Until the case becomes more brutal, twisted and shocking than even Hardy could have guessed.
'A quintessentially Australian literary icon.' Age
Introduction by Charles Waterstreet.
Peter Corris's first Cliff Hardy novel, The Dying Trade, was published in 1980. It not only introduced a sleuth who was to become an enduring legend, but was also a long love letter to the seamy side of Sydney itself. Over more than three decades Corris has now written thirty-eight Cliff Hardy books, and the city of Sydney is as significant a presence in the books as the figure of Hardy. The third in the series, The Empty Beach, was made into a film starring Bryan Brown. In 1999 Corris was presented with a Ned Kelly Lifetime Achievement Award.
Charles Waterstreet is author of the memoirs Precious Bodily Fluids and Repeating the Leaving. He was co-creator of Rake, the award-winning ABC series. He is currently writing the third volume of his memoirs.
But is it ever that simple? Not with a notorious crime family tearing itself apart, and an undercover cop playing both sides against the middle. These and an alluring but fiercely ambitious female journalist give Hardy all the trouble he can handle.
'Ever feel manipulated?' Hardy asks. The body count mounts up as he pushes closer to the truth about the mystery and the loot.
Cliff Hardy may still have the moves but he's in trouble. The economy's tanking and he's been conned by an unscrupulous financial advisor and lost everything he's got. Cliff only knows one way, and that's forward, so he's following the money trail. WC It's a twisted road that leads him down deep into Sydney's underbelly, into the territory of big money, bent deals, big yachts and bad people. Cliff's in greater danger than ever before, but he's as tenacious as a dog with a bone.
'I'd read about it in the papers, heard the radio reports and seen the TV coverage and then forgotten about it, the way you do with news stories.'
A missing girl, drugs, yachts, the sex trade and a cold trail that leads from Sydney to Norfolk Island, Byron Bay and Coolangatta.
The police suspect the father, Gerard Fonteyn OA, a wealthy businessman. But he's hired Cliff to find her, given him unlimited expenses and posted a $250,000 reward for information.
Finally there's a break - an unconfirmed sighting of Juliana Fonteyn, alive and well. But as usual, nothing is straightforward. Various other players are in the game - and Cliff doesn't know the rules, or even what the game might be. He's determined to find out, and as the bodies mount up the danger to himself and to Juliana increases.
Cliff reckons the skills are still there, if a little rusty, and actor Bobby Forrest's case looks promising. Bobby's a nice-enough guy, but why is he being stalked by a red-hot brunette? And why did he have to go online to find a date?
When Bobby is murdered, it comes as a shock. Cliff's only solid lead is a white Commodore, the most ubiquitous car around. When a surprising connection with his own past surfaces, Cliff is forced to put some of his skills to the test. But is he heading in the wrong direction?
Somehow he has to put it all together without losing his licence again, but in true Hardy fashion he's managing to find his way into trouble, not out of it.
Two more murders raise the stakes and relationships are stretched to breaking point. Hardy hooks up with a determined policewoman and forms an unlikely alliance with a charismatic bikie chief.
Uncovering the tangled conspiracy behind the murders takes Hardy to the Blue Mountains and Camden, to plush legal chambers and a confrontation in an inner-west park - all against the roar of 750cc engines.
Is policewoman Jane Farrow bent or straight? Will vertically challenged but charismatic media star Lee Townsend be a help or an obstacle? Taking and dealing out punishment, mostly on Sydney's North Shore, Hardy encounters corrupt cops, bereft wives and computer geeks. In a shadowy showdown at Balmoral Beach, Hardy sorts out those who need to be sorted, but his future remains even more clouded than before.
'Corris is a tried and true crime writer. Until you've read the Cliff Hardy series, you can't call yourself an aficionado of Aussie detective fiction.' - The Age
'Hardy has grown into a vulnerable and engaging human being . . . Cheap motels are still his milieu.' - The Weekend Australian
Galvani's killers are closer to home than Hardy anticipated and his life and his relationship are on the line.
Stripped of his private detective licence and devastated by the murder of his partner Lily Truscott, Cliff Hardy travels to the US to help Lily's brother's tilt for a world boxing title. In San Diego he suffers a heart attack and undergoes a quadruple bypass. He meets nurse Margaret McKinley, an expatriate Australian who is concerned about the disappearance in Sydney of her father - renowned geologist Dr Henry McKinley.
