Considered to be one of the most important philosophical works of all time, the History of Western Philosophy is a dazzlingly unique exploration of the ideologies of significant philosophers throughout the ages—from Plato and Aristotle through to Spinoza, Kant and the twentieth century. Written by a man who changed the history of philosophy himself, this is an account that has never been rivaled since its first publication over sixty years ago.
Since its first publication in 1945, Lord Russell’s A History of Western Philosophy is still unparalleled in its comprehensiveness, its clarity, its erudition, its grace, and its wit. In seventy-six chapters he traces philosophy from the rise of Greek civilization to the emergence of logical analysis in the twentieth century.
Among the philosophers considered are: Pythagoras, Heraclitus, Parmenides, Empedocles, Anaxagoras, the Atomists, Protagoras, Socrates, Plato, Aristotle, the Cynics, the Sceptics, the Epicureans, the Stoics, Plotinus, Ambrose, Jerome, Augustine, Benedict, Gregory the Great, John the Scot, Aquinas, Duns Scotus, William of Occam, Machiavelli, Erasmus, More, Bacon, Hobbes, Descartes, Spinoza, Leibniz, Locke, Berkeley, Hume, Rousseau, Kant, Hegel, Schopenhauer, Nietzsche, the Utilitarians, Marx, Bergson, James, Dewey, and lastly the philosophers with whom Lord Russell himself is most closely associated—Cantor, Frege, and Whitehead, coauthor with Russell of the monumental Principia Mathematica.
In his concise Introduction, Eric Steinberg explores the conditions that led Hume to write the Enquiry and the work's important relationship to Book I of Hume's A Treatise of Human Nature.
Hannah Arendt (1906-1975) was one of the leading social theorists in the United States. Her Lectures on Kant's Political Philosophy and Love and Saint Augustine are also published by the University of Chicago Press.
Translated and edited by Walter Kaufmann
Commentary by Martin Heidegger, Albert Camus, and Gilles Deleuze
One hundred years after his death, Friedrich Nietzsche remains the most influential philosopher of the modern era. Basic Writings of Nietzsche gathers the complete texts of five of Nietzsche’s most important works, from his first book to his last: The Birth of Tragedy, Beyond Good and Evil, On the Genealogy of Morals, The Case of Wagner, and Ecce Homo. Edited and translated by the great Nietzsche scholar Walter Kaufmann, this volume also features seventy-five aphorisms, selections from Nietzsche’s correspondence, and variants from drafts for Ecce Homo. It is a definitive guide to the full range of Nietzsche’s thought.
Includes a Modern Library Reading Group Guide
As incisive and relevant today as it was sixty years ago, this book presents the essentials of Ayn Rand’s philosophy “for those who wish to acquire an integrated view of existence.” In the title essay, she offers an analysis of Western culture, discusses the causes of its progress, its decline, its present bankruptcy, and points the road to an intellectual renaissance.
One of the most controversial figures on the intellectual scene, Ayn Rand was the proponent of a moral philosophy—and ethic of rational self-interest—that stands in sharp opposition to the ethics of altruism and self-sacrifice. The fundamentals of this morality—"a philosophy for living on Earth"—are here vibrantly set forth by the spokesman for a new class, For the New Intellectual.
For the legions of readers who treasure Atlas Shrugged and The Fountainhead, and who savor cogent analysis and provocative discussion of Ayn Rand's thoughts and beliefs, Understanding Objectivism takes the stimulating study of Rand's philosophy to the next level.
In The Construction of Social Reality, eminent philosopher John Searle examines the structure of social reality (or those portions of the world that are facts only by human agreement, such as money, marriage, property, and government), and contrasts it to a brute reality that is independent of human agreement. Searle shows that brute reality provides the indisputable foundation for all social reality, and that social reality, while very real, is maintained by nothing more than custom and habit.
The Pleasures and Sorrows of Work is an exploration of the joys and perils of the modern workplace, beautifully exploring what other people wake up to do each day—and night—to make our frenzied world function. With a philosophical eye and his signature combination of wit and wisdom, Alain de Botton leads us on a journey around an eclectic range of occupations, from rocket scientist to biscuit manufacturer, from accountant to artist—in search of what makes jobs either soul-destroying or fulfilling.
From the Trade Paperback edition.
Nietzsche's notebooks, kept by him during his most productive years, offer a fascinating glimpse into the workshop and mind of a great thinker, and compare favorably with the notebooks of Gide and Kafka, Camus and Wittgenstein. The Will to Power, compiled from the notebooks, is one of the most famous boooks of the philosophy. Here is the first critical edition in any language.
Down through the Nazi period The Will to Power was often mistakenly considered to be Nietzche's crowning systematic labor; since World War II it has frequently been denigrated. In fact, it represents a stunning selection from Nietzsche's notebooks, in a a topical arrangement that enables the reader to find what Nietzsche's wrote on a variety of subjects.
