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The spine-tingling, bone-chilling novel of supernatural suspense from the #1 New York Times bestselling author of The Fireman and Horns—now an AMC original series starring Zachary Quinto, Ebon Moss-Bachrach, and Ashleigh Cummings.

"A masterwork of horror."— Time

Victoria McQueen has an uncanny knack for finding things: a misplaced bracelet, a missing photograph, answers to unanswerable questions. When she rides her bicycle over the rickety old covered bridge in the woods near her house, she always emerges in the places she needs to be.

Charles Talent Manx has a gift of his own. He likes to take children for rides in his 1938 Rolls-Royce Wraith with the vanity plate NOS4A2. In the Wraith, he and his innocent guests can slip out of the everyday world and onto hidden roads that lead to an astonishing playground of amusements he calls Christmasland. The journey across the highway of Charlie's twisted imagination transforms his precious passengers, leaving them as terrifying and unstoppable as their benefactor.

Then comes the day when Vic goes looking for trouble...and finds her way to Charlie. That was a lifetime ago. Now, the only kid ever to escape Charlie's evil is all grown up and desperate to forget. But Charlie Manx hasn't stopped thinking about Victoria McQueen. On the road again, he won't slow down until he's taken his revenge. He's after something very special—something Vic can never replace.

As a life-and-death battle of wills builds, Vic McQueen prepares to destroy Charlie once and for all—or die trying.

#1 NEW YORK TIMES BESTSELLER • “Prepare to be entranced by this addictively readable oral history of the great war between humans and zombies.”—Entertainment Weekly
 
We survived the zombie apocalypse, but how many of us are still haunted by that terrible time? We have (temporarily?) defeated the living dead, but at what cost? Told in the haunting and riveting voices of the men and women who witnessed the horror firsthand, World War Z is the only record of the apocalyptic years.
 
The Zombie War came unthinkably close to eradicating humanity. Max Brooks, driven by the urgency of preserving the acid-etched first-hand experiences of the survivors, traveled across the United States of America and throughout the world, from decimated cities that once teemed with upwards of thirty million souls to the most remote and inhospitable areas of the planet. He recorded the testimony of men, women, and sometimes children who came face-to-face with the living, or at least the undead, hell of that dreadful time. World War Z is the result. Never before have we had access to a document that so powerfully conveys the depth of fear and horror, and also the ineradicable spirit of resistance, that gripped human society through the plague years.

THE INSPIRATION FOR THE MAJOR MOTION PICTURE

“Will spook you for real.”—The New York Times Book Review
 
“Possesses more creativity and zip than entire crates of other new fiction titles. Think Mad Max meets The Hot Zone. . . . It’s Apocalypse Now, pandemic-style. Creepy but fascinating.”—USA Today
 
“Will grab you as tightly as a dead man’s fist. A.”—Entertainment Weekly, EW Pick 
 
“Probably the most topical and literate scare since Orson Welles’s War of the Worlds radio broadcast . . . This is action-packed social-political satire with a global view.”—Dallas Morning News
Stephen King’s second novel, the classic vampire bestseller ’SALEM’S LOT, tells the story of evil in small-town America. For the first time in a major trade edition, this terrifying novel is accompanied by previously unpublished material from King’s archive, two short stories, and eerie photographs that bring King’s fictional darkness and evil to vivid life.

When Stephen King’s classic thriller’SALEM’S LOT hit the stands in 1975, it thrilled and terrified millions of readers with tales of demonic evil in small-town America. Now, thirty years later and still scaring readers witless, ’SALEM’S LOT reemerges in a brilliant new edition, complete with photographs, fifty pages of deleted and alternate scenes, and two short stories related to the events of the novel.

While the original edition of ’SALEM’S LOT will forever be a premier horror classic, ’SALEM’S LOT: ILLUSTRATED EDITION, with the inclusion of material from King’s archive, is destined to become a classic in its own right and a must-have for all Stephen King fans. In this edition, the hair-raising story of Jerusalem’s Lot, a small town in Maine whose inhabitants succumb to the evil allure of a new resident, is told as the author envisioned it, complete with fifty pages of alternate and deleted scenes. With a new introduction by the author, two short stories related to the events and residents of Jerusalem’s Lot, the lavishly creepy photographs of Jerry Uelsmann, and a stunning new page design, this edition brings the story to life in words and pictures as never before.

