Lacking the edge on tool information? Cut through the competition and hammer home deals like a pro with Antique Trader Tools Price Guide. Featuring 700 color photos, thousands of listings with current values, market trends, and collecting advice, it's the definitive reference on antique tools. This book features:700 color photos, with actual prices received at auctions 2,000 listings covering planes, braces, drills, saws, hammers, levels, rules, squares, gauges, scientific instruments, patented tools, advertising, and much more Information on building a collection, condition grading, market trends, and investing
New!Chapter on collecting Stanley tools Condition grading photos
Warman's Tools Field Guide
At last, a guide you can really carry along to flea markets, antique stores, rummage sales, auctions & estate sales, containing hundreds of color photographs to make on-the-spot appraisals easy. 2,000 price listings covering planes, levels, saws, braces, drills, gauges, edged tools, and more 250 color photos Information on trends and values, and advice on building a collection New!
Stanley Tools Chapter
Judith Miller gives a global overview that spans the last 3,000 years of design, guaranteed to turn any amateur into a furniture buff. Furniture defines decorative motifs of key periods with over 3,500 photographs of every style and form. This eBook also includes profiles of influential designers, craftsmen and key movements.
In 1774, Chippendale issued a catalogue of all his designs, a magnificent compilation of 160 engraved plates representing the prevailing furniture styles, particularly the French (Louis XXV), Gothic, and Chinese-manner pieces for which he was best known. The Gentleman and Cabinet-Maker's Director, the most important and thorough catalogue of furniture designs that had ever been published in England, was enormously influential, spreading quickly throughout the Continent and the colonies and guiding the style and construction of furniture everywhere. A second edition was formed the following year, and a third in 1762. Today this classic collection is a very rare and highly valued work.
This volume is an unaltered and unabridged republication of the 1762 edition of The Gentleman and Cabinet-Maker's Director. The articles of furniture depicted are extremely varied: chairs, sofas, canopy and dome beds, window cornices, breakfast tables, shaving tables, commodes, chamber organs, cabinets, candle stands, cisterns, chimney pieces, picture frames, frets, and other decorations. The plates contain elegant drawings that show the unique combination of solidity of construction and lightness and grace that was the Chippendale trademark, along with many construction diagrams, elevations, and enlargements of moldings and other details. In addition to the plates, this volume also includes a supplement of photographs of sixteenth-century Chippendale-style pieces, including some executed by Chippendale, complete captions to the photos, and a short biographical sketch of Chippendale by N. I. Bienenstock, editor of Furniture World.
The Gentleman and Cabinet-Maker's Director is an indispensable guide for antiquarians, furniture dealers, and collectors, and a treasury of ideas for today's designers. Art lovers and other readers will also find it a delightful browsing book.
This absorbing history traces the development of furniture design and production, from the days of ancient Egypt to the present, describing what articles were made in each period, how they were made, and what were the social and economic conditions that affected style and finish. The author discusses techniques such as joinery, turning, veneering, marquetry, polishing, upholstery, bentwood work and lamination. Many examples are shown in the illustrations, which are invaluable recognition sources and a lively visual accompaniment to the text.
Beautifully crafted samurai swordsElegant wooden tansu chestsElaborate tea ceremony implementsExquisitely carved netsuke togglesFabulous silk-and-gold embroidered kimonosEach item is described in loving detail alongside lovely full-color photographs that highlight the great artistry and craftsmanship in everyday items used by real people in traditional Japan. Things Japanese is the perfect book for Japanese antique collectors or anyone interested in Japanese art and the culture and history of Japan.
Texas Furniture, Volume Two presents over 150 additional pieces of furniture that were not included in Volume One, each superbly photographed in color and accompanied by detailed descriptions of the piece's maker, date, materials, measurements, history, and owner, as well as an analysis by the authors. Taylor and Warren have also written a new introduction for this volume, in which they amplify the story of early Texas furniture. In particular, they compare and contrast the two important traditions of cabinetmaking in Texas, Anglo-American and German, and identify previously unknown artisans. The authors also discuss nineteenth-century Texans' desire for refinement and gentility in furniture, non-commercial furniture making, and marquetry work. And they pay tribute to the twentieth-century collectors who first recognized the value of locally made Texas furniture and worked to preserve it. A checklist of Texas cabinetmakers, which contains biographical information on approximately nine hundred men who made furniture in Texas, completes the volume.
It is a study of period clock cases, painted dials and pendulum clocks.
