The Tao Te Ching is the most widely traslated book in world literature, after the Bible. Yet the gemlike lucidity of the original has eluded most previous translations, and they have obscured some of its central ideas. Now the Tao Te ching has been rendered into English by the eminent scholar and traslator Stephen Mitchell. Mr. Mitchell's Dropping Ashes on the Buddha is a modern Zen classic, and his translations of Rilke and of the Book of Job have already been called definitive for our time.
These four poems, “Phenomenal Woman,” “Still I Rise,” “Weekend Glory,” and “Our Grandmothers,” are among the most remembered and acclaimed of Maya Angelou's poems. They celebrate women with a majesty that has inspired and touched the hearts of millions.
Cohen first made his name as a poet more than half a century ago and since then his achievements in poetry and music have made him an internationally revered figure. These fifteen poems, including “Death of a Lady’s Man,” “On Hearing a Name Long Unspoken,” and “The Embrace,” are drawn from across his remarkable career and appear here for the first time with his illustrations. With its lyrical intensity and sensual immediacy, Fifteen Poems offers a potent distillation of the genre-crossing genius of one of the most admired artists of our time.
The first part of Dante’s Divine Comedy is many things: a moving human drama, a supreme expression of the Middle Ages, a glorification of the ways of God, and a magnificent protest against the ways in which men have thwarted the divine plan. One of the few literary works that has enjoyed a fame both immediate and enduring, The Inferno remains powerful after seven centuries. It confronts the most universal values—good and evil, free will and predestination—while remaining intensely personal and ferociously political, for it was born out of the anguish of a man who saw human life blighted by the injustice and corruption of his times.
Translated by John Ciardi
With an Introduction by Archibald T. MacAllister
and an Afterword by Edward M. Cifelli
Pretty women wonder where my secret lies.
I’m not cute or built to suit a fashion model’s size
But when I start to tell them,
They think I’m telling lies.
It’s in the reach of my arms,
The span of my hips,
The stride of my step,
The curl of my lips.
I’m a woman
Thus begins “Phenomenal Woman,” just one of the beloved poems collected here in Maya Angelou’s third book of verse. These poems are powerful, distinctive, and fresh—and, as always, full of the lifting rhythms of love and remembering. And Still I Rise is written from the heart, a celebration of life as only Maya Angelou has discovered it.
“It is true poetry she is writing,” M.F.K. Fisher has observed, “not just rhythm, the beat, rhymes. I find it very moving and at times beautiful. It has an innate purity about it, unquenchable dignity. . . . It is astounding, flabbergasting, to recognize it, in all the words I read every day and night . . . it gives me heart, to hear so clearly the caged bird singing and to understand her notes.”
In a new introduction to the work, the poet and editor Kevin Young suggests that Hughes from this very first moment is “celebrating, critiquing, and completing the American dream,” and that he manages to take Walt Whitman’s American “I” and write himself into it. We find here not only such classics as “The Negro Speaks of Rivers” and the great twentieth-century anthem that begins “I, too, sing America,” but also the poet’s shorter lyrics and fancies, which dream just as deeply. “Bring me all of your / Heart melodies,” the young Hughes offers, “That I may wrap them / In a blue cloud-cloth / Away from the too-rough fingers / Of the world.”
From the Hardcover edition.
Edited by John Martin, the legendary publisher of Black Sparrow Press and a close friend of Bukowski's, The Pleasures of the Damned is a selection of the best works from Bukowski's long poetic career, including the last of his never-before-collected poems. Celebrating the full range of the poet's extraordinary and surprising sensibility, and his uncompromising linguistic brilliance, these poems cover a rich lifetime of experiences and speak to Bukowski's “immense intelligence, the caring heart that saw through the sham of our pretenses and had pity on our human condition” (New York Quarterly). The Pleasures of the Damned is an astonishing poetic treasure trove, essential reading for both longtime fans and those just discovering this unique and legendary American voice.