Walter Kaufmann, in collaboration with R. J. Holilngdale, brings to this volume his unsurpassed skills as a Nietzsche translator and scholar. Professor Kaufmann has included an approximate date of each note. His running footnote commentary offers information needed to follow Nietzsche's train of thought, and indicates, among other things, which notes were eventually superseded by later formulations. The comprehensive index serves to guide the reader to the extraordinary riches of this book.
It is not hard to see why Spinoza's Treatise was so important or so controversial, or why the uproar it caused is one of the most significant events in European intellectual history. In the book, Spinoza became the first to argue that the Bible is not literally the word of God but rather a work of human literature; that true religion has nothing to do with theology, liturgical ceremonies, or sectarian dogma; and that religious authorities should have no role in governing a modern state. He also denied the reality of miracles and divine providence, reinterpreted the nature of prophecy, and made an eloquent plea for toleration and democracy.
A vivid story of incendiary ideas and vicious backlash, A Book Forged in Hell will interest anyone who is curious about the origin of some of our most cherished modern beliefs.
Deleuze and Guattari's 'A Thousand Plateaus': A Reader's Guide offers a concise and accessible introduction to this extremely important and yet challenging work. Written specifically to meet the needs of students coming to Deleuze and Guattari for the first time, the book offers guidance on:
- Philosophical and historical context
- Key themes
- Reading the text
- Reception and influence
- Further reading
Nietzsche claimed that the purpose of The Genealogy of Morals was to call attention to his previous writings. But in fact the book does much more than that, elucidating and expanding on the cryptic aphorisms of Beyond Good and Evil and signalling a return to the essay form. In these three essays, Nietzsche considers the development of ideas of 'good' and 'evil'; explores notions of guilt and bad consience; and discusses ascetic ideals and the purpose of the philosopher. Together, they form a coherent and complex discussion of morality in a work that is more accessible than some of Nietzsche's previous writings.
Friedrich Nietzsche was born near Leipzig in 1844. When he was only twenty-four he was appointed to the chair of classical philology at Basel University. From 1880, however, he divorced himself from everyday life and lived mainly abroad. Works published in the 1880s include The Gay Science, Thus Spoke Zarathustra, Beyond Good and Evil, On the Genealogy of Morals, Twilight of the Idols and The Antichrist. In January 1889, Nietzsche collapsed on a street in Turin and was subsequently institutionalized, spending the rest of his life in a condition of mental and physical paralysis. Works published after his death in 1900 include Will to Power, based on his notebooks, and Ecce Homo, his autobiography.
Michael A. Scarpitti is an independent scholar of philosophy whose principal interests include English and German thought of the eighteenth and nineteenth centuries, as well as exegesis and translation theory.
Robert C. Holub is currently Ohio Eminent Scholar and Professor of German at the Ohio State University. Among his published works are monographs on Heinrich Heine, German realism, Friedrich Nietzsche, literary and aesthetic theory, and Jürgen Habermas.
In this far-reaching study, Peikoff identifies the three methods people use to integrate concrete data into a whole, as when connecting diverse experiments by a scientific theory, or separate laws into a Constitution, or single events into a story. The first method, in which data is integrated through rational means, he calls Integration. The second, which employs non-rational means, he calls Misintegration. The third is Disintegration—which is nihilism, the desire to tear things apart.
In The DIM Hypothesis Peikoff demonstrates the power of these three methods in shaping the West, by using the categories to examine the culturally representative fields of literature, physics, education, and politics. His analysis illustrates how the historical trends in each field have been dominated by one of these three categories, not only today but during the whole progression of Western culture from its beginning in Ancient Greece.
Extrapolating from the historical pattern he identifies, Peikoff concludes by explaining why the lights of the West are going out—and predicts the most likely future for the United States.
Hayim analyzes key existential concepts of negation, temporality, choice, anguish, and bad faith, and carefully situates them in the different relations of self to the otherrelations of indifference and destruction, as well as relations of engagement and pledge. She joins the two orders of beingontology and sociology - and establishes intellectual and ethical continuity between the phenomenology of Being and Nothingness, Sartre's momentous early work and neglected sociological categories in his later works. Critique of Dialectical Reason and Notebooks for an Ethics.
Hayim makes accessible to the social scientist a rich repertoire of existential motifs and perspectives on community and group interactions and their inextricable bond to the life practice of the individual. The author contends that the massive language of a "sociology of things" instills in the human actor a feeling of helplessness and gross inferiority vis-a-vis the social world. She offers, in contrast, the existential emphasis on the importance of substituting live human experience for mechanistic processes of explanation and of establishing a language of conscious choice and responsibility in place of the massive language found in orthodox social analysis. The new introductory essay suggests the influence of Sartre on new discourses in sociological and social-psychological theory, especially with reference to our contemporary disaffection with classical notions of emancipation and other "universalized discourses," as well as in reference to current debates on "essentialism" and "self-identity." Hayim's book will interest a wide variety of readers including phenomenologists, sociologists, admirers of Sartre's theories, and students of existential social psychology.