Pendulum clock owners will find helpful sections on: Set-up and Adjustment; Troubleshooting; and Care Tips.
The history, cultural significance and customs surrounding these exemplars of Chinese art and material culture come into dazzling focus through detailed descriptions and full-color photographs. Items covered include:
Bamboo furnitureIvory carvingSnuff bottlesMooncake moldsMusical instrumentsMahjong setsFengshui compassesThings Chinese brings together China scholar Ronald Knapp, who describes the history and use of these Chinese artifacts in fascinating detail, and Michael Freeman, whose work has appeared in magazines such as the Smithsonian, GEO and Conde Nast Traveler, and here lovingly and richly photographs each item of Chinese design. For lovers of Chinese style, Things Chinese is a treasure trove of riches.
Produced exclusively for wealthy Chinese communities along the Strait of Malacca in the 19th and early 20th centuries, Peranakan Chinese porcelain is enjoying a resurgence of interest among collectors.
Straits-born Chinese, or Peranakan, in Penang, Malacca and Singapore, used this ornate and colorful enamel ware on festive occasions such as weddings, birthdays, anniversaries and Chinese New Year.
Peranakan Chinese Porcelain is richly illustrated and includes key information on reign marks and factory marks. In-depth discussion of the motifs, colors, forms and functions of Peranakan Chinese ceramics makes this an invaluable reference.
Supporting photographs and text introduce related aspects of Peranakan culture including architecture, dress, cuisine and customs, making Peranakan Chinese Porcelain a wonderful contribution to the history of the Straits Chinese.
This antique furniture book presents an overview of carving styles, wood types, regional variations, class distinctions and restoration techniques. Detailed chapters on various types of wooden furniture cover chairs, stools and benches, tables and desks, beds, cabinets and bookshelves, doors and screens and household accessories.
With this renewed interest in antique furniture, a forgery market has emerged. Thousands of factories in southern China are churning out brand new or refurbished furniture and passing them off as Chinese antiques. Chinese Furniture unearths these forgeries and serves as an indispensable reference guide to collectors of antique wood furniture.
This story informs those wanting to know more about antique tall case clocks (also known as longcase clocks, Grandfather clocks, floor clocks); Backcountry Early American furniture; how time was determined; culture and commerce; whether as a student, educator, casual collector or curious clock owner. Photographs in the body and addendum add value for inquisitive researchers.
Each page - Splendid photographs and illustrations enhanced by brief narratives in laymen terms provide fascinating information about a group of five known tall clocks that were made in the Virginia Backcountry. The clocks genealogy is traced back to: Rome and Greece for the furniture case; Galileo for the pendulum; and England for the painted dial.
Tap or click on a Hyperlink to go to online videos and references for further understanding about the Backcountry artisans and settlers, clock making, period furniture, painted dials, how a clock and pendulum works, clock setup and trouble shooting. Note: Not all Operating Systems recognize hyperlinks after Google processing deactivates them. In that case, search terms are provided for internet search. Enjoy the story!
Recommended video links - Palladio, Chippendale, Galileo, How the escapement works, Four parts of a clock, and "The Clock that Changed the World."
Following the success of Constructing Medieval Furniture (0-8117-2795-5), this new book offers 14 more designs for historic pieces from the Middle Ages-a game board, tax box, writing slope, church pew, hewn-timber chest, library shelves, half-tester bed, ambry, wheelbarrow, coffer, work table, cathedral cabon, Spanish settle, and barrel chair. The detailed plans are based on careful study and measurement of accurate reproductions or originals from European museums. Step-by-step instructions, materials lists, and notes on woodworking, metalworking, carving, and finishes provide the means for creating history in the home workshop. A brief survey of medieval decorating and a directory of sources complete this authoritative book.
You'll learn how to construct such magnificent antiques as a Chippendale flat-topped partner's desk, Queen Anne handkerchief table, Sheraton drop-leaf dining table, Hepplewhite four-poster bed, grandfather clock, Queen Anne spice cabinet, and many more. Every step is clearly explained and illustrated, with remarkably detailed and precise construction drawings, accompanied by exact measurements. You'll even find superb photographs of the finished pieces.
The book begins with an expert introduction to the fundamentals of cabinetmaking and woodworking: how to cut, square, and plane lumber; the use and care of hand tools; and then clear explanations of such processes as joinery, drawer construction, dovetailing, wood turning, gluing, bull and claw foot carving, and other wood carving details as well as how to choose the correct stock. Also included is a wealth of time-tested advice on selecting hardware, finishing, and other aspects of the craft.
