By the actress, writer, and one of the funniest women on Twitter, an outrageous, hysterical memoir of acting on impulse, plotting elaborate hoaxes, and refusing to acknowledge boundaries in any form
Jenny Mollen is an actress and writer living in Los Angeles. She is also a wife, married to a famous guy (which is annoying only because he gets free shit and she doesn't). She doesn't want much from life. Just to be loved—by everybody: her parents, her dogs, her ex-boyfriends, her ex-boyfriends' dogs, her husband, her husband's ex-girlfriends, her husband's ex-girlfriend's new boyfriends, etc. Some people might call that impulse crazy, but isn't "crazy" really just a word boring people use to describe fun people? (And Jenny is really, really fun, you guys!)
In these pages, you'll find stories of Jenny at her most genuine, whether it's stalking her therapist (because he knows everything about her so shouldn't she get to know everything about him?); throwing a bachelorette party so bad that one of the guests is suspected dead; or answering the eternal question, Would your best friend blow your husband on a car ride to dinner if she didn't know you were hiding in the backseat?
I Like You Just the Way I Am is about not doing the right thing—about indulging your inner crazy-person. It is Jenny when she's not trying to impress anyone or come across as a responsible, level-headed member of society. With any luck it will make you better acquainted with who you really are and what you really want. Which, let's be honest, is most likely someone else's email password.
In 1986, Jon Cryer won over America as Molly Ringwald’s loyal and lovable best friend, Duckie, in the cult classic Pretty in Pink in a role that set the tone for his three-decade-long career in Hollywood. He went on to establish himself as one of the most talented comedic actors in the business, ultimately culminating in his current turn as Alan Harper on the massively popular sitcom Two and a Half Men.
With the instincts of a natural storyteller, Cryer charts his extraordinary journey in show business, illuminating his many triumphs and some missteps along the way. Filled with exclusive behind-the-scenes anecdotes, Cryer offers his own endearing perspective on Hollywood, the business at large, and the art of acting.
Cryer has worked with some of the biggest and most provocative names in the business, and here, for the first time, he details his experiences with Charlie Sheen, John Hughes, Robert Altman, Molly Ringwald, Demi Moore, Judd Nelson, and Christopher Reeve, among many others. He shares the intimate details of his friendships and relationships, pays tribute to his mentors, and explores the peculiar combination of heart, talent, and wisdom it takes to survive not just the bad times in a notoriously fickle industry but even the good times.
In this revealing, humorous, and introspective memoir, Cryer offers readers a front-row seat as he reminisces about his life and experiences in showbiz over the past thirty years.
From the Hardcover edition.
In this bestselling book, Wil shares his deeply personal and difficult journey to find himself. You'll understand the rigors, and joys, of Wil's rediscovering of himself, as he comes to terms with what it means to be famous, or, ironically, famous for once having been famous. Writing with honesty and disarming humanity, Wil touches on the frustrations associated with his acting career, his inability to distance himself from Ensign Crusher in the public's eyes, the launch of his incredibly successful web site, wilwheaton.net, and the joy he's found in writing. Through all of this, Wil shares the ups and downs he encountered along the journey, along with the support and love he discovered from his friends and family.
The stories in Just a Geek include:
Wil's plunge from teen star to struggling actorDiscovering the joys of HTML, blogging, Linux, and web designThe struggle between Wesley Crusher, Starfleet ensign, and Wil Wheaton, author and bloggerGut-wrenching reactions to the 9-11 disasterMoving tales of Wil's relationships with his wife, step-children, and extended familyThe transition from a B-list actor to an A-list author
Wil Wheaton--celebrity, blogger, and geek--writes for the geek in all of us. Engaging, witty, and pleasantly self-deprecating, Just a Geek will surprise you and make you laugh.
Only Ayoade can appreciate Ayoade's unique methodology. Only Ayoade can recognise Ayoade's talent. Only Ayoade can withstand Ayoade's peculiar scent. Only Ayoade can truly get inside Ayoade.
They have called their book Ayoade on Ayoade: A Cinematic Odyssey. Take the journey, and your life will never be the same again.
Ayoade on Ayoade captures the director in his own words: pompous, vain, angry and very, very funny.
