From internationally acclaimed author Anne Enright comes a shattering novel set in a small town on Ireland's Atlantic coast. The Green Road is a tale of family and fracture, compassion and selfishness—a book about the gaps in the human heart and how we strive to fill them.
Spanning thirty years, The Green Road tells the story of Rosaleen, matriarch of the Madigans, a family on the cusp of either coming together or falling irreparably apart. As they grow up, Rosaleen's four children leave the west of Ireland for lives they could have never imagined in Dublin, New York, and Mali, West Africa. In her early old age their difficult, wonderful mother announces that she’s decided to sell the house and divide the proceeds. Her adult children come back for a last Christmas, with the feeling that their childhoods are being erased, their personal history bought and sold.
A profoundly moving work about a family's desperate attempt to recover the relationships they've lost and forge the ones they never had, The Green Road is Enright's most mature, accomplished, and unforgettable novel to date.
Julian Treslove, a professionally unspectacular and disappointed BBC worker, and Sam Finkler, a popular Jewish philosopher, writer and television personality, are old school friends. Despite a prickly relationship and very different lives, they've never quite lost touch with each other - or with their former teacher, Libor Sevick, a Czechoslovakian always more concerned with the wider world than with exam results.
Now, both Libor and Finkler are recently widowed, and with Treslove, his chequered and unsuccessful record with women rendering him an honorary third widower, they dine at Libor's grand, central London apartment.
It's a sweetly painful evening of reminiscence in which all three remove themselves to a time before they had loved and lost; a time before they had fathered children, before the devastation of separations, before they had prized anything greatly enough to fear the loss of it. Better, perhaps, to go through life without knowing happiness at all because that way you had less to mourn? Treslove finds he has tears enough for the unbearable sadness of both his friends' losses.
And it's that very evening, at exactly 11:30pm, as Treslove hesitates a moment outside the window of the oldest violin dealer in the country as he walks home, that he is attacked. After this, his whole sense of who and what he is will slowly and ineluctably change.
The Finkler Question is a scorching story of exclusion and belonging, justice and love, ageing, wisdom and humanity. Funny, furious, unflinching, this extraordinary novel shows one of our finest writers at his brilliant best.
The white tiger of this novel is Balram Halwai, a poor Indian villager whose great ambition leads him to the zenith of Indian business culture, the world of the Bangalore entrepreneur. On the occasion of the president of China’s impending trip to Bangalore, Balram writes a letter to him describing his transformation and his experience as driver and servant to a wealthy Indian family, which he thinks exemplifies the contradictions and complications of Indian society.
Recalling The Death of Vishnu and Bangkok 8 in ambition, scope, The White Tiger is narrative genius with a mischief and personality all its own. Amoral, irreverent, deeply endearing, and utterly contemporary, this novel is an international publishing sensation—and a startling, provocative debut.
By an acclaimed writer at the height of his powers, The Sense of an Ending extends a streak of extraordinary books that began with the best-selling Arthur & George and continued with Nothing to Be Frightened Of and, most recently, Pulse.
This intense new novel follows a middle-aged man as he contends with a past he has never much thought about—until his closest childhood friends return with a vengeance, one of them from the grave, another maddeningly present. Tony Webster thought he’d left all this behind as he built a life for himself, and by now his marriage and family and career have fallen into an amicable divorce and retirement. But he is then presented with a mysterious legacy that obliges him to reconsider a variety of things he thought he’d understood all along, and to revise his estimation of his own nature and place in the world.
A novel so compelling that it begs to be read in a single sitting, with stunning psychological and emotional depth and sophistication, The Sense of an Ending is a brilliant new chapter in Julian Barnes’s oeuvre.
From the Trade Paperback edition.
A recipient of the 2015 American Book Award
One of the Top 10 Books of 2014 – Michiko Kakutani, The New York Times
A New York Times Book Review Notable Book
Named a best book of the year by:
The New York Times
The Washington Post
The Boston Globe
The Huffington Post
The Seattle Times
The Houston Chronicle
Kansas City Star
From the acclaimed author of The Book of Night Women comes a “musical, electric, fantastically profane” (The New York Times) epic that explores the tumultuous world of Jamaica over the past three decades.
In A Brief History of Seven Killings, Marlon James combines brilliant storytelling with his unrivaled skills of characterization and meticulous eye for detail to forge an enthralling novel of dazzling ambition and scope.
On December 3, 1976, just before the Jamaican general election and two days before Bob Marley was to play the Smile Jamaica Concert to ease political tensions in Kingston, seven gunmen stormed the singer’s house, machine guns blazing. The attack wounded Marley, his wife, and his manager, and injured several others. Little was officially released about the gunmen, but much has been whispered, gossiped and sung about in the streets of West Kingston. Rumors abound regarding the assassins’ fates, and there are suspicions that the attack was politically motivated.
A Brief History of Seven Killings delves deep into that dangerous and unstable time in Jamaica’s history and beyond. James deftly chronicles the lives of a host of unforgettable characters – gunmen, drug dealers, one-night stands, CIA agents, even ghosts – over the course of thirty years as they roam the streets of 1970s Kingston, dominate the crack houses of 1980s New York, and ultimately reemerge into the radically altered Jamaica of the 1990s. Along the way, they learn that evil does indeed cast long shadows, that justice and retribution are inextricably linked, and that no one can truly escape his fate.
Gripping and inventive, shocking and irresistible, A Brief History of Seven Killings is a mesmerizing modern classic of power, mystery, and insight.
From the Hardcover edition.
New York Times Notable Book of the Year
New York Times Bestseller and LA Times Bestseller List.
"A magnificent comedy of manners. Hollinghurst's alertness to the tiniest social and tonal shifts never slackens, and positively luxuriates in a number of unimprovably droll set pieces...[an] outstanding novel."-New York Times Book Review
"Hollinghurst has placed his gay protagonist within a larger social context, and the result is his most tender and powerful novel to date, a sprawling and haunting elegy to the 1980s."-Entertainment Weekly
It doesn't help that the new bad boy in town, Rafe, has a dangerous secret, and he's interested in one special part of Maya's anatomy—her paw-print birthmark.
Winner of the 2012 Costa Book of the Year Award
The sequel to Hilary Mantel's 2009 Man Booker Prize winner and New York Times bestseller, Wolf Hall delves into the heart of Tudor history with the downfall of Anne Boleyn
Though he battled for seven years to marry her, Henry is disenchanted with Anne Boleyn. She has failed to give him a son and her sharp intelligence and audacious will alienate his old friends and the noble families of England. When the discarded Katherine dies in exile from the court, Anne stands starkly exposed, the focus of gossip and malice.
