In his ambition to provide a male heir to the throne, Henry VIII married six times. Divorce from his first wife, Catherine of Aragon, caused England’s break from the Catholic church in Rome. He went on to divorce Anne of Cleves and behead Anne Boleyn and Katherine Howard for infidelities. Jane Seymour died and Catherine Parr survived Henry.
Henry VIII’s Wives in an Hour will introduce you to these six entirely diverse and captivating personalities and the events that propelled them to their individual fates. You will learn which wife had what impact on Henry and England and understand why Henry and his six wives form the most popular period of Tudor history.
Know your stuff: read about Henry VIII’s wives in just one hour.
Winner of the 2011 National Book Award for Non-Fiction One of the world's most celebrated scholars, Stephen Greenblatt has crafted both an innovative work of history and a thrilling story of discovery, in which one manuscript, plucked from a thousand years of neglect, changed the course of human thought and made possible the world as we know it.
Nearly six hundred years ago, a short, genial, cannily alert man in his late thirties took a very old manuscript off a library shelf, saw with excitement what he had discovered, and ordered that it be copied. That book was the last surviving manuscript of an ancient Roman philosophical epic, On the Nature of Things, by Lucretius—a beautiful poem of the most dangerous ideas: that the universe functioned without the aid of gods, that religious fear was damaging to human life, and that matter was made up of very small particles in eternal motion, colliding and swerving in new directions.
The copying and translation of this ancient book-the greatest discovery of the greatest book-hunter of his age-fueled the Renaissance, inspiring artists such as Botticelli and thinkers such as Giordano Bruno; shaped the thought of Galileo and Freud, Darwin and Einstein; and had a revolutionary influence on writers such as Montaigne and Shakespeare and even Thomas Jefferson.
The House of Medici picks up where Barbara Tuchman's Hibbert delves into the lives of the Medici family, whose legacy of increasing self-indulgence and sexual dalliance eventually led to its self-destruction. With twenty-four pages of black-and-white illustrations, this timeless saga is one of Quill's strongest-selling paperbacks.
The Reformation was a long struggle of ideas between the established Catholic Church and the questioning of faith brought about by the Renaissance in Western Europe. Started by Martin Luther in 1517, religious dissidence spread across Europe throughout the sixteenth century, causing wars, migration and disunity. By 1648 Henry VIII’s desire for divorce led him to break with the Catholic Church in Rome and form the Church of England.
The Reformation: History in an Hour is a clear and comprehensive look at this long and complex period of religious change. It explains the major causes of the Reformation and the differences between Protestants and Catholics. It will help you understand the significance of the Reformation in European history in just one hour.
Know your stuff: Read a concise history of the Protestant Reformation in just one hour.
The Chrisitianismi Restituto, a heretical work of biblical scholarship, written in 1553, aimed to refute the orthodox Christianity that Michael Servetus' old colleague, John Calvin, supported. After the book spread through the ranks of Protestant hierarchy, Servetus was tried and agonizingly burned at the stake, the last known copy of the Restitutio chained to his leg.
Servetus's execution marked a turning point in the quest for freedom of expression, due largely to the development of the printing press and the proliferation of books in Renaissance Europe. Three copies of the Restitutio managed to survive the burning, despite every effort on the part of his enemies to destroy them. As a result, the book became almost a surrogate for its author, going into hiding and relying on covert distribution until it could be read freely, centuries later.
Lawrence and Nancy Goldstone follow the clandestine journey of the three copies through the subsequent centuries and explore its author's legacy and influence over the thinkers that shared his spirit and genius, such as Leibniz, Voltaire, Rousseau, Jefferson, Clarence Dorrow, and William Osler.
They burst out of obscurity in Spain not only to capture the great prize of the papacy, but to do so twice. Throughout a tumultuous half-century—as popes, statesmen, warriors, lovers, and breathtakingly ambitious political adventurers—they held center stage in the glorious and blood-drenched pageant known to us as the Italian Renaissance, standing at the epicenter of the power games in which Europe’s kings and Italy’s warlords gambled for life-and-death stakes.
