Gilbert and Sullivan’s operas are some of the world’s best-loved musical works, delighting audiences with their joyous wit, topsy-turvy logic and extravagant wordplay. This glorious treasury is the definitive annotated edition of all fourteen of their operas.

From the partially lost work Thespis, the first collaboration between W. S. Gilbert and Arthur Sullivan, through the triumphant comic romps The Pirates of Penzance and The Mikado, to lesser-performed gems such as the fanciful The Sorcerer and the acerbic lampoon Patience, Gilbert’s libretti are collected here in their most accurate and faithful form. There is a fascinating commentary on each work, telling the extraordinary stories behind the inspiration for the opera and its performance history, and giving plot summaries and original cast lists.

This volume investigates the precise contours of the connections between two foundational concepts: reference (the means of semantically expressing singular or object-dependent information) and structure (the having or lacking of meaningful sub-parts). Sullivan shows that the notion of structure, properly excavated, underlies and grounds various important points in the theory of reference. As such, this work builds on and further develops work by Bertrand Russell, Saul Kripke, David Kaplan, and Stephen Neale – principally, among many others.

Sullivan aims to clearly establish the intrinsic connections between structure and reference, which brings into focus informative and explanatory connections underlying otherwise disparate debates about various aspects of linguistic communication. The overall result is a simple, comprehensive lens that can help to clarify a wide range of semantic phenomena.

Logicism and the Philosophy of Language brings together the core works by Gottlob Frege and Bertrand Russell on logic and language. In their separate efforts to clarify mathematics through the use of logic in the late nineteenth and early twentieth century, Frege and Russell both recognized the need for rigorous and systematic semantic analysis of language. It was their turn to this style of analysis that would establish the philosophy of language as an autonomous area of inquiry. This anthology gathers together these foundational writings, and frames them with an extensive historical introduction. This is a collection for anyone interested in questions about truth, meaning, reference, and logic, and in the application of formal analysis to these concepts.

From the Gilbert and Sullivan Opera, the Mikado, for Easy Piano A SilverTonalities Arrangement! Easy Note Style Sheet Music Letter Names of Notes embedded in each Notehead!

Logicism and the Philosophy of Language brings together the core works by Gottlob Frege and Bertrand Russell on logic and language. In their separate efforts to clarify mathematics through the use of logic in the late nineteenth and early twentieth century, Frege and Russell both recognized the need for rigorous and systematic semantic analysis of language. It was their turn to this style of analysis that would establish the philosophy of language as an autonomous area of inquiry. This anthology gathers together these foundational writings, and frames them with an extensive historical introduction. This is a collection for anyone interested in questions about truth, meaning, reference, and logic, and in the application of formal analysis to these concepts.