The Conscript depicts, with irony and controlled anger, the staggering experiences of the Eritrean ascari, soldiers conscripted to fight in Libya by the Italian colonial army against the nationalist Libyan forces fighting for their freedom from Italy’s colonial rule. Anticipating midcentury thinkers Frantz Fanon and Aimé Césaire, Hailu paints a devastating portrait of Italian colonialism. Some of the most poignant passages of the novel include the awakening of the novel’s hero, Tuquabo, to his ironic predicament of being both under colonial rule and the instrument of suppressing the colonized Libyans.
The novel’s remarkable descriptions of the battlefield awe the reader with mesmerizing images, both disturbing and tender, of the Libyan landscape—with its vast desert sands, oases, horsemen, foot soldiers, and the brutalities of war—uncannily recalled in the satellite images that were brought to the homes of millions of viewers around the globe in 2011, during the country’s uprising against its former leader, Colonel Gaddafi.
Step Across This Line showcases the other side of one of fiction’s most astonishing conjurors. On display is Salman Rushdie’s incisive, thoughtful and generous mind, in prose that is as entertaining as it is topical. The world is here, captured in pieces on a dazzling array of subjects: from New York’s Amadou Diallo case to the Wizard of Oz, from U2 to fifty years of Indian writing, from a tribute to Angela Carter to the struggle to film Midnight’s Children. The title essay was originally delivered at Yale as the 2002 Tanner lecture on human values, and examines the changing meaning of frontiers in the modern world -- moral and metaphorical frontiers as well as physical ones.
The collection chronicles Rushdie’s intellectual journeys, but it is also an intimate invitation into his life: he explores his relationship to India through a moving diary of his first visit there in over a decade, “A Dream of Glorious Return.” Step Across This Line also includes “Messages From the Plague Years,” a historic set of letters, articles and reflections on life under the fatwa. Gathered together for the first time, this is Rushdie’s humane, intelligent and angry response to a grotesque threat, aimed not just at him but at free expression itself.
Step Across This Line, Salman Rushdie’s first collection of non-fiction in a decade, has the same energy, imagination and erudition as his astounding novels -- along with some very strong opinions.
From the Hardcover edition.
Chinua Achebe’s characteristically eloquent and nuanced voice is everywhere present in these seventeen beautifully written pieces. From a vivid portrait of growing up in colonial Nigeria to considerations on the African-American Diaspora, from a glimpse into his extraordinary family life and his thoughts on the potent symbolism of President Obama’s elections—this charmingly personal, intellectually disciplined, and steadfastly wise collection is an indispensable addition to the remarkable Achebe oeuvre.
Edited by Ali A. Mazrui, Patrick M. Dikirr, Robert Ostergard Jr., Michael Toler & Paul Macharia
This volume is rich in historic surprises about the fortunes of Islam in African experience, Islam first arrived in African while the Prophet Muhammad, the Founder of the religion, was still alive, Ethiopia provided asylum to early Arab Muslims on the run from persecution by fellow Arabs in pre-Islamic Mecca, Today Nigeria has more Muslims than any Arab country, including Egypt.
This volume explores not just Islam's impact upon Africa but also Africa's impact on Muslim history. The book explores the geographical expansion of the religion, the revival of ancient Muslim rituals, and the politicization and radicalization of Islam in both colonial and pre-colonial Africa.
Is Islam compatible with democracy? Can African Islam peacefully coexist with Christianity? How has Islam in Africa influenced architecture, Literature, race relations, gender relation, and cultural interpenetrations between Arabs and Black Africans? In this era of globalization is Islam a positive vanguard force or a trigger for parochialism and backward-looking nostalgia? In this era of terrorism and counter-terrorism can Islam be mobilized as a force for stability or has the religion been irretrievably hijacked by its own worst radicals?
This volume does not try to answer all the questions, but it helps to lay the basic groundwork for understanding Islam much better in this new age.
Vimbai is the best hairdresser in Mrs. Khumalo’s salon, and she is secure in her status until the handsome, smooth-talking Dumisani shows up one day for work. Despite her resistance, the two become friends, and eventually, Vimbai becomes Dumisani’s landlady. He is as charming as he is deft with the scissors, and Vimbai finds that he means more and more to her. Yet, by novel’s end, the pair’s deepening friendship—used or embraced by Dumisani and Vimbai with different futures in mind—collapses in unexpected brutality.