Hardy undertakes to investigate in association with Hank Bachelor, his former associate who now runs his own agency. It turns out that McKinley had discovered a way to tap into the massive Sydney basin acquifer, a possible solution to the city's water problems. Working with Margaret who visits Sydney, Bachelor, and his daughter, Megan, Hardy confronts an old enemy and contending forces bent on exploiting the discovery and prepared to kill for it.
Energised by the case and by his attachment to Margaret, Hardy obeys the strict rules for the restoration of his health - but in pursuing the truth and the malefactors, he makes his own rules.
The early 1980s found Cliff Hardy well established as a private investigator but still battling his demons. He has quit smoking and moderated his drinking. The memory of his brief marriage still haunts him along with other ghosts from his past.
A case in Bondi attracts him as an ex-surfer and admirer of the suburb. It began as a routine investigation into a supposed drowning. But Hardy soon finds himself literally fighting for his life in the murky, violent underworld of Bondi.
The truth about John Singer, black marketeer and poker machine king is out there somewhere amidst the drug addicts, prostitutes and alcoholics. Hardy's job is to stay alive long enough in that world of easy death to get to the truth.
The truth hurts.
PRAISE FOR THE EMPTY BEACH
'A fine, tightly controlled story.' West Australian
Yachts dance on the sparkling waters of the harbour, and the back alleys are busy: the city's high and low classes go about their daily business. But nothing really surprises Hardy, and, for a hundred and twenty-five a day (plus expenses), he'll provide a few surprises of his own .
Once again, Hardy treads a fine line between police and suspects, coming up against blackmail and bullets before a surprising finale.
Charlie Thomas, decorated veteran, fights on in the cities and the country against racial prejudice, authority and his weaknesses. He has to fight. White Australia tries to keep him on the losing side in the boxing tents, pubs and gaols.
Charlie Thomas fights for education, justice, hope and love - to make his side the winning side.
'Until you've read the Cliff Hardy series, you can't call yourself an aficionado of Aussie detective fiction.' - The Age
'Corris writes about [Sydney] in the way that Ian Rankin writes about Edinburgh.' - The Sydney Morning Herald
Hired to investigate the murder, Hardy uncovers hidden agendas among O'Hara's staff as well as powerful political and commercial forces at work. His investigation takes him from the pubs and brothels of Sydney to the heart of power in Canberra and the outskirts of Darwin. There he teams up with a resourceful indigenous private detective and forms an uneasy alliance with the beautiful Penelope Marinos, formerly O'Hara's PA.
A rogue intelligence agent becomes his target and Hardy stumbles upon a terrible secret that draws them into a violent - and disturbing - confrontation.
Finding answers to both questions takes all Hardy's resourcefulness and contacts - police, underworld and press. Dangers - and bodies - appear all over Sydney and Hardy is lucky to keep both his life and his licence.
Hardy's battered Falcon takes him from the familiar mean streets of Sydney to equally dangerous bushland, where he's on his own up against heavy odds. A not-unfamiliar situation for Sydney's most enduring private investigator.
Hardy's search takes him from the Illawarra escarpment to Wollongong and Port Kembla, and the police are far from co-operative as he tries to unravel the truth. He has his hands full when a panic-stricken call leads to a second case the search for the precocious daughter of Marisha Karatsky, an exotic, dark-eyed interpreter who gets well and truly under Hardy's guard.
Hardy has narrow escapes and people die as his probing hits nerves. Corrupt cops, compromised insurance agents, feral bikies as well as a few good guys are drawn into the maelstrom. Hardy battles on through personal turmoil and vicious opposition with all outcomes uncertain and justice a remote ideal.
