The product of more than fifteen years of immersion in the jazz world, Thinking in Jazz combines participant observation with detailed musicological analysis, the author's experience as a jazz trumpeter, interpretations of published material by scholars and performers, and, above all, original data from interviews with more than fifty professional musicians: bassists George Duvivier and Rufus Reid; drummers Max Roach, Ronald Shannon Jackson, and Akira Tana; guitarist Emily Remler; pianists Tommy Flanagan and Barry Harris; saxophonists Lou Donaldson, Lee Konitz, and James Moody; trombonist Curtis Fuller; trumpeters Doc Cheatham, Art Farmer, Wynton Marsalis, and Red Rodney; vocalists Carmen Lundy and Vea Williams; and others. Together, the interviews provide insight into the production of jazz by great artists like Betty Carter, Miles Davis, Dizzy Gillespie, Coleman Hawkins, and Charlie Parker.
Thinking in Jazz overflows with musical examples from the 1920s to the present, including original transcriptions (keyed to commercial recordings) of collective improvisations by Miles Davis's and John Coltrane's groups. These transcriptions provide additional insight into the structure and creativity of jazz improvisation and represent a remarkable resource for jazz musicians as well as students and educators.
Berliner explores the alternative ways—aural, visual, kinetic, verbal, emotional, theoretical, associative—in which these performers conceptualize their music and describes the delicate interplay of soloist and ensemble in collective improvisation. Berliner's skillful integration of data concerning musical development, the rigorous practice and thought artists devote to jazz outside of performance, and the complexities of composing in the moment leads to a new understanding of jazz improvisation as a language, an aesthetic, and a tradition. This unprecedented journey to the heart of the jazz tradition will fascinate and enlighten musicians, musicologists, and jazz fans alike.
In this deftly written, riveting study, New York Times jazz critic Ben Ratliff answers these questions and examines the life of Coltrane, the acclaimed band leader and deeply spiritual man who changed the face of jazz music. Ratliff places jazz among other art forms and within the turbulence of American social history, and he places Coltrane not just among jazz musicians but among the greatest American artists.
In Herbie Hancock the legendary jazz musician and composer reflects on a life and a thriving career that has spanned seven decades. A true innovator, Hancock has had an enormous influence on both acoustic and electric jazz, R&B and hip-hop, with his ongoing exploration of different musical genres, winning fourteen Grammy awards along the way.
From his beginnings as a child prodigy to his work in Miles Davis’s second great quintet; from his innovations as the leader of his own groundbreaking sextet to his collaborations with everyone from Wayne Shorter to Joni Mitchell and Stevie Wonder; Herbie Hancock reveals the method behind Hancock’s undeniable musical genius.
Hancock shares his musical influences, colorful behind-the-scenes stories, his long and happy marriage, and how Buddhism inspires him creatively and personally. Honest, enlightening, and as electrifyingly vital as the man who wrote it, Herbie Hancock promises to be an invaluable contribution to jazz literature and a must-read for fans and music lovers.
Selected for "The Best of the Best" from University Presses, ALA Conference, 2010.
Winner of the 2010 Association for Recorded Sound Collections Award for Excellence in Historical Recorded Sound Research in Jazz, 2010.
Jade Visions is the first biography of one of the twentieth century's most influential jazz musicians, bassist Scott LaFaro. Best known for his landmark recordings with Bill Evans, LaFaro played bass a mere seven years before his life and career were tragically cut short by an automobile accident when he was only 25 years old. Told by his sister, this book uniquely combines family history with insight into LaFaro's music by well-known jazz experts and musicians Gene Lees, Don Thompson, Jeff Campbell, Phil Palombi, Chuck Ralston, Barrie Kolstein, and Robert Wooley. Those interested in Bill Evans, the history of jazz, and the lives of working musicians of the time will appreciate this exploration of LaFaro’s life and music as well as the feeling they’ve been invited into the family circle as an intimate.
Michael Sparke's narrative captures that enthusiasm in words: a lucid account of the evolution of the Kenton Sound, and the first book to offer a critical evaluation of the role that Stan played in its creation. Insightful and thought-provoking throughout, and supported by liberal quotes from the musicians who made the magic, even at his most contentious the author's high regard and admiration for his subject shines through. The most knowledgeable of Stan's fans will learn new facts from this far-reaching biography of a man and his music. Stan Kenton will be essential reading for every Kenton devotee and jazz historian.
