudulent election, Mohsen, along with his friends and family and neighbors, will experience a sense of utter desolation, and then something else: an increasingly sharper feeling—the beginning of anger. In a matter of weeks, millions of Iranians will flow into the streets, chanting in protest, "Death to the dictator!" Mohsen Abbaspour will be swept up in an uncontrollable and ultimately devastating chain of events.
Like Philip Gourevitch's We Wish to Inform You That Tomorrow We Will Be Killed with Our Families and Ryszard Kapuscinski's incisive reportage, Death to the Dictator! stuns readers with its heartbreaking immediacy. Our pseudonymous author was a keen eyewitness in Tehran during the summer of 2009 and beyond. In this brave and true book, we see what we are not supposed to see, and learn what we are not supposed to know.
For years the Islamic Republic tried to intimidate Ebadi, but after Mahmoud Ahmadinejad rose to power in 2005, the censorship and persecution intensified. The government wiretapped Ebadi’s phones, bugged her law firm, sent spies to follow her, harassed her colleagues, detained her daughter, and arrested her sister on trumped-up charges. It shut down her lectures, fired up mobs to attack her home, seized her offices, and nailed a death threat to her front door. Despite finding herself living under circumstances reminiscent of a spy novel, nothing could keep Ebadi from speaking out and standing up for human dignity.
But it was not until she received a phone call from her distraught husband—and he made a shocking confession that would all but destroy her family—that she realized what the intelligence apparatus was capable of to silence its critics. The Iranian government would end up taking everything from Shirin Ebadi—her marriage, friends, and colleagues, her home, her legal career, even her Nobel Prize—but the one thing it could never steal was her spirit to fight for justice and a better future. This is the amazing, at times harrowing, simply astonishing story of a woman who would never give up, no matter the risks. Just as her words and deeds have inspired a nation, Until We Are Free will inspire you to find the courage to stand up for your beliefs.
Praise for Until We Are Free
“Ebadi recounts the cycle of sinister assaults she faced after she won the Nobel Prize in 2003. Her new memoir, written as a novel-like narrative, captures the precariousness of her situation and her determination to ‘stand firm.’”—The Washington Post
“Powerful . . . Although [Ebadi’s] memoir underscores that a slow change will have to come from within Iran, it is also proof of the stunning effects of her nonviolent struggle on behalf of those who bravely, and at a very high cost, keep pushing for the most basic rights.”—The New York Times Book Review
“Shirin Ebadi is quite simply the most vital voice for freedom and human rights in Iran.”—Reza Aslan, author of No god but God and Zealot
“Shirin Ebadi writes of exile hauntingly and speaks of Iran, her homeland, as the poets do. Ebadi is unafraid of addressing the personal as well as the political and does both fiercely, with introspection and fire.”—Fatima Bhutto, author of The Shadow of the Crescent Moon
“I would encourage all to read Dr. Shirin Ebadi’s memoir and to understand how her struggle for human rights continued after winning the Nobel Peace Prize. It is also fascinating to see how she has been affected positively and negatively by her Nobel Prize. This is a must read for all.”—Desmond Tutu
“A revealing portrait of the state of political oppression in Iran . . . [Ebadi] is an inspiring figure, and her suspenseful, evocative story is unforgettable.”—Publishers Weekly (starred review)
“Ebadi’s courage and strength of character are evident throughout this engrossing text.”—Kirkus Reviews
From the Hardcover edition.
As a highly-integrated belief system, the Islamic worldview rejects secularism and accounts for a prominent role for religion in the politics and laws of Muslim societies. Islam is primarily a legal framework that covers all aspects of Muslims’ individual and communal lives. In this sense, the Islamic state is a logical instrument for managing Muslim societies. Even moderate Muslims who genuinely, but not necessarily vociferously, challenge the extremists’ strategies are not dismissive of the political role of Islam and the viability of an Islamic state. However, sectarian and scholastic schisms within Islam that date back to the prophet’s demise do undermine any possibility of consensus about the legal, institutional, and policy parameters of the Islamic state.
Within its Shi’a sectarian limitations, this book attempts to offer some answers to questions about the nature of the Islamic state. Nearly four decades of experience with the Islamic Republic of Iran offers us some insights into such a state’s accomplishments, potentials, and challenges. While the Islamic worldview offers a general framework for governance, this framework is in dire need of modification to be applicable to modern societies. As Iranians have learned, in the realm of practical politics, transcending the restrictive precepts of Islam is the most viable strategy for building a functional Islamic state. Indeed, Islam does provide both doctrinal and practical instruments for transcending these restrictions. This pursuit of pragmatism could potentially offer impressive strategies for governance as long as sectarian, scholastic, and autocratic proclivities of authorities do not derail the rights of the public and their demand for an orderly management of their societies.
Named a Notable Translation of 2014 by World Literature Today
"This entry in Akashic's noir series takes the gritty sensibilities born out of American film and fiction to Tehran."
"A tour de force not to be missed."
--World Literature Today
"Tehran Noir is not only a solid crime collection, but an illuminating look into day-to-day life in the Middle East, with religious and political implications galore, as well as racial tensions bubbling just beneath the surface...The stories in Tehran Noir aren't always easy to read, but they are engaging in the extreme."
--San Francisco Book Review
"The 15 stories in this collection also come from a stellar and diverse cast of Iranian writers....A collection such as this is able to bring Iran to life for the foreign reader in a way other fiction and non-fiction cannot....Superb."