At a word from Henry, Thomas Cromwell is ready to bring her down. Over three terrifying weeks, Anne is ensnared in a web of conspiracy, while the demure Jane Seymour stands waiting her turn for the poisoned wedding ring. But Anne and her powerful family will not yield without a ferocious struggle. Hilary Mantel's Bring Up the Bodies follows the dramatic trial of the queen and her suitors for adultery and treason. To defeat the Boleyns, Cromwell must ally with his natural enemies, the papist aristocracy. What price will he pay for Anne's head?
Bring Up the Bodies is one of The New York Times' 10 Best Books of 2012, one of Publishers Weekly's Top 10 Best Books of 2012 and one of The Washington Post's 10 Best Books of 2012
It is 1866, and Walter Moody has come to stake his claim in New Zealand's booming gold rush. On the stormy night of his arrival, he stumbles across a tense gathering of 12 local men who have met in secret to discuss a series of unexplained events: a wealthy man has vanished, a prostitute has tried to end her life, and an enormous cache of gold has been discovered in the home of a luckless drunk. Moody is soon drawn into a network of fates and fortunes that is as complex and exquisitely ornate as the night sky.
Richly evoking a mid-nineteenth-century world of shipping, banking, and gold rush boom and bust, THE LUMINARIES is at once a fiendishly clever ghost story, a gripping page-turner, and a thrilling novelistic achievement. It richly confirms that Eleanor Catton is one of the brightest stars in the international literary firmament.
NEW YORK TIMES BESTSELLER • MAN BOOKER PRIZE WINNER
Compared favorably to the works of Faulkner and Dickens, Arundhati Roy’s modern classic is equal parts powerful family saga, forbidden love story, and piercing political drama. The seven-year-old twins Estha and Rahel see their world shaken irrevocably by the arrival of their beautiful young cousin, Sophie. It is an event that will lead to an illicit liaison and tragedies accidental and intentional, exposing “big things [that] lurk unsaid” in a country drifting dangerously toward unrest. Lush, lyrical, and unnerving, The God of Small Things is an award-winning landmark that started for its author an esteemed career of fiction and political commentary that continues unabated.
Praise for The God of Small Things
“Dazzling . . . as subtle as it is powerful.”—Michiko Kakutani, The New York Times
“[The God of Small Things] offers such magic, mystery, and sadness that, literally, this reader turned the last page and decided to reread it. Immediately. It’s that haunting.”—USA Today
“The quality of Ms. Roy’s narration is so extraordinary—at once so morally strenuous and so imaginatively supple—that the reader remains enthralled all the way through.”—The New York Times Book Review
“A novel of real ambition must invent its own language, and this one does.”—John Updike, The New Yorker
“Outstanding. A glowing first novel.”—Newsweek
“Splendid and stunning.”—The Washington Post Book World
Yesterday’s Weather shows us a rapidly changing Ireland, a land of family and tradition, but also, increasingly, of organic radicchio, cruise-ship vacations, and casual betrayals. An artisan farmer seethes at the patronage of a former Catholic-school classmate, now a successful restaurateur; a bride cuckolds her rich husband with an old college friend—a madman who refuses his pills, disappears for weeks on end, and plays the piano like a dream. Still more startling than loss or deception are the ways in which people respond: a wife raging at her husband’s infidelity must weigh the real stakes after his affair takes a tragic turn; confronted with a similar situation, a woman decides to cheat with, rather than against, her man. Sharp, tender, never predictable, their sum is a vibrant tapestry of people struggling to find contentment with one another—and with themselves.
Es ist nicht Liebe auf den ersten Blick, als Gina den Familienvater Seán Vallely bei einem Gartenfest kennenlernt. Doch dann treffen sie sich zufällig wieder, trinken zu viel, landen im Bett – und verfallen einander. So beginnt eine verhängnisvolle Affäre, die jahrelang vor den Ehepartnern geheim gehalten wird. Anfangs eine Beziehung voller Leidenschaft und Glück, hält langsam das Schweigen Einzug, Gewissensbisse, Vorwürfe, Schuld – ist es Liebe? Und darf man für diese Liebe das Seelenheil seines Kindes opfern?
Anne Enright ist für die schonungslose Unerbittlichkeit bekannt, mit der sie Beziehungslügen seziert – da reicht eine Geste, ein Blick, und schon ist klar: Die Liebenden steuern in den Abgrund der Alltagsnormalität. Mit Anatomie einer Affäre ist der Irin ein würdiger Nachfolger ihres preisgekrönten Romans Das Familientreffen gelungen: schockierend offen, scharfsinnig und von einer psychologischen Präzision, die kein Entrinnen zulässt.
„Es ist das große Rätsel der Menschheit: Was Männer wollen. Und was sie anzurichten bereit sind, um es zu kriegen.“ „Alles, was du wünschst“ versammelt neunzehn Geschichten der Booker-Preisträgerin Anne Enright, Geschichten über das Chaos der Liebe und über den manchmal doch nicht ganz so kleinen Unterschied, Geschichten voller Lebenskraft, die ihren dunklen Kern meisterhaft hinter einer strahlenden Hülle zu verbergen wissen.
Kitty arbeitet in der Bettenabteilung eines Kaufhauses. Gerade wurden Rolltreppen installiert, eine große Neuerung, an die sie sich nicht so recht gewöhnen mag, aber es ist sowieso nichts mehr los bei den Betten. Die Kunden scheinen dringend Schlaf zu brauchen – von Verliebtheit keine Spur. Doch mit dem Auftauchen der Rolltreppen nimmt plötzlich auch Kittys Leben Fahrt auf: Sie, bereits über vierzig, ist noch einmal schwanger geworden! Da bleiben eines Tages die Rolltreppen stehen ...
Die Irin Anne Enright spricht auf unerschrockene Art und Weise aus, wie es im Leben vieler Frauen aussieht. Frauen, die von den Geistern des Lebens verfolgt werden, das sie hätten führen können, die Möglichkeiten erahnen und doch zu sehr in ihrem Alltag gefangen sind, um sie zu ergreifen. Ein faszinierendes und zugleich verstörendes Leseerlebnis, so präzise und bildstark wie Enrights preisgekrönter Roman „Das Familientreffen“.