The first book from the instructor who has taught Charlize Theron, Brad Pitt, Elisabeth Shue, Djimon Hounsou, and Halle Berry, The Power of the Actor guides you to dynamic and effective results. For many of today’s major talents, the Chubbuck Technique is the leading edge of acting for the twenty-first century. Ivana Chubbuck has developed a curriculum that takes the theories of the acting masters, such as Stanislavski, Meisner, and Hagen, to the next step by utilizing inner pain and emotions, not as an end in itself, but rather as a way to drive and win a goal.
In addition to the powerful twelve-step process, the book takes well-known scripts, both classic and contemporary, and demonstrates how to precisely apply Chubbuck’s script-analysis process. The Power of the Actor is filled with fascinating and inspiring behind-the-scenes accounts of how noted actors have mastered their craft and have accomplished success in such a difficult and competitive field.
–Larry Moss, from the Introduction
When Oscar-winning actors Helen Hunt and Hilary Swank accepted their Academy Awards, each credited Larry Moss’s guidance as key to their career-making performances. There is a two-year waiting list for his advanced acting classes. But now everyone–professionals and amateurs alike–can discover Moss’s passionate, in-depth teaching.
Inviting you to join him in the classroom and onstage, Moss shares the techniques he has developed over thirty years to help actors set their emotions, imagination, and behavior on fire, showing how the hard work of preparation pays off in performances that are spontaneous, fresh, and authentic.
From the foundations of script analysis to the nuances of physicalization and sensory work, here are the case studies, exercises, and insights that enable you to connect personally with a script, develop your character from the inside out, overcome fear and inhibition, and master the technical skills required for success in the theater, television, and movies.
Far more than a handbook, The Intent to Live is the personal credo of a master teacher. Moss’s respect for actors and love of the actor’s craft enliven every page, together with examples from a wealth of plays and films, both current and classic, and vivid appreciations of great performances. Whether you act for a living or simply want a deeper understanding of acting greatness, The Intent to Live will move, instruct, and inspire you.
From the Hardcover edition.
voice training and acting
• Simple, easy-to-follow exercises to strengthen the voice in just 10 minutes
• Revised and expanded edition includes
• Replaces ISBN 0-8230-8333-0
Chuck Jones, the leading expert on using the voice to convey character, explains his groundbreaking techniques clearly and concisely in this revised edition of a classic. First, Jones examines acting basics related to the voice: being heard, character choices, and power. Then he introduces daily exercises that release, stretch, and strengthen the voice, in order to increase the actor’s expressive range. For any actor who wants to grow and develop, Make Your Voice Heard offers powerful, practical tools for connecting the voice to emotions—and using the vocal instrument to create new levels of meaning.
From the Trade Paperback edition.
Esper worked closely with Meisner for seventeen years and has spent decades developing his famous program for actor's training. The result is a rigorous system of exercises that builds a solid foundation of acting skills from the ground up, and that is flexible enough to be applied to any challenge an actor faces, from soap operas to Shakespeare. Co-writer Damon DiMarco, a former student of Esper's, spent over a year observing his mentor teaching first-year acting students. In this book he recreates that experience for us, allowing us to see how the progression of exercises works in practice. The Actor's Art and Craft vividly demonstrates that good training does not constrain actors' instincts—it frees them to create characters with truthful and compelling inner lives.
From the Trade Paperback edition.
Renowned for more than two decades as the most comprehensive resource for actors, How to Be a Working Actor is a must-read for achieving success in The Business. Now this "Bible of the Biz" has been completely revised and greatly expanded to address new markets, ever-changing opportunities, and the many new ways today's actors find work. Talent manager, teacher, and career coach Mari Lyn Henry and actress, author, and spokeswoman Lynne Rogers combine their extensive skills and years of experience to cover all the essentials of how to market yourself, land roles, and manage a successful career. They also include expert advice from scores of other industry experts - well-known actors, agents, managers, casting directors, and teachers.