"Tehran Noir is a worthy addition to Akashic's collection...bloody and beautiful."
--Digging Through the Fat
"Tehran Noir will prove fascinating reading to anyone with an interest in Iran. It will be equally intriguing for a reader who is simply curious about a theocratic society in the 21st century, or what became of a vibrant, cosmopolitan society after the fall of its dynastic ruler."
Launched with the summer '04 award-winning best seller Brooklyn Noir, Akashic Books continues its groundbreaking series of original noir anthologies. Each book is comprised of all-new stories, each one set in a distinct neighborhood or location within the city of the book.
Includes brand-new stories by: Gina B. Nahai, Salar Abdoh, Lily Farhadpour, Azardokht Bahrami, Yourik Karim-Masihi, Vali Khalili, Farhaad Heidari Gooran, Aida Moradi Ahani, Mahsa Mohebali, Majed Neisi, Danial Haghighi, Javad Afhami, Sima Saeedi, Mahak Taheri, and Hossein Abkenar.
From the Introduction by Salar Abdoh:
"There is something of both the absolutely spectacular and positively disgraceful about Tehran. But most writers around the world are inclined to think that their own sprawling metropolis is the capital of every imaginable vice and crime, of impossible love and tenderness and cruelty and malice in measures that seldom exist anywhere else. For me, Tehran's case is no different--except that there really is a difference here. The city may be a hothouse of decadence, a den of inequity, all that. But it still exists under the watchful eye of a very unique entity, the Islamic Republic. The city enforces its own morality police, and there are regular public hangings of drug dealers and thieves. Because of this, there is a raging sense of a split personality about the place--the imposed propriety of the mosque rubbing against the hidden (and more often not so hidden) rhythms of the real city...
There is always an element of the end of the world about this place. A feeling of being once removed from the edge of the precipice. Elsewhere I have called it the "Seismic City"--the seismic sanctuary. All of this will end one day. Yes. And maybe sooner than later. And when it does, by God, we will miss it."
Ramita Navai gives voice to ordinary Iranians forced to live extraordinary lives: the porn star, the aging socialite, the assassin and enemy of the state who ends up working for the Republic, the dutiful housewife who files for divorce, and the old-time thug running a gambling den.
In today's Tehran, intrigues abound and survival depends on an intricate network of falsehoods: mullahs visit prostitutes, local mosques train barely pubescent boys in crowd control tactics, and cosmetic surgeons promise to restore girls' virginity. Navai paints an intimate portrait of those discreet recesses in a city where the difference between modesty and profanity, loyalty and betrayal, honor and disgrace is often no more than the believability of a lie.
A teen idol at fifteen, an international icon and founder of the Brat Pack at twenty, and one of Hollywood's top stars to this day, Rob Lowe chronicles his experiences as a painfully misunderstood child actor in Ohio uprooted to the wild counterculture of mid-seventies Malibu, where he embarked on his unrelenting pursuit of a career in Hollywood.
The Outsiders placed Lowe at the birth of the modern youth movement in the entertainment industry. During his time on The West Wing, he witnessed the surreal nexus of show business and politics both on the set and in the actual White House. And in between are deft and humorous stories of the wild excesses that marked the eighties, leading to his quest for family and sobriety.
Never mean-spirited or salacious, Lowe delivers unexpected glimpses into his successes, disappointments, relationships, and one-of-a-kind encounters with people who shaped our world over the last twenty-five years. Rob Lowe's New York Times bestselling autobiography, Stories I Only Tell My Friends, shares tales that are as entertaining as they are unforgettable.
As ex–CIA operative Robert Baer masterfully shows, Iran has maneuvered itself into the elite superpower ranks by exploiting Americans’ false perceptions of what Iran is—by letting us believe it is a country run by scowling religious fanatics, too preoccupied with theocratic jostling and terrorist agendas to strengthen its political and economic foundations.
The reality is much more frightening—and yet contained in the potential catastrophe is an implicit political response that, if we’re bold enough to adopt it, could avert disaster.
Baer’s on-the-ground sleuthing and interviews with key Middle East players—everyone from an Iranian ayatollah to the king of Bahrain to the head of Israel’s internal security—paint a picture of the centuries-old Shia nation that is starkly the opposite of the one normally drawn. For example, Iran’s hate-spouting President Ahmadinejad is by no means the true spokesman for Iranian foreign policy, nor is Iran making it the highest priority to become a nuclear player.
Even so, Baer has discovered that Iran is currently engaged in a soft takeover of the Middle East, that the proxy method of war-making and co-option it perfected with Hezbollah in Lebanon is being exported throughout the region, that Iran now controls a significant portion of Iraq, that it is extending its influence over Jordan and Egypt, that the Arab Emirates and other Gulf States are being pulled into its sphere, and that it will shortly have a firm hold on the world’s oil spigot.
By mixing anecdotes with information gleaned from clandestine sources, Baer superbly demonstrates that Iran, far from being a wild-eyed rogue state, is a rational actor—one skilled in the game of nations and so effective at thwarting perceived Western colonialism that even rival Sunnis relish fighting under its banner.
For U.S. policy makers, the choices have narrowed: either cede the world’s most important energy corridors to a nation that can match us militarily with its asymmetric capabilities (which include the use of suicide bombers)—or deal with the devil we know. We might just find that in allying with Iran, we’ll have increased not just our own security but that of all Middle East nations.The alternative—to continue goading Iran into establishing hegemony over the Muslim world—is too chilling to contemplate.