Ο χορταριασμένος δρόμος είναι το πιο ώριμο και ολοκληρωμένο μυθιστόρημα της Ανν Ένραϊτ, μιας επιβλητικής συγγραφέως που ενσωματώνει στο έργο της όλο τον δυναμισμό και την απαστράπτουσα ένταση της ιρλανδικής παράδοσης.
«Η Ένραϊτ διαθέτει μιαν ασυνήθιστη μείξη προτερημάτων. Είναι μια πλούσια, λυρική συγγραφέας [...] αφοριστική, μ’ έναν τρόπο αναζωογονητικό και σατυρικό, και αποκρύπτει συχνά περισσότερα από όσα αποκαλύπτει... Το έργο της διαθέτει εκείνη τη γνώριμη ιρλανδική προφορικότητα –εκφραστική, ζωηρή, μύχια–, η οποία συνδυάζεται με μια πικρή συστολή που παραπέμπει στη δραματουργία του Χάρολντ Πίντερ... Ο χορταριασμένος δρόμος είναι ένα μυθιστόρημα γεμάτο αλήθεια και μεταμέλεια, με μια φοβερή ωριμότητα ως προς τη σαφήνειά του, απολύτως συντονισμένη με τα βάσανα της οικογένειας Μάντιγκαν που πρωταγωνιστεί... Πρόκειται για ανθρώπους που τους συνδέουν μόνο οι αναμνήσεις, και η γραφή απλώνεται πανέμορφα για να ενσωματώσει ακριβώς και να τιμήσει αυτές τις αναμνήσεις».
JAMES WOOD, The New Yorker
«[Η Ένραϊτ] μας αποκαλύπτει τις ανείπωτες σκέψεις κάθε χαρακτήρα, σε βαθμό που καταλήγουμε να τους γνωρίζουμε καλύτερα και από τα αδέλφια μας. Η διαδικασία αυτή χαρακτηρίζεται από θέρμη και γενναιοδωρία... [Η Ένραϊτ] έχει τη δική της, ξεχωριστή φωνή. Είναι πνευματώδης, οξυδερκής, βαθυστόχαστη, διορατική και ενίοτε πολύ διασκεδαστική».
SUE GAISFORD, Financial Times
«Είναι ένα ιρλανδικό μυθιστόρημα που δεν φοβάται τίποτα».
BELINDA MCKEON, Irish Times
«Εξαιρετικά ευανάγνωστο... Το μυθιστόρημα αυτό επικυρώνει ότι η Ανν Ένραϊτ είναι μία από τις σπουδαιότερες συγγραφείς μας (τους;)».
JOHN SUTHERLAND, The Times
Da kommt die Einladung zu einem letzten Weihnachtsfest in Ardeevin. Rosaleen möchte das Haus, in dem die Kinder groß geworden sind, das voller Erinnerungen an glückliche Momente und Verletzungen steckt, verkaufen. Die Geschwister reisen mit diffuser Hoffnung auf Versöhnung an – und doch endet es, wie noch jedes Weihnachten geendet hat.
Booker-Preisträgerin Anne Enright wagt sich auf den dunklen Grund unserer Gefühle, studiert menschliches Verhalten dort, wo es am störanfälligsten ist, wo Liebe und Hass nahe beieinander liegen und es kein oder zumindest kein einfaches Entrinnen gibt: in der Familie.
Der Hegarty-Clan versammelt sich in Dublin, um Liam, das schwarze Schaf der Familie, zu Grabe zu tragen – doch schnell gerät der Anlass zur Nebensache. Nur Veronica wagt es, nach den Umständen zu fragen, die ihren Bruder in den Tod getrieben haben mögen. Ein beeindruckend intensiver Roman über die Frage nach Schuld und Verantwortung, nach der Liebe und ihren Folgen.
Als Kinder haben sie sich stets alle Geheimnisse anvertraut, und auch als Erwachsene sind Veronica und ihr Bruder Liam noch immer aufs Engste miteinander verbunden. Doch dann stürzt Liam sich mit Steinen in den Hosentaschen ins Meer, und Veronica bleibt allein zurück mit der Frage nach dem Warum. Während sie im Dubliner Elternhaus die Beerdigung vorbereitet, überwältigen sie die Erinnerungen an ihre Kindheit, an ihre Großmutter, die aus Vernunftgründen auf die Liebe ihres Lebens verzichtete, an ihre Mutter, die sich nach den vielen Geburten und Fehlgeburten nicht einmal die Namen all ihrer Kinder merken konnte. Und an jenen Tag, an dem ihrem Bruder Liam, gerade neun Jahre alt, etwas angetan wurde, vor dem sie ihn hätte beschützen müssen.
Ein bewegender Roman, dessen sprachliche Finesse und eindrucksvolle Bildlichkeit einen bisher ungekannten Blick auf das verletzliche Wesen der menschlichen Seele zu werfen vermag.
"Much of the book is astonishingly funny; the rest would break your heart." —Colm Tóibín Anne Enright is one of the most acclaimed novelists of her generation. The Gathering won the 2007 Man Booker Prize, and her follow-up novel, The Forgotten Waltz, garnered universal praise for her luminous language and deep insight into relationships.
Now, in Making Babies, Enright offers a new kind of memoir: an unapologetic look at the very personal experience of becoming a mother. With a refreshing no-nonsense attitude, Enright opens up about the birth and first two years of her children’s lives. Enright was married for eighteen years before she and her husband Martin, a playwright, decided to have children. Already a confident, successful writer, Enright continued to work in her native Ireland after each of her two babies was born. While each baby slept, those first two years of life, Enright wrote, in dispatches, about the mess, the glory, and the raw shock of motherhood.
Here, unfiltered and irreverent, are Enright’s keen reactions to the pains of pregnancy, the joys of breast milk, and the all-too-common pressures to be the “perfect” parent. Supremely observant and endlessly quizzical, Enright is never saccharine, always witty, but also deeply loving.
Already a bestseller in the UK, Making Babies brings Enright’s autobiographical writing to American readers for the first time. Tender and candid, it captures beautifully just what it’s like for a working woman to become a mother. The result is a moving chronicle of parenthood from one of the most distinctive and gifted authors writing today.