How to Be a Working Actor is loaded with advice on how to:
- put together a professional wardrobe
- get a head shot that brings out the real you
- create a resume that really works
- find the training to develop your talents
- communicate effectively with agents and managers
- use the internet to promote your business and explore new opportunities
- get the most value out of union membership
- excel at auditions and screen tests
- discover how to get work in regional markets
- cope with success
How to Be a Working Actor takes a no-nonsense approach to the whole business of being a working actor, with detailed information on how to live on a budget in New York and Los Angeles, what the acting jobs are and what they pay, even how to find a survival strategy that will augment your career. And an extensive section on script analysis shows you how to investigate the depth of a character to create a memorable audition for roles in theatre, film, and television.
From the Trade Paperback edition.
Illustrated with passages used in Cicely Berry's own teaching, Voice and the Actor is the essential first step towards speaking a text with truth and meaning. Inspiring and practical, her words will be a revelation for beginner and professional alike.
New and updated in this edition:
All new scripts and voice exercises
More voice and acting techniques
Coverage of new trends, including online demos and online auditions
Additional coverage of audiobooks and new information on home studio technology
All new contributions from some of the top voice talent in the world
Chekhov's simple and practical method – successfully used by professional actors all over the world – trains the actor's imagination and body to fulfill its potential.
To the Actor includes a previously unpublished chapter on 'Psychological Gesture', translated into English by the celebrated director Andrei Malaev - Babel; a new biographical overview by Mala Powers; and a foreword by Simon Callow.
This book is a vital text for actors and directors including acting and theatre history students.
At the top of the stairs there are four secrets hidden. Blond, beautiful, innocent, and struggling to stay alive . . .
They were a perfect family, golden and carefree—until a heartbreaking tragedy shattered their happiness. Now, for the sake of an inheritance that will ensure their future, the children must be hidden away out of sight, as if they never existed. Kept on the top floor of their grandmotherds vast mansion, their loving mother assures them it will be just for a little while. But as brutal days swell into agonizing months and years, Cathy, Chris, and twins Cory and Carrie, realize their survival is at the mercy of their cruel and superstitious grandmother . . . and this cramped and helpless world may be the only one they ever know.
Book One of the Dollanganger series, the sequels include Petals in the Wind, If There Be Thorns, Seeds of Yesterday, and Garden of Shadows. Then experience the attic from Christopher’s point of view in Christopher’s Diary: Secrets of Foxworth and Christopher’s Diary: Echoes of Dollanganger.
Compiled and edited by Lola Cohen, the book is based on unpublished transcripts of Strasberg’s own classes on acting, directing and Shakespeare. It recreates his theoretical approach, as well as the practical exercises used by his students, and brilliantly conveys his approach and personality.
The book features Strasberg’s teachings on:
• Training and exercises
• Characters and scenes
• Directing and the Method
• Shakespeare and Stanislavski
• The theater, acting and actors.
Including a Preface by Anna Strasberg and a Foreword by Martin Sheen, this illuminating book brings the reader closer to Strasberg’s own methods than any other, making it a phenomenal resource for students, actors, and directors.
Every time we open our mouths, we have an effect on ourselves and the way others perceive us. The ability to speak clearly and confidently can make or break a presentation, an important meeting, or even a first date. Now, with the advent of Skype, YouTube, podcasting, Vine, and any number of reality talent competitions, your vocal presence has never been more necessary for success or more central to achieving your dreams.
Roger Love has over 30 years of experience as one of the world's leading authorities on voice. Making use of the innovative techniques that have worked wonders with his professional clients, Love distills the best of his teaching in SET YOUR VOICE FREE, and shares exercises that will help readers bring emotion, range, and power to the way they speak.
This updated edition incorporates what he's learned in the last 15 years as the Internet and talent competitions have completely changed the role your voice plays in your life. These are the new essentials for sounding authentic, persuasive, distinctive, and real in a world that demands nothing less.
With an introduction by Sydney Pollack, director of Out of Africa and Tootsie, who worked with Meisner for five years.
"This book should be read by anyone who wants to act or even appreciate what acting involves. Like Meisner's way of teaching, it is the straight goods."—Arthur Miller
"If there is a key to good acting, this one is it, above all others. Actors, young and not so young, will find inspiration and excitement in this book."—Gregory Peck
Premiering in the thick of the vampire craze, The Vampire Diaries has proven itself to be much more than yet another addition to the overpopulated, undead pop-culture racket. Its mix of romance, horror, drama, and humor has won it great ratings for The CW, international acclaim, and a growing and devoted fan base.