Five centuries after their fall—a fall even more sudden than their rise to the heights of power—they remain immutable symbols of the depths to which humanity can descend: Rodrigo Borgia, who bought the papal crown and prostituted the Roman Church; Cesare Borgia, who became first a teenage cardinal and then the most treacherous cutthroat of a violent time; Lucrezia Borgia, who was as shockingly immoral as she was beautiful. These have long been stock figures in the dark chronicle of European villainy, their name synonymous with unspeakable evil.
But did these Borgias of legend actually exist? Grounding his narrative in exhaustive research and drawing from rarely examined key sources, Meyer brings fascinating new insight to the real people within the age-encrusted myth. Equally illuminating is the light he shines on the brilliant circles in which the Borgias moved and the thrilling era they helped to shape, a time of wars and political convulsions that reverberate to the present day, when Western civilization simultaneously wallowed in appalling brutality and soared to extraordinary heights.
Stunning in scope, rich in telling detail, G. J. Meyer’s The Borgias is an indelible work sure to become the new standard on a family and a world that continue to enthrall.
Praise for The Borgias
“A vivid and at times startling reappraisal of one of the most notorious dynasties in history . . . If you thought you knew the Borgias, this book will surprise you.”—Tracy Borman, author of Queen of the Conqueror and Elizabeth’s Women
“The mention of the Borgia family often conjures up images of a ruthless drive for power via assassination, serpentine plots, and sexual debauchery. . . . [G. J. Meyer] convincingly looks past the mythology to present a more nuanced portrait.”—Booklist
“Meyer brings his considerable skills to another infamous Renaissance family, the Borgias [and] a fresh look into the machinations of power in Renaissance Italy. . . . [He] makes a convincing case that the Borgias have been given a raw deal.”—Historical Novels Review
“Fascinating . . . a gripping history of a tempestuous time and an infamous family.”—Shelf Awareness
From the Hardcover edition.
Reaching deep into the archives' letters, ledgers, and records from both inside and outside the home, he slowly pieces together the tragic story. The Casa welcomed girls in bad health and with little future, hoping to save them from an almost certain life of poverty and drudgery. Yet this "safe" house was cruelly dangerous. Victims of Renaissance Florence’s sexual politics, these young women were at the disposal of the city’s elite men, who treated them as property meant for their personal pleasure.
With scholarly precision and journalistic style, Terpstra uncovers and chronicles a series of disturbing leads that point to possible reasons so many girls died: hints of routine abortions, basic medical care for sexually transmitted diseases, and appalling conditions in the textile factories where the girls worked.
Church authorities eventually took the Casa della Pietà away from the women who had founded it and moved it to a better part of Florence. Its sordid past was hidden, until now, in an official history that bore little resemblance to the orphanage’s true origins. Terpstra’s meticulous investigation not only uncovers the sad fate of the lost girls of the Casa della Pietà but also explores broader themes, including gender relations, public health, church politics, and the challenges girls and adolescent women faced in Renaissance Florence.
Popes continue to preach crusade, but the hope of a Christian empire comes to a bloody end at the walls of Constantinople. Aristotelian logic and Greek rationality blossom while the Inquisition gathers strength. As kings and emperors continue to insist on their divine rights, ordinary people all over the world seize power: the lingayats of India, the Jacquerie of France, the Red Turbans of China, and the peasants of England.
New threats appear, as the Ottomans emerge from a tiny Turkish village and the Mongols ride out of the East to set the world on fire. New currencies are forged, new weapons invented, and world-changing catastrophes alter the landscape: the Little Ice Age and the Great Famine kill millions; the Black Death, millions more. In the chaos of these epoch-making events, our own world begins to take shape.
Impressively researched and brilliantly told, The History of the Renaissance World offers not just the names, dates, and facts but the memorable characters who illuminate the years between 1100 and 1453—years that marked a sea change in mankind’s perception of the world.