From the Hardcover edition.
The Princess Bride has been a family favorite for close to three decades. Ranked by the American Film Institute as one of the top 100 Greatest Love Stories and by the Writers Guild of America as one of the top 100 screenplays of all time, The Princess Bride will continue to resonate with audiences for years to come.
Cary Elwes was inspired to share his memories and give fans an unprecedented look into the creation of the film while participating in the twenty-fifth anniversary cast reunion. In As You Wish he has created an enchanting experience; in addition to never-before seen photos and interviews with his fellow cast mates, there are plenty of set secrets and backstage stories.
With a foreword by Rob Reiner and a limited edition original poster by acclaimed artist Shepard Fairey, As You Wish is a must-have for all fans of this beloved film.
Finalist for the Jewish Book Council's 2014 JJ Greenberg Memorial Award
"Lyrical, shrewd, and daring novelist Nahai...writes with acute emotional and nearly anthropological perception, laser-wit, and deep compassion....With touches of magic realism, extraordinary characters, and a spiraling, multigenerational plot involving fraud, a murder mystery, epic suffering, heroic generosity, women's struggle for freedom, and the clash between East and West, Nahai's mythic, tragic, often beautiful immigrant family saga illuminates timeless questions of prejudice, trauma, inheritance, loyalty, and love."
--Booklist, Starred review
"A riveting tale....Readers will be well rewarded."
--Publishers Weekly, Starred review
"A wide-ranging, page-turning, magical realist, multigenerational family saga and Iranian-Jewish-American immigration tale enveloped in a murder mystery...it both entertains and instructs, and its differing genres seem more complimentary than conflicting."
--New York Journal of Books
"Nahai has crafted an engaging combination of family saga and murder mystery, placed it in the framework of a relatively unknown subculture, and people it with fascinating characters. Flavored with both elements of magical realism and down-to-earth observations, The Luminous Heart of Jonah S. brings a little-known Los Angeles community to vivid life."
"What results is a novel that feels more universal than anything, and an engrossing, expansive epic that charts not only thousands years of Iranian Jewish life, but the brutality of one family's survival amidst revolution and cultural upheaval."
--Kirkus Reviews, Feature on Gina B. Nahai
"A bold, brave novel...as surprising as it is satisfying....Captivating."
"One of the many pleasures of this sprawling, multigenerational story is the way it transcends the specifics of the Iranian diaspora with insights that could apply to anyone."
"One of Nahai's gifts is her astute observation of this community, her own, which she describes with unsparing precision."
--Los Angeles Review of Books
"The Luminous Heart of Jonah S. is a masterpiece that is simultaneously poetic in its unfurling, trans-generational plot, and brutally to the point in the style of a hard-boiled crime novel...This is a book you should not miss."
--San Francisco Book Review
"Nahai's eye for detail, whether it's succinctly summing up a funeral or providing a description of a Tehran summer, always seems to be spot on."
"An intriguing murder-mystery journey anchored within the Iranian-Jewish community of Los Angeles. Vivid and raw...Nahai masterfully introduces us to the mythical and mundane layers that make up Iranian-American identity."
--Washington Independent Review of Books
"This is irresistible storytelling...Nahai uses her estimable gifts to offer a nuanced, sometimes satirical portrait of the tight-knit Iranian-Jewish exile community in Los Angeles...It's a fascinating read."
From Tehran to Los Angeles, The Luminous Heart of Jonah S. is a sweeping saga that tells the story of the Soleymans, an Iranian Jewish family tormented for decades by Raphael's Son, a crafty and unscrupulous financier who has futilely claimed to be an heir to the family's fortune. Forty years later in contemporary Los Angeles, Raphael's Son has nearly achieved his goal--until he suddenly disappears, presumed by many to have been murdered. The possible suspects are legion: his long-suffering wife; numerous members of the Soleyman clan exacting revenge; the scores of investors he bankrupted in a Ponzi scheme; or perhaps even his disgruntled bookkeeper and longtime confidant.
Award-winning novelist Gina B. Nahai pulls back the curtain on a close-knit community that survived centuries of persecution in Iran before settling and thriving in the United States, but now finds itself divided to the core by one of its own members. By turns hilarious and affecting, The Luminous Heart of Jonah S. examines the eternal bonds of family and community, and the lasting scars of exile.
In The Lonely War, Fathi describes Iran's awakening alongside her own, revealing how moderates are retaking the country—and how foreign powers can aid their progress.
Less than a decade after Washington endorsed a fraudulent case for invading Iraq, similarly misinformed and politically motivated claims are pushing America toward war with Iran. Today the stakes are even higher: such a war could break the back of America's strained superpower status. Challenging the daily clamor of U.S. saber rattling, Flynt and Hillary Mann Leverett argue that America should renounce thirty years of failed strategy and engage with Iran—just as Nixon revolutionized U.S. foreign policy by going to Beijing and realigning relations with China.
Former analysts in both the Bush and Clinton administrations, the Leveretts offer a uniquely informed account of Iran as it actually is today, not as many have caricatured it or wished it to be. They show that Iran's political order is not on the verge of collapse, that most Iranians still support the Islamic Republic, and that Iran's regional influence makes it critical to progress in the Middle East. Drawing on years of research and access to high-level officials, Going to Tehran explains how Iran sees the world and why its approach to foreign policy is hardly the irrational behavior of a rogue nation.