No matter what your level of woodworking expertise — novice to expert — the exceptionally precise and well-thought-out instructions and diagrams in this book will enable you to craft beautiful and authentic antique furniture you'll be proud to use and display for years to come.
In Now I Sit Me Down, the distinguished architect and writer Witold Rybczynski chronicles the history of the chair from the folding stools of pharaonic Egypt to the ubiquitous stackable monobloc chairs of today. He tells the stories of the inventor of the bentwood chair, Michael Thonet, and of the creators of the first molded-plywood chair, Charles and Ray Eames. He reveals the history of chairs to be a social history--of different ways of sitting, of changing manners and attitudes, and of varying tastes. The history of chairs is the history of who we are. We learn how the ancient Chinese switched from sitting on the floor to sitting in a chair, and how the iconic chair of Middle America--the Barcalounger--traces its roots back to the Bauhaus. Rybczynski weaves a rich tapestry that draws on art and design history, personal experience, and historical accounts. And he pairs these stories with his own delightful hand-drawn illustrations: colonial rockers and English cabrioles, languorous chaise longues, and no-nonsense ergonomic task chairs--they're all here.
The famous Danish furniture designer Hans Wegner once remarked, "A chair is only finished when someone sits in it." As Rybczynski tells it, the way we choose to sit and what we choose to sit on speak volumes about our values, our tastes, and the things we hold dear.
The contemporary antique collector can now see hundreds of pieces of Craftsman furniture as they were actually offered for sale in two Stickley catalogs — Craftsman Furniture Made by Gustav Stickley (1910) and The Work of L. & J. G. Stickley (n.d.). The 594 illustrations show numerous settees, rockers, armchairs, reclining chairs, bookcases, desks, and tables — tea, round, rectangular, library, lunch, dining, serving, sewing, toilet, dressing, folding, child's and others, even a billiard table and checkerboard table. A large number of other furniture pieces are also presented, including magazine cabinets, stools, plant stands, chests, sideboards, chests of drawers, beds, child's rockers and dressers, screens, Davenport bed, etc.
In addition, there are pages devoted to products not automatically associated with the Stickleys or Craftsman furniture: metalwork — desk set, vase, chafing dish, cider set, candle stick, portieres, pillows, curtains, table covers, etc.; willow furniture — two settees and nine chairs; and rugs in four different patterns. All of the illustrations are accompanied by identifying captions, including exact measurements and, often, prices or descriptive information.
Woodcrafters can choose from pieces spanning a wide variety of styles — from a simple dovetailed box to an elegant Philadelphia Chippendale highboy. Included as well are directions for constructing a Dutch cupboard, refectory table, gateleg table, shelf top corner cupboard, Queen Anne hall table, Pennsylvania Dutch painted chest, and other distinctive pieces.
Easy-to-follow, step-by-step instructions are accompanied by photographs and drawings as well as front and end views and detailed sketches of parts and procedures. Decorative skills such as woodcarving, upholstering, finishing, and wrought-iron work are also fully described and related for each piece.
In an all-new, special anniversary edition celebrating 50 years of an iconic legacy, Southern Living presents la crme de la crme: Best Southern Homes. Featuring looks from the past and the present, the special edition offers 250 ideas and over 1,000 plans to design your dream home. Embrace Southern style and pair old textiles and fabrics with the new, use confident colors, or detail a room with details such as antiques, monograms, or family photos. Browse the archive of the best of all time - interior design, architectural plans, and the traditional porches Ð and make your home one of the SouthÕs best.
The detailed description and analysis of these craft traditions offer a powerful and unique glimpse of German settlers in New York State and reveal their long-standing influence on the history of the region.
Mary Antoine de Julio is a historian and the author of “What a Rich Reward!”: Betsey Reynolds Voorhees and the Collection of Her Handiwork. She is co-owner of La Maison Ravoux Bread and Breakfast in Prairie du Chien, Wisconsin. Roderic H. Blackburn is an ethnologist and architectural historian who has held positions as Director of Research at Historic Cherry Hill, Assistant Director of the Albany Institute of History and Art, and Senior Research Fellow at the New York State Museum. He is the author of Dutch Colonial Homes in America; Great Houses of New England; and (with Ruth Piwonka) Remembrance of Patria: Dutch Arts and Culture in Colonial America, 1609–1776.