This collection includes, of course, such famous poems as “The Lady of Shalott” and “The Charge of the Light Brigade.” There are extracts from all the major masterpieces—“Idylls of the King,” “The Princess,” “In Memoriam”—and several complete long poems, such as “Ulysses” and “Demeter and Persephone,” that demonstrate his narrative grace. Finally, there are many of the short lyrical poems, such as “Come into the Garden, Maud” and “Break, Break, Break,” for which he is justly celebrated.
The brilliant centerpiece of the weekend was the reading aloud of Pearl Cleage’s poem “We Speak Your Names,” written especially for the occasion and appearing here for the first time in this beautiful keepsake book. As deeply moving in print as it was during that weekend of love and praise, the poem names each of the women honored: Dr. Maya Angelou, Coretta Scott King, Diahann Carroll, Toni Morrison, Nikki Giovanni, Rosa Parks, Katherine Dunham, and other legends of the brightest magnitude. With heartfelt eloquence, Pearl Cleage (herself a luminary of the younger generation) celebrates her distinguished elders’ strength, their magic, their sensuality, their loving kindness, their faith in themselves, and the priceless example of their lives. In her introduction, the poet shares: “My sisters, here, there, and everywhere, this poem is for you. Use it, adapt it, pass it on. . . .”
Destined to become a classic, We Speak Your Names is a treasure to keep forever and a precious, inspiring gift for the ones you love.
From the Hardcover edition.
Edited by Millay biographer Nancy Milford, The Selected Poetry of Edna St. Vincent Millay also includes the collections A Few Figs from Thistles and Second April, as well as "The Ballad of the Harp-Weaver" and eight of Millay’s sonnets from the early twenties.
From the Trade Paperback edition.
This edition presents the original twelve poems from Whitman's premier 1855 publication of Leaves of Grass. Included are some of the greatest poems of modern times: "Song of Myself," "I Sing the Body Electric," and "There Was a Child Went Forth," works that continue to upset conventional notions of beauty and originality even today.
“Linguistically acrobatic [and] beautifully crafted. . . [Jamaal May's] poems, exquisitely balanced by a sharp intelligence mixed with earnestness, makes his debut a marvel.” —Publishers Weekly
“The elegant and laconic intelligence in these poems, their skepticism and bent humor and deliberately anti-Romantic stance toward experience are completely refreshing. After so much contemporary writing that seems all flash, no mind and no heart, these poems show how close observation of the world and a gift for plain-spoken, but eloquent speech, can give to poetry both dignity and largeness of purpose, and do it in an idiom that is pitch perfect to emotional nuance and fine intellectual distinctions. Hard-headed and tough-minded, Hum is the epitome of what Frost meant by ‘a fresh look and a fresh listen.’” —Tom Sleigh
"Jamaal May’s debut collection, Hum, is concerned with what’s beneath the surfaces of things—the unseen that eats away at us or does the work of sustaining us. Reading these poems, I was reminded of Ellison’s ‘lower frequencies,’ a voice speaking for us all. May has a fine ear, acutely attuned to the sonic textures of everyday experience. And Hum—a meditation on the machinery of living, an extended ode to sound and silence—is a compelling debut.” —Natasha Trethewey
"In his percussive debut collection Hum, Jamaal May offers a salve for our phobias and restores the sublime to the urban landscape. Whether you need a friend to confide in, a healer to go to, or a tour guide to take you there, look no further. That low hum you hear are these poems, emanating both wisdom and swagger.” —A. Van Jordan
From "Mechanophobia: Fear of Machines":
There is no work left for the husks.
Automated welders like us,
your line replacements, can't expect
sympathy after our bright
arms of cable rust over. So come
collect us for scrap, grind us up
in the mouth of one of us.
Let your hand pry at the access
panel with the edge of a knife,
silencing the motor and thrum.
Jamaal May is a poet, editor, and filmmaker from Detroit, MI where he taught poetry in public schools and worked as a freelance audio engineer and touring performer. His poetry won the 2013 Indiana Review Poetry Prize and appears in journals such as Poetry, Ploughshares, The Believer, NER, and The Kenyon Review. Jamaal has earned an MFA from Warren Wilson College as well as fellowships from Cave Canem and The Stadler Center for Poetry at Bucknell University. He founded the Organic Weapon Arts Chapbook Press.