The recent cleaning of the Sistine Chapel frescoes removed layer after layer of centuries of accumulated tarnish and darkness. The Sistine Secrets endeavors to remove the centuries of prejudice, censorship, and ignorance that blind us to the truth about one of the world's most famous and beloved art treasures.
Some images that appeared in the print edition of this book are unavailable in the electronic edition due to rights reasons.
We see Leonardo, having just completed The Last Supper, and being celebrated by all of Florence for his miraculous portrait of the wife of a textile manufacturer. That painting—the Mona Lisa—being called the most lifelike anyone had ever seen yet, more divine than human, was captivating the entire Florentine Republic.
And Michelangelo, completing a commissioned statue of David, the first colossus of the Renaissance, the archetype hero for the Republic epitomizing the triumph of the weak over the strong, helping to reshape the public identity of the city of Florence and conquer its heart.
In The Lost Battles, published in England to great acclaim (“Superb”—The Observer; “Beguilingly written”—The Guardian), Jonathan Jones brilliantly sets the scene of the time—the politics; the world of art and artisans; and the shifting, agitated cultural landscape.
We see Florence, a city freed from the oppressive reach of the Medicis, lurching from one crisis to another, trying to protect its liberty in an Italy descending into chaos, with the new head of the Republic in search of a metaphor that will make clear the glory that is Florence, and seeing in the commissioned paintings the expression of his vision.
Jones reconstructs the paintings that Leonardo and Michelangelo undertook—Leonardo’s Battle of Anghiari, a nightmare seen in the eyes of the warrior (it became the first modern depiction of the disenchantment of war) and Michelangelo’s Battle of Cascina, a call to arms and the first great transfiguration of the erotic into art. Jones writes about the competition; how it unfolded and became the defining moment in the transformation of “craftsman” to “artist”; why the Florentine government began to fall out of love with one artist in favor of the other; and how—and why—in a competition that had no formal prize to clearly resolve the outcome, the battle became one for the hearts and minds of the Florentine Republic, with Michelangelo setting out to prove that his work, not Leonardo’s, embodied the future of art. Finally, we see how the result of the competition went on to shape a generation of narrative paintings, beginning with those of Raphael.
A riveting exploration into one of history’s most resonant exchanges of ideas, a rich, fascinating book that gives us a whole new understanding of an age and those at its center.
'Either Caesar or nothing' was the motto of Cesare Borgia, whose name has long been synonymous with evil. Almost five centuries have passed since his death, yet his reputation still casts a sinister shadow. He stands accused of treachery, cruelty, rape, incest and, especially, murder - assassination by poison, the deadly white powder concealed in the jewelled ring, or by the midnight band of bravos lurking in the alleys of Renaissance Rome.
This classic book by acclaimed historian and biographer Sarah Bradford (author of Lucrezia Borgia and Diana), is the drama of a man of exceptional gifts and a driving lust for power. Cesare Borgia dared fortune for the highest goals and when fate turned against him he fell like Lucifer. Set against the brilliant backcloth of High Renaissance Italy, his life had the perfect proportions of a Greek tragedy.
Bernal Díaz del Castillo, himself a soldier under Cortes, presents a fascinatingly detailed description of the Spanish landing in Mexico in 1520 and their amazement at the city, the exploitation of the natives for gold and other treasures, the expulsion and flight of the Spaniards, their regrouping and eventual capture of the Aztec capital.
am walking alone in a beautiful orchard, if my thoughts
are sometimes preoccupied elsewhere, the rest of the time I
bring them back to the walk, to the orchard, to the sweetness
of this solitude, and to me.”
In the year 1570, at the age of thirty-seven, Michel de Montaigne gave up his job as a magistrate and retired to his château to brood on his own private grief—the deaths of his best friend, his father, his brother, and his firstborn child. On the ceiling of his library he inscribed a phrase from the Roman poet and philosopher Lucretius: “There is no new pleasure to be gained by living longer.”