"This stunning novel by a Booker Prize winner . . . Offers up its brilliance by way of astonishingly effective storytelling."—Booklist, starred review "A new, unapologetic kind of adultery novel. Narrated by the proverbial other woman—Gina Moynihan, a sharp, sexy, darkly funny thirtysomething IT worker—The Forgotten Waltz charts an extramarital affair from first encounter to arranged, settled, everyday domesticity. . . . This novel’s beauty lies in Enright’s spare, poetic, off-kilter prose—at once heartbreaking and subversively funny. It’s built of startling little surprises and one fresh sentence after another. Enright captures the heady eroticism of an extramarital affair and the incendiary egomania that accompanies secret passion: For all their utter ordinariness, Sean and Gina feel like the greatest lovers who've ever lived.”—Elle
Eliza accompanies López on his tour of the continent and they are now aboard the Tacuarí, having made the Atlantic crossing and navigating the Rio Parana towards Asunción, Paraguay, López's home. Hugely pregnant, Eliza swings in a hammock feeling simultaneously imperious (she drinks champagne, cooled by being dragged through the river's water on a rope; she presides over card games which mimic the high society she has left behind and gets to know the English engineer and Scottish doctor her husband has hired) and helpless, completely out of her element in a tropical, buggy landscape. But Eliza is a quick study-she befriends Miltón, her husband's Guaraní Indian servant, who teaches her to starch her dresses with porridge to combat the humidity, as the locals do, and quickly begins to think about fixing up Francine, her maid, with one of the men her husband has recruited to assist in his nationalist ambitions. Eliza proves herself a formidable woman, with exactly the right combination of strength, will, resources, and the strategic ability to make allowances for the powerful that will prove her, over the course of López's rule, his most powerful ally. When it becomes clear López-"my dear friend" as Eliza calls him-wants to sleep with Francine himself, Eliza sends the girl off to him, consolidating her own power even as she betrays herself. As they arrive in Asunción, she dresses in a lilac gown that is at the cutting edge of Paris fashion, astonishing the crowd at the pier with her poise, her beauty, her blonde, physical foreignness, even as she is going into labor. Throughout the book, chapters that tell the story of the journey up the Rio Parana, written in Eliza's voice, are interspersed with chapters narrated mostly by Dr. Stewart, the Scottish physician, telling of the legend she later becomes, of the war her husband wages, and of its consequences for her and the men whose company she kept in the elegiac, innocent days aboard the Tacuarí.
Eliza becomes a scandal when they reach Paraguay. From the moment of their arrival in Asunción, which quickly gains the status of popular legend as Eliza's union with López becomes a national fact, she is a larger-than-life figure. López's family rejects her, but the strength of his will-he is a man whose ambitions may not be refused, from the quotidian desire to possess a woman, to the political desire that will shape Paraguayan history-establishes Eliza as something they will have to deal with. Her son is born, though Stewart, who was to have been her personal physician, is so horrified by her as a person that he does not attend the birth. She has the boy christened in order to make him the legitimate heir (despite his bastard origins and the existence of another son by López's previous mistress). The women of Paraguayan society shun her-she builds a beautiful Quinta (villa) where she entertains all the strategically important men, but none of the women will befriend her. She hosts a picnic on board the Tacuarí to celebrate the importation of some Basque peasants who are supposed to build a new town. All the women of Asunción attend, but none of them will speak to her. As retaliation, she has Miltón, in the role of major-domo, throw all the food overboard, and keeps the ship at anchor in the hot sun for most of the day, until the women are fainting from the heat. In an act which hastens the old López's decline and her lover's ascent to head of state, Eliza builds a gorgeous theater, modeled on the great theaters of Europe, and mounts a play written by a European actor she has imported, but based on Paraguayan national themes. It is her bid for the office, even if only symbolic, of Paraguayan First Lady. Francine, the maid, dies horribly, of a tropical illness that eats away much of her jaw and facial features-and in treating Francine, Stewart reconciles with Eliza.
In 1865, three years after his father's death, López's territorial disputes with Brazil, Argentina, and Uruguay lead to the War of the Triple Alliance, with tiny Paraguay at war with all tttttthree nations. Dr. Stewart, the Scottish doctor we met on the Tacuarí (and who is now married to a Paraguayan society girl named Venancia Baez, whom he has grown to intermittently love and find extremely annoying), watches as the war grows and becomes ever more bloody and farcical-it will eventually result in the deaths of what is reportedly half the national population-and López's sanity becomes more and more questionable. He envisions the war as a vast canvas of would-be heroism and actual shame and ruin. And whither López, so goes Eliza. Rumors are that it is her ambition and rapaciousness more than his that spurs on the war; that she is his procuress, providing him with an endless succession of girls whose virginity she verifies herself; even that she is a cannibal who eats the battlefield dead. Public appearances are more and more rare, but Stewart does see her in the road near a graveyard late one night, walking without her usual entourage, completely alone. He follows her for a time, then catches up and walks her home, and at the door kisses her, and magnifies that kiss in his imagination into a sexual embrace. It is not until years later that he realizes she must have been visiting the grave of a child who died in infancy. She gives a dinner-party for him and some of the rising officers of the army, and in a brief moment away from company reveals her sadness to him. All of the officers are a little in love with her, Stewart reflects. She reveals that Benigno, her husband's brother, hates her and plots against her, which is why she has come to the front. She has now borne López several sons.
The final action of the war takes place with Eliza's black coach-a carriage she has had painted with twelve coats of black lacquer, and drawn by midnight-colored horses-leading the Paraguayan army into retreat. López's madness is full-blown. He is demanding absolute, blind allegiance from all of his countrymen and executes men daily for disloyalty, including his own family (particularly the brother who alienated Eliza). Stewart, exhausted after five years at war, is led through the battlefield by a Guaraní Indian girl who becomes obscurely comforting to him in the long absence of his wife. He finds comfort in her arms once but realizes she is younger than he thought and, after that, merely relies on her for someone to warm himself against in the night. He has become López's personal doctor which requires him to examine his stool and dress his gonorrheic penis in chalk to prevent (or stave off) its drip. Eliza, too, is losing her mind-her firstborn son, who has become a kind of golden symbol for the possible new Paraguay, reveals that she does not sleep at night, subsisting on naps for a few minutes at a time. At night, Stewart can hear her in her tent, fighting with López. "When will you marry me?" she shouts. But López's irrefutable will takes her over once again and soon they are making love.
It is only a matter of time, however, before the Brazilian army overtakes them, and when they do López is immediately shot and killed (though, like Rasputin, there is some suggestion that he was still alive when he fell off his horse into the river and drowned). Stewart, still on the battlefield, manages to avoid being killed himself by brandishing his forceps, and the men watch (unable to join in on penalty of being shot) as Eliza, iron of will to the end, digs a grave for her lover and their dead sons and buries them with her own hands.