The book emphasizes the relationship between models and the traditional goal of logic, the evaluation of arguments, and critically examines apparatus and assumptions that often are taken for granted. Philosophical Logic provides an unusually thorough treatment of conditional logic, unifying probabilistic and model-theoretic approaches. It underscores the variety of approaches that have been taken to relevantistic and related logics, and it stresses the problem of connecting formal systems to the motivating ideas behind intuitionistic mathematics. Each chapter ends with a brief guide to further reading.
Philosophical Logic addresses students new to logic, philosophers working in other areas, and specialists in logic, providing both a sophisticated introduction and a new synthesis.
Introduction. Bibliography. A Note on the Text.
1. Idea for a Universal History with a Cosmopolitan Intent (1784)
2. An Answer to the Question: What Is Enlightenment? (1784)
3. Speculative Beginning of Human History (1786)
4. On the Proverb: That May Be True in Theory, but Is of No Practical Use (1793)
5. The End of All Things (1794)
6. To Perpetual Peace: A Philosophical Sketch (1795)
Glossary of Some German-English Translations. Index.
In his thorough introduction of more than a hundred pages, Michael Howard takes readers through these thought-provoking chapters: Is Art Dead? To Muse or Amuse Artistic Activity As Spiritual Activity The Representative of Humanity Beauty, Creativity, and Metamorphosis New Directions in Art Lectures include: The Aesthetics of Goethe's Worldview The Spiritual Being of Art Buildings Will Speak The Sense Organs and Aesthetic Experience The Two Sources of Art The Building at Dornach The Supersensible Origin of the Arts Truth, Beauty, and Goodness Christ, Ahriman, and Lucifer Plus a bibliography and index
This important new interpretation is based on the most comprehensive study of Machiavelli's writings to date, including a detailed examination of all of his major works: The Prince, The Discourses, The Art of War, and Florentine Histories. It helps explain why readers such as Bacon and Rousseau could see Machiavelli as a fellow moral philosopher, and how they could view The Prince as an ethical and republican text. By identifying a rigorous structure of principles behind Machiavelli's historical examples, the book should also open up fresh debates about his relationship to later philosophers, including Rousseau, Hobbes, and Kant.
Besides what a few grumpy critics claim, Postmodernism is not a bunch of meaningless intellectual mind games. On the contrary, it is a reaction to the most profound spiritual and philosophical crisis of our time – the failure of the Enlightenment.
Jim Powell takes the position that Postmodernism is a series of “maps” that help people find their way through a changing world. Postmodernism For Beginners features the thoughts of Foucault on power and knowledge, Jameson on mapping the postmodern, Baudrillard on the media, Harvey on time-space compression, Derrida on deconstruction and Deleuze and Guattari on rhizomes. The book also discusses postmodern artifacts such as Madonna, cyberpunk, Buddhist ecology, and teledildonics.
His central concern, Žižek has proclaimed, is to use psychoanalysis (especially the teachings of Jacques Lacan) to redeploy the insights of late-modern German philosophy, in particular, the thought of Kant, Schelling, and Hegel. By taking this avowal seriously, Adrian Johnston finally clarifies the philosophical project underlying Žižek’s efforts. His book charts the interlinked ontology and theory of subjectivity constructed by Žižek at the intersection of German idealism and Lacanian theory. Johnston also uses Žižek’s combination of philosophy and psychoanalysis to address two perennial philosophical problems: the relationship of mind and body, and the nature of human freedom. By bringing together the past two centuries of European philosophy, psychoanalytic metapsychology, and cutting-edge work in the natural sciences, Johnston develops a transcendental materialist theory of subjectivity—in short, an account of how more-than-material forms of subjectivity can emerge from a corporeal being. His work shows how an engagement with Žižek’s philosophy can produce compelling answers to today’s most vexing and urgent questions as inherited from the history of ideas.
As Kubrick's cinema moves between the possibilities of human transcendence dramatized in 2001: A Space Odyssey and the dismal limitations of human nature exhibited in A Clockwork Orange, the filmmaker's style "de-realizes" cinematic realism while, paradoxically, achieving an unprecedented frankness of vision and documentary and technical richness. The result is a kind of vertigo: the audience is made aware of both the de-realized and the realized nature of cinema. As opposed to the usual studies providing a summary and commentary of individual films, this will be the first to provide an analysis of the "elements" of Kubrick's total cinema.