The novel is an acute portrayal of a rapidly changing Zimbabwe. In addition to Vimbai and Dumisani’s personal development, the book shows us how social concerns shape the lives of everyday people.
Following the successful launch of Bogotá39, which identified many of the most interesting upcoming Latin American talents, including Daniel Alarcon, Junot Diaz (Pulitzer Prize), Santiago Roncagliolo (Independent Foreign Fiction Prize) and Juan Gabriel Vásquez (short-listed for the IFFP), and Beirut39 which published Randa Jarrar, Rabee Jaber, Joumana Haddad, Abdellah Taia and Samar Yazbek, Africa39 will bring to worldwide attention the best work from Africa and its diaspora. The judges will select from up to 200 submissions researched by Binyavanga Wainaina, the founding editor of the acclaimed Nairobi-based literary magazine Kwani?, and the writers' names will be unveiled in Port Harcourt and at the London Book Fair in April 2014. Africa39 will be published in English throughout the world by Bloomsbury.
Africa39 is a Hay Festival and Rainbow Book Club project which aims to select and celebrate 39 of the best young African writers from south of the Sahara. It will be launched at the PH Book Festival in UNESCO's World Book Capital, Port Harcourt, Nigeria, in October 2014.
The three judges are:
Margaret Busby (UK – publisher, broadcaster and reviewer, chair of the Commonwealth Prize and editor of the anthology Daughters of Africa)
Elechi Amadi (Nigeria – author of plays, memoir and novels, including The Slave, Estrangement and The Woman of Calabar)
Osonye Tess Onwueme (Nigeria/USA – playwright, poet and scholar, whose works include Riot in Heaven and What Mama Said)
The stories in Your Madness, Not Mine are about postcolonial Cameroon, but especially about Cameroonian women, who probe their day-to-day experiences of survival and empowerment as they deal with gender oppression: from patriarchal expectations to the malaise of maldevelopment, unemployment, and the attraction of the West for young Cameroonians.
Makuchi has given us powerful portraits of the people of postcolonial Africa in the so-called global village who too often go unseen and unheard.
Representing the very best of African creative nonfiction, Safe House brings together works from Africa's contemporary literary greats. In a collection that ranges from travel writing and memoir to reportage and meditative essays, editor Ellah Wakatama Allfrey has brought together some of the most talented writers of creative nonfiction from across Africa.
This creative nonfiction single from the Safe House anthology is poet Neema Komba's memoir of her visit to an ancestral landmark in Tanzania.
The memory of each is subject to certain lapses, whether selective or genuine. Even when they agree on the facts — be they acts of love, of betrayal, or of violence — each narrator shapes the story in his or her own way, by what is left in and what is left out, by what is remembered and what is forgotten.
James Kilgore brings an authentic voice to a work of youthful hope, disillusionment, and unsettling resolution.
Coming at a time when Africa and African writers are in the midst of a remarkable renaissance, Gods and Soldiers captures the vitality and urgency of African writing today. With stories from northern Arabic-speaking to southern Zulu-speaking writers, this collection conveys thirty different ways of approaching what it means to be African. Whether about life in the new urban melting pots of Cape Town and Luanda, or amid the battlefield chaos of Zimbabwe and Somalia, or set in the imaginary surreal landscapes born out of the oral storytelling tradition, these stories represent a striking cross section of extraordinary writing. Including works by J. M. Coetzee, Chimamanda Adichie, Nuruddin Farah, Binyavanga Wainaina, and Chinua Achebe, and edited by Rob Spillman of Tin House magazine, Gods and Soldiers features many pieces never before published, making it a vibrant and essential glimpse of Africa as it enters the twenty-first century.
Contributors include internationally recognized authors and activists such as Wangari Maathai and Nawal El Saadawi, as well as a host of vibrant new voices from all over the African continent and from the African diaspora. Interdisciplinary in scope, this collection provides an excellent introduction to contemporary African women’s literature and highlights social issues that are particular to Africa but are also of worldwide concern. It is an essential reference for students of African studies, world literature, anthropology, cultural studies, postcolonial studies, and women’s studies. A Choice Outstanding Academic Book
Outstanding Book, selected by the Public Library Association
Best Books for High Schools, Best Books for Special Interests, and Best Books for Professional Use, selected by the American Association of School Libraries
Reminiscent of some of the greatest child narrators in literature, Azure’s voice will stay with the reader long after this short novel is finished. Based on personal experiences, Thirteen Cents is Duiker’s debut novel, originally published in 2000.