'I don't know how many Cliff Hardy novels there are, but there aren't enough.' - Kerry Greenwood, The Sydney Morning Herald
'Hardy is a wonderful creation still, under Corris's magisterial narrative control, capable of those odd echoes and resonances, the elegiac interludes, that characterise the best crime writing.' - Graeme Blundell, The Weekend Australian
'There has been no more efficient, entertaining and amusing writer of detective thrillers in Australia than Peter Corris.' - The Age
Praise for Appeal Denied:
'This book will remind you just how good Peter Corris is, what a legend his private-detective character Cliff Hardy is and why so many people love Sydney despite the fact that she is a seedy, grotty old tart of a city and always has been.' - Sydney Morning Herald
Hardy tracks back through the now ageing names and faces, trying to tease out the truth. If the doctor was set up, who was responsible and why? Along the way Hardy encounters dodgy plastic surgeons, a broken-down ex-copper, a voyeuristic cripple and a hireling who wields a mean baseball bat.
A charismatic player is the son of Catherine Castiglione, a super-bright charmer, who just may be Frank Parker's love child. Animosities, arrogance and ambition create a spider's web around the violence that breaks out as Hardy searches for the spider.
Hardy has never been much of a family man, so when he meets his second cousin Patrick Malloy it's like being hit with a left hook to the solar plexus - Malloy is his double. Cliff and his cousin become friends and travel to attend a gathering of the Irish Travellers - the gypsy-like folk from whom they are descended. On their return, a shotgun blast shatters their camaraderie. But who was the bullet aimed at, Malloy or Hardy? And why is Malloy's ex-wife, Sheila, now making her presence known to Hardy?
Hardy has his enemies and Malloy's to consider as he searches for a killer. Clues point in many directions - to Sheila's motives, to Malloy's suspect business dealings, to old scores being settled. The search takes Hardy north to a paramilitary training camp and to a meeting of Traveller descendants in Kangaroo Valley; everyone seems to have an interest and the playing style is ruthless.
Hardy is de-licensed and out of work . . . but this investigation is personal.
The danger follows Hardy back to Sydney where he and his client become targets when an intricate conspiracy goes seriously wrong. Hardy deals with a tricky lawyer, a man on the run and Sydney's most corrupt ex-cop. He has allies as well, but in the end his survival will depend on his own guts, experience and savvy.
Peter Corris's world weary but always charismatic hero Cliff Hardy has long been established as Australia's favourite investigator. Often bloodied but never bowed in this latest gripping novel, Hardy's legions of fans will relish another pacy adventure, branching further afield than his traditional mean streets territory to the steamy island paradise of French New Caledonia.
'There has been no more efficient, entertaining and amusing writer of detective thrillers in Australia than Peter Corris.' - The Age
Cliff's relations with the police have never been easy, and the boys in blue are far from helpful as he tries to piece together a puzzle that can only end in violence.
Cliff Hardy is no financial genius. But in Taking Care of Business he pursues white collar crime with the same doggedness he applies to his more downmarket villains.
Hardy's tasks are many and his clients are from all walks of life. He is minder for Thomas Whitney, the highly strung whistle blower, whose company is siphoning money off through Vanuatu. He is hired by computer genius Charles Marriott, whose shady dot com partner wants control of the business and is letting nothing and no one get in his way. And ever keen for some spare cash, he even takes a case from Spiro, his local florist, whose son seems to be involved in some very dodgy business involving tobacco and big bucks.
This collection of stories featuring Australia's favourite PI is fast-paced and entertaining. It reads in the best Corris style.
Hardy is a wonderful creation still, under Corris's magisterial narrative control, capable of those odd echoes and resonances, the elegiac interludes that characterise the best crime writing.' Graeme Blundell, The Weekend Australian
There has been no more efficient, entertaining and amusing writer of detective thrillers in Australia than Peter Corris.' The Age
Hardy's digging into Harkness's past becomes urgent when Rodney and Glen disappear, and the trail leads to the beaches of the Central Coast. The plot tangles and the danger grows as Hardy tries to stay one step ahead of some desperate players.
The accompanying stories find Hardy on more familiar ground. When organised crime, political corruption and the Australian army are involved, Hardy battles the odds. But when it comes to a man-to- man contest, put your money on Hardy to win.
'Indigenous thrillers are better than any others, and the best of all are Peter Corris' accounts of his Sydney private detective, Cliff Hardy. Corris' story is clever, his asides wry, his language rough but whimsical.' - Mark Thomas, Canberra Times
'.Of Peter Corris it can be said ''One sentence and the reader is away.''' - Manning Clark, The National Times
'Cliff Hardy is. as Australian as two-up and Fosters.' - The Australian
Hardy has to find Clinton before he ends up on a murder charge - the trail leads him up to North Queensland and into the shadowy world of illegal boxing.