Stewart's last glimpse of Eliza Lynch occurs three years later in Edinburgh, where he has brought Venancia and his family. He and Venancia have rediscovered a sweet, middle-aged love and she has taken to life in Scotland. One day he is strolling the main road with his daughter when he sees the Indian Miltón, still in Eliza's service, standing by her coach. Then he sees Eliza herself, walking up to a door, regal as ever and her golden hair flaming in the sun. He realizes she must have made some sort of deal with Camarrá, the Brazilian general, recalling her exodus in chains (but alive, and accompanied by all of her belongings and retinue). And now she is in Edinburgh, likely visiting her lawyers regarding money Stewart brought with him out of Paraguay, taxes on the export of yerba mate which were granted to him by López years before.
In the beginning it is just a car trip through Africa. Two English people--Bobby, a civil servant with a guilty appetite for African boys, and Linda, a supercilious “compound wife” -- are driving back to their enclave after a stay in the capital . But in between lies the landscape of an unnamed country whose squalor and ethnic bloodletting suggest Idi Amin’s Uganda. [111-12, 120, 130-1, 150, 178, 220-40] And the farther Naipaul’s protagonists travel into it, the more they find themselves crossing the line that separates privileged outsiders from horrified victims. Alongside this Conradian tour de force are four incisive portraits of men seeking liberation far from home. By turns funny and terrifying, sorrowful and unsparing, In A Free State is Naipaul at his best.
From the Trade Paperback edition.
I used to be human once. So I’m told. I don’t remember it myself, but people who knew me when I was small say I walked on two feet, just like a human being...
Ever since he can remember, Animal has gone on all fours, his back twisted beyond repair by the catastrophic events of “that night” when a burning fog of poison smoke from the local factory blazed out over the town of Khaufpur, and the Apocalypse visited his slums. Now just turned seventeen and well schooled in street work, he lives by his wits, spending his days jamisponding (spying) on town officials and looking after the elderly nun who raised him, Ma Franci. His nights are spent fantasizing about Nisha, the girlfriend of the local resistance leader, and wondering what it must be like to get laid.
When Elli Barber, a young American doctor, arrives in Khaufpur to open a free clinic for the still suffering townsfolk—only to find herself struggling to convince them that she isn’t there to do the dirty work of the Kampani—Animal gets caught up in a web of intrigues, scams, and plots with the unabashed aim of turning events to his own advantage.
Profane, piercingly honest, and scathingly funny, Animal’s People illuminates a dark world shot through with flashes of joy and lunacy. A stunning tale of an unforgettable character, it is an unflinching look at what it means to be human: the wounds that never heal and a spirit that will not be quenched.
Winner of the Man Booker Prize
Penelope Lively won Britain's prestigious Booker Prize for this deeply moving, elegantly structured novel. Elderly, uncompromising Claudia Hampton lies in a London hospital bed with memories of life fluttering through her fading consciousness. An author of popular history, Claudia proclaims she's carrying out her last project: a history of the world. This history turns out to be a mosaic of her life, her own story tangled with those of her brother, her lover and father of her daughter, and the center of her life, Tom, her one great love found and lost in war-torn Egypt. Always the independent woman, often with contentious relationships, Claudia's personal history is complex and fascinating. As people visit Claudia, they shake and twist the mosaic, changing speed, movement, and voice, to reveal themselves and Claudia's impact on their world.
Sebastian Barry's novels have been hugely admired by readers and critics, and in 2005 his novel A Long Long Way was shortlisted for the Man Booker Prize. In The Secret Scripture, Barry revisits County Sligo, Ireland, the setting for his previous three books, to tell the unforgettable story of Roseanne McNulty. Once one of the most beguiling women in Sligo, she is now a resident of Roscommon Regional Mental Hospital and nearing her hundredth year. Set against an Ireland besieged by conflict, The Secret Scripture is an engrossing tale of one woman's life, and a vivid reminder of the stranglehold that the Catholic church had on individuals throughout much of the twentieth century. The Secret Scripture is soon to be a film starring Rooney Mara and Vanessa Redgrave.
In True History of the Kelly Gang, the legendary Ned Kelly speaks for himself, scribbling his narrative on errant scraps of paper in semiliterate but magically descriptive prose as he flees from the police. To his pursuers, Kelly is nothing but a monstrous criminal, a thief and a murderer. To his own people, the lowly class of ordinary Australians, the bushranger is a hero, defying the authority of the English to direct their lives. Indentured by his bootlegger mother to a famous horse thief (who was also her lover), Ned saw his first prison cell at 15 and by the age of 26 had become the most wanted man in the wild colony of Victoria, taking over whole towns and defying the law until he was finally captured and hanged. Here is a classic outlaw tale, made alive by the skill of a great novelist.
From the Trade Paperback edition.
"Swift has involved us in real, lived lives...Quietly, but with conviction, he seeks to affirm the values of decency, loyalty, love."--New York Review of Books
"A beautiful book...a novel that speaks profoundly of human need and tenderness. Even the most cynical will be warmed by it."--San Francisco Chronicle
The bestselling, Booker Prize-winning author of Atonement brilliantly illuminates the collision of sexual longing, deep-seated fears, and romantic fantasy on a young couple’s wedding night.
It is 1962, and Florence and Edward are celebrating their wedding in a hotel on the Dorset coast. Yet as they dine, the expectation of their marital duties become overwhelming. Unbeknownst to them both, the decisions they make this night will resonate throughout their lives. With exquisite prose, Ian McEwan creates in On Chesil Beach a story of lives transformed by a gesture not made or a word not spoken.
Look for Roddy Doyle’s new novel, Smile, coming in October of 2017
It is 1968. Patrick Clarke is ten. He loves Geronimo, the Three Stooges, and the smell of his hot water bottle. He can't stand his little brother Sinbad. His best friend is Kevin, and their names are all over Barrytown, written with sticks in wet cement. They play football, lepers, and jumping to the bottom of the sea. But why didn't anyone help him when Charles Leavy had been going to kill him? Why do his ma and da argue so much, but act like everything is fine? Paddy sees everything, but he understands less and less. Hilarious and poignant, Paddy Clarke Ha Ha Ha charts the triumphs, indignities, and bewilderment of a young boy and his world, a place full of warmth, cruelty, confusion and love.