This first edition to be published outside South Africa includes an introduction by Shaun Viljoen and a special glossary of South African words and phrases from the text translated into English.
Shaun Viljoen is a Professor in the English Department at Stellenbosch University in South Africa, and the author of a forthcoming biography of the writer Richard Rive.
With black-and-white drawings throughout
Part of the Pantheon Fairy Tale and Folklore Library
Raucous and darkly humorous, Dog Eat Dog is narrated by Dingamanzi Makhedama Njomane, a college student in South Africa who spends his days partying, skipping class, and picking up girls. But Dingz, as he is known to his friends, is living in charged times, and his discouraging college life plays out against the backdrop of South Africa’s first democratic elections, the spread of AIDS, and financial difficulties that threaten to force him out of school.
The tale begins with three childhood playmates growing up on a sheep farm: Waldo, son of the farm's kindly and pious German overseer; Em, the stolid but kind English stepdaughter of Tant' Sannie, the farm's Boer owner; and Lyndall, Em's spirited orphan cousin. As the story follows the friends to adulthood, basic conflicts are enacted both internally and externally. Em's ardent fiancé falls in love with the beautiful but troubled Lyndall, who flouts social pressure to marry. Waldo struggles with his boundless yearning for spiritual fulfillment and for the stimulation that knowledge brings, as well as his need for warm human companionship.
Lyndall's fierce efforts to wrest from the world a life for herself, and the affects her insight and courage have on others, make a gripping tale. This eloquent portrayal of loves damaged by societal repression retains its power more than a century after its first publication. Today's readers will welcome this inexpensive edition of a literary landmark.
“Blazes a new trail in Africana literary criticism by providing an insight into the soul and spirit of Africana womanhood.”--Anthonia Kalu, The Ohio State University, author of Women, Literature, and Development in Africa
This is the revised and expanded edition of Teresa N. Washington's groundbreaking book Our Mothers, Our Powers, Our Texts: Manifestations of Aje in Africana Literature.
In Yoruba language and culture, Aje signifies both a phenomenal spiritual power and the human beings who exercise that power. Aje is the birthright of Africana women who are revered as the Gods of Society. While Africana men can have Aje, its owners and controllers are Africana women. Because it is an African female power, and due to its invisibility, ubiquity, and profundity, Aje is often maligned as witchcraft. However, as Teresa N. Washington reveals in Our Mothers, Our Powers, Our Texts, Aje is central to the Yoruba ethos, worldview, and cosmology. Not only is it essential to human creation and artistic creativity, but as a force of justice and retribution, Aje is vital to social harmony and balance.
Washington analyzes forms, figures, and forces of Aje in the Yoruba world, in the Caribbean Islands, in Latin America, and in African America. Washington's research reveals that with the exile and enslavement of millions of Africans, Aje became a global force and an essential ally in organizing insurrections, soothing shattered souls, and reminding the dispossessed of their inherent divinity.
From her in-depth exploration of Aje in Pan-African history and orature, Washington guides readers through rich analyses of the symbolic, methodological, and spiritual manifestations of Aje that are central to important works by Africana writers but are rarely elucidated by Western criticism. Our Mothers, Our Powers, Our Texts includes innovative readings of works by many Africana writers, including Zora Neale Hurston, Toni Morrison, Ben Okri, Wole Soyinka, Jamaica Kincaid, and Ntozake Shange.
This revised and expanded edition of Our Mothers, Our Powers, Our Texts will appeal to scholars of Africana literature, African religion and philosophy, gender studies, and comparative literature. Devotees of Africana spiritual systems will find this book to be indispensable.
Viljoen’s biography illuminates the brief and dramatic life of Jonker, who created a literary oeuvre — as searing in its intensity as it is brief — before taking her own life at the age of thirty-one. Jonker wrote against a background of escalating apartheid laws, violent repression of black political activists, and the banning of the African National Congress and the Pan Africanist Congress. Viljoen tells the story of Ingrid Jonker in the political and cultural context of her time, provides sensitive insights into her poetry, and considers the reasons for the enduring fascination with her life and death.