Holiday's career took off in the 1930s, during the Depression, and the biography evokes the era and atmosphere of the jazz club scene. The state of race relations in the country is discussed as Holiday tours with white bandleaders such as Artie Shaw and even as she sings about lynching in the controversial Strange Fruit. The narrative further chronicles Holiday's relationships, descent into drug addiction, the subsequent diminishment of her talent, and tragic early death. Readers today will then want to seek out Holiday's recordings to more fully appreciate her interpretations of the songs of that classic era.
In the early 1950s Nica heard “’Round Midnight” by the jazz pianist and composer Thelonious Monk and, as if under a powerful spell, abandoned her marriage and moved to New York to find him. She devoted herself to helping Monk and other musicians: she bailed them out of jail, paid their bills, took them to the hospital, even drove them to their gigs, and her convertible Bentley could always be seen parked outside downtown clubs or up in Harlem. Charlie Parker would notoriously die in her apartment in the Stanhope Hotel. But it was Monk who was the love of her life and whom she cared for until his death in 1982.
Hannah Rothschild has drawn on archival material and her own interviews in this quest to find out who her great-aunt really was and how she fit into a family that, although passionate about music and entomology, was reactionary in always favoring men over women. Part musical odyssey, part love story, The Baroness is a fascinating portrait of a modern figure ahead of her time who dared to live as she wanted, finally, at the very center of New York’s jazz scene.
Clearly organized into easily mastered segments, each chapter is divided into separate lessons on harmony or improvisation. All music is shown in standard notation and TAB.
Lady Sings the Blues is the fiercely honest, no-holds-barred autobiography of Billie Holiday, the legendary jazz, swing, and standards singing sensation. Taking the reader on a fast-moving journey from Holiday’s rough-and-tumble Baltimore childhood (where she ran errands at a whorehouse in exchange for the chance to listen to Louis Armstrong and Bessie Smith albums), to her emergence on Harlem’s club scene, to sold-out performances with the Count Basie Orchestra and with Artie Shaw and his band, this revelatory memoir is notable for its trenchant observations on the racism that darkened Billie’s life and the heroin addiction that ended it too soon. We are with her during the mesmerizing debut of “Strange Fruit”; with her as she rubs shoulders with the biggest movie stars and musicians of the day (Bob Hope, Lana Turner, Clark Gable, Benny Goodman, Lester Young, Coleman Hawkins, and more); and with her through the scrapes with Jim Crow, spats with Sarah Vaughan, ignominious jailings, and tragic decline. All of this is told in Holiday’s tart, streetwise style and hip patois that makes it read as if it were written yesterday.
In eight poetically charged vignettes, Geoff Dyer skillfully evokes the music and the men who shaped modern jazz. Drawing on photos, anecdotes, and, most important, the way he hears the music, Dyer imaginatively reconstructs scenes from the embattled lives of some of the greats: Lester Young fading away in a hotel room; Charles Mingus storming down the streets of New York on a too-small bicycle; Thelonious Monk creating his own private language on the piano. However, music is the driving force of But Beautiful, and wildly metaphoric prose that mirrors the quirks, eccentricity, and brilliance of each musician's style.
The Making of Kind of Blue is an exhaustively researched examination of how this masterpiece was born. Recorded with pianist Bill Evans, tenor saxophonist John Coltrane, composer/theorist George Russell and Miles himself, the album represented a fortuitous conflation of some of the real giants of the jazz world, at a time when they were at the top of their musical game. The end result was a recording that would forever change the face of American music.
Through extensive interviews and access to rare recordings Nisenson pieced together the whole story of this miraculous session, laying bare the genius of Miles Davis, other musicians, and the heart of jazz itself.