Love You to Death: The Unofficial Companion to The Vampire Diaries is the essential guide to the show, featuring:
- the story of L.J. Smith who first introduced Elena and the Salvatore brothers in her bestselling book series;
- background on Kevin Williamson (Dawson’s Creek, Scream) and Julie Plec (Kyle XY), the masterminds behind the adaptation from page to screen;
- biographies of the actors who bring Mystic Falls’ residents to life (. . . or afterlife);
- insightful explorations of each episode with information on the rich history, supernatural mythology, film references, character development, and much more; and
- exclusive interviews with TVDers, like the much-loved Malese Jow (Anna) and the fandom’s fearless leaders.
With photos of the irresistible cast and of the show’s filming locations, Love You to Death captures the fun, fangs, and fear that make The Vampire Diaries so epic.
Drawn from poetry, fiction, diaries, journals, and documents of public record, these selections, although not originally intended for theatrical or cinematic performances, offer unique dramatic opportunities for actors, speakers, students, or anyone interested in women’s studies.
Stefan Rudnicki has brought together selections from well-known as well as obscure authors, providing a tremendous range of women’s perspectives from a variety of sources: poems by Elizabeth Barrett Browning, Emily Dickinson, Christina Rossetti, and Sappho, among others; passages from Mary Shelley’s journal, the diaries of Anais Nin, and the memoirs of Isadora Duncan; polemics from Mary Wollstonecraft and Joan of Arc, as well as Susan B. Anthony’s “On Woman’s Right to Suffrage”; and selections from the novels of Emily and Charlotte Bronte, Jane Austen, Ursula K. LeGuin, and others.
• Designed for both play and musical auditions
• There are 300,000 actors and acting students in the US-and all of them want an edge at the audition
• Through his workshops and seminars, author Darren Cohen knows exactly what actors need to pass an audition and get that part
• Practical, down-to-earth ideas that work
From the Trade Paperback edition.
When Vanessa Williams was growing up, she had a plan: She’d go to college and major in musical theater; afterward she’d get her MFA from the Yale School of Drama, and then she would embark on a successful career on Broadway. And to make sure she stayed on that path, her mother, Helen Williams, gave her a list of things that she should never— ever—do. Near the top of that list was “never ever pose nude for anyone.” So when Vanessa became the first African-American woman to win the title of Miss America in September 1983 (an accomplishment that she never planned for or desired), only to be forced to resign ten months later due to a nude photo scandal, the lives of both Vanessa and Helen took an unexpected turn. But Vanessa survived this setback, and many others to come, to enjoy a thirty-plus-year career as an award-winning singer and actress. Vanessa has been asked to write her memoir many times, but only now—with the help of her mother—is she ready to tell her story.
Vanessa grew up in Millwood, New York, part of one of the town’s only black families. As a teenager, Vanessa defied Helen, flirting with boys, drinking, and smoking pot. But despite their early conflicts, Helen has always ardently protected her daughter, staying in contact with the FBI about the multiple death threats Vanessa received after being crowned and being there for her during the dissolution of her two marriages.
Now the mother of four children, Vanessa describes how she’s made it through the ups and downs of her life as well as her career. Jointly written by Vanessa and Helen and filled with dozens of personal family photos and mementos, You Have No Idea is an empowering celebration of the love between a mother and daughter and the life of a woman who beat the odds to achieve her destiny.
His full name was Spencer Bonaventure Tracy. He was called “The Gray Fox” by Frank Sinatra; other actors called him the “The Pope.”
Spencer Tracy’s image on-screen was that of a self-reliant man whose sense of rectitude toward others was matched by his sense of humor toward himself. Whether he was Father Flanagan of Boys Town, Clarence Darrow of Inherit the Wind, or the crippled war veteran in Bad Day at Black Rock, Tracy was forever seen as a pillar of strength.
In his several comedy roles opposite Katharine Hepburn (Woman of the Year and Adam’s Rib among them) or in Father of the Bride with Elizabeth Taylor, Tracy was the sort of regular American guy one could depend on.
