This beautiful, abridged Macmillan Collector's Library edition of The Count of Monte Cristo features an afterword by Marcus Clapham.
Designed to appeal to the booklover, the Macmillan Collector's Library is a series of beautiful gift editions of much loved classic titles. Macmillan Collector's Library are books to love and treasure.
Now you see her. Now you don’t. THE NEW GIRL. A thriller of deception, betrayal, and vengeance.
She was covered from head to toe in expensive wool and plaid, the sort of stuff one saw at the Burberry boutique in Harrods. She carried a leather bookbag rather than a nylon backpack. Her patent leather ballet slippers were glossy and bright. She was proper, the new girl, modest. But there was something else about her ...
At an exclusive private school in Switzerland, mystery surrounds the identity of the beautiful raven-haired girl who arrives each morning in a motorcade fit for a head of state. She is said to be the daughter of a wealthy international businessman. In truth, her father is Khalid bin Mohammed, the much-maligned crown prince of Saudi Arabia. Once celebrated for his daring social and religious reforms, he is now reviled for his role in the murder of a dissident journalist. And when his only child is brutally kidnapped, he turns to the one man he can trust to find her before it is too late.
What’s done cannot be undone ...
Gabriel Allon, the legendary chief of Israeli intelligence, has spent most of his life fighting terrorists, including the murderous jihadists financed by Saudi Arabia. Prince Khalid—or KBM, as he is known—has pledged to finally break the bond between the Kingdom and radical Islam. For that reason alone, Gabriel regards him as a valuable if flawed partner. Together they will become unlikely allies in a deadly secret war for control of the Middle East. The life of a child, and the throne of Saudi Arabia, hang in the balance. Both men have made their share of enemies. And both have everything to lose.
Filled with dark humor, breathtaking twists of plot, and an unforgettable cast of characters, The New Girl is both a thrilling, page-turning tale of entertainment and a sophisticated study of political alliances and great-power rivalries in a dangerous world. And it is once again proof that Gabriel Allon is “one of fiction’s greatest spies” (Kirkus) and Daniel Silva is “quite simply the best” (Kansas City Star) writer of foreign intrigue and suspense at work today.
In its limitation to his years of youth, the Mémoires of Dumas resemble that equally delightful book, the long autobiographical fragment by George Sand. Both may contain much Dichtung as well as Wahrheit: at least we see the youth of the great novelists as they liked to see it themselves. The Mémoires, with Mes Bêtes, possess this advantage over most of the books, that the most crabbed critic cannot say that Dumas did not write them himself. In these works, certainly, he was unaided by Maquet or any other collaborator. They are all his own, and the essential point of note is that they display all the humour, the goodness of heart, the overflowing joy in life, which make the charm of the novels. Here, unmixed, unadulterated, we have that essence of Dumas with which he transfigured the tame "copy" drawn up by Maquet and others under his direction. He told them where to find their historical materials, he gave them the leading ideas of the plot, told them how to block out the chapters, and then he took these chapters and infused into them his own spirit, the spirit which, in its pure shape, pervades every page of the Mémoires. They demonstrate that, while he received mechanical aid from collaborators, took from their hands the dry bones of his romances, it was he who made the dry bones live. He is now d'Artagnan, now Athos, now Gorenflot, now Chicot,—all these and many other personages are mere aspects of the immortal, the creative Alexandre.
Once there you can hire or purchase a horse. If you wish to hire a horse you can do so for five francs a-day; if you purchase one you can have a good animal for one hundred and fifty francs. And don't sneer at the moderate price, for the horse hired or purchased will perform as great feats as the famous Gascon horse which leaped over the Pont Neuf, which neither Prospero nor Nautilus, the heroes of Chantilly and the Champ de Mars could do. He will traverse roads which Balmat himself could not cross without _crampons,_ and will go over bridges upon which Auriol would need a balancing pole.
As for the traveller, all he has to do is to give the horse his head and let him go as he pleases; he does not mind the danger. We may add that with this horse, which can go anywhere, the traveller can accomplish his fifteen leagues a day without stopping to bait.
From time to time, while the tourist may be halting to examine some ancient castle, built by some old baron or legendary hero, or to sketch a tower built ages ago by the Genoese, the horse will be contented to graze by the road side, or to pluck the mosses from the rocks in the vicinity....
One beautiful autumn day, while he undergoes a routine medical procedure, something goes irrevocably wrong. Dodge is pronounced brain dead and put on life support, leaving his stunned family and close friends with difficult decisions. Long ago, when a much younger Dodge drew up his will, he directed that his body be given to a cryonics company now owned by enigmatic tech entrepreneur Elmo Shepherd. Legally bound to follow the directive despite their misgivings, Dodge’s family has his brain scanned and its data structures uploaded and stored in the cloud, until it can eventually be revived.
In the coming years, technology allows Dodge’s brain to be turned back on. It is an achievement that is nothing less than the disruption of death itself. An eternal afterlife—the Bitworld—is created, in which humans continue to exist as digital souls.
But this brave new immortal world is not the Utopia it might first seem . . .
Fall, or Dodge in Hell is pure, unadulterated fun: a grand drama of analog and digital, man and machine, angels and demons, gods and followers, the finite and the eternal. In this exhilarating epic, Neal Stephenson raises profound existential questions and touches on the revolutionary breakthroughs that are transforming our future. Combining the technological, philosophical, and spiritual in one grand myth, he delivers a mind-blowing speculative literary saga for the modern age.