On a chilly February day, two old friends meet in the throng outside a London crematorium to pay their last respects to Molly Lane. Both Clive Linley and Vernon Halliday had been Molly's lovers in the days before they reached their current eminence: Clive is Britain's most successful modern composer, and Vernon is a newspaper editor. Gorgeous, feisty Molly had other lovers, too, notably Julian Garmony, Foreign Secretary, a notorious right-winger tipped to be the next prime minister. In the days that follow Molly's funeral, Clive and Vernon will make a pact with consequences that neither could have foreseen…
The Ghost Road is the culminating masterpiece of Pat Barker's towering World War I fiction trilogy. The time of the novel is the closing months of the most senselessly savage of modern conflicts. In France, millions of men engaged in brutal trench warfare are all "ghosts in the making." In England, psychologist William Rivers, with severe pangs of conscience, treats the mental casualties of the war to make them whole enough to fight again. One of these, Billy Prior, risen to the officer class from the working class, both courageous and sardonic, decides to return to France with his fellow officer, poet Wilfred Owen, to fight a war he no longer believes in. Meanwhile, Rivers, enfevered by influenza returns in memory to his experience studying a South Pacific tribe whose ethos amounted to a culture of death. Across the gulf between his society and theirs, Rivers begins to form connections that cast new light on his--and our--understanding of war.
Combining poetic intensity with gritty realism, blending biting humor with tragic drama, moving toward a denouement as inevitable as it is devastating, The Ghost Road both encapsulates history and transcends it. It is a modern masterpiece
A historical novel set in the eighteenth century, Sacred Hunger is a stunning, engrossing exploration of power, domination, and greed in the British Empire as it entered fully into the slave trade and spread it throughout its colonies. Barry Unsworth follows the failing fortunes of William Kemp, a merchant pinning his last chance to a slave ship; his son who needs a fortune because he is in love with an upper-class woman; and his nephew who sails on the ship as its doctor because he has lost all he has loved. The voyage meets its demise when disease spreads among the slaves and the captain's drastic response provokes a mutiny. Joining together, the sailors and the slaves set up a secret, utopian society in the wilderness of Florida, only to await the vengeance of the single-minded, young Kemp.
But instead of peace and rest, Edith finds herself sequestered at the hotel with an assortment of love's casualties and exiles. She also attracts the attention of a worldly man determined to release her unused capacity for mischief and pleasure. Beautifully observed, witheringly funny, Hotel du Lac is Brookner at her most stylish and potently subversive.
On a copper-rich tropical island shattered by war, where the teachers have fled with most everyone else, only one white man chooses to stay behind: the eccentric Mr. Watts, object of much curiosity and scorn, who sweeps out the ruined schoolhouse and begins to read to the children each day from Charles Dickens’s classic Great Expectations.
So begins this rare, original story about the abiding strength that imagination, once ignited, can provide. As artillery echoes in the mountains, thirteen-year-old Matilda and her peers are riveted by the adventures of a young orphan named Pip in a city called London, a city whose contours soon become more real than their own blighted landscape. As Mr. Watts says, “A person entranced by a book simply forgets to breathe.” Soon come the rest of the villagers, initially threatened, finally inspired to share tales of their own that bring alive the rich mythology of their past. But in a ravaged place where even children are forced to live by their wits and daily survival is the only objective, imagination can be a dangerous thing.
From the Hardcover edition.
From the Trade Paperback edition.
For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
From the Trade Paperback edition.
From the Hardcover edition.
From the Hardcover edition.
Short-listed for the Man Booker Prize
New York Times bestseller
“Extreme times call for extreme reactions, extreme writing. Hamid has done something extraordinary with this novel.” —Washington Post
“One of those achingly assured novels that makes you happy to be a reader.” —Junot Diaz
At a café table in Lahore, a bearded Pakistani man converses with an uneasy American stranger. As dusk deepens to night, he begins the tale that has brought them to this fateful encounter . . .
Changez is living an immigrant’s dream of America. At the top of his class at Princeton, he is snapped up by an elite valuation firm. He thrives on the energy of New York, and his budding romance with elegant, beautiful Erica promises entry into Manhattan society at the same exalted level once occupied by his own family back in Lahore.
But in the wake of September 11, Changez finds his position in his adopted city suddenly overturned, and his relationship with Erica shifting. And Changez’s own identity is in seismic shift as well, unearthing allegiances more fundamental than money, power, and maybe even love.
“Brief, charming, and quietly furious . . . a resounding success.” —Village Voice
A Washington Post and San Francisco Chronicle Best Book of the Year
A New York Times Notable Book
England in the 1520s is a heartbeat from disaster. If the king dies without a male heir, the country could be destroyed by civil war. Henry VIII wants to annul his marriage of twenty years, and marry Anne Boleyn. The pope and most of Europe opposes him. The quest for the king's freedom destroys his adviser, the brilliant Cardinal Wolsey, and leaves a power vacuum.
Into this impasse steps Thomas Cromwell. Cromwell is a wholly original man, a charmer and a bully, both idealist and opportunist, astute in reading people and a demon of energy: he is also a consummate politician, hardened by his personal losses, implacable in his ambition. But Henry is volatile: one day tender, one day murderous. Cromwell helps him break the opposition, but what will be the price of his triumph?
In inimitable style, Hilary Mantel presents a picture of a half-made society on the cusp of change, where individuals fight or embrace their fate with passion and courage. With a vast array of characters, overflowing with incident, the novel re-creates an era when the personal and political are separated by a hairbreadth, where success brings unlimited power but a single failure means death.
Winner of the Booker of Bookers
Saleem Sinai is born at the stroke of midnight on August 15, 1947, the very moment of India’s independence. Greeted by fireworks displays, cheering crowds, and Prime Minister Nehru himself, Saleem grows up to learn the ominous consequences of this coincidence. His every act is mirrored and magnified in events that sway the course of national affairs; his health and well-being are inextricably bound to those of his nation; his life is inseparable, at times indistinguishable, from the history of his country. Perhaps most remarkable are the telepathic powers linking him with India’s 1,000 other “midnight’s children,” all born in that initial hour and endowed with magical gifts.
This novel is at once a fascinating family saga and an astonishing evocation of a vast land and its people–a brilliant incarnation of the universal human comedy. Twenty-five years after its publication, Midnight’s Children stands apart as both an epochal work of fiction and a brilliant performance by one of the great literary voices of our time.