No library will be complete without this ideal collector’s item for any King aficionado, the definitive illustrated edition of the great ’SALEM’S LOT.
One of the Ten Best Books of The New York Times Book Review
Winner of the Los Angeles Times Book Prize
Now a miniseries from Hulu starring James Franco

ON NOVEMBER 22, 1963, THREE SHOTS RANG OUT IN DALLAS, PRESIDENT KENNEDY DIED, AND THE WORLD CHANGED. WHAT IF YOU COULD CHANGE IT BACK?

In this brilliantly conceived tour de force, Stephen King—who has absorbed the social, political, and popular culture of his generation more imaginatively and thoroughly than any other writer—takes readers on an incredible journey into the past and the possibility of altering it.

It begins with Jake Epping, a thirty-five-year-old English teacher in Lisbon Falls, Maine, who makes extra money teaching GED classes. He asks his students to write about an event that changed their lives, and one essay blows him away—a gruesome, harrowing story about the night more than fifty years ago when Harry Dunning’s father came home and killed his mother, his sister, and his brother with a sledgehammer. Reading the essay is a watershed moment for Jake, his life—like Harry’s, like America’s in 1963—turning on a dime. Not much later his friend Al, who owns the local diner, divulges a secret: his storeroom is a portal to the past, a particular day in 1958. And Al enlists Jake to take over the mission that has become his obsession—to prevent the Kennedy assassination.

So begins Jake’s new life as George Amberson, in a different world of Ike and JFK and Elvis, of big American cars and sock hops and cigarette smoke everywhere. From the dank little city of Derry, Maine (where there’s Dunning business to conduct), to the warmhearted small town of Jodie, Texas, where Jake falls dangerously in love, every turn is leading eventually, of course, to a troubled loner named Lee Harvey Oswald and to Dallas, where the past becomes heart-stoppingly suspenseful, and where history might not be history anymore. Time-travel has never been so believable. Or so terrifying.
The second book in Stephen King’s Bill Hodges trilogy (Mr. Mercedes, Finders Keepers, End of Watch), an AT&T Audience Original Series, now in its second season!

“Stephen King’s superb new stay-up-all-night thriller is a sly tale of literary obsession that recalls the themes of his classic 1987 novel Misery” (The Washington Post)—the #1 New York Times bestseller about the power of storytelling, starring the same trio of unlikely and winning heroes Stephen King introduced in Mr. Mercedes.

“Wake up, genius.” So announces deranged fan Morris Bellamy to iconic author John Rothstein, who once created the famous character Jimmy Gold and hasn’t released anything since. Morris is livid, not just because his favorite writer has stopped publishing, but because Jimmy Gold ended up as a sellout. Morris kills his idol and empties his safe of cash, but the real haul is a collection of notebooks containing John Rothstein’s unpublished work...including at least one more Jimmy Gold novel. Morris hides everything away—the money and the manuscripts no one but Gold ever saw—before being locked up for another horrific crime. But upon Morris’s release thirty-five years later, he’s about to discover that teenager Pete Saubers has already found the stolen treasure—and no one but former police detective Bill Hodges, along with his trusted associates Holly Gibney and Jerome Robinson, stands in the way of his vengeance...

Not since Misery has Stephen King played with the notion of a reader and murderous obsession, filled with “nail biting suspense that’s the hallmark of [his] best work” (Publishers Weekly).
David Wong has updated the Lovecraft tradition and infused it with humor that rather than lessening the horror, increases it dramatically. Every time I set the book down down, I was wary that something really was afoot, that there were creatures I couldn't see, and that because I suspected this, I was next. Engaging, comic, and terrifying.-- Joe Garden, Features Editor, The Onion
"Wong is like a mash-up of Douglass Adams and Stephen King... 'page-turner' is an understatement."
--Don Coscarelli, director, Phantasm I-V, Bubba Ho-tep

"That rarest of things--a genuinely scary story."--David Wellington, author of Monster Island, Vampire Zero

"JOHN DIES AT THE END has a cult following for a reason: it's horrific, thought-provoking, and hilarious all at once. This is one of the most entertaining and addictive novels I've ever read."--Jacob Kier, Publisher, Permuted Press

STOP. You should not have touched this flyer with your bare hands. NO, don't put it down. It's too late. They're watching you. My name is David Wong. My best friend is John. Those names are fake. You might want to change yours. You may not want to know about the things you'll read on these pages, about the sauce, about Korrok, about the invasion, and the future. But it's too late. You touched the book. You're in the game. You're under the eye. The only defense is knowledge. You need to read this book, to the end. Even the part with the bratwurst. Why? You just have to trust me.