A bold call for new thinking, the Leveretts' indispensable work makes it clear that America must "go to Tehran" if it is to avert strategic catastrophe.
Billy Crystal is turning 65, and he's not happy about it. With his trademark wit and heart, he outlines the absurdities and challenges that come with growing old, from insomnia to memory loss to leaving dinners with half your meal on your shirt. In humorous chapters like "Buying the Plot" and "Nodding Off," Crystal not only catalogues his physical gripes, but offers a road map to his 77 million fellow baby boomers who are arriving at this milestone age with him. He also looks back at the most powerful and memorable moments of his long and storied life, from entertaining his relatives as a kid in Long Beach, Long Island, his years doing stand-up in the Village, up through his legendary stint at Saturday Night Live, When Harry Met Sally, and his long run as host of the Academy Awards. Readers get a front-row seat to his one-day career with the New York Yankees (he was the first player to ever "test positive for Maalox"), his love affair with Sophia Loren, and his enduring friendships with several of his idols, including Mickey Mantle and Muhammad Ali. He lends a light touch to more serious topics like religion ("the aging friends I know have turned to the Holy Trinity: Advil, bourbon, and Prozac"), grandparenting, and, of course, dentistry. As wise and poignant as they are funny, Crystal's reflections are an unforgettable look at an extraordinary life well lived.
From the Trade Paperback edition.
Brian de Palma's brash, bloody version of Scarface was trashed by critics when it came out twenty-five years ago and didn't do well at the box office, but has become a spectacular fan favorite and enduring pop culture classic since.
"Never underestimate the greed of the other guy."
What makes millions of people obsess over this movie? Why has Al Pacino's Tony Montana become the drug kingpin whose pugnacity and philosophy are revered in boardrooms and bedrooms across America? Who were the people that made the movie, influencing hip-hop style and swagger to this day?
"The world is yours."
Scarface Nation is Ken Tucker's homage to all things Scarface—from the stars that acted in it to the influence it's had on all of us, from facts, figures and stories about the making of the movie to a witty and comprehensive look at Scarface's traces in today's pop and political culture.
"Say hello to my li'l fren!"
You know you love the line. You know you've seen the movie more than once. Now dive into the ultimate book of Scarface—mounded as high as the pile of cocaine on Tony's desk with delicious details and stimulating observations.
"You know what capitalism is? F--- you!"
– Bob Gale, co-creator, co-producer, and co-writer of the Back to the Future trilogy
A behind-the-scenes look at the making of the iconic Back to the Future trilogy
Long before Marty McFly and Doc Brown traveled through time in a flying DeLorean, director Robert Zemeckis, and his friend and writing partner Bob Gale, worked tirelessly to break into the industry with a hit. During their journey to realize their dream, they encountered unprecedented challenges and regularly took the difficult way out.
For the first time ever, the story of how these two young filmmakers struck lightning is being told by those who witnessed it. We Don’t Need Roads draws from over 500 hours of interviews, including original interviews with Zemeckis, Gale, Christopher Lloyd, Lea Thompson, Huey Lewis, and over fifty others who contributed to one of the most popular and profitable film trilogies of all time. The book includes a 16-page color photo insert with behind-the-scenes pictures, concept art, and more.
With a focus not only on the movies, but also the lasting impact of the franchise and its fandom, We Don’t Need Roads is the ultimate read for anyone who has ever wanted to ride a Hoverboard, hang from the top of a clock tower, travel through the space-time continuum, or find out what really happened to Eric Stoltz after the first six weeks of filming. So, why don’t you make like a tree and get outta here – and start reading! We Don’t Need Roads is your density.
"What fun! Deeply researched and engagingly written … the book Back to the Future fans have been craving for decades. Geekily enthusiastic and chock full of never-before-heard tales of what went on both on and off the screen, We Don't Need Roads is a book worthy of the beloved trilogy itself." – Brian Jay Jones, author of the national bestseller Jim Henson: The Biography
From the Trade Paperback edition.
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We know that Tom is a devoted follower of the Church of Scientology. We know that, despite persistent rumors about his sexuality, he has been married to Mimi Rogers, Nicole Kidman, and Katie Holmes. But it was not until he jumped on Oprah's couch to proclaim his love for Katie and denounced Brooke Shields for turning to the "Nazi science" of psychiatry that we began to realize how much we did not know about the charming, hardworking star. For all the headlines and the rumors, the real Tom Cruise has remained surprisingly hidden—until now.
Few books have altered the perception of a celebrity as much as Marilyn. Gloria Steinem reveals that behind the familiar sex symbol lay a tortured spirit with powerful charisma, intelligence, and complexity. The book delves into a topic many other writers have ignored—that of Norma Jeane, the young girl who grew up with an unstable mother, constant shuffling between foster homes, and abuse. Steinem evocatively recreates that world, connecting it to the fragile adult persona of Marilyn Monroe. Her compelling text draws on a long, private interview Monroe gave to photographer George Barris, part of an intended joint project begun during Monroe’s last summer. Steinem’s Marilyn also includes Barris’s extraordinary portraits of Monroe, taken just weeks before the star’s death.
“The revolution is not only inevitable, it is imminent. It is not only imminent, it is quite imminent. And when the time comes, my father will lead it.”