We are in an elegant hôtel particulier in the center of Paris. Renée, the building's concierge, is short, ugly, and plump. She has bunions on her feet. She is cantankerous and addicted to television soaps. Her only genuine attachment is to her cat, Leo. In short, she is everything society expects from a concierge at a bourgeois building in a posh Parisian neighborhood. But Renée has a secret: she is a ferocious autodidact who furtively devours art, philosophy, music, and Japanese culture. With biting humor she scrutinizes the lives of the building's tenants—her inferiors in every way except that of material wealth.
Then there's Paloma, a super-smart twelve-year-old and the youngest daughter of the Josses, who live on the fifth floor. Talented, precocious, and startingly lucid, she has come to terms with life's seeming futility and has decided to end her own on the day of her thirteenth birthday. Until then she will continue hiding her extraordinary intelligence behind a mask of mediocrity, acting the part of an average pre-teen high on pop subculture, a good but not an outstanding student, an obedient if obstinate daughter.
Paloma and Renée hide both their true talents and their finest qualities from a world they suspect cannot or will not appreciate them. They discover their kindred souls when a wealthy Japanese man named Ozu arrives in the building. Only he is able to gain Paloma's trust and to see through Renée's timeworn disguise to the secret that haunts her. This is a moving, funny, triumphant novel that exalts the quiet victories of the inconspicuous among us.
“Oliver Twist with a twist…Waters spins an absorbing tale that withholds as much as it discloses. A pulsating story.”—The New York Times Book Review
The Handmaiden, a film adaptation of Fingersmith, directed by Park Chan-wook and starring Kim Tae-Ri, is now available.
Sue Trinder is an orphan, left as an infant in the care of Mrs. Sucksby, a "baby farmer," who raised her with unusual tenderness, as if Sue were her own. Mrs. Sucksby’s household, with its fussy babies calmed with doses of gin, also hosts a transient family of petty thieves—fingersmiths—for whom this house in the heart of a mean London slum is home.
One day, the most beloved thief of all arrives—Gentleman, an elegant con man, who carries with him an enticing proposition for Sue: If she wins a position as the maid to Maud Lilly, a naïve gentlewoman, and aids Gentleman in her seduction, then they will all share in Maud’s vast inheritance. Once the inheritance is secured, Maud will be disposed of—passed off as mad, and made to live out the rest of her days in a lunatic asylum.
With dreams of paying back the kindness of her adopted family, Sue agrees to the plan. Once in, however, Sue begins to pity her helpless mark and care for Maud Lilly in unexpected ways...But no one and nothing is as it seems in this Dickensian novel of thrills and reversals.
The beloved, award-winning The Amazing Adventures of Kavalier & Clay, a Michael Chabon masterwork, is the American epic of two boy geniuses named Joe Kavalier and Sammy Clay. Now with special bonus material by Michael Chabon.
A “towering, swash-buckling thrill of a book” (Newsweek), hailed as Chabon’s “magnum opus” (The New York Review of Books), The Amazing Adventures of Kavalier & Clay is a triumph of originality, imagination, and storytelling, an exuberant, irresistible novel that begins in New York City in 1939. A young escape artist and budding magician named Joe Kavalier arrives on the doorstep of his cousin, Sammy Clay. While the long shadow of Hitler falls across Europe, America is happily in thrall to the Golden Age of comic books, and in a distant corner of Brooklyn, Sammy is looking for a way to cash in on the craze. He finds the ideal partner in the aloof, artistically gifted Joe, and together they embark on an adventure that takes them deep into the heart of Manhattan, and the heart of old-fashioned American ambition. From the shared fears, dreams, and desires of two teenage boys, they spin comic book tales of the heroic, fascist-fighting Escapist and the beautiful, mysterious Luna Moth, otherworldly mistress of the night. Climbing from the streets of Brooklyn to the top of the Empire State Building, Joe and Sammy carve out lives, and careers, as vivid as cyan and magenta ink. Spanning continents and eras, this superb book by one of America’s finest writers remains one of the defining novels of our modern American age.
NEW YORK TIMES BESTSELLER
Finalist for the PEN/Faulkner Award, National Book Critics Circle Award, and Los Angeles Times Book Prize
Winner of the Bay Area Book Reviewers Award and the New York Society Library Book Award
Named one of the 10 Best Books of the Decade by Entertainment Weekly
In the midst of the long hot afternoon, Briony happens to be watching from a window when Cecilia strips off her clothes and plunges into the fountain on the lawn as Robbie looks on. Later that evening, Briony thinks she sees Robbie attacking Cecilia in the library, she reads a note meant for Cecilia, her cousin Lola is sexually assaulted, and she makes an accusation that she will repent for the rest of her life.
The next two parts of Atonement shift to the spring of 1940 as Hitler’s forces are sweeping across the Low Countries and into France. Robbie Turner, wounded, joins the disastrous British retreat to Dunkirk. Instead of going up to Cambridge to begin her studies, Briony has become a nurse in one of London’s military hospitals. The fourth and final section takes place in 1999, as Briony celebrates her 77th birthday with the completion of a book about the events of 1935 and 1940, a novel called Atonement.
In its broad historical framework Atonement is a departure from McEwan’s earlier work, and he loads the story with an emotional intensity and a gripping plot reminiscent of the best nineteenth-century fiction. Brilliant and utterly enthralling in its depiction of childhood, love and war, England and class, the novel is a profoundly moving exploration of shame and forgiveness and the difficulty of absolution.
From the Trade Paperback edition.
The Pulitzer Prize
The National Book Critics Circle Award
The Anisfield-Wolf Book Award
The Jon Sargent, Sr. First Novel Prize
A Time Magazine #1 Fiction Book of the Year
One of the best books of 2007 according to: The New York Times, San Francisco Chronicle, New York Magazine, Entertainment Weekly, The Boston Globe, Los Angeles Times, The Washington Post, People, The Village Voice, Time Out New York, Salon, Baltimore City Paper, The Christian Science Monitor, Booklist, Library Journal, Publishers Weekly, New York Public Library, and many more...
Oscar is a sweet but disastrously overweight ghetto nerd who—from the New Jersey home he shares with his old world mother and rebellious sister—dreams of becoming the Dominican J.R.R. Tolkien and, most of all, finding love. But Oscar may never get what he wants. Blame the fukú—a curse that has haunted Oscar’s family for generations, following them on their epic journey from Santo Domingo to the USA. Encapsulating Dominican-American history, The Brief Wondrous Life of Oscar Wao opens our eyes to an astonishing vision of the contemporary American experience and explores the endless human capacity to persevere—and risk it all—in the name of love.
