upon Roast Pig
This book include
Charles Lamb’s biography and his works.
A Dissertation Upon Roast Pig
is a collection of food-related essays from the early 19th century, with a
humorous bent. They're but a few pages each - a light read to bring a smile to
your face, then on to the next little foodie treat.
Charles Lamb's writing is
playful and amusing. He'll have you chuckling away at his creation myth for the
titular roast pig, then set your mouth watering with an enticing description of
its succulence. It's not quite all-out food porn, but I would quite like some
crackling, even though I'm full right now. Food might be the broad umbrella
under which all his essays find themselves, but there's nothing samey about any
of the offerings, whether it be the hungry chimney sweeps, metaphors of London
fogs as food, or a pun-heavy conceit of the days of the year all coming to a
The only possible criticism
is one that often applies to collections of essays or short stories: that it's
all very well done and a pleasant read, but it's never quite substantial enough
to really get your teeth into. Each piece does everything they set out to do -
they're clever, engaging and evocative - but they're not so roaringly funny
that you'll grab the nearest person and insist they read it, or delve into deep
deep food fantasies. There's a sense of Very good. Next? Wonderful as a light
snack, but lacking slightly as a main meal.
Beyond the format (and that's
not something that you'd want to change anyway), there's nothing to knock in 'A
Dissertation Upon Roast Pig. It speaks to a modern audience as much as it did
to its 19th century audience. Such is the quality of the writing that there's
little to date it; it's as sparkling as it ever was. Timeless humour is
particularly difficult to achieve, and this is greatly to Lamb's credit.
If you're looking for a high
quality yet relaxed read, with humour and food woven together, then A
Dissertation Upon Roast Pig is an excellent choice. You might not head back for
leftovers the next day, but that's by no means the end of the world. Warmly
In his introduction Adam Phillips discusses how Charles Lamb's tragic life and sainted reputation, caring for his mentally ill sister Mary, belied the quality of his work. This edition also includes a biographical index of Lamb's correspondents.
Charles Lamb (1775-1834) was an English essayist best known for his humorous Essays of Elia from which the essay 'A Dissertation Upon Roast Pig' is taken. Lamb enjoyed a rich social life and became part of a group of young writers that included William Hazlitt, Percy Bysshe Shelley, Lord Byron and Samuel Taylor Coleridge with whom he shared a lifelong friendship. Lamb never achieved the same literary success as his friends but his influence on the English essay form cannot be underestimated and his book, Specimens of the English Dramatic Poets is remembered for popularising the work of Shakespeare's contemporaries.
This is a detailed exploration of the 'scene of seduction' - the challenge, the secret, the abject and the catastrophic, processes which dominate Barker's work. For Lamb, the power of Barker's plays is to be found in the exposure to the irrational and its promotion of a state of unknowing.
This revised edition includes:
* a new interview with Barker;
* a revised introduction,
* an updated bibliography
* a full production chronology.
For students of Barker and for actors and directors working with this unique material, Lamb's book is a vital and illuminating text.
Taking a cultural-rhetorical approach to contests, each chapter demonstrates the cultural work the contests accomplish. The essays in Part I examine contests and riddles in classical Greek and Roman periods, educational contests in eighteenth-century Scotland, and the Lyceum movement in the Antebellum American South. The next set of essays discusses how contests leverage competition and reward in educational settings: medieval universities, American turn-of-the-century women’s colleges, twenty-first century scholarship-essay contests, and writing contests for speakers of other languages at the University of Portsmouth. The last set of essays examines popular contests, including poetry contests in Youth Spoken Word, popular American contests designed by marketers, and twenty-first century podcasting competitions. This collection, then, takes up contests as a cultural marker of our values, assumptions, and relationships to writing, contests, and competition.