With a profound gift for capturing the absurd in life, and a deadpan wisdom that comes from surviving a surreal childhood in the Socialist Workers Party, Saïd Sayrafiezadeh has crafted an unsentimental, funny, heartbreaking memoir.
Saïd’s Iranian-born father and American Jewish mother had one thing in common: their unshakable conviction that the workers’ revolution was coming. Separated since their son was nine months old, they each pursued a dream of the perfect socialist society. Pinballing with his mother between makeshift Pittsburgh apartments, falling asleep at party meetings, longing for the luxuries he’s taught to despise, Said waits for the revolution that never, ever arrives. “Soon,” his mother assures him, while his long-absent father quixotically runs as a socialist candidate for president in an Iran about to fall under the ayatollahs. Then comes the hostage crisis. The uproar that follows is the first time Saïd hears the word “Iran” in school. There he is suddenly forced to confront the combustible stew of his identity: as an American, an Iranian, a Jew, a socialist... and a middle-school kid who loves football and video games.
Poised perfectly between tragedy and farce, here is a story by a brilliant young writer struggling to break away from the powerful mythologies of his upbringing and create a life—and a voice—of his own. Saïd Sayrafiezadeh’ s memoir is unforgettable.
--New York Times Book Review
"Abdoh paints a gripping portrait of a nation awash in violence and crippled by corruption....Captivating."
"Abdoh...gives readers a visceral sense of life in a country where repression is the norm, someone is always watching, and your past is never really past. Recommended for espionage aficionados and for readers who enjoy international settings."
"A fascinating glimpse of contemporary Iran through the familiar story of childhood friends whose paths are beginning to diverge irreversibly."
"A penetrating look into contemporary Tehran."
"Salar Abdoh is an acute observer of the patterns, flaws, and simple beauties of everyday life...[Tehran at Twilight is] an unpretentious, cross-cultural political thriller that rings true in the way only a skillfully crafted novel can."
--San Francisco Book Review
"Abdoh's restraint with the brutality in present-day Iran in no way tamps down the adrenalin that keeps his characters in action...Goodness and mercy eventually carry the day, within limits, and this relatively new author may already have potential readers looking forward to his next novel."
--The Buffalo News
"New history and a fresh take on the same old dirty tricks result in a clever and compelling tale."
--The National (UAE)
"Abdoh is superb...Tehran at Twilight is an impressive work of fiction...Abdoh's talent is obvious from the first scene in the story until the bittersweet end."
"Abdoh's Iran is a place where the question isn't if one has been complicit, but rather the extent of one's complicity."
--What If Knits
Included in Library Journal's "Books That Buzzed at BEA" Roundup, the first word on titles and trends from Barbara Hoffert, Editor
"Abdoh deftly captures the uneasy atmosphere of 2008 Tehran, swirling with betrayal and corruption."
--Library Journal, Books for the Masses/Editors' Picks BEA 2014
The year is 2008. Reza Malek's life is modest but manageable--he lives in a small apartment in Harlem, teaches "creative reportage" at a local university, and is relieved to be far from the blood and turmoil of Iraq and Afghanistan where he worked as a reporter, interpreter, and sometime lover for a superstar journalist who has long since moved on to more remarkable men.
After a terse phone call from his best friend in Iran, Sina Vafa, Reza reluctantly returns to Tehran. Once there, he finds far more than he bargained for: the city is on the edge of revolution; his friend Sina is embroiled with Shia militants; his missing mother, who was alleged to have run off with a lover before the revolution, is alive and well--while his own life is in danger.
Against a backdrop of corrupt clerics, shady fixers, political repression, and the ever-present threat of violence, Abdoh offers a telling glimpse into contemporary Tehran, and spins a compelling morality tale of identity and exile, the bonds of friendship, and the limits of loyalty.
Ever since Edison's peep shows first captivated urban audiences, film has had a revolutionary impact on American society, transforming culture from the bottom up, radically revising attitudes toward pleasure and sexuality, and at the same time, cementing the myth of the American dream. No book has measured film's impact more clearly or comprehensively than Movie-Made America.
This vastly readable and richly illustrated volume examines film as art form, technological innovation, big business, and cultural bellwether. It takes in stars from Douglas Fairbanks to Sly Stallone; auteurs from D. W. Griffith to Martin Scorsese and Spike Lee; and genres from the screwball comedy of the 1930s to the "hard body" movies of the 1980s to the independents films of the 1990s.
Combining panoramic sweep with detailed commentaries on hundreds of individual films, Movie-Made America is a must for any motion picture enthusiast.
Wilder writes compellingly about the creative process on stage and screen, and divulges moments from life on the sets of some of the most iconic movies of our time.
In this book, he talks about everything from his experiences in psychoanalysis to why he got into acting and later comedy (his first goal was to be a Shakespearean actor), and how a Midwestern childhood with a sick mother changed him. Wilder explains why he became an actor and writer, and about the funny, wonderful movies he made with Mel Brooks, Woody Allen, Richard Pryor, and Harrison Ford, among many others. He candidly reveals his failures in love, and writes about the overwhelming experience of marrying comedienne Gilda Radner, as well as what finally had to happen for him to make a true and lasting commitment to another woman.
A thoughtful, revealing, and winsome book about life, love, and the creative process, the New York Times bestseller Kiss Me Like A Stranger is one actor's life in his own words.