The important thing is this: The drug is called Soy Sauce and it gives users a window into another dimension. John and I never had the chance to say no. You still do. I'm sorry to have involved you in this, I really am. But as you read about these terrible events and the very dark epoch the world is about to enter as a result, it is crucial you keep one thing in mind: None of this was my fault.

Invite Hannibal Lecter into the palace of your mind and be invited into his mind palace in turn.  Note the similarities in yours and his, the high vaulted chambers of your dreams, the shadowed halls, the locked storerooms where you dare not go, the scrap of half-forgotten music, the muffled cries from behind a wall.

In one of the most eagerly anticipated literary events of the decade, Thomas Harris takes us once again into the mind of a killer, crafting a chilling portrait of insidiously evolving evil--a tour de force of psychological suspense.  

Seven years have passed since Dr. Hannibal Lecter escaped from custody, seven years since FBI Special Agent Clarice Starling interviewed him in a maximum security hospital for the criminally insane.  The doctor is still at large, pursuing his own ineffable interests, savoring the scents, the essences of an unguarded world.  But Starling has never forgotten her encounters with Dr. Lecter, and the metallic rasp of his seldom-used voice still sounds in her dreams.  

Mason Verger remembers Dr. Lecter, too, and is obsessed with revenge.  He was Dr. Lecter's sixth victim, and he has survived to rule his own butcher's empire.  From his respirator, Verger monitors every twitch in his worldwide web.  Soon he sees that to draw the doctor, he must have the most exquisite and innocent-appearing bait; he must have what Dr. Lecter likes best.  

Powerful, hypnotic, utterly original, Hannibal is a dazzling feast for the imagination.  Prepare to travel to hell and beyond as a master storyteller permanently alters the world you thought you knew.
Originally published in 1971, The Exorcist is now a major television series on FOX. It remains one of the most controversial novels ever written and went on to become a literary phenomenon: It spent fifty-seven weeks on the New York Times bestseller list, seventeen consecutively at number one. Inspired by a true story of a child’s demonic possession in the 1940s, William Peter Blatty created an iconic novel that focuses on Regan, the eleven-year-old daughter of a movie actress residing in Washington, D.C. A small group of overwhelmed yet determined individuals must rescue Regan from her unspeakable fate, and the drama that ensues is gripping and unfailingly terrifying.

Two years after its publication, The Exorcist was, of course, turned into a wildly popular motion picture, garnering ten Academy Award nominations. On opening day of the film, lines of the novel’s fans stretched around city blocks. In Chicago, frustrated moviegoers used a battering ram to gain entry through the double side doors of a theater. In Kansas City, police used tear gas to disperse an impatient crowd who tried to force their way into a cinema. The three major television networks carried footage of these events; CBS’s Walter Cronkite devoted almost ten minutes to the story. The Exorcist was, and is, more than just a novel and a film: it is a true landmark.

Purposefully raw and profane, The Exorcist still has the extraordinary ability to disturb readers and cause them to forget that it is “just a story.” Published here in this beautiful fortieth anniversary edition, it remains an unforgettable reading experience and will continue to shock and frighten a new generation of readers.

With his bestselling blend of nail-biting intensity, daring artistry, and storytelling magic, Dean Koontz returns with an emotional roller coaster of a tale filled with enough twists, turns, shocks, and surprises for ten ordinary novels. Here is the story of five days in the life of an ordinary man born to an extraordinary legacy—a story that will challenge the way you look at good and evil, life and death, and everything in between.

Jimmy Tock comes into the world on the very night his grandfather leaves it. As a violent storm rages outside the hospital, Rudy Tock spends long hours walking the corridors between the expectant fathers' waiting room and his dying father's bedside. It's a strange vigil made all the stranger when, at the very height of the storm's fury, Josef Tock suddenly sits up in bed and speaks coherently for the frist and last time since his stroke.

What he says before he dies is that there will be five dark days in the life of his grandson—five dates whose terrible events Jimmy will have to prepare himself to face. The first is to occur in his twentieth year; the second in his twent-third year; the third in his twenty-eighth; the fourth in his twenty-ninth; the fifth in his thirtieth.