In 1788 Hepplewhite's widow, Alice, issued a catalog of his designs, a magnificent folio of engraved plates representing the prevailing furniture styles, particularly the characteristic "taper-leg Hepplewhite" and the various chair and chair-back styles most often associated with the Hepplewhite school. The Cabinet-Maker and Upholsterer's Guide, second only to Chippendale's Director in importance and thoroughness, was enormously influential, spreading quickly throughout the Continent and the colonies and guiding the style and construction of furniture everywhere. A second edition was issued the following year, and an extensively revised third edition in 1794. Today this classic collection is a very rare and highly valued work.
This present volume is an unaltered and unabridged republication of the enlarged third edition of The Guide. The articles of furniture depicted are extremely varied: chairs, stools, sofas, sideboards, beds, pedestals, cellarets, desks, bookcases, tables, chests of drawers, dressing glasses, wardrobes, brackets, fire-screens, and many other items. The plates contain elegant drawings which reveal the practical and unpretentious craftsmanship that sets the Hepplewhite style apart, along with many special enlargements of accessories such as chair backs, table-tops, bed-pillars, cornices, trims for busts and moldings, and other details.
Among the furniture shown are armchairs, rockers, stools, settees, desks, beds, music cabinets, drop-leaf tables, nests of tables, chests of drawers, sideboards, china cabinets and dressers. The other items offered in the catalogs include wicker baskets, fabrics, pottery, lamps, china, silverware, and glass.
With over 200 detailed illustrations and descriptions, these two catalogs, first published in 1912 and ca. 1915, are essential reference materials and identification guides for Stickley furniture. In addition, they offer social historians and students of Americana documentation of the new design trend and philosophy that swept America in the early years of the twentieth century, creating a bold break with the past and setting new directions in modern design.
The book is based on photographic and research material collected by the late Esther Stevens Brazer, who spent a lifetime in the study and revival of early American decoration.
The authors are all qualified researchers, teachers, and decorators. In their text they present a general history of chair types, facts regarding ornamentation, and informative accounts of some of the leading craftsmen and decorators of the various periods. The final chapter of the book briefly relates the history of the Society and describes how its members carry forward the efforts of Esther Stevens Brazer, maintaining in their research, their teaching, and their restorations the standards of an old craft and the traditions of its finest workmen.
The book first chronicles and describes the Shaker movement and the Shaker way of living, worshiping, and working. It then explores the Shaker approach to furniture design (from chests and chairs to boxes and baskets), construction (including all joinery techniques), and finishing (including recipes for finishes).
Three important sections of the book depict dozens of classic Shaker designs, complete with measured drawings. The designs include Shaker "smallcraft" such as a cutting board, scoop, candle sconce, peg-leg footstool and towel rack; more substantial "utility designs" such as a dough bin, cradle, dry sink, butcher block, and bonnet box; and furniture classics such as a Harvard trestle table, maple chair, lap desk, sewing chest, rocking chair, bed, settee and chest of drawers — each in its own distinctive way defining the simple, practical grace of Shaker design.
Like their brother Gustav's designs, those of L. and J. G. Stickley include many first-rate examples of American Arts and Crafts style. This unique volume provides a comprehensive look at their early achievement, combining reprints of extremely rare copies of two sets of promotional literature from approximately 1906-09 and 1909.
The first is a handbound salesman's catalog, circa 1906-09, presenting 129 wash drawings and eight photographs of Onondaga Shops furniture. The second consists of 110 drawings of Handcraft furniture reproduced from a very rare set of loose plates, circa 1909. The designs depicted range from a leather-topped library table, an office swivel chair, and a canvas-covered Morris chair to a leather-upholstered settle, a writing desk with hand-wrought copper pulls, a mirrored sideboard, a line of spindle furniture never before reprinted, and numerous other pieces almost entirely unknown today. A preface by Robert L. Zarrow and a historical introduction by Donald A. Davidoff shed light on neglected aspects of the work of this important and still-thriving firm. Scholars, designers, and enthusiasts of home furnishings and the decorative arts will find in these pages a rare record of a memorable chapter in the history of American furniture design.
Each chair is described in detail with the aid of photographs, Mr. Meadmore's own explanatory drawings and some reproductions of the original designers' plans. The author also explores the ways in which the designers approached and solved inherent problems of function and aesthetics. The scale drawings in this book are all one-eighth of full size, allowing easy assessment of dimensions and visual comparison of size and proportion.
Many of these chairs are housed in museum collections; others are still being produced today. Now, this inexpensive edition of The Modern Chair enables students of furniture and any interested reader to make a thorough study of the most important chairs of modern times.