One of the world’s most iconic movie stars, Kirk Douglas has distinguished himself as a producer, philanthropist, and author of ten works of fiction and memoir. Now, more than fifty years after the release of his enduring epic Spartacus, Douglas reveals the riveting drama behind the making of the legendary gladiator film. Douglas began producing the movie in the midst of the politically charged era when Hollywood’s moguls refused to hire anyone accused of Communist sympathies. In a risky move, Douglas chose Dalton Trumbo, a blacklisted screenwriter, to write Spartacus. Trumbo was one of the “Unfriendly Ten,” men who had gone to prison rather than testify before the House Un-American Activities Committee about their political affiliations. Douglas’s source material was already a hot property, as the novel Spartacus was written by Howard Fast while he was in jail for defying HUAC. With the financial future of his young family at stake, Douglas plunged into a tumultuous production both on- and off-screen. As both producer and star of the film, he faced explosive moments with young director Stanley Kubrick, struggles with a leading lady, and negotiations with giant personalities, including Sir Laurence Olivier, Charles Laughton, Peter Ustinov, and Lew Wasserman. Writing from his heart and from his own meticulously researched archives, Kirk Douglas, at ninety-five, looks back at his audacious decisions. He made the most expensive film of its era—but more importantly, his moral courage in giving public credit to Trumbo effectively ended the notorious Hollywood blacklist. A master storyteller, Douglas paints a vivid and often humorous portrait in I Am Spartacus! The book is enhanced by newly discovered period photography of the stars and filmmakers both on and off the set.
The blowback was almost inevitable, as this new and revealing history of the coup and its consequences shows. When the 1979 Iranian Revolution deposed the shah and replaced his puppet government with a radical Islamic republic under Ayatollah Ruhollah Khomeini, the shift reverberated throughout the Middle East and the world, casting a long, dark shadow over U.S.-Iran relations that extends to the present day.
In this authoritative new history of the coup and its aftermath, noted Iran scholar Ervand Abrahamian uncovers little-known documents that challenge conventional interpretations and also sheds new light on how the American role in the coup influenced U.S.-Iranian relations, both past and present. Drawing from the hitherto closed archives of British Petroleum, the Foreign Office, and the U.S. State Department, as well as from Iranian memoirs and published interviews, Abrahamian’s riveting account of this key historical event will change America’s understanding of a crucial turning point in modern U.S.-Iranian relations.
This new edition adds four chapters to Spielberg’s life story, chronicling his extraordinarily active and creative period from 1997 to the present, a period in which he has balanced his executive duties as one of the partners in the film studio DreamWorks SKG with a remarkable string of films as a director. Spielberg’s ambitious recent work—including Amistad, Saving Private Ryan, A. I. Artifucial Intelligence, Minority Report, The Terminal and Munich—has continually expanded his range both stylistically and in terms of adventurous, often controversial, subject matter.
Steven Spielberg: A Biography brought about a reevaluation of the great filmmaker’s life and work by those who viewed him as merely a facile entertainer. This new edition guides readers through the mature artistry of Spielberg’s later period in which he manages, against considerable odds, to run a successful studio while maintaining and enlarging his high artistic standards as one of America’s most thoughtful, sophisticated, and popular filmmakers.
No one looked like her. No one walked like her. No one talked like her. Sexy yet vulnerable, and unexpectedly talented, she was no ordinary screen goddess. Few really knew her. What others wrote, she called "Lies! Lies! Lies!"
Here, at last, is Marilyn Monroe's account, in her own singular voice. It was June 1, 1962, her thirty-sixth birthday. Famed photographer and reporter George Barris had come to see Marilyn on the set of what would be her final, unfinished, film. They had met eight years earlier, became friends, and planned to do a picture book and autobiography. Now the time was right. For the next six weeks Barris photographed and interviewed the actress. "Don't believe anything you read about me except this. . ." she told Barris. And so she began to confide the truth about herself.
Barris last talked to Marilyn on August 3, less than twenty-four hours before she was found dead in her apartment. At their last meeting, she was effervescent and eager to embrace life. "I feel I'm just getting started," she said. Barris firmly believes that murder, not suicide, caused Marilyn's untimely end and he could not bring himself to publish her thoughts or the haunting photos of that summer--until now.
Marilyn: Her Life In Her Own Words is a candid memoir enhanced by 150 black-and-white and color photos, many never before published. A highlight is "The Last Photo Shoot" where Marilyn appears luminous without makeup on the beach at Santa Monica and in a North Hollywood house. This moving book brings Marilyn Monroe back--beautiful, flirtatious, and sweet as a first kiss--for one rare and radiant farewell.
George Barris has worked as a photojournalist for many of the country's major magazines, from Life to Cosmopolitan. He is the co-author (with Gloria Steinem) of Marilyn-Norma Jean, and contributed to Norman Mailer's book, Marilyn. He lives in California.
She was the sex symbol who dazzled all the other sex symbols. She was the temptress who drove Frank Sinatra to the brink of suicide and haunted him to the end of his life. Ernest Hemingway saved one of her kidney stones as a sacred memento, and Howard Hughes begged her to marry him—but she knocked out his front teeth instead.
She was one of the great icons in Hollywood history—star of The Killers, The Barefoot Contessa, and The Night of the Iguana—and one of the few whose actual life was grander and more colorful than any movie. Her jaw-dropping beauty, charismatic presence, and fabulous, scandalous adventures fueled the legend of Ava Gardner—Hollywood's most glamorous, restless and uninhibited star.