Cliff is sceptical but agrees to take on the search for her daughter. The trail is far from simple - and more violence threatens him the further he goes.
One of Hardy's toughest cases ever.
He goes from sleazy backstreets to boardrooms in skyscrapers - dealing with everyone from fashion models and teenage junkies to urban developers and crooked funeral directors. Some are friendly, some try to kill him.
Hardy copes, with his guts and his savvy; and all for a hundred and twenty-five dollars a day (plus expenses).
Hardy tracks Billie down, but saving Billie' means not only rescuing her, it means saving her from herself. Billie, ex-stripper, sometime hooker and druggie, is a handful. Hardy gets help from members of the Pacific Islander community and others, but the enemies close in and he is soon fighting on several different fronts.
Clement and his chief rival, Barclay Greaves, have heavies in the field, and Hardy has to negotiate his way through their divided loyalties. Some negotiations involve cunning but others involve guns. The action takes place against the backdrop of the Federal election campaign, and all outcomes are uncertain.
'I don't know how many Cliff Hardy novels there are, but there aren't enough.' - Kerry Greenwood, Sydney Morning Herald
'Hardy is a wonderful creation still, under Corris's magisterial narrative control, capable of those odd echoes and resonances, the elegiac interludes, that characterise the best crime writing.' Graeme Blundell, Weekend Australian odd echoes and resonances, the elegiac interludes, that characterise the best crime writing.' - Graeme Blundell, Weekend Australian
Mikael Blomkvist, crusading publisher of the magazine Millennium, has decided to run a story that will expose an extensive sex trafficking operation. On the eve of its publication, the two reporters responsible for the article are murdered, and the fingerprints found on the murder weapon belong to his friend, the troubled genius hacker Lisbeth Salander. Blomkvist, convinced of Salander’s innocence, plunges into an investigation. Meanwhile, Salander herself is drawn into a murderous game of cat and mouse, which forces her to face her dark past.
Handsome, young, Muslim, and married to two women living in one house along with his mother, Umma, and sister, Naja: can Midnight manage all that he has on his plate? He is surrounded by Americans who don’t share or understand his faith or culture, and adults who are offended by his maturity, intelligence, and his natural ability to make his hard work turn into real money. He is calm, confident, and cool, Ninja-trained and powerful, but one moment of rage throws this Brooklyn youth into a dark world of dirty police, gangs, guns, drugs, prisons, and dangerous inmates. Everything he ever believed, every dollar he ever earned, and all of the women he ever loved—including his mother—are at risk.
Will his manhood be taken, broken, or altered? Can he maintain his faith? Outnumbered, overruled, and deeply envied—how can he possibly survive? Will the streets convert him? What can he keep? What must he lose?
After the events in Gathering Prey, Lucas Davenport finds himself in a very unusual situation—no longer employed by the Minnesota BCA. His friend the governor is just cranking up a presidential campaign, though, and he invites Lucas to come along as part of his campaign staff. “Should be fun!” he says, and it kind of is—until they find they have a shadow: an armed man intent on killing the governor...and anyone who gets in the way.
They call them Travelers. They move from city to city, panhandling, committing no crimes—they just like to stay on the move. And now somebody is killing them.
Lucas Davenport’s adopted daughter, Letty, is home from college when she gets a phone call from a woman Traveler she’d befriended in San Francisco. The woman thinks somebody’s killing her friends, she’s afraid she knows who it is, and now her male companion has gone missing. She’s hiding out in North Dakota, and she doesn’t know what to do.
Letty tells Lucas she’s going to get her, and, though he suspects Letty’s getting played, he volunteers to go with her. When he hears the woman’s story, though, he begins to think there’s something in it. Little does he know. In the days to come, he will embark upon an odyssey through a subculture unlike any he has ever seen, a trip that will not only put the two of them in danger—but just may change the course of his life.
From the Hardcover edition.
Ten people, each with something to hide and something to fear, are invited to a isolated mansion on Indian Island by a host who, surprisingly, fails to appear. On the island they are cut off from everything but each other and the inescapable shadows of their own past lives. One by one, the guests share the darkest secrets of their wicked pasts. And one by one, they die…
Which among them is the killer and will any of them survive?