But finding his mind agitated rather than settled by this idleness, Montaigne began to write, giving birth to the Essays—short prose explorations of an amazingly wide range of subjects. And gradually, over the course of his writing, Montaigne rejected his stoical pessimism and turned from a philosophy of death to a philosophy of life. He erased Lucretius’s melancholy fatalism and began to embrace the exuberant vitality of living, finding an antidote to death in the most unlikely places—the touch of a hand, the smell of his doublet, the playfulness of his cat, and the flavor of his wine.
Saul Frampton offers a celebration of perhaps the most enjoyable and yet profound of all Renaissance writers, whose essays went on to have a huge impact on figures as diverse as Shakespeare, Emerson, and Orson Welles, and whose thoughts, even today, offer a guide and unprecedented insight into the simple matter of being alive.
From the Hardcover edition.
New York Times bestselling author and noted British historian Alison Weir gives us the first full-scale, in-depth biography of Mary Boleyn, sister to Queen Anne as well as mistress to Anne’s husband, Henry VIII—and one of the most misunderstood figures of the Tudor age. Making use of extensive original research, Weir shares revelations on the ambitious Boleyn family and the likely nature of the relationship between the Boleyn sisters. Unraveling the truth about Mary’s much-vaunted notoriety at the French court and her relations with King François I, Weir also explores Mary’s role at the English court and how she became Henry VIII’s lover. She tracks the probable course of their affair and investigates the truth behind Mary’s notorious reputation. With new and compelling evidence, Weir presents the most conclusive answer to date on the paternity of Mary’s children, long speculated to have been Henry VIII’s progeny. Alison Weir pieces together a life steeped in mystery and misfortune, debunking centuries-old myths to give us the truth about Mary Boleyn, the so-called “great and infamous whore.”
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The history books have cast Katherine of Aragon, the first queen of King Henry VIII of England, as the ultimate symbol of the Betrayed Woman, cruelly tossed aside in favor of her husband’s seductive mistress, Anne Boleyn. Katherine’s sister, Juana of Castile, wife of Philip of Burgundy and mother of the Holy Roman Emperor Charles V, is portrayed as “Juana the Mad,” whose erratic behavior included keeping her beloved late husband’s coffin beside her for years. But historian Julia Fox, whose previous work painted an unprecedented portrait of Jane Boleyn, Anne’s sister, offers deeper insight in this first dual biography of Katherine and Juana, the daughters of Spain’s Ferdinand and Isabella, whose family ties remained strong despite their separation. Looking through the lens of their Spanish origins, Fox reveals these queens as flesh-and-blood women—equipped with character, intelligence, and conviction—who are worthy historical figures in their own right.
When they were young, Juana’s and Katherine’s futures appeared promising. They had secured politically advantageous marriages, but their dreams of love and power quickly dissolved, and the unions for which they’d spent their whole lives preparing were fraught with duplicity and betrayal. Juana, the elder sister, unexpectedly became Spain’s sovereign, but her authority was continually usurped, first by her husband and later by her son. Katherine, a young widow after the death of Prince Arthur of Wales, soon remarried his doting brother Henry and later became a key figure in a drama that altered England’s religious landscape.
Ousted from the positions of power and influence they had been groomed for and separated from their children, Katherine and Juana each turned to their rich and abiding faith and deep personal belief in their family’s dynastic legacy to cope with their enduring hardships. Sister Queens is a gripping tale of love, duty, and sacrifice—a remarkable reflection on the conflict between ambition and loyalty during an age when the greatest sin, it seems, was to have been born a woman.
From the Hardcover edition.
Praised by Erasmus and Thomas More, Vives advocated education for all women, regardless of social class and ability. From childhood through adolescence to marriage and widowhood, this manual offers practical advice as well as philosophical meditation and was recognized soon after publication in 1524 as the most authoritative pronouncement on the universal education of women. Arguing that women were intellectually equal if not superior to men, Vives stressed intellectual companionship in marriage over procreation, and moved beyond the private sphere to show how women's progress was essential for the good of society and state.