In this acclaimed first full biography of Gardner, Lee Server recreates—with great style and vivid detail—the actress's life, from her beginnings as a barefoot North Carolina farm girl to her heady days as a Hollywood goddess. He paints the full spectacle of her tumultuous private life—including her string of failed marriages to Mickey Rooney, Sinatra and Artie Shaw—and Gardner's lifelong search for adventure and love.
Ava Gardner: "Love is Nothing" is both an exceptional work of biography and a richly entertaining read.
Japan's most successful film, and one of the top-grossing 'foreign language'
films ever released. Set in modern Japan, the film is a wildly imaginative
fantasy, at once personal and universal. It tells the story of a listless little girl
who stumbles into a magical world where gods relax in a palatial bathhouse,
where there are giant babies and hard-working soot sprites, and where a train
runs across the sea.
Andrew Osmond's insightful study describes how Miyazaki directed Spirited
Away with a degree of creative control undreamt of in most popular cinema,
using the film's delightful, freewheeling visual ideas to explore issues ranging
from personal agency and responsibility to what Miyazaki sees as the
lamentable state of modern Japan. Osmond unpacks the film's visual language,
which many Western (and some Japanese) audiences find both beautiful and
bewildering. He traces connections between Spirited Away and Miyazaki's prior
body of work, arguing that Spirited Away uses the cartoon medium to create a
compellingly immersive drawn world.
Based on astounding events in American history, The Birth of a Nation is the epic story of one man championing the spirit of resistance as he leads a rough-and-tumble group into a revolt against injustice and slavery.
Breathing new life into a story that has been rife with controversy and prejudice for over two centuries, the film follows the rise of the visionary Virginian slave, Nat Turner. Hired out by his owner to preach to and placate slaves on drought-plagued plantations, Turner eventually transforms into an inspired, impassioned, and fierce anti-slavery leader.
Beautifully illustrated with stills from the movie and original illustrations, the book also features an essay by writer/director, Nate Parker, contributions by members of the cast and crew, and commentary by educator Brian Favors and historians Erica Armstrong Dunbar and Daina Ramey Berry who place Nat Turner and the rebellion he led into historical context. The Birth of a Nation reframes the way we think about slavery and resistance as it explores the passion, determination, and faith that inspired Nat Turner to sacrifice everything for freedom.
Marilyn Monroe passed away at the age of thirty-six under circumstances that have remained mysterious to this day. Marilyn Monroe: The Final Years separates the myths and rumors from the facts as Keith Badman takes readers through the concluding months of 1960 to that fateful day in August 1962.
In this extraordinary book—the product of five years of exhaustive research—the author is both biographer and detective: Badman uncovers long-lost or previously unseen personal records, exclusive interviews, and eyewitness accounts that illuminate the final chapter of Marilyn's life as she navigates weight gain, drug use, an dpersonal turmoil, along with drama on the set of the ill-fated movie Something's Got to Give.
Badman dispels popular beliefs, such as her supposed affairs with John and Bobby Kennedy. (Monroe only had a one-night stand with the president at Bing Crosby's house, and never with Bobby.) Readers learn the long-concealed identity of her biological father, who refused Marilyn's attempt to contact him in 1951—and was then repaid with her apathy ten years later when he attempted to contact her. The author also reveals the details of her famous "last Sitting" with photographer Bert Stern (which was not her last photo shoot) and describes the horror she endured after being tricked into being institutionalized at the Payne-Whitney Psychiatric Clinic, from which ex-husband Joe DiMaggio had to pull strings to secure her release. Perhaps most shockingly, we learn of the regrettable incident in which a drunken Monroe was sexually exploited by mobsters at a Lake Tahoe hotel co-owned by Frank Sinatra. Finally contrary to the salacious rumors that Marilyn was suicidal or the victim of a murder and cover-up, Badman discloses new information about her final days alive and reveals, in unequivocal detail, evidence that indicates Monroe's death was accidental.
Above it all, Badman pays homage to Monroe by rescuing her final months from the realm of wild and sensationalized allegations popularized by those who sought to gain from them. Marilyn Monroe: The Final Years sheds new light on an immortal movie legend.
Covering the early Warner Brothers years through Day's triumphs working with artists as varied as Alfred Hitchcock and Bob Fosse, Santopietro's smart and funny book deconstructs the myth of Day as America's perennial virgin, and reveals why her work continues to resonate today, both onscreen as pioneering independent career woman role model, and off, as a recipient of the Presidential Medal of Freedom, the United States' highest civilian honor. Praised by James Cagney as "my idea of a great actor" and by James Garner as "the Fred Astaire of comedy," Doris Day became not just America's favorite girl, but the number one film star in the world. Yet after two weekly television series, including a triumphant five year run on CBS, she turned her back on show business forever.
Examining why Day's worldwide success in movies overshadowed the brilliant series of concept recordings she made for Columbia Records in the '50s and '60s, Tom Santopietro uncovers the unexpected facets of Day's surprisingly sexy acting and singing style that led no less an observer than John Updike to state "She just glowed for me." Placing Day's work within the social context of America in the second half of the twentieth century, Considering Doris Day is the first book that grants Doris Day her rightful place as a singular American artist.
Including a new preface by the author, this Princeton Classics edition is a definitive work that has found an avid readership from students of film theory to major Hollywood filmmakers.