The night after the fourth of July, Layton Carlson Jr., of Red Wing, Minnesota, finally got lucky. And unlucky.
He’d picked the perfect spot to lose his virginity to his girlfriend, an abandoned farmyard in the middle of cornfields: nice, private, and quiet. The only problem was . . . something smelled bad—like, really bad. He mentioned it to a county deputy he knew, and when the cop took a look, he found a body stuffed down a cistern. And then another, and another.
By the time Lucas Davenport was called in, the police were up to fifteen bodies and counting. And as if that wasn’t bad enough, when Lucas began to investigate, he made some disturbing discoveries of his own. The victims had been killed over a great many years, one every summer, regular as clockwork. How could this have happened without anybody noticing?
Because one thing was for sure: the killer had to live close by. He was probably even someone they saw every day. . . .
In Southeast Minnesota, down on the Mississippi, a school board meeting is coming to an end. The board chairman announces that the rest of the meeting will be closed, due to personnel issues. “Issues” is correct. The proposal up for a vote before them is whether to authorize the killing of a local reporter. The vote is four to one in favor.
Meanwhile, not far away, Virgil Flowers is helping out a friend by looking into a dognapping, which seems to be turning into something much bigger and uglier—a team of dognappers supplying medical labs—when he gets a call from Lucas Davenport. A murdered body has been found—and the victim is a local reporter. . . .
From the Hardcover edition.
Two children from Sierra Leone, Liberty and A’shai, are brought together by chance only to be forced apart by the most inevitable and tragic fate. Ashley and JaQuavis bring us this classic love story set against modern life’s most horrifying realities. Liberty is dying of a fatal heart condition, though she desperately wants to survive until her 25th birthday when her sister has promised to visit her. A’shai blames himself for not protecting Liberty, but all Liberty asks is for A’shai to tell her a story, to help her remember what brought them to this point. He knows that this is the last story he will ever tell and the last she will ever hear. As Liberty lies dying, A’shai walks her though their past, reliving their ill-fated journeys through the streets. Their story will take them from an arranged marriage, through Mexico’s drug cartel, child brothels, hustling in Detroit, to escaping the high-powered heads of L.A.’s underworld. But ultimately, this is a story of love and redemption that will leave you breathless from the unpredictable and mind-blowing ending.
The first storm comes from, of all places, the Minnesota zoo. Two large, and very rare, Amur tigers have vanished from their cage, and authorities are worried sick that they’ve been stolen for their body parts. Traditional Chinese medicine prizes those parts for home remedies, and people will do extreme things to get what they need. Some of them are a great deal more extreme than others—as Virgil is about to find out.
Then there’s the homefront. Virgil’s relationship with his girlfriend Frankie has been getting kind of serious, but when Frankie’s sister Sparkle moves in for the summer, the situation gets a lot more complicated. For one thing, her research into migrant workers is about to bring her up against some very violent people who emphatically do not want to be researched. For another…she thinks Virgil’s kind of cute.
“You mess around with Sparkle,” Frankie told Virgil, “you could get yourself stabbed.”
“She carries a knife?”
“No, but I do.”
Forget a storm—this one’s a tornado.
From the Hardcover edition.
Now Bosch's ballistics match indicates that her death was not random violence, but something more personal, and connected to a deeper intrigue. Like an investigator combing through the wreckage after a plane crash, Bosch searches for the "black box," the one piece of evidence that will pull the case together.
Riveting and relentlessly paced, THE BLACK BOX leads Harry Bosch, "one of the greats of crime fiction" (New York Daily News), into one of his most fraught and perilous cases.
Not even Emmy's ex-boyfriend, field agent Harrison "Books" Bookman, will believe her that hundreds of kidnappings, rapes, and murders are all connected. That is, until Emmy finds a piece of evidence he can't afford to ignore. More murders are reported by the day--and they're all inexplicable. No motives, no murder weapons, no suspects. Could one person really be responsible for these unthinkable crimes?
INVISIBLE is James Patterson's scariest, most chilling stand-alone thriller yet.