[An] ambitious re-examination of the intersection of gender and monarchy.” — New York Times Book Review
Queen Elizabeth I was all too happy to play on courtly conventions of gender when it suited her “weak and feeble woman’s body” to do so for political gain. But in Elizabeth, historian Lisa Hilton offers ample evidence why those famous words should not be taken at face value. With new research out of France, Italy, Russia, and Turkey, Hilton’s fresh interpretation is of a queen who saw herself primarily as a Renaissance prince—an expert in Machiavellian statecraft.
Elizabeth depicts a queen who was much less constrained by her femininity than most accounts claim, challenging readers to reassess Elizabeth’s reign and the colorful drama and intrigue to which it is always linked. It’s a fascinating journey that shows how a marginalized newly crowned queen, whose European contemporaries considered her to be the illegitimate ruler of a pariah nation, ultimately adapted to become England’s first recognizably modern head of state.
“Hilton transforms an irreverent, centuries-old vision of a ‘bewigged farthingale with a mysterious sex life’ into a resolute, steel-spined survivor who far surpassed Henry VII’s wildest hopes for his new dynasty.” — Publishers Weekly
BONUS: This edition contains a The Tudors discussion guide.
Acclaimed historian G. J. Meyer provides a fresh look at the fabled Tudor dynasty—and some of the most enigmatic figures ever to rule a country. In 1485, Henry Tudor, whose claim to the English throne was so weak as to be almost laughable, nevertheless sailed from France with a ragtag army to take the crown from the family that had ruled England for almost four centuries. Fifty years later, his son, Henry VIII, aimed to seize even greater powers—ultimately leaving behind a brutal legacy that would blight the lives of his children and the destiny of his country. Edward VI, a fervent believer in reforming the English church, died before realizing his dream. Mary I, the disgraced daughter of Catherine of Aragon, tried and failed to reestablish the Catholic Church and produce an heir, while Elizabeth I sacrificed all chance of personal happiness in order to survive.
The Tudors presents the sinners and saints, the tragedies and triumphs, the high dreams and dark crimes, of this enthralling era.
Peter Wilson's book is a major work, the first new history of the war in a generation, and a fascinating, brilliantly written attempt to explain a compelling series of events. Wilson's great strength is in allowing the reader to understand the tragedy of mixed motives that allowed rulers to gamble their countries' future with such horrifying results. The principal actors in the drama (Wallenstein, Ferdinand II, Gustavus Adolphus, Richelieu) are all here, but so is the experience of the ordinary soldiers and civilians, desperately trying to stay alive under impossible circumstances.
The extraordinary narrative of the war haunted Europe's leaders into the twentieth century (comparisons with 1939-45 were entirely appropriate) and modern Europe cannot be understood without reference to this dreadful conflict.
While they charmed some of Europe’s most illustrious men honing their social skills as well as their sexual ones, the great courtesans gained riches, power, education, and sexual freedom in a time when other women were denied all of these. From Imperia of sixteenth-century Rome, who personified the Renaissance ideal of beauty; Mme. de Pompadour, the arbiter of all things fashionable in eighteenth-century Paris and Versailles; Liane de Pougy, known in France during the Belle Epoque as “Our National Courtesan”; to Sarah Bernhardt, who, following in her mother’s footsteps, supported herself in her early career with a second profession, The Book of the Courtesans tells the life stories and intricacies of the lavish lifestyles of these women. Unlike their geisha counterparts, courtesans neither lived in brothels nor bent their wills to suit their suitors. They were strong- willed, autonomous, and plucky.