Introduced and annotated throughout by world expert Suheil Bushrui, this revised and updated edition is a truly enlightening experience for anyone seeking solace and wisdom in the chaotic modern age.
Few gnomic collections in the world's literary history present sounder wisdom more tersely expressed than the Havamal. Like the Book of Proverbs it occasionally rises to lofty heights of poetry. If it presents the worldly wisdom of a violent race, it also shows noble ideals of loyalty, truth, and unfaltering courage.
Over time other poems were added to the original content dealing with wisdom which seemed, by their nature, to imply that the speaker was Odin. Thus a catalogue of runes, or charms, was tacked on, and also a set of proverbs. Here and there bits of verse crept in; and of course the loose structure of the poem made it easy for any reciter to insert new stanzas almost at will. This curious miscellany is what we now have as the Havamal
Five separate elements are pretty clearly recognizable: (1) the Havamal proper (stanzas 1-80), a collection of proverbs and counsels for the conduct of life; (2) the Loddfafnismol (stanzas 111-138), a collection somewhat similar to the first, but specifically addressed to a certain Loddfafnir; (3) the Ljothatal (stanzas 147-165), a collection of charms; (4) the lovestory of Odin and Billing's daughter (stanzas 96-102); (5) the story of how Odin got the mead of poetry from the maiden Gunnloth (stanzas 103-110). There is also a brief passage (stanzas 139-146) telling how Odin won the runes, this passage being a natural introduction to the Ljothatal, and doubtless brought into the poem for that reason.
33% of the net profit from the sale of this book will be donated to charities.
Until we meet again
Gibran's best-known work, 'The Prophet' is composed of twenty-six poetic essays. Its popularity grew markedly during the 1960s with the American counterculture and then with the flowering of the New Age movements. It has remained popular with these and with the wider population to this day. Since it was first published in 1923, it has never been out of print, and has been translated into more than forty languages.
General Press is proud to bring together, for the first time in ebook form, all of Gibran’s works into a single collection.
This collection features the following works:
A Tear and a Smile
The Broken Wings
The Earth Gods
The Garden of the Prophet
I Believe in You
Jesus the Son of Man
Lazarus and His Beloved
The Madman—His Parables and Poems
The New Frontier
Sand and Foam
The Wanderer—His Parables and His Sayings
You Have Your Lebanon and I Have My Lebanon
Your Thought and Mine
With loyal fans around the world and across the internet, Tyler Knott Gregson is reinventing poetry for a new generation, using Instagram and Tumblr to reach readers where they are.
Tyler’s third collection includes more of his popular Typewriter Series poems (featured in his first book, Chasers of the Light) as well as never-before-published scenes that paint the world as only Tyler sees and experiences it. Filled with vivid photographs and even more vivid emotions, Wildly Into the Dark is a must-have for longtime fans as well as newcomers to Tyler's unique brand of passionate, intimate, and playful words and images.
From the Hardcover edition.
From the Hardcover edition.
All are present in this volume, which reproduces the 1933 edition of W. B. Yeats's Collected Poems and also contains an illuminating introduction by author and academic Dr Robert Mighall.
Designed to appeal to the booklover, the Macmillan Collector's Library is a series of beautiful gift editions of much loved classic titles. Macmillan Collector's Library are books to love and treasure.
In Men in the Off Hours, Carson reinvents figures as diverse as Oedipus, Emily Dickinson, and Audubon. She views the writings of Sappho, St. Augustine, and Catullus through a modern lens. She sets up startling juxtapositions (Lazarus among video paraphernalia; Virginia Woolf and Thucydides discussing war). And in a final prose poem, she meditates on the recent death of her mother.
With its quiet, acute spirituality, its fearless wit and sensuality, and its joyful understanding that "the fact of the matter for humans is imperfection," Men in the Off Hours shows us "the most exciting poet writing in English today" (Michael Ondaatje) at her best.
From the Hardcover edition.
From the Trade Paperback edition.
Whitman continually expanded and revised the book as he took on the role of a workingman's bard who championed American nationalism, political democracy, contemporary progress, and unashamed sex. This volume, which contains 383 poems, is the final 'Deathbed Edition' published in 1892.