Putting out chaos with gasoline is one play that even the women of the Dirty South can't control. One merciless kill vaults good-girl-gone-bad Ta’Shara into gangland's power elite—but an enemy she doesn't see is targeting everything she can't afford to lose. For former Vice Lord chief Lucifer, taking back her power means all-out war on her lethal lover, no matter what the cost. Gorgeous Cleo at last has her sister's killer in her sights—if she can survive one deadly game too many. And as Queen G LeShelle’s lies finally choke-hold her life, trusting someone more vicious than her husband Python may be the last mistake she'll ever make. Now these king divas will leave nothing standing—because if they can't reign, no one will…
Defense attorney Mickey Haller returns with a haunting case in the gripping new thriller from #1 New York Times bestselling author Michael Connelly.
Mickey Haller gets the text, "Call me ASAP - 187," and the California penal code for murder immediately gets his attention. Murder cases have the highest stakes and the biggest paydays, and they always mean Haller has to be at the top of his game.
When Mickey learns that the victim was his own former client, a prostitute he thought he had rescued and put on the straight and narrow path, he knows he is on the hook for this one. He soon finds out that she was back in LA and back in the life. Far from saving her, Mickey may have been the one who put her in danger.
Haunted by the ghosts of his past, Mickey must work tirelessly and bring all his skill to bear on a case that could mean his ultimate redemption or proof of his ultimate guilt. The Gods of Guilt shows once again why "Michael Connelly excels, easily surpassing John Grisham in the building of courtroom suspense" (Los Angeles Times).
If the question of who's to blame for teenage atrocity intrigues news-watching voyeurs, it tortures our narrator, Eva Khatchadourian. Two years before the opening of the novel, her son, Kevin, murdered seven of his fellow high school students, a cafeteria worker, and the much-beloved teacher who had tried to befriend him. Because his sixteenth birthday arrived two days after the killings, he received a lenient sentence and is currently in a prison for young offenders in upstate New York.
In relating the story of Kevin's upbringing, Eva addresses her estranged husband, Frank, through a series of startingly direct letters. Fearing that her own shortcomings may have shaped what her son became, she confesses to a deep, long-standing ambivalence about both motherhood in general—and Kevin in particular. How much is her fault?
We Need To Talk About Kevin offers no at explanations for why so many white, well-to-do adolescents—whether in Pearl, Paducah, Springfield, or Littleton—have gone nihilistically off the rails while growing up in the most prosperous country in history. Instead, Lionel Shriver tells a compelling, absorbing, and resonant story with an explosive, haunting ending. She considers motherhood, marriage, family, career—while framing these horrifying tableaus of teenage carnage as metaphors for the larger tragedy of a country where everything works, nobody starves, and anything can be bought but a sense of purpose.
He never looks for trouble...
But trouble never stops looking for him.
Ex-military policeman Jack Reacher isn’t in the small town of Margrave, Georgia for less than an hour before he’s arrested for murder. Not much of a welcome. All Reacher knows is that he didn’t kill anybody. At least not lately. But he doesn’t stand a chance of convincing anyone. Not a chance in hell...
When a woman is kidnapped off a Chicago street in broad daylight, Jack Reacher is unlucky enough to be taken with her. They’re at the mercy of a group of men demanding an impossible ransom. Because Reacher’s female companion is worth more than he imagines. Now he has to save them both—from the inside out—or die trying…
Reacher’s anonymity in Florida is shattered by an investigator who’s looking for him. But soon after his arrival, the man is murdered. Retracing the PI’s trail back to New York, Reacher wants to find out who was looking for him—and why. But he never expected the reasons to be so personal...or lethal.
Across the country, women are being murdered, victims of a disciplined and clever killer who leaves no evidence, no fatal wounds, no signs of struggle, and no apparent motive. They are truly perfect crimes. In fact, there’s only one thing that links the victims...Jack Reacher.
Thumbing across the scorched Texas desert, Jack Reacher has nowhere to go and all the time in the world to get there. Cruising the same stretch of two-lane blacktop is Carmen Greer. For Reacher, a lift comes with a hitch. Carmen’s got a wild story—about her husband, her family, and a hometown that’s pure gothic. She’s also got a plan for all of them. And now Reacher’s part of it...