"Alluring. . . . Capture[s] much of the breadth of the music, as well as the passionate debates it has stirred, more vividly than any other jazz anthology to date."--Chicago Tribune
No musical idiom has inspired more fine writing than jazz, and nowhere has that writing been presented with greater comprehensiveness and taste than in this glorious collection. In Reading Jazz, editor Robert Gottlieb combs through eighty years of autobiography, reportage, and criticism by the music's greatest players, commentators, and fans to create what is at once a monumental tapestry of jazz history and testimony to the elegance, vigor, and variety of jazz writing.
Here are Jelly Roll Morton, recalling the whorehouse piano players of New Orleans in 1902; Whitney Balliett, profiling clarinetist Pee Wee Russell; poet Philip Larkin, with an eloquently dyspeptic jeremiad against bop. Here, too, are the voices of Billie Holiday and Charles Mingus, Albert Murray and Leonard Bernstein, Stanley Crouch and LeRoi Jones, reminiscing, analyzing, celebrating, and settling scores. For anyone who loves the music--or the music of great prose--Reading Jazz is indispensable.
"The ideal gift for jazzniks and boppers everywhere. . . . It gathers the best and most varied jazz writing of more than a century."--Sunday Times (London)
From the Trade Paperback edition.
Now you can get to the bottom of the big bang theory; find out where Freud's ideas were coming from, and where Einstein's may ultimately take us; demystify surrealism and survivalism, nature and nurture, communism and capitalism. With hundreds of in-depth entries, drawn from a wide range of fields--including religion, philosophy, psychology, economics, politics, history, art, literature, and science--A World of Ideas enables you to turn immediately to the term in question for a comprehensive description of its history, meaning, and context.
- Hundreds of entries, alphabetically arranged, with key words and concepts highlighted and cross-referenced
- Reviewed and approved by an academic board of leading scholars
- A unique emphasis on multicultural influences and the long-neglected impact of women on the history of ideas
- An extensive bibliography of further readings and resources
Here are the concepts that shaped civilization . . . the minds that made history . . . the thinkers, the thoughts, and the theories--everything you need to know to fully understand the world we live in. Concise and authoritative, meticulously researched and lucidly written, this invaluable resource is sure to become a standard reference for years to come.
From the Hardcover edition.
Louis Armstrong's New Orleans interweaves a searching account of early twentieth-century New Orleans with a narrative of the first twenty-one years of Armstrong's life. Drawing on a stunning body of first-person accounts, this book tells the rags-to-riches tale of Armstrong's early life and the social and musical forces that shaped him. The city and the musician are both extraordinary, their relationship unique, and their impact on American culture incalculable.
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interpretive history of jazz available in one volume.
expanded to incorporate the dominant styles and musicians since the book’s last
publication in 1992, as well as the fruits of current research about earlier
periods in the history of jazz. In addition, new chapters have been added on
John Zorn, jazz in the 1990s and beyond, samplers, the tuba, the harmonica,
non-Western instruments, postmodernist and repertory big bands, how the
avant-garde has explored tradition, and many other subjects.
continue well into the 21st century to fill the need for information about an
art form widely regarded as America’s greatest contribution to the world’s
This fully updated edition of the bestselling Good Word Guide offers information and advice on spelling, grammar, punctuation, pronunciation, confusables and the latest buzzwords, and provides clear, straightforward answers to everyday language problems.
With a foreword by Martin Cutts, Research Director, Plain Language Commission.
'In every sense, a good word guide' Times Educational Supplement
'This intelligent guide is an essential addition to the bookshelves of all readers and writers' Good Book Guide
In How to Listen to Jazz, award-winning music scholar Ted Gioia presents a lively introduction to the art of listening to jazz. He tells us what to listen for in a performance and includes a guide to today's leading jazz musicians. From Louis Armstrong's innovative sounds to the jazz-rock fusion of Miles Davis, Gioia covers the music's history and reveals the building blocks of improvisation. A true love letter to jazz by a foremost expert, How to Listen to Jazz is a must-read for anyone who's ever wanted to understand America's greatest contribution to music.
Those closest to him described a shy person who used anger and arrogance as a shield to keep others away. Likewise, his addictive personality – he battled drugs and alcohol for virtually his entire adult life – made his creative achievements all the more remarkable. Miles died younger than he might have were it not for those self-destructive tendencies, but not before creating dozens of the most important jazz albums in the history of the genre.
This book explores Davis’ fascinating life.