I meant perpetuate—as if our duty
were coupled with our terror. As if beauty
itself were but a syllabus of errors.
Troy Jollimore's first collection of poems won the National Book Critics Circle Award, was hailed by the New York Times as "a snappy, entertaining book," and led the San Francisco Chronicle to call him "a new and exciting voice in American poetry." And his critically acclaimed second collection expanded his reputation for poems that often take a playful approach to philosophical issues. While the poems in Syllabus of Errors share recognizable concerns with those of Jollimore’s first two books, readers will also find a voice that has grown more urgent, more vulnerable, and more sensitive to both the inevitability of tragedy and the possibility of renewal.
Poems such as "Ache and Echo," "The Black-Capped Chickadees of Martha’s Vineyard," and "When You Lift the Avocado to Your Mouth" explore loss, regret, and the nature of beauty, while the culminating long poem, "Vertigo," is an elegy for a lost friend as well as a fantasia on death, repetition, and transcendence (not to mention the poet’s favorite Hitchcock film). Ingeniously organized into sections that act as reflections on six quotations about birdsong, these poems are themselves an answer to the question the poet asks in "On Birdsong": "What would we say to the cardinal or jay, / given wings that could mimic their velocities?"
"The beautiful thing about Lasky, in all her work, but particularly here, is her ability to create that same sense of earnestness, the sense that she is telling you a secret."—InDigest Magazine, InDigest Picks
Go, brave and gentle reader, with Dorothea Lasky to the "purple motel / where the bird lives." Go with her, as you have willingly gone down the dark passages before, with her bare-faced poems for guidance. Thunderbird's controlled rage plunges into the black interior armed with nothing but guts and Lasky's own fiery heart to light the way.
Baby of air
You rose into the mystical
Side of things
You could no longer live with us
We put you in a little home
Where they shut and locked the door
And at night
You blew out
And went wandering . . .
Dorothea Lasky is also the author of Black Life and AWE, both from Wave Books. She lives in New York.
From "The World of Us":
Don't go around all day
thinking about life—
doing so will raise a barrier
between you and its instants.
You need those instants
so you can be in them,
and I need you to be in them with me
for I think the world of us
and the mysterious barricades
that make it possible.
Through his lyrical translations, Coleman Barks has been instrumental in bringing this exquisite literature to a remarkably wide range of readers, making the ecstatic, spiritual poetry of thirteenth-century Sufi Mystic Rumi more popular than ever.
The Essential Rumi continues to be the bestselling of all Rumi books, and the definitive selection of his beautiful, mystical poetry.
This luminous anthology brings together great poets from around the world whose work transcends culture and time. Their words reach past the outer divisions to the universal currents of love and revelation that move and inspire us all. These poems urge us to wake up and love. They also call on us to relinquish our grip on ideas and opinions that confine us and, instead, to risk moving forward into the life that is truly ours.
In his selection, Roger Housden has placed strong emphasis on contemporary voices such as the American poet laureate Billy Collins and the Nobel Prize–winners Czeslaw Milosz and Seamus Heaney, but the collection also includes some timeless echoes of the past in the form of work by masters such as Goethe, Wordsworth, and Emily Dickinson.
The tens of thousands of readers of Roger Housden’s “Ten Poems” series will welcome this beautiful harvest of poems that both open the mind and heal the heart.
From the Hardcover edition.
fundamental beauty of existence, as she explores what it means to experience life fully, to learn from it, and to grow both as an individual and as part of a greater spiritual community.
About Walker’s Horses Make a Landscape Look More Beautiful, America said, “In the tradition of Whitman, Walker sings, celebrates and agonizes over the ordinary vicissitudes that link and separate all of humankind,” and the same can be said about this astonishing new collection, Absolute Trust in the Goodness of the Earth.
From the Trade Paperback edition.