Quoyle, a third-rate newspaper hack, with a “head shaped like a crenshaw, no neck, reddish hair...features as bunched as kissed fingertips,” is wrenched violently out of his workaday life when his two-timing wife meets her just desserts. An aunt convinces Quoyle and his two emotionally disturbed daughters to return with her to the starkly beautiful coastal landscape of their ancestral home in Newfoundland. Here, on desolate Quoyle’s Point, in a house empty except for a few mementos of the family’s unsavory past, the battered members of three generations try to cobble up new lives.
Newfoundland is a country of coast and cove where the mercury rarely rises above seventy degrees, the local culinary delicacy is cod cheeks, and it’s easier to travel by boat and snowmobile than on anything with wheels. In this harsh place of cruel storms, a collapsing fishery, and chronic unemployment, the aunt sets up as a yacht upholsterer in nearby Killick-Claw, and Quoyle finds a job reporting the shipping news for the local weekly, the Gammy Bird (a paper that specializes in sexual-abuse stories and grisly photos of car accidents).
As the long winter closes its jaws of ice, each of the Quoyles confronts private demons, reels from catastrophe to minor triumph—in the company of the obsequious Mavis Bangs; Diddy Shovel the strongman; drowned Herald Prowse; cane-twirling Beety; Nutbeem, who steals foreign news from the radio; a demented cousin the aunt refuses to recognize; the much-zippered Alvin Yark; silent Wavey; and old Billy Pretty, with his bag of secrets. By the time of the spring storms Quoyle has learned how to gut cod, to escape from a pickle jar, and to tie a true lover’s knot.
Here is Kazuo Ishiguro's profoundly compelling portrait of Stevens, the perfect butler, and of his fading, insular world in post-World War II England. Stevens, at the end of three decades of service at Darlington Hall, spending a day on a country drive, embarks as well on a journey through the past in an effort to reassure himself that he has served humanity by serving the "great gentleman," Lord Darlington. But lurking in his memory are doubts about the true nature of Lord Darlington's "greatness," and much graver doubts about the nature of his own life.
A New York Times Top-Ten Book of 2004
Winner of the National Book Critics Circle Award for Fiction
Nearly 25 years after Housekeeping, Marilynne Robinson returns with an intimate tale of three generations, from the Civil War to the 20th century: a story about fathers and sons and the spiritual battles that still rage at America's heart. In the words of Kirkus, it is a novel "as big as a nation, as quiet as thought, and moving as prayer. Matchless and towering." GILEAD tells the story of America and will break your heart.
National Book Critics Circle Award Winner
PEN/Faulkner Award Finalist
A New York Times Book Review Best Book
One of the Best Books of the Year: Boston Globe, Chicago Tribune, The Daily Beast, The Miami Herald, The Minneapolis Star-Tribune, Newsday, NPR's On Point, O, the Oprah Magazine, People, Publishers Weekly, Salon, San Francisco Chronicle, Seattle Times, Slate, Time, The Washington Post, and Village Voice
Bennie is an aging former punk rocker and record executive. Sasha is the passionate, troubled young woman he employs. Here Jennifer Egan brilliantly reveals their pasts, along with the inner lives of a host of other characters whose paths intersect with theirs. With music pulsing on every page, A Visit from the Goon Squad is a startling, exhilarating novel of self-destruction and redemption.
BONUS: This edition includes an excerpt from Chimamanda Ngozi Adichie's Americanah.
Now, years later, Kathy is a young woman. Ruth and Tommy have reentered her life. And for the first time she is beginning to look back at their shared past and understand just what it is that makes them special–and how that gift will shape the rest of their time together. Suspenseful, moving, beautifully atmospheric, Never Let Me Go is another classic by the author of The Remains of the Day.
From the Trade Paperback edition.
HarperPerennial Classics brings great works of literature to life in digital format, upholding the highest standards in ebook production and celebrating reading in all its forms. Look for more titles in the HarperPerennial Classics collection to build your digital library.
In the spring of 1974, Calliope Stephanides, a student at a girls' school in Grosse Pointe, finds herself drawn to a chain-smoking, strawberry blond clasmate with a gift for acting. The passion that furtively develops between them--along with Callie's failure to develop--leads Callie to suspect that she is not like other girls. In fact, she is not really a girl at all.
The explanation for this shocking state of affairs takes us out of suburbia- back before the Detroit race riots of 1967, before the rise of the Motor City and Prohibition, to 1922, when the Turks sacked Smyrna and Callie's grandparents fled for their lives. Back to a tiny village in Asia Minor where two lovers, and one rare genetic mutation, set in motion the metamorphosis that will turn Callie into a being both mythical and perfectly real: a hermaphrodite.
Spanning eight decades--and one unusually awkward adolescence- Jeffrey Eugenides's long-awaited second novel is a grand, utterly original fable of crossed bloodlines, the intricacies of gender, and the deep, untidy promptings of desire. It marks the fulfillment of a huge talent, named one of America's best young novelists by both Granta and The New Yorker.
Middlesex is the winner of the 2003 Pulitzer Prize for Fiction.
'riverrun, past Eve and Adam's, from swerve of shore to bend of bay, brings us by a commodius vicus of recirculation back to Howth Castle and Environs'
Joyce's final work, Finnegan's Wake is his masterpiece of the night as Ulysses is of the day. Supreme linguistic virtuosity conjures up the dark underground worlds of sexuality and dream. Joyce undermines traditional storytelling and all official forms of English and confronts the different kinds of betrayal - cultural, political and sexual - that he saw at the heart of Irish history. Dazzlingly inventive, with passages of great lyrical beauty and humour, Finnegans Wake remains one of the most remarkable works of the twentieth century.
James Joyce (1882-1941), the eldest of ten children, was born in Dublin, but exiled himself to Paris at twenty as a rebellion against his upbringing. He only returned to Ireland briefly from the continent but Dublin was at heart of his greatest works, Ulysses and Finnegans Wake. He lived in poverty until the last ten years of his life and was plagued by near blindness and the grief of his daughter's mental illness.
If you enjoyed Finnegans Wake, you might like Virginia Woolf's The Waves, also available in Penguin Classics.
'An extraordinary performance, a transcription into a miniaturized form of the whole western literary tradition'