Now James Curtis, acclaimed biographer of Preston Sturges (“Definitive” —Variety), James Whale, and W. C. Fields (“By far the fullest, fairest, and most touching account . . . we have yet had. Or are likely to have” —Richard Schickel, The New York Times Book Review, cover review), gives us the life of one of the most revered screen actors of his generation.
Curtis writes of Tracy’s distinguished career, his deep Catholicism, his devoted relationship to his wife, his drinking that got him into so much trouble, and his twenty-six-year-long bond with his partner on-screen and off, Katharine Hepburn. Drawing on Tracy’s personal papers and writing with the full cooperation of Tracy’s daughter, Curtis tells the rich story of the brilliant but haunted man at the heart of the legend.
We see him from his boyhood in Milwaukee; given over to Dominican nuns (“They drill that religion in you”); his years struggling in regional shows and stock (Tracy had a photographic memory and an instinct for inhabiting a character from within); acting opposite his future wife, Louise Treadwell; marrying and having two children, their son, John, born deaf.
We see Tracy’s success on Broadway, his turning out mostly forgettable programmers with the Fox Film Corporation, and going to Metro-Goldwyn-Mayer and getting the kinds of roles that had eluded him in the past—a streetwise priest opposite Clark Gable in San Francisco; a screwball comedy, Libeled Lady; Kipling’s classic of the sea, Captains Courageous. Three years after arriving at MGM, Tracy became America’s top male star.
We see how Tracy embarked on a series of affairs with his costars . . . making Northwest Passage and Dr. Jekyll and Mr. Hyde, which brought Ingrid Bergman into his life. By the time the unhappy shoot was over, Tracy, looking to do a comedy, made Woman of the Year. Its unlikely costar: Katharine Hepburn.
We see Hepburn making Tracy her life’s project—protecting and sustaining him in the difficult job of being a top-tier movie star.
And we see Tracy’s wife, Louise, devoting herself to studying how deaf children could be taught to communicate orally with the hearing and speaking world.
Curtis writes that Tracy was ready to retire when producer-director Stanley Kramer recruited him for Inherit the Wind—a collaboration that led to Judgment at Nuremberg, It’s a Mad Mad Mad Mad World, and Tracy’s final picture, Guess Who’s Coming to Dinner . . .
A rich, vibrant portrait—the most intimate and telling yet of this complex man considered by many to be the actor’s actor.
From the Hardcover edition.
Until now, readers and students have had to contend with inaccurate, misleading and difficult-to-read English-language versions. Some of the mistranslations have resulted in profound distortions in the way his system has been interpreted and taught. At last, Jean Benedetti has succeeded in translating Stanislavski’s huge manual into a lively, fascinating and accurate text in English. He has remained faithful to the author's original intentions, putting the two books previously known as An Actor Prepares and Building A Character back together into one volume, and in a colloquial and readable style for today's actors.
The result is a major contribution to the theatre, and a service to one of the great innovators of the twentieth century.
This book contains fundamental skills for novice actors, practical insights for professionals, and even tips to help veteran musical performers refine their craft.
Drawing on decades of experience in both acting and teaching, the authors provide crucial advice on all elements of the profession, including:fundamentals of acting applied to musical theatre script, score and character analysis personalizing your performance turning rehearsal into performance acting styles in the musical theatre practical steps to a career.
Acting in Musical Theatre’s chapters divide into easy-to-reference units, each containing related group and solo exercises, making it the definitive textbook for students and practitioners alike.
Acting warm-ups Vocal workouts Improv sketches Character work sheets Tips for making demos Sample V.O. scripts Interviews with show biz heavyweights Casting insights Advice on getting professional representation Secrets to finding opportunities in traditional and emerging venues And much more!
Voiceovers, Second Edition shows readers how to use that great voice to garner cash and compliments.
Are You a Handsome Man?Great...
You an Everyday Looking Person?Even Better!
Not only BEAUTIFUL PEOPLE, 5'11" plus get work modeling and acting! REAL PEOPLE get work too! Think about it. Monitor your TV for 12 hours. What characters do you see more of on TV commercials, movies, infomercials, web commercials, etc.! It's the "real" person! "Real" people target the "real/everyday" consumer. Modeling and acting is not only fun...it's KILLER money!"Stuart Scesney
Author, Talent Adviser
Former C.E.O. Talent
Factory & Stu’s Casting, Inc.