Rudy is all too ready to discount his father's last words as a dying man's delusional rambling. But then he discovers that Josef also predicted the time of his grandson's birth to the minute, as well as his exact height and weight, and the fact that Jimmy would be born with syndactyly—the unexplained anomal of fused digits—on his left foot. Suddenly the old man's predictions take on a chilling significance.

What terrifying events await Jimmy on these five dark days? What nightmares will he face? What challenges must he survive? As the novel unfolds, picking up Jimmy's story at each of these crisis points, the path he must follow will defy every expectation. And with each crisis he faces, he will move closer to a fate he could never have imagined. For who Jimmy Tock is and what he must accomplish on the five days when his world turns is a mystery as dangerous as it is wondrous—a struggle against an evil so dark and pervasive, only the most extraordinary of human spirits can shine through.

This ebook edition contains a special preview of Dean Koontz’s The Silent Corner.
Includes the story “Premium Harmony”—set in the fictional town of Castle Rock, Maine

The masterful #1 New York Times bestselling story collection from O. Henry Prize winner Stephen King that includes twenty-one iconic stories with accompanying autobiographical comments on when, why and how he came to write (or rewrite) each one.

For more than thirty-five years, Stephen King has dazzled readers with his genius as a writer of short fiction. In this new collection he introduces each story with a passage about its origins or his motivations for writing it.

As Entertainment Weekly said about this collection: “Bazaar of Bad Dreams is bursting with classic King terror, but what we love most are the thoughtful introductions he gives to each tale that explain what was going on in his life as he wrote it."

There are thrilling connections between stories; themes of morality, the afterlife, guilt, what we would do differently if we could see into the future or correct the mistakes of the past. In “Afterlife,” a man who died of colon cancer keeps reliving the same life, repeating his mistakes over and over again. Several stories feature characters at the end of life, revisiting their crimes and misdemeanors. Others address what happens when someone discovers that he has supernatural powers—the columnist who kills people by writing their obituaries in “Obits;” the old judge in “The Dune” who, as a boy, canoed to a deserted island and saw names written in the sand, people who then died in freak accidents. In “Morality,” King looks at how a marriage and two lives fall apart after the wife and husband enter into what seems, at first, a devil’s pact they can win.

“I made these stories especially for you,” says King. “Feel free to examine them, but please be careful. The best of them have teeth.”

Stories include:
-Mile 81
-Premium Harmony
-Batman and Robin Have an Altercation
-The Dune
-Bad Little Kid
-A Death
-The Bone Church
-Morality
-Afterlife
-Ur
-Herman Wouk Is Still Alive
-Under the Weather
-Blockade Billy
-Mister Yummy
-Tommy
-The Little Green God of Agony
-Cookie Jar
-That Bus Is Another World
-Obits
-Drunken Fireworks
-Summer Thunder
“Wholly original . . . the work of the newest major talent in fantasy.”—The Wall Street Journal

“Freakishly compelling . . . through heart-thumping acts of violence and laugh-out-loud moments, this book practically dares you to keep reading.”—Atlanta Magazine

A missing God.
A library with the secrets to the universe. 
A woman too busy to notice her heart slipping away.
 
Carolyn's not so different from the other people around her. She likes guacamole and cigarettes and steak. She knows how to use a phone. Clothes are a bit tricky, but everyone says nice things about her outfit with the Christmas sweater over the gold bicycle shorts.  

After all, she was a normal American herself once.   

That was a long time ago, of course. Before her parents died. Before she and the others were taken in by the man they called Father. 

In the years since then, Carolyn hasn't had a chance to get out much. Instead, she and her adopted siblings have been raised according to Father's ancient customs. They've studied the books in his Library and learned some of the secrets of his power. And sometimes, they've wondered if their cruel tutor might secretly be God.  

Now, Father is missing—perhaps even dead—and the Library that holds his secrets stands unguarded. And with it, control over all of creation. 

As Carolyn gathers the tools she needs for the battle to come, fierce competitors for this prize align against her, all of them with powers that far exceed her own. 

But Carolyn has accounted for this. 

And Carolyn has a plan. 

The only trouble is that in the war to make a new God, she's forgotten to protect the things that make her human.