An open secret, their presence can be felt throughout our culture. The muses who enflamed the hearts and imaginations of our most celebrated artists, they were also artists in their own right. They wrote poetry and novels, invented the cancan at the Moulin Rouge, and presented celebrated acts at the Folies Bergères. They helped to influence and shape the sensibility of modern literature, painting, and fashion. When Greek sculptor Praxiteles wanted to depict Venus he used a famous courtesan as a model, as in later centuries Titian, Veronese, Raphael, Giorgione, and Boucher did when they painted goddesses. When Marcel Proust was a young man it was the courtesan Laure Hayman who took him under her wing, introducing him to the right people, and providing inspiration for one of literature’s greatest masterpieces. And they often had considerable political influence too. When King Louis XV needed advice on foreign affairs or appointments of state he turned to Jeanne du Barry as well as Pompadour.
In her witty and insightful prose, as Griffin celebrates these alluring and fascinating women, she restores a lost legacy of women’s history. She gives us the stories of these amazing women who, starting from impoverished or unimpressive beginnings, garnered chateaux, fine coaches, fabulous collections of jewelry, and even aristocratic titles along the way. And through a brilliant exploration of their extraordinary abilities, skills, and talents which Griffin playfully categorizes as their virtues "Timing, Beauty, Cheek, Brilliance, Gaiety, Grace, and Charm" her book explains how, while helping themselves, through their often outrageous, always entertaining examples, the great courtesans not only enriched our cultural heritage but helped to liberate women from the social, sexual, and economic strictures that confined them.
Intensively researched and beautifully crafted, The Book of the Courtesans delves into scintillating but often hidden worlds, telling stories gleaned from many sources, including courtesans’ memoirs, presented along with stunning rare photographs to create memorable portraits of some of the most pivotal figures in women’s history.
Picking up at the end of his earlier classic study, Islamic Spain, 1250 to 1500— which described the courageous efforts of the followers of Islam to preserve their secular, as well as sacred, culture in late medieval Spain—L. P. Harvey chronicles here the struggles of the Moriscos. These forced converts to Christianity lived clandestinely in the sixteenth century as Muslims, communicating in aljamiado— Spanish written in Arabic characters. More broadly, Muslims in Spain, 1500 to 1614, tells the story of an early modern nation struggling to deal with diversity and multiculturalism while torn by the fanaticism of the Counter-Reformation on one side and the threat of Ottoman expansion on the other. Harvey recounts how a century of tolerance degenerated into a vicious cycle of repression and rebellion until the final expulsion in 1614 of all Muslims from the Iberian Peninsula.
Retold in all its complexity and poignancy, this tale of religious intolerance, political maneuvering, and ethnic cleansing resonates with many modern concerns. Eagerly awaited by Islamist and Hispanist scholars since Harvey's first volume appeared in 1990, Muslims in Spain, 1500 to 1614, will be compulsory reading for student and specialist alike.
“The year’s most rewarding historical work is L. P. Harvey’s Muslims in Spain 1500 to 1614, a sobering account of the various ways in which a venerable Islamic culture fell victim to Christian bigotry. Harvey never urges the topicality of his subject on us, but this aspect inevitably sharpens an already compelling book.”—Jonathan Keats, Times Literary Supplement
Deftly weaving together art, architecture, history, theology, and much else, Da Vinci's Ghost is a first-rate intellectual enchantment.”—Charles Mann, author of 1493
Da Vinci didn’t summon Vitruvian Man out of thin air. He was inspired by the idea originally formulated by the Roman architect Vitruvius, who suggested that the human body could be made to fit inside a circle, long associated with the divine, and a square, related to the earthly and secular. To place a man inside those shapes was to imply that the human body could indeed be a blueprint for the workings of the universe. Da Vinci elevated Vitruvius’ idea to exhilarating heights when he set out to do something unprecedented, if the human body truly reflected the cosmos, he reasoned, then studying its anatomy more thoroughly than had ever been attempted before—peering deep into body and soul—might grant him an almost godlike perspective on the makeup of the world.