Watch for the new collection of poetry from Terrance Hayes, American Sonnets for My Past and Future Assassin, coming in June of 2018
Terrance Hayes is an elegant and adventurous writer with disarming humor, grace, tenderness, and brilliant turns of phrase. He is very much interested in what it means to be an artist and a black man. In his first collection, Muscular Music, he took the reader through a living library of cultural icons, from Shaft and Fat Albert to John Coltrane and Miles Davis. His second collection, Hip Logic, continued these explorations of popular culture, fatherhood, cultural heritage, and loss. Wind in a Box, Hayes’s resonant new collection, continues his interest in how traditions (of poetry and culture alike) can be simultaneously upended and embraced. The struggle for freedom (the wind) within containment (the box) is the unifying motif as Hayes explores how identity is shaped by race, heritage, and spirituality. This new book displays not only what the Los Angeles Times calls the range of a "bold virtuoso," but also the imaginative fervor of a poet in love with poetry.
From the Trade Paperback edition.
This book is all about reflections of the writers experiences in America. The seven REFLECTIONS and BONUS CHAPTER, discuss in turn - pain, promise, and evolution in its:
Reflections on Youth,
Reflections on Black Men and Black Women,
Reflections on Self-Determination,
Reflections on Community and Self-hatred,
Reflections on Black Life in America,
Reflections on Family,
Reflections on God and Religion, and
Five Bullets and a Blessing (Bonus Chapter).
While these reflections and bonus chapter are written from the viewpoints of the Authors empirical knowledge, many who have experienced his lifes journey will understand and strongly relate, while others who are open to walking in anothers shoes will learn and be transformed.
The notes (thoughts) herein can be described as a serious, urban, social commentary written in a poetic format. It is a journey from a valley of pain and desolation to the heights of promise and ultimate potential. Thats Deep!: Reflections on the Afterlife of a Black Student is simply a MUST-READ BOOK!!! It is a sociological work that will teach others and remind those who have felt the sting firsthand of the devastating impact of Americas separate and unequal treatment of many of its voiceless citizenry. It is a history lesson to people of all races and nationalities of the matchless, resilient and soulful spirit of Africa and all of her outreached descendants. It is also a powerful message that without Gods love, mercy and grace, ones life is purposeless, empty and unprotected.
More than any other Persian poet—even Rumi—Hafiz expanded the mystical, healing dimensions of poetry. Because his poems were often ecstatic love songs from God to his beloved world, many have called Hafiz the "Invisible Tongue." Indeed, Daniel Ladinsky has said that his work with Hafiz is an attempt to do the impossible: to render Light into words—to make the Luminous Resonance of God tangible to our finite senses.
a hole in a flute
that the Christ's breath moves
listen to this
With this stunning collection of Hafiz's most intimate poems, Ladinsky has succeeded brilliantly in presenting the essence of one of Islam's greatest poetic and religious voices. Each line of The Gift imparts the wonderful qualities of this master Sufi poet and spiritual teacher: encouragement, an audacious love that touches lives, profound knowledge, generosity, and a sweet, playful genius unparalleled in world literature.
John Milton’s Paradise Lost, an epic poem on the clash between God and his fallen angel, Satan, is a profound meditation on fate, free will, and divinity, and one of the most beautiful works in world literature. Extracted from the Modern Library’s highly acclaimed The Complete Poetry and Essential Prose of John Milton, this edition reflects up-to-date scholarship and includes a substantial Introduction, fresh commentary, and other features—annotations on Milton’s classical allusions, a chronology of the writer’s life, clean page layouts, and an index—that make it the definitive twenty-first-century presentation of John Milton’s timeless signature work.
'I think I shall be among the English Poets after my death,' John Keats soberly prophesied in 1818 as he started writing the blankverse epic Hyperion. Today he endures as the archetypal Romantic genius who explored the limits of the imagination and celebrated the pleasures of the senses but suffered a tragic early death. Edmund Wilson counted him as 'one of the half dozen greatest English writers,' and T. S. Eliot has paid tribute to the Shakespearean quality of Keats's greatness. Indeed, his work has survived better than that of any of his contemporaries the devaluation of Romantic poetry that began early in this century. This Modern Library edition contains all of Keats's magnificent verse: 'Lamia,' 'Isabella,' and 'The Eve of St. Agnes'; his sonnets and odes; the allegorical romance Endymion; and the five-act poetic tragedy Otho the Great. Presented as well are the famous posthumous and fugitive poems, including the fragmentary 'The Eve of Saint Mark' and the great 'La Belle Dame sans Merci,' perhaps the most distinguished literary ballad in the language. 'No one else in English poetry, save Shakespeare, has in expression quite the fascinating felicity of Keats, his perception of loveliness,' said Matthew Arnold. 'In the faculty of naturalistic interpretation, in what we call natural magic, he ranks with Shakespeare.'