"Shark repellent for the serious actor...I recommend this book to any new talent."Brian Robinson
Morgan Creek Productions
Updates in this expanded and revised second edition include:
A brand new companion website for students and teachers, including Powerpoint lecture slides, sample syllabi, and checklists for projects and exercises.
Learning outcomes for each chapter to guide teachers and students through the book’s core ideas and lessons
New style overviews for pop and jukebox musicals
Extensive updated professional insights from field testing with students, young professionals, and industry showcases
Full-colour production images, bringing each chapter to life
Acting in Musical Theatre’s chapters divide into easy-to-reference units, each containing group and solo exercises, making it the definitive textbook for students and practitioners alike.
This second edition is extensively illustrated and accompanied by an all-new website, full of audio and text resources, including:extensive teacher guides including sample syllabi, scheduling options, and ways of adapting to varying academic environments and teaching circumstances downloadable forms to help reproduce the book’s exercises in the classroom and for students to engage with their own vocal development outside of lessons audio recordings of all exercises featured in the book examples of Voiceover Demos, including both scripts and audio recordings links to useful web resources, for further study.
Four mentors - the voice chef, the voice coach, the voice shrink and the voice doctor - are on hand throughout the book and the website to ensure a holistic approach to voice training. The authors also provide an authoritative survey of US and UK vocal training methods, helping readers to make informed choices about their study.
Paying, Part-Time Voice-Over is a guide for both beginners as well as those
with some background in performing who want to explore the exciting world of
voice-acting. There's a lot of confusion out there for those that want to try
this. Is it really as easy as some claim to get into this profession? Or, is it
really as difficult, as others say? This guide cuts to the chase and explains
what you can do right now in today's digital revolution to break into the world
of voice-acting. What does it really take? How can one get a competitive voice
demo? What's involved with home studios and what do they really cost? How does
one acquire talent agents or get into the union? All these questions and many
more are answered in this concise but comprehensive guide. Start living your dreams
Seventy percent of everyday conversation is conveyed through body
language, twenty percent is the voice and only ten percent is the
meaning of the words. In The Body Speaks, expert RADA trainer
Lorna Marshall, shows how to recognise and lose unwanted physical
inhibitions that our background, education or family have taught us and
presents a fundamental re-thinking of our relationship to the body and
its role in performance.
Good performers - be they trapeze artists, Shakespearean actors,
Butoh dancers or film stars - are able to fully reach their audience
and engage with them because they have learnt to use their bodies to
its best effect. Through a series of practical exercises, Lorna
Marshall encourages us to unleash our potential, discover new
possibility for the body and express ourselves more clearly. This new
edition has been fully revised to include the latest thinking on the
subject and more exercises particularly for performers in TV and film.
"This book is truly unlike anything else I know—these pieces are haikus on specific elements of performance and character building."—Philip Himberg, executive director, Sundance Theatre Institute
A collection of practical acting tips, tools, and exercises, An Actor's Companion is ideal for both the seasoned professionals and actors-in-training. The tips—all simple, direct, and useful—are easy to understand and even easier to apply, in both rehearsal and in performance.
Seth Barrish is an actor, teacher, and the co-artistic director of The Barrow Group in New York City. In his thirty-year career, he has directed the award-winning shows My Girlfriend's Boyfriend (Lucille Lortel Award for Best Solo Show, Drama Desk and Outer Critics Circle nominations for Best Solo Show), Sleepwalk With Me (Nightlife Award for Outstanding Comedian in a Major Performance), The Tricky Part (Obie Award, Drama Desk nominations for Best Play and Best Solo Show), Pentecost (Drama Desk nomination for Best Play), Old Wicked Songs (Los Angeles Drama Critics Circle Award and Garland Award for Best Direction), and Good (Straw Hat Award for Best Direction), among dozens of others.
Hooks uses basic acting theory to explain everything from character movement and facial expressions to interaction and scene construction. Just as acting on film and on stage are very different disciplines, so is the use of acting theory in creating an animated character, scene or story. Acting for Animators is full of essential craft tips from an acting master.