Skilled, cautious, and anonymous, Jack Reacher is perfect for the job: assassinate the vice president of the United States. In theory, that is. A female Secret Service agent wants Reacher to find the holes in her system, and fast—because a covert group already has the vice president in their sights. And they've planned for everything...except for Reacher.
An explosive Lucas Davenport thriller from #1 New York Times bestselling author John Sandford.
All hell has broken loose in the capital. An influential state senator has been caught with something very, very nasty on his office computer. The governor can’t believe it—the senator’s way too smart for that, even if he is from the other party. Something’s not right.
As Davenport investigates, the trail leads to a political fixer who has disappeared, then—troublingly—to the Minneapolis police department itself, and most unsettling of all, to a woman who could give Machiavelli lessons in manipulation. She has very definite ideas about the way the world should work—along with the money, ruthlessness, and cold-blooded will to make it happen.
From the Paperback edition.
Five figures gather round a shallow grave. They had all taken turns to dig. An adult-sized hole would have taken longer. An innocent life had been taken but the pact had been made. Their secrets would be buried, bound in blood …
Years later, a headmistress is found brutally strangled, the first in a spate of gruesome murders which shock the Black Country.
But when human remains are discovered at a former children’s home, disturbing secrets are also unearthed. D.I. Kim Stone fast realises she’s on the hunt for a twisted individual whose killing spree spans decades.
As the body count rises, Kim needs to stop the murderer before they strike again. But to catch the killer, can Kim confront the demons of her own past before it’s too late?
Fans of Rachel Abbott, Val McDermid and Mark Billingham will be gripped by this exceptional new voice in British crime fiction.
Watch out for more from D.I. Kim Stone
A Detective hiding dark secrets, Kim Stone will stop at nothing to protect the innocent. Silent Scream is the first book in the series – watch out for EVIL GAMES – also out now.
What people are saying about Silent Scream
'I absolutely loved it! ... This one is one of the best crime thrillers I've read in a long time, and that includes mainstream authors such as James Patterson! I would seriously put this book in the same league.' Fiona’s Book Reviews
‘I have not been so impressed by a debut novel in a long time, and I'm actually now itching for more from D.I. Kim Stone and the rest of her squad… D.I. Kim Stone is like the British Jane Rizzoli. She's so ballsy and doesn't understand the meaning of the word no. I LOVE heroines who just do what they want and sod the consequences and Kim did that, right from the beginning as people keep turning up dead, people who are all connected to a children's home that burned down… If you were ever wondering how to write a gripping, wholly engaging crime novel, just have a read of Silent Scream and marvel at how Angela Marsons has done it. I can't wait for the second book, because this one was a top-notch crime thriller.’ Leah Loves
'I don't think I've been so hooked by a new author since the discovery of Mark Edwards or Mark Billingham… Silent Scream gets 5 stars from me - if you finish a crime thriller feeling like you just need to have a lie-down and a cup of tea to get your breath back, then the writer has done their job. Angela Marsons, I still don't have my breath back.’ Reading Room with a View
‘Normally when I see everybody rating a book five stars I think 'Is it really that good?' Silent Scream is that good, and then some… The only problem Angela now faces is keeping up this standard as the series progresses, but if she does than she's going to be an author to watch and a huge star within the genre.’ Book Addict Shaun
‘I started reading ‘Silent Scream’ thinking I would just read a few chapters. I ended up reading it all… I love it when an author chooses a dark topic and does it incredibly well… An excellent read and one I would happily recommend.’ Northern Crime
‘This is a fantastic debut novel by Marsons. The blurb said that if you were a fan of Val McDermid and Mark Billingham you would love this book and being a huge fan of both I thought I would give it a go and I was pleasantly surprised… With lots of twists and turns this is a real page turner and I would highly recommend it.’ The Laughing Librarian
‘It's highly unusual for me to find a book that leads me to put my life on hold. But Angela Marson's Silent Scream has led me to virtually abandon work for the last day, even with deadlines looming, leaving my house a mess and the ironing pile untouched… ticks all the boxes for a 5* rating from me: a well written flowing story; strong but vulnerable protagonist; fast pace; intrigue; twists and turns until several final OMG moments; plenty of action; and the revealing of a brutal murderer.’ Off the Shelf