Written with the same narrative flair and intellectual sweep as Lester’s award-winning first book, the “almost unbearably thrilling” (Simon Winchester) Fourth Part of the World, and beautifully illustrated with Da Vinci's drawings, Da Vinci’s Ghost follows Da Vinci on his journey to understanding the secrets of the Vitruvian man. It captures a pivotal time in Western history when the Middle Ages were giving way to the Renaissance, when art, science, and philosophy were rapidly converging, and when it seemed possible that a single human being might embody—and even understand—the nature of the universe.
Inspired by a long fascination with Galileo, and by the remarkable surviving letters of Galileo's daughter, a cloistered nun, Dava Sobel has written a biography unlike any other of the man Albert Einstein called "the father of modern physics- indeed of modern science altogether." Galileo's Daughter also presents a stunning portrait of a person hitherto lost to history, described by her father as "a woman of exquisite mind, singular goodness, and most tenderly attached to me."
Galileo's Daughter dramatically recolors the personality and accomplishment of a mythic figure whose seventeenth-century clash with Catholic doctrine continues to define the schism between science and religion. Moving between Galileo's grand public life and Maria Celeste's sequestered world, Sobel illuminates the Florence of the Medicis and the papal court in Rome during the pivotal era when humanity's perception of its place in the cosmos was about to be overturned. In that same time, while the bubonic plague wreaked its terrible devastation and the Thirty Years' War tipped fortunes across Europe, one man sought to reconcile the Heaven he revered as a good Catholic with the heavens he revealed through his telescope.
With all the human drama and scientific adventure that distinguished Dava Sobel's previous book Longitude, Galileo's Daughter is an unforgettable story
‘Remember, remember, the fifth of November’. The gunpowder plot is a famed tale of treachery that continues to fascinate and capture the imagination four hundred years on.
The Gunpowder Plot in an Hour reveals the elaborate background to the infamous plot to blow up the Houses of Parliament and James I, the ultimate act of treason. This compelling and engaging account of one of the most famous historical events in English history follows the Catholic protagonists hatching their plan through to their inevitable, gruesome deaths.
Learn who the Catholic traitors were, what drove them to such desperate measures, and how the plot was discovered. The Gunpowder Plot in an Hour gives a concise overview of this enduring event and is a must for all history lovers.
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Medieval concepts of Islam were generally informed and constrained by religious attitudes and rhetoric in which Muslims were depicted as enemies of the faith. While humanist thinkers of the Renaissance did not move entirely beyond this stance, Creating East and West argues that their understanding was considerably more complex, in that it addressed secular and cultural issues, marking a watershed between the medieval and modern. Taking a close look at a number of texts, Bisaha expands current notions of Renaissance humanism and of the history of cross-cultural perceptions. Engaging both traditional methods of intellectual history and more recent methods of cross-cultural studies, she demonstrates that modern attitudes of Western societies toward other cultures emerged not during the later period of expansion and domination but rather as a defensive intellectual reaction to a sophisticated and threatening power to the East.
A genius immortalized her. A French king paid a fortune for her. An emperor coveted her. Every year more than nine million visitors trek to view her portrait in the Louvre. Yet while everyone recognizes her smile, hardly anyone knows her story. “Combining history, whimsical biography, personal travelogue, and love letter to Italy...Mona Lisa is an entertaining” (Publishers Weekly) book of discovery about the world’s most recognized face. Who was she? Why did the most renowned painter of her time choose her as his model? What became of her? And why does her smile enchant us still?
Dianne Hales, author of La Bella Lingua, became obsessed with finding the real Mona Lisa on repeated trips to Florence. In Mona Lisa: A Life Discovered, she takes readers with her to meet Lisa’s descendants; uncover her family’s long and colorful history; and explore the neighborhoods where she lived as a girl, a wife, and a mother. In the process, we can participate in Lisa’s daily rituals; understand her personal relationships; and see, hear, smell, and taste “her” Florence. Hales brings to life a time poised between the medieval and the modern, a vibrant city bursting into fullest bloom, and a culture that redefined the possibilities of man—and of woman.