Her writings, her association with bohemian literary circles, and her identification with the oppressed brought her into conflict with her father, a politician in the white ruling party, and with other authority figures from her Afrikaner background. Her life and work demonstrate the difficulty and importance of artistic endeavor in a place of terrible conflict.
publications over the past fifty years have centered on investigations of the
ways in which texts represent both themselves and their situations of utterance.
The thirteen chapters of the present book illustrate the range of his inquiry
across several cultures and disciplines. They also demonstrate the interpretive
richness, the theoretical acumen, and the energetic prose that characterize the
work of one of America's premier "close readers."
Situated Utterances is divided into four parts. In Part One Berger designs an
analytical model of New Criticism and shows how it was dismantled during the
decades after the Second World War. He then proposes a reconstructed model in
which the practice of ironic and suspicious "close reading" may be directed toward
interactions among bodies, texts, and countertexts in different cultural settings.
Part Two demonstrates this practice in studies of specific works in three genres:
the pastoral Idylls of Theocritus, Edmund Spenser's epic, The Faerie Queene, and
the Diaries of Samuel Pepys. The scope of the practice is broadened in Part Three
to the connection between cultural representations and institutional change, a
connection explored in four chapters that successively examine precapitalist
forms of representation, the Old Testament, Beowulf, and the conflict between
nakedness and nudity in Christian conceptions of the body. Part Four consists
in three chapters on Plato's dialogues, which Berger interprets as critical of the
general situation of utterance in a predominantly oral culture. He argues that
Plato uses the resources of writing to depict the heroic pathos of a Socrates whose
method and message are defeated by the politics of the oral medium.
Situated Utterances concludes with "A Conspectus of Critical Moves:
The Eleven-Step Program." This is a summary account of the interpretive
strategies put into play by the author throughout his long career.
Ho describes the separate journeys her parents took before they knew one another, each leaving China and Hong Kong around the early 1960s, arriving in South Africa as illegal immigrants. Her father eventually became a so-called “fahfee man,” running a small-time numbers game in the black townships, one of the few opportunities available to him at that time. In loving detail, Ho describes her father’s work habits: the often mysterious selection of numbers at the kitchen table, the carefully-kept account ledgers, and especially the daily drives into the townships, where he conducted business on street corners from the seat of his car. Sometimes Ufrieda accompanied him on these township visits, offering her an illuminating perspective into a stratified society. Poignantly, it was on such a visit that her father—who is very much a central figure in Ho’s memoir—met with a tragic end.
In many ways, life for the Chinese in South Africa was self-contained. Working hard, minding the rules, and avoiding confrontations, they were able to follow traditional Chinese ways. But for Ufrieda, who was born in South Africa, influences from the surrounding culture crept into her life, as did a political awakening. Paper Sons and Daughters is a wonderfully told family history that will resonate with anyone having an interest in the experiences of Chinese immigrants, or perhaps any immigrants, the world over.
The collection of thirty-four folktales of the Beba showcases a wide variety of stories that capture the richness and complexities of an agrarian society’s oral literature and traditions. Revenge, greed, and deception are among the themes that frame the story lines in both new and familiar ways. In the title story, a poor man finds himself elevated to king. The condition for his continued success is that he not open the sacred door. This tale of temptation, similar to the story of Pandora’s box, concludes with the question, “What would you have done?”
Makuchi relates the stories her mother told her so that readers can make connections between African and North American oral narrative traditions. These tales reinforce the commonalities of our human experiences without discounting our differences.
The novel follows three Zimbabwean men as they struggle to find places for themselves in Scotland. As he wanders Edinburgh with his Walkman on a constant loop of the music of home, the Magistrate — a former judge, now a health aide — tries to find meaning in new memories. The depressed and quixotic Maestro — gone AWOL from his job stocking shelves at a grocery store — escapes into books. And the youthful Mathematician enjoys a carefree and hedonistic graduate school life, until he can no longer ignore the struggles of his fellow expatriates.
In this novel of ideas, Huchu deploys satire to thoughtful end in what is quickly becoming his signature mode. Shying from neither the political nor the personal, he creates a humorous but increasingly somber picture of love, loss, belonging, and politics in the Zimbabwean diaspora.