Populated by an unforgettable cast of characters and propelled by a plot that will shock you again and again, The Library at Mount Char is at once horrifying and hilarious, mind-blowingly alien and heartbreakingly human, sweepingly visionary and nail-bitingly thrilling—and signals the arrival of a major new voice in fantasy. 

Praise for The Library at Mount Char

An engrossing fantasy world full of supernatural beings and gruesome consequences."—Boston Globe

"Vivid . . . the dialogue sings . . . you'll spend equal time shuddering and chortling."—Dallas Morning News"
"The oldest and strongest emotion of mankind is fear, and the oldest and strongest kind of fear is fear of the unknown." ~ H.P. Lovecraft


This collection includes 160 of H.P. Lovecraft's works. The collection is grouped by Early Writings, Fiction, Collaborative Works, Poetry and Essays. The groups are organized in chronological order by the date that each work was written. 


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Early Writings:
The Little Glass Bottle (1897)
The Secret Cave (1898)
The Mystery Of The Graveyard (1898)
The Mysterious Ship (1902)
The Beast in the Cave (1905)
The Alchemist (1908)


Fiction:
The Tomb (1917)
Dagon (1917)
A Reminiscence of Dr. Samuel Johnson (1917)
Sweet Ermengarde (1917)
Polaris (1918)
Beyond the Wall of Sleep (1919)
Memory (1919)
Old Bugs (1919)
The Transition of Juan Romero (1919)
The White Ship (1919)
The Doom That Came to Sarnath (1919)
The Statement of Randolph Carter (1919)
The Terrible Old Man (1920)
The Tree (1920)
The Cats of Ulthar (1920)
The Temple (1920)
Facts Concerning the Late Arthur Jermyn and His Family (1920)
The Street (1920)
Celephaas (1920)
From Beyond (1920)
Nyarlathotep (1920)
The Picture in the House (1920)
Ex Oblivione (1921)
The Nameless City (1921)
The Quest of Iranon (1921)
The Moon-Bog (1921)
The Outsider (1921)
The Other Gods (1921)
The Music of Erich Zann (1921)
Herbert West--Reanimator (1922)
Hypnos (1922)
What the Moon Brings (1922)
Azathoth (1922)
The Hound (1922)
The Lurking Fear (1922)
The Rats in the Walls (1923)
The Unnamable (1923)
The Festival (1923)
The Shunned House (1924)
The Horror at Red Hook (1925)
He (1925)
In the Vault (1925)
The Descendant (1926)
Cool Air (1926)
The Call of Cthulhu (1926)
Pickman's Model (1926)
The Silver Key (1926)
The Strange High House in the Mist (1926)
The Dream-Quest of Unknown Kadath (1927)
The Case of Charles Dexter Ward (1927)
The Colour Out of Space (1927)
The Very Old Folk (1927)
The Thing in the Moonlight (1927)
A History Of The Necronomicon (1927)
Ibid (1928)
The Dunwich Horror (1928)
The Whisperer in Darkness (1930)
At the Mountains of Madness (1931)
Discarded Draft of The Shadow Over Innsmouth (1931)
The Shadow Over Innsmouth (1931)
The Dreams in the Witch House (1932)
The Thing on the Doorstep (1933)
The Evil Clergyman (1933)
The Book (1933)
The Shadow Out of Time (1934-1935)
The Haunter of the Dark (1935)


Collaborative Works:
The Green Meadow (1918)
Poetry and the Gods (1920)
The Crawling Chaos (1920)
The Horror At Martin's Beach (1922)
Under the Pyramids (1924)
Two Black Bottles (1926)
The Last Test (1927)
The Curse Of Yig (1928)
The Electric Executioner (1929)
The Mound (1929)
Medusa's Coil (1930)
The Trap (1931)
The Man Of Stone (1932)
The Horror In The Museum (1932)
Through the Gates of the Silver Key (1932)
Winged Death (1933)
Out of the Aeons (1933)
The Horror In The Burying-Ground (1933)
The Hoard Of The Wizard-Beast (1933)
The Slaying of the Monster (1933)
The Tree On the Hill (1934)
The Battle That Ended the Century (1934)
Till A' the Seas... (1935)
Collapsing Cosmoses (1935)
The Challenge From Beyond (1935)
The Disinterment (1935)
The Diary Of Alonzo Typer (1935)
In the Walls of Eryx (1936)
The Night Ocean (1936)