New to this Routledge edition:
- scene-by-scene analyses of six films, including Up, Coraline and Kung Fu Panda
- an expanded chapter on video game animation
- all-new illustrations
- a 500 word history of acting
Christina Gutekunst and John Gillett unite their depth of experience in voice training and acting to create an integrated and comprehensive approach informed by Stanislavski and his successors ? the acting approach widely taught to actors in drama schools throughout the world. The authors create a step-by-step guide to explore how voice can:
respond to our thoughts, senses, feelings, imagination and will
fully express language in content and form
communicate imaginary circumstances and human experience
transform to adapt to different roles
connect to a variety of audiences and spaces
Featuring over fifty illustrations by German artist Dany Heck, Voice into Acting is an essential manual for the actor seeking full vocal identity in characterization, and for the voice teacher open to new techniques, or an alternative approach, to harmonize with the actor's process.
Actor Training expands on Alison Hodge’s highly-acclaimed and best-selling Twentieth Century Actor Training. This exciting second edition radically updates the original book making it even more valuable for any student of the history and practice of actor training. The bibliography is brought right up to date and many chapters are revised. In addition, eight more practitioners are included - and forty more photographs - to create a stunningly comprehensive study.
The practitioners included are:
Stella Adler; Eugenio Barba; Augusto Boal; Anne Bogart; Bertolt Brecht; Peter Brook; Michael Chekhov; Joseph Chaikin; Jacques Copeau; Philippe Gaulier; Jerzy Grotowski; Maria Knebel; Jacques Lecoq; Joan Littlewood; Sanford Meisner; Vsevolod Meyerhold; Ariane Mnouchkine; Monika Pagneux; Michel Saint-Denis; Włodzimierz Staniewski; Konstantin Stanislavsky; Lee Strasberg
The historical, cultural and political context of each practitioner’s work is clearly set out by leading experts and accompanied by an incisive and enlightening analysis of the main principles of their training, practical exercises and key productions.
This book is an invaluable introduction to the principles and practice of actor training and its role in shaping modern theatre.
Part I transitions from essential ingredients used in creating a role, such as focusing and speaking, to guidelines for auditioning and rehearsing, including role analysis. The discussions of basic acting principles are supported by skills-building exercises.
Part II explores historical performance styles and shows how basic stylistic elements can be freshly adapted for modern audiences. Thus, in Part II, the authors center their discussions of voice, movement, character, and emotion around theatrical styles prevalent during certain historical periods and around sound acting theories gleaned from a wide range of acting traditions. Each chapter in this part ends with a helpful checklist that summarizes voice, movement, gesture, and other elements common to the era discussed.
Jenny is a 16-year-old girl stifled by the tedium of adolescence; she can’t wait for her sophisticated adult life to begin. One rainy day her suburban existence is upended by the arrival of David, a much older suitor who introduces her to a glittering new world of concerts, art, smoky bars, urban nightlife, and his glamorous friends, replacing her traditional education with his own version. It could be her awakening—or her undoing. This edition of Hornby’s adapted screenplay, which includes stills from the film, is a perfect accompaniment to the highly anticipated movie, which stars Carey Mulligan as Jenny, Peter Sarsgaard, Emma Thompson, Dominic Cooper, and Alfred Molina. It is a must-have for fans of Hornby’s novels, featuring his signature pitch-perfect dialogue, mordant wit, and the resonant humanity of his writing.
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The story of the fire, its causes, and its legal and human aftermath is one of lives put at risk by petty economic decisions--by a band, club owners, promoters, building inspectors, and product manufacturers. Any one of those decisions, made differently, might have averted the tragedy. Together, however, they reached a fatal critical mass.
Killer Show is the first comprehensive exploration of the chain of events leading up to the fire, the conflagration itself, and the painstaking search for evidence to hold the guilty to account and obtain justice for the victims.
Anyone who has entered an entertainment venue and wondered, "Could I get out of here in a hurry?" will identify with concertgoers at The Station. Fans of disaster nonfiction and forensic thrillers will find ample elements of both genres in Killer Show.
To the researcher, this book will deliver specific information on how these artists work; for the performer, it will serve as insight into exactly what these artists are looking for in the audition process and the rehearsal environment; and for the director/choreographer, this book will serve as an inspiration detailing each artist's pursuit of his or her dream and the path to success, offering new insight and a deeper understanding of Broadway today.