One of Hari's earliest memories is of trying to wake up one of his relatives and not being able to. He didn't understand why then, but as he got older, he realised he had addiction in his family. He wanted to understand what really causes addiction – and how to find our way back from it. So he set off on an epic three-year, thirty-thousand mile journey into the war on drugs and addiction. He discovered that nothing on this subject is what we have been told it is – and the solutions are there, waiting for us, if only we are ready to see them.
In Tales of the Metric System, Imraan Coovadia’s sere, direct sentences light a fire as he parses South Africa across the decades, from 1970 into the present. As Salman Rushdie used Indian independence in Midnight’s Children, Coovadia takes his homeland’s transition from imperial to metric measurements as his catalyst, holding South Africa up to the light and examining it from multiple perspectives. An elite white housewife married to a radical intellectual; a rock guitarist; the same guitarist’s granddaughter thirty years later; a teenaged boy at the mercy of mob justice — each story takes place over one of ten days across the decades, and each protagonist has his own stakes, her own moment in time, but each is equally caught in the eddies of change. Tales of the Metric System is clear eyed, harrowing, and formally daring.
Rising Anthills (the title refers to a Dogon myth) analyzes works in English, French, and Arabic by African and African American writers, both women and men, from different parts of the African continent and the diaspora. Attending closely to the nuances of language and the complexities of the issue, Bekers explores lesser-known writers side by side with such recognizable names as Ngugi wa Thiong’o, Flora Nwapa, Nawal El Saadawi, Ahmadou Kourouma, Calixthe Beyala, Alice Walker, and Gloria Naylor. Following their literary discussions of female genital excision, she discerns a gradual evolution—from the 1960s, when writers mindful of its communal significance carefully “wrote around” the physical operation, through the 1970s and 1980s, when they began to speak out against the practice and their societies’ gender politics, to the late 1990s, when they situated their denunciations of female genital excision in a much broader, international context of women’s oppression and the struggle for women’s rights.
The 2012 collection will include the five shortlisted stories and the stories written at the Caine Prize Writers' Workshop. It will be published to coincide with the announcement of the award in July 2012.
The history of Zimbabwe has always been reflected in its oral and written literature. Much of the serious fiction written in the 1980s and early 1990s focused on the effects of Zimbabwe’s war of liberation. Little has yet been written about post-independence Zimbabwe and the complex and challenging issues that have arisen in the last twenty years. This anthology of twenty-two short stories provides a representative sample of the range and quality of writing in Zimbabwe at the turn of the century, and an impressionistic reflection of the years since independence in 1980.
Included are stories by established writers Shimmer Chinodya, Charles Mungoshi, Brian Chikwava; and some younger or less established writers, Clement Chihota, Wonder Guchu, Chiedza Musengezi, Mary Ndlovu, Vivienne Ndlovu and Stanley Nyamfukudza. The collection also reflects a slightly broader perspective with stories by Alexandra Fuller, Derek Huggins, Pat Brickhill and Chris Wilson, who engage with historical memory of the conflicts out of which Zimbabwe arose, and the lessons to be drawn from living within a culture other than one’s own. Overall, the anthology reaffirms the persistent value attached to imaginative writing in Zimbabwe, and illustrates that the country’s literary tradition is alive and well, and reshaping itself for new times.
Age-old fables explain why the leopard has no friends, how wild dogs became domesticated, and why pigs dig. Adventure stories recount a prince's quest for an ancient ivory horn and the struggles of two sisters, separated by slavery, to reunite. All of the stories are populated by memorable characters such as a greedy monkey and ambitious ants, a pair of crickets forced to sing for their supper, a couple of fishermen who compete for a bride, and the Man-in-the-Moon and his wife.
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This book is not
recommended for readers with an aversion to cliffhangers, graphic
depictions of sex or serialized fiction. This book is intended for readers 18 years or older. Reader discretion is advised.
A boring, careless boyfriend. A boring, monotonous day job. Madeline
Lovelace's life seems the very definition of dull until the mysterious
Elias Collingwood takes a job at her office and spices things up. When
her boyfriend suddenly dumps her, Madeline finds comfort in Elias, but
realizes very quickly that he's offering her more than mere 'comfort'...