Poetry:
Poemata Minora, Volume II (1902)
On Receiving a Picture of Swans (1915)
March (1915)
Unda; or, The Bride of the Sea (1915)
An American to Mother England (1916)
Lines on Gen. Robert Edward Lee (1916)
The Rose of England (1916)
The Poe-et's Nightmare (1916)
The Teuton's Battle-Song
Fact and Fancy (1917)
Pacifist War Song—1917 (1917)
A Garden (1917)
The Peace Advocate (1917)
Ode for July Fourth, 1917 (1917)
Nemesis (1917)
Astrophobos (1917)
Sunset (1917)
Laeta; a Lament (1918)
Psychopompos: A Tale in Rhyme (1917-1918)
The Conscript (1918)
Despair (1919)
Revelation (1919)
The House (1919)
The City (1919)
To Edward John Moreton Drax Plunkett, Eighteenth Baron Dunsany (1919)
The Nightmare Lake (1919)
On Reading Lord Dunsany's
Book of Wonder (1920)
Christmas (1920)
Sir Thomas Tryout (1921)
Waste Paper (1922)
Providence (1924)
The Cats (1925)
Festival (1925)
Hallowe'en in a Suburb (1925)
The Wood (1929)
The Outpost (1929)
The Ancient Track (1929)
The Messenger (1929)
Fungi from Yuggoth (1929-1930)
Little Sam Perkins (1934)
Dead Passion's Flame (1935)
Arcadia (1935)
In a Sequester'd Providence Churchyard Where Once Poe Walk'd (1936)
To Clark Ashton Smith, Esq., upon His Phantastick Tales, Verses, Pictures, and Sculptures (1936)
Life's Mystery (No date)
Nathicana (No date)
Christmas Greetings (No date)

Essays:
Metrical Regularity (1915)
The Allowable Rhyme (1915)
At the Root (1918)
The Despised Pastoral (1918)
The Literature of Rome (1918)
Americanism (1919)
Literary Composition (1920)
Winifred Virginia Jackson: A "Different" Poetess (1921)
Supernatural Horror In Literature (1925-1927)
Cats And Dogs (1926)
Notes On Writing Weird Fiction (1933)

Audiobook Links: Links to download 60 free, full-length audiobooks for H.P. Lovecraft's works can be found at the end of the book.

This ebook edition contains a special preview of Dean Koontz’s The Silent Corner.

In one of the most dazzling books of his celebrated career, Dean Koontz delivers a masterwork of page-turning suspense that surpasses even his own inimitable reputation as a chronicler of our worst fears—and best dreams. In The Taking he tells the story of a community cut off from a world under siege, and the terrifying battle for survival waged by a young couple and their neighbors as familiar streets become fog-shrouded death traps. Gripping, heartbreaking, and triumphant in the face of mankind’s darkest hour, here is a small-town slice-of-doomsday thriller that strikes to the core of each of us to ask: What would you do in the midst of The Taking.

On the morning that will mark the end of the world they have known, Molly and Niel Sloan awaken to the drumbeat of rain on their roof. It has haunted their sleep, invaded their dreams, and now they rise to find a luminous silvery downpour drenching their small California mountain town. A strange scent hangs faintly in the air, and the young couple cannot shake the sense of something wrong.

As hours pass and the rain continues to fall, Molly and Niel listen to disturbing news of extreme weather phenomena across the globe. Before evening, their little town loses television and radio reception. Then telephone and the Internet are gone. With the ceaseless rain now comes an obscuring fog that transforms the once-friendly village into a ghostly labyrinth. By nightfall the Sloans have gathered with some of their neighbors to deal with community damage...but also because they feel the need to band together against some unknown threat, some enemy they cannot identify or even imagine.

In the night, strange noises arise, and at a distance, in the rain and the mist, mysterious lights are seen drifting among the trees. The rain diminishes with the dawn, but a moody gray-purple twilight prevails. Soon Molly, Niel, and their small band of friends will be forced to draw on reserves of strength, courage, and humanity they never knew they had. For within the misty gloom they will encounter something that reveals in a terrifying instant what is happening to their world—something that is hunting them with ruthless efficiency. Epic in scope, searingly intimate and immediate in perspective, The Taking is an adventure story like no other, a relentless roller-coaster read that brings apocalypse to Main Street and showcases the talents of one of our most original and mesmerizing novelists at the pinnacle of his powers.
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