Creating Musical Theatre includes a foreword by four-time Tony nominee Kelli O'Hara, one of the most elegant and talented leading ladies gracing the Broadway and concert stage today, as well as interviews with award-winning directors and choreographers, including: Rob Ashford (How to Succeed in Business Without Really Trying); Andy Blankenbuehler (In the Heights); Jeff Calhoun (Newsies); Warren Carlyle (Follies); Christopher Gattelli (Newsies); Kathleen Marshall (Anything Goes); Jerry Mitchell (Legally Blonde); Casey Nicholaw (The Book of Mormon); Randy Skinner (White Christmas); Susan Stroman (The Scottsboro Boys); Sergio Trujillo (Jersey Boys); and Anthony Van Laast (Sister Act).
In a book that is at once Hollywood hilarious and personally moving, Teri Garr, star of such classic films as Young Frankenstein, Oh God!, Close Encounters of the Third Kind, Mr. Mom, and Tootsie, for which she received an Academy Award nomination, writes about her life with the same wit and warmth that have won the hearts of fans for over three decades.
From sipping Cokes with Elvis Presley to hangin’ with the Beatles; from her secrets to succeeding in Hollywood without losing her sanity, to dealing with the fear, anxiety, and denial of being plagued by mysterious physical problems that eluded diagnosis for over twenty years—the insights in Speedbumps, while always couched in Garr’s trademark humor, are honest, heartfelt, and often profound. BACKCOVER: “The driven comedian tells (almost) all…[and] she’s as dizzily funny as ever.”
“Garr sticks to the truth whether it’s hysterically funny, or, at times, heart wrenching. Read this book, it’s a lesson in courage.”
An essential guide to mastering the Stanislavski technique, filtering out the complexities of the system and offering a dynamic, hands-on approach. In-Depth Acting provides a comprehensive understanding of character, preparation, text, subtext and objectives.
• How to prepare for drama school and professional auditions
• How to develop a 3-dimensional, truthful character
• Preparation exercises to help you get in character
• Rehearsal guidelines
• An appendix of Transitive/Active Verbs and more
‘A wonderful, succinct book that no student or professional actor should be without.’ - Jenny Lipman, Acting Tutor at LAMDA
‘Dee Cannon’s classes at RADA were legendary. This is an inspiring and intensely practical guide for anyone, at any stage of their acting life.’ - Eve Best
‘As a former student of Dee’s, I can assure you that this is the definitive version of the method I use to approach every role: iPods, animals and OBJECTIVES! How wonderful to finally have it all in book form!’ - Gemma Arterton
'Working with Dee and with this book I feel my process and preparation has been energized, activated and inspired' - Ramin Karimloo
This edition has been freshly revised to include 10 new speeches from well known recent productions as well as children's books including Harry Potter.
'A superb compilation' Amateur Stage
What is good acting? How does one create believable characters? How can an actor understand a character if they do not understand themselves?
In The Science of Acting, Sam Kogan uses his theories on the relationship between neuroscience, psychology and acting to answer these questions. Practical exercises provide a step-by-step guide to developing an actor's ability, culminating in Ten Steps to Creating a Character.
He presents the reader with a groundbreaking understanding of the subconscious and how it can be applied to their acting. The author’s highly original perspective on Stanislavski's teaching gives readers a unique insight into their character’s minds.
Sam Kogan studied at the Moscow Institute of Theatre Arts (now the Russian Academy of Theatre Arts) under the tutelage of Professor Maria Knebel. He established The Science of Acting, a complete stand-alone technique.
Helen Kogan is the chair and former principal of The Academy of Science of Acting and Directing, has helped to shape her father's words and work for the publication of this book.
The list of adjectives used to describe Hepburn - bold, stubborn, witty, beautiful - only begin to hint at the complex woman who entranced audiences around the world (she could also be controlling, selfish, and self-righteous). So here is the full, epic story of "the patron saint of the independent American female," as one critic described her - from her breakthrough in Hollywood in the early 1930s to On Golden Pond in the 1980s to her dramatic affairs with Howard Hughes and Spencer Tracy and beyond. With her distinctive, patrician voice and tsunami-force personality, Hepburn always lived life strictly on her own terms. And oh, what a life it was.