We watched her mature on the movie screen before our eyes—in Miracle on 34th Street, Rebel Without a Cause, West Side Story, Splendor in the Grass, and on and on. She has been hailed—along with Marilyn Monroe and Elizabeth Taylor—as one of the top three female movie stars in the history of film, making her a legend in her own lifetime and beyond. But the story of what Natalie endured, of what her life was like when the doors of the soundstages closed, has long been obscured.
Natasha is based on years of exhaustive research into Natalie's turbulent life and mysterious drowning. Author Suzanne Finstad conducted nearly four hundred interviews with Natalie's family, close friends, legendary costars, lovers, film crews, and virtually everyone connected with the investigation of her strange death.
Through these firsthand accounts from many who have never spoken publicly before, Finstad has reconstructed a life of emotional abuse and exploitation, of almost unprecedented fame, great loneliness, poignancy, and loss. She sheds an unwavering light on Natalie's complex relationships with James Dean, Elvis Presley, Frank Sinatra, Raymond Burr, Warren Beatty, and Robert Wagner and reveals the two lost loves of Natalie's life, whom her controlling mother prevented her from marrying.
Finstad tells this beauty's heartbreaking story with sensitivity and grace, revealing a complex and conflicting mix of fragility and strength in a woman who was swept along by forces few could have resisted.
In this new edition, Karl G. Heider thoroughly updates Ethnographic Film to reflect developments in the field over the three decades since its publication, focusing on the work of four seminal filmmakers—Jean Rouch, John Marshall, Robert Gardner, and Timothy Asch. He begins with an introduction to ethnographic film and a history of the medium. He then considers many attributes of ethnographic film, including the crucial need to present "whole acts," "whole bodies," "whole interactions," and "whole people" to preserve the integrity of the cultural context. Heider also discusses numerous aspects of making ethnographic films, from ethics and finances to technical considerations such as film versus video and preserving the filmed record. He concludes with a look at using ethnographic film in teaching.
The monumental scope of Alfred Hitchcock's work remains unsurpassed by any other movie director, past or present. So many of his movies have achieved classic status that even a partial list—Psycho, The Birds, Rear Window, Vertigo, Spellbound—brings a flood of memories. In this essential text, reissued on the occasion of Hitchcock's centennial, internationally renowned Hitchcock authority Donald Spoto describes and analyzes every movie made by this master filmmaker. Illustrated throughout with shots from each film, The Art of Alfred Hitchcock also includes a storyboard section, a complete filmography, and “A Hitchcock Album” (sixteen pages of photos) as an added celebration of his life.
Glenn Frankel, beginning in Hollywood and then returning to the origins of the story, creates a rich and nuanced anatomy of a timeless film and a quintessentially American myth. The dominant story that has emerged departs dramatically from documented history: it is of the inevitable triumph of white civilization, underpinned by anxiety about the sullying of white women by "savages." What makes John Ford's film so powerful, and so important, Frankel argues, is that it both upholds that myth and undermines it, baring the ambiguities surrounding race, sexuality, and violence in the settling of the West and the making of America.
The son of a successful entrepreneur, Newman grew up in a prosperous Cleveland suburb. Despite fears that he would fail to live up to his father’s expectations, Newman bypassed the family sporting goods business to pursue an acting career. After struggling as a theater and television actor, Newman saw his star rise in a tragic twist of fate, landing the role of boxer Rocky Graziano in Somebody Up There Likes Me when James Dean was killed in a car accident. Though he would joke about instances of “Newman’s luck” throughout his career, he refused to coast on his stunning boyish looks and impish charm. Part of the original Actors Studio generation, Newman demanded a high level of rigor and clarity from every project. The artistic battles that nearly derailed his early movie career would pay off handsomely at the box office and earn him critical acclaim.
He applied that tenacity to every endeavor both on and off the set. The outspoken Newman used his celebrity to call attention to political causes dear to his heart, including civil rights and nuclear proliferation. Taking up auto racing in midlife, Newman became the oldest driver to ever win a major professional auto race. A food enthusiast who would dress his own salads in restaurants, he launched the Newman’s Own brand dedicated to fresh ingredients, a nonprofit juggernaut that has generated more than $250 million for charity.
In Paul Newman: A Life, film critic and pop culture historian Shawn Levy gives readers the ultimate behind-the-scenes examination of the actor’s life, from his merry pranks on the set to his lasting romance with Joanne Woodward to the devastating impact of his son’s death from a drug overdose. This definitive biography is a fascinating portrait of an extraordinarily gifted man who gave back as much as he got out of life and just happened to be one of the most celebrated movie stars of the twentieth century.
From the Hardcover edition.
"A bounty for cinema lovers everywhere."
--Mira Nair, Director, The Namesake and Monsoon Wedding
"King of Bollywood is the all-singing, all-dancing back stage pass to Bollywood. Anupama Chopra chronicles the political and cultural story of India with finesse and insight, through fly-on-wall access to one of its biggest, most charming and charismatic stars."
-- Gurinder Chadha, director of Bend it Like Beckham
"The "Easy Rider Raging Bull" of the Bollywood industry and essential reading for any Shah Rukh Khan fan."
--Emma Thompson, actress
"Anu Chopra infuses the pivotal moments of Shah Rukh Khan's life with an edge-of-your-seat tension worthy of the best Bollywood blockbusters."