The Lord is my shepherd; I shall not want.
He makes me to lie down in green pastures;
He leads me beside the still waters…
These are the opening lines to one of the most memorized, inspirational, and comforting passages in the Bible—and one of the greatest poems of all time. In six verses, it provides a microcosm of God’s grace. When anxiety robs us of sleep, our most powerful “tranquilizer” is Psalm 23. It’s a soul-soother. It appears in the middle of a trilogy of psalms dealing with our past, our present, and our future needs.
In The Lord is My Shepherd, Morgan teaches Psalm 23 verse-by-verse, explaining its extraordinary power to change lives and ease our troubles. He shares its fascinating context and colorful background, as well as his own charming, real-life stories of herding sheep. You’ll find encouragement to enjoy the “green pastures” of life while becoming strengthened by the “dark valleys.” Furthermore, Morgan maintains that some of the Bible’s richest truths are summarized in these six simple verses of Psalm 23. In knowing the Good Shepherd, we have total resources for all our internal, external, and eternal needs.
Through this clear explanation of the biblical text and great stories that illustrate the love and care of the shepherd, The Lord is My Shepherd will help you rediscover the joy, inspiration, and peace in the green pastures of this beloved psalm.
Known for his fiction and philosophical nonfiction, C. S. Lewis—the great British writer, scholar, lay theologian, broadcaster, Christian apologist, and bestselling author of Mere Christianity, The Screwtape Letters, The Great Divorce, The Chronicles of Narnia, and many other beloved classics—was also an accomplished poet. In Poems, Lewis dives deep into a wide range of subjects—from God to nature to love to unicorns—revealing his extensive imagination and sense of wonder.
This book of funny children's poems contains a host of interesting stories and characters for your kids to enjoy. Each story more fun that the last. The poems are written to encourage reluctant young readers to find enjoyment in poetry, and the wonder of words. Amongst the stories you'll find Melvin the midnight-snacking, sneaking teddy bear who can't wait to get his hands on the rest of the jam. Two collared doves, Ebb and Flo, who narrowly escape a run-in with the cat and fall in love. My socks (which won't stop dancing around). And Desmond, your friendly, but slightly present-obsessed Christmas fairy. This book is suitable for 4 to 50 year-olds.
Google does not allow authors to control the length of the free preview on the Google Play Store. You can find a longer preview by searching Google for "google books once i laughed my socks off".
Tagore's literary reputation is disproportionately influenced very much by regard for his poetry; however, he also wrote novels, essays, short stories, travelogues, dramas, and thousands of songs. The poems of Rabindranath Tagore are among the most haunting and tender in Indian and in world literature, expressing a profound and passionate human yearning. His ceaselessly inventive works deal with such subjects as the interplay between God and the world, the eternal and transient, and with the paradox of an endlessly changing universe that is in tune with unchanging harmonies. Poems such as 'Earth' and 'In the Eyes of a Peacock' present a picture of natural processes unaffected by human concerns, while others, as in 'Recovery 14', convey the poet's bewilderment about his place in the world.
Tagore introduced new prose and verse forms and the use of colloquial language into Bengali literature, thereby freeing it from traditional models based on classical Sanskrit. He was highly influential in introducing the best of Indian culture to the West and vice versa, and he is generally regarded as the outstanding creative artist of modern South Asia.
(The Complete Works of Rabindranath Tagore by Rabindranath Tagore, 9788180320798)
Gene Reeves's new translation appeals to readers with little or no familiarity with technical Buddhist vocabulary, as well as long-time practitioners and students. In addition, this remarkable volume includes the full "threefold" text of this classic.