Mona Lisa is “a readable and affectionate my-search-for-story for art lovers and anyone interested in glorious and gory Florence in the fifteenth to sixteenth centuries, and in the divine Leonardo in particular…Hales’s assiduous research has made it possible for us to know Mona Lisa just a bit, enough to wonder if this otherwise ordinary Florentine housewife could ever have imagined her portrait enchanting millions for centuries” (USATODAY.com).
Queen Elizabeth I acceded to the throne in 1558, restoring the Protestant faith to England. At the heart of the new queen's court lay her bedchamber, closely guarded by the favored women who helped her dress, looked after her jewels, and shared her bed.
Elizabeth's private life was of public concern. Her bedfellows were witnesses to the face and body beneath the makeup and raiment, as well as to rumored dalliances with such figures as Earl Robert Dudley. Their presence was for security as well as propriety, as the kingdom was haunted by fears of assassination plots and other Catholic stratagems. Such was the significance of the queen's body: it represented the very British state itself.
In The Queen's Bed, the historian Anna Whitelock offers a revealing look at the Elizabethan court and the politics of intimacy. She dramatically reconstructs, for the first time, the queen's quarters and the women who patrolled them. It is a story of sex, gossip, conspiracy, and intrigue brought to life amid the colors, textures, smells, and routines of the royal court.
The women who attended the queen held the truth about her health, chastity, and fertility. They were her friends, confidantes, and spies—nobody knew her better. And until now, historians have overlooked them. The Queen's Bed is a revelatory, insightful look into their daily lives—the untold story of the queen laid bare.
Niccolò Machiavelli, Florentine diplomat and civil servant, is the father of political science. His most notorious work, The Prince, is a primer on how to acquire and retain power without regard to scruple or conscience. His other masterpiece, The Discourses, offers a profound analysis of the workings of the civil state and a hardheaded assessment of human nature.
Machiavelli’s philosophy was shaped by the tumultuous age in which he lived, an age of towering geniuses and brutal tyrants. He was on intimate terms with Leonardo and Michelangelo. His first political mission was to spy on the fire-and-brimstone preacher Savonarola. As a diplomat, he matched wits with the corrupt and carnal Pope Alexander VI and his son, the notorious Cesare Borgia, whose violent career served as a model for The Prince. His insights were gleaned by closely studying men like Julius II, the “Warrior Pope,” and his successor, the vacillating Clement VII, as well as two kings of France and the Holy Roman Emperor. Analyzing their successes and failures, Machiavelli developed his revolutionary approach to power politics.
Machiavelli was, above all, a student of human nature. In The Prince he wrote a practical guide to the aspiring politician that is based on the world as it is, not as it should be. He has been called cold and calculating, cynical and immoral. In reality, argues biographer Miles Unger, he was a deeply humane writer whose controversial theories were a response to the violence and corruption he saw around him. He was a psychologist with acute insight into human nature centuries before Freud. A brilliant and witty writer, he was not only a political theorist but also a poet and the author of La Mandragola, the finest comedy of the Italian Renaissance. He has been called the first modern man, unafraid to contemplate a world without God. Rising from modest beginnings on the strength of his own talents, he was able to see through the pious hypocrisy of the age in which he lived.
Miles Unger has relied on original Italian sources as well as his own deep knowledge of Florence in writing this fascinating and authoritative account of a genius whose work remains as relevant today as when he wrote it.
Historian Hajo Holborn praised this survey as "the greatest single book on the history of Italy between 1350 and 1550." First published in German in 1860, its exploration of art, fashions, manners, and philosophy traces the influences of classical antiquity on Michelangelo, Leonardo, the Medicis, and other thinkers and artists. As alive today as when it was written 150 years ago, this indispensable study chronicles the revival of humanism, the conflict between church and empire, and the rise of both the modern state and the modern individual.