When she gets involved with the cocky, enigmatic Elias, the
rest of her life is thrown into chaos. Just who is he, and why does he
have such an intense interest in her? As she gets to know him, it
quickly becomes clear that he's keeping some secrets...
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Ben Hope is unstoppable, unbreakable, unforgettable. For a limited period, discover the first 6 Ben Hope novels at an unbeatable price, to celebrate publication of the seventh and most explosive book yet – The Sacred Sword.
This special offer bundle by bestselling author Scott Mariani comprises of the first six Ben Hope novels, together for the very first time:
The Alchemist’s Secret
The Mozart Conspiracy
The Doomsday Prophecy
The Heretic’s Treasure
The Shadow Project
The Lost Relic
"A short list of the greatest living conversationalists in English," said The Economist, "would probably have to include Christopher Hitchens, Sir Patrick Leigh-Fermor, and Sir Tom Stoppard. Great brilliance, fantastic powers of recall, and quick wit are clearly valuable in sustaining conversation at these cosmic levels. Charm may be helpful, too." Hitchens-who staunchly declines all offers of knighthood-hereby invites you to take a seat at a democratic conversation, to be engaged, and to be reasoned with. His knowledge is formidable, an encyclopedic treasure, and yet one has the feeling, reading him, of hearing a person thinking out loud, following the inexorable logic of his thought, wherever it might lead, unafraid to expose fraudulence, denounce injustice, and excoriate hypocrisy. Legions of readers, admirers and detractors alike, have learned to read Hitchens with something approaching awe at his felicity of language, the oxygen in every sentence, the enviable wit and his readiness, even eagerness, to fight a foe or mount the ramparts.
Here, he supplies fresh perceptions of such figures as varied as Charles Dickens, Karl Marx, Rebecca West, George Orwell, J.G. Ballard, and Philip Larkin are matched in brilliance by his pungent discussions and intrepid observations, gathered from a lifetime of traveling and reporting from such destinations as Iran, China, and Pakistan.
Hitchens's directness, elegance, lightly carried erudition, critical and psychological insight, humor, and sympathy-applied as they are here to a dazzling variety of subjects-all set a standard for the essayist that has rarely been matched in our time. What emerges from this indispensable volume is an intellectual self-portrait of a writer with an exemplary steadiness of purpose and a love affair with the delights and seductions of the English language, a man anchored in a profound and humane vision of the human longing for reason and justice.
An inquisitive observer, thoughtful commentator, and assiduous craftsman, Neil Gaiman has long been celebrated for the sharp intellect and startling imagination that informs his bestselling fiction. Now, The View from the Cheap Seats brings together for the first time ever more than sixty pieces of his outstanding nonfiction. Analytical yet playful, erudite yet accessible, this cornucopia explores a broad range of interests and topics, including (but not limited to): authors past and present; music; storytelling; comics; bookshops; travel; fairy tales; America; inspiration; libraries; ghosts; and the title piece, at turns touching and self-deprecating, which recounts the author’s experiences at the 2010 Academy Awards in Hollywood.
Insightful, incisive, witty, and wise, The View from the Cheap Seats explores the issues and subjects that matter most to Neil Gaiman—offering a glimpse into the head and heart of one of the most acclaimed, beloved, and influential artists of our time.
Continuously in print since 1948, the Collins Complete Works of Oscar Wilde has long been recognised as the most comprehensive and authoritative single-volume collection of Wilde’s texts available, containing his only novel, The Portrait of Dorian Gray, as well as his plays, stories, poems, essays and letters, all in their most authoritative texts.
Also included is a comprehensive bibliography of works by and about Oscar Wilde, and a chronological table of his life and work.
With the insight and good humor his fans appreciated in On ?Writing , Danse Macabre is an enjoyably entertaining tour through Stephen King’s beloved world of horror.
The Alexandria Quartet is a striking and sensuous masterpiece, breathing vivid life into each of its unforgettable characters and the dusty Mediterranean city in which they live. Set in Alexandria, Egypt, in the years before, during, and after World War II, the books follow the lives of a circle of friends and lovers, including sensitive Darley, passionate Justine, philosophical Balthazar, and elegant Clea. Written in Durrell’s trademark evocative prose, these four novels explore the central theme of modern love, building into a remarkable whole that the New York Times hailed as “one of the most important works of our time.” This ebook features a new introduction by Jan Morris.