If this assumption is correct, a comparison of the ‘Psychology of Primitive Races’ as taught by folklore, with the psychology of the neurotic as it has become known through psychoanalysis will reveal numerous points of correspondence and throw new light on subjects that are more or less familiar to us.
For outer as well as for inner reasons, I am choosing for this comparison those tribes which have been described by ethnographists as being most backward and wretched: the aborigines of the youngest continent, namely Australia, whose fauna has also preserved for us so much that is archaic and no longer to be found elsewhere.
I DO not know how familiar some of you may be, either from your reading or from hearsay, with psychoanalysis. But, in keeping with the title of these lectures—A General Introduction to Psychoanalysis—I am obliged to proceed as though you knew nothing about this subject, and stood in need of preliminary instruction.
To be sure, this much I may presume that you do know, namely, that psychoanalysis is a method of treating nervous patients medically. And just at this point I can give you an example to illustrate how the procedure in this field is precisely the reverse of that which is the rule in medicine. Usually when we introduce a patient to a medical technique which is strange to him we minimize its difficulties and give him confident promises concerning the result of the treatment. When, however, we undertake psychoanalytic treatment with a neurotic patient we proceed differently. We hold before him the difficulties of the method, its length, the exertions and the sacrifices which it will cost him; and, as to the result, we tell him that we make no definite promises, that the result depends on his conduct, on his understanding, on his adaptability, on his perseverance. We have, of course, excellent motives for conduct which seems so perverse, and into which you will perhaps gain insight at a later point in these lectures.
Do not be offended, therefore, if, for the present, I treat you as I treat these neurotic patients. Frankly, I shall dissuade you from coming to hear me a second time. With this intention I shall show what imperfections are necessarily involved in the teaching of psychoanalysis and what difficulties stand in the way of gaining a personal judgment. I shall show you how the whole trend of your previous training and all your accustomed mental habits must unavoidably have made you opponents of psychoanalysis, and how much you must overcome in yourselves in order to master this instinctive opposition. Of course I cannot predict how much psychoanalytic understanding you will gain from my lectures, but I can promise this, that by listening to them you will not learn how to undertake a psychoanalytic treatment or how to carry one to completion. Furthermore, should I find anyone among you who does not feel satisfied with a cursory acquaintance with psychoanalysis, but who would like to enter into a more enduring relationship with it, I shall not only dissuade him, but I shall actually warn him against it. As things now stand, a person would, by such a choice of profession, ruin his every chance of success at a university, and if he goes out into the world as a practicing physician, he will find himself in a society which does not understand his aims, which regards him with suspicion and hostility, and which turns loose upon him all the malicious spirits which lurk within it.
In what we may term "prescientific days" people were in no uncertainty about the interpretation of dreams. When they were recalled after awakening they were regarded as either the friendly or hostile manifestation of some higher powers, demoniacal and Divine. With the rise of scientific thought the whole of this expressive mythology was transferred to psychology; to-day there is but a small minority among educated persons who doubt that the dream is the dreamer's own psychical act.
But since the downfall of the mythological hypothesis an interpretation of the dream has been wanting. The conditions of its origin; its relationship to our psychical life when we are awake; its independence of disturbances which, during the state of sleep, seem to compel notice; its many peculiarities repugnant to our waking thought; the incongruence between its images and the feelings they engender; then the dream's evanescence, the way in which, on awakening, our thoughts thrust it aside as something bizarre, and our reminiscences mutilating or rejecting it—all these and many other problems have for many hundred years demanded answers which up till now could never have been satisfactory. Before all there is the question as to the meaning of the dream, a question which is in itself double-sided. There is, firstly, the psychical significance of the dream, its position with regard to the psychical processes, as to a possible biological function; secondly, has the dream a meaning—can sense be made of each single dream as of other mental syntheses?
Three tendencies can be observed in the estimation of dreams. Many philosophers have given currency to one of these tendencies, one which at the same time preserves something of the dream's former over-valuation. The foundation of dream life is for them a peculiar state of psychical activity, which they even celebrate as elevation to some higher state. Schubert, for instance, claims: "The dream is the liberation of the spirit from the pressure of external nature, a detachment of the soul from the fetters of matter." Not all go so far as this, but many maintain that dreams have their origin in real spiritual excitations, and are the outward manifestations of spiritual powers whose free movements have been hampered during the day ("Dream Phantasies," Scherner, Volkelt). A large number of observers acknowledge that dream life is capable of extraordinary achievements—at any rate, in certain fields ("Memory").
In a sense, such guilt is among civilization's building blocks, keeping aggressive and selfish instincts within bounds. But it can also be a source of great frustration, and Freud examines at length many ways of dealing with guilt, from artistic and scientific pursuits to abuse of drink and drugs. The great psychologist offers revealing insights into the motivation behind human behavior as well as the evolution of many social institutions. This seminal study reveals the struggles to resolve conflicts and cast off guilt as spurs to the growth of civilization and culture.
Popular conception makes definite assumptions concerning the nature and qualities of this sexual impulse. It is supposed to be absent during childhood and to commence about the time of and in connection with the maturing process of puberty; it is supposed that it manifests itself in irresistible attractions exerted by one sex upon the other, and that its aim is sexual union or at least such actions as would lead to union.
But we have every reason to see in these assumptions a very untrustworthy picture of reality. On closer examination they are found to abound in errors, inaccuracies and hasty conclusions.
If we introduce two terms and call the person from whom the sexual attraction emanates the sexual object, and the action towards which the impulse strives the sexual aim, then the scientifically examined experience shows us many deviations in reference to both sexual object and sexual aim, the relations of which to the accepted standard require thorough investigation.
WHEN psychoanalytic investigation, which usually contents itself with frail human material, approaches the great personages of humanity, it is not impelled to it by motives which are often attributed to it by laymen. It does not strive "to blacken the radiant and to drag the sublime into the mire"; it finds no satisfaction in diminishing the distance between the perfection of the great and the inadequacy of the ordinary objects. But it cannot help finding that everything is worthy of understanding that can be perceived through those prototypes, and it also believes that none is so big as to be ashamed of being subject to the laws which control the normal and morbid actions with the same strictness.
Leonardo da Vinci (1452-1519) was admired even by his contemporaries as one of the greatest men of the Italian Renaissance, still even then he appeared as mysterious to them as he now appears to us. An all-sided genius, "whose form can only be divined but never deeply fathomed," he exerted the most decisive influence on his time as an artist; and it remained to us to recognize his greatness as a naturalist which was united in him with the artist. Although he left masterpieces of the art of painting, while his scientific discoveries remained unpublished and unused, the investigator in him has never quite left the artist, often it has severely injured the artist and in the end it has perhaps suppressed the artist altogether. According to Vasari, Leonardo reproached himself during the last hour of his life for having insulted God and men because he has not done his duty to his art. And even if Vasari's story lacks all probability and belongs to those legends which began to be woven about the mystic master while he was still living, it nevertheless retains indisputable value as a testimonial of the judgment of those people and of those times.
What was it that removed the personality of Leonardo from the understanding of his contemporaries? Certainly not the many sidedness of his capacities and knowledge, which allowed him to install himself as a player of the lyre on an instrument invented by himself, in the court of Lodovico Sforza, nicknamed Il Moro, the Duke of Milan, or which allowed him to write to the same person that remarkable letter in which he boasts of his abilities as a civil and military engineer. For the combination of manifold talents in the same person was not unusual in the times of the Renaissance; to be sure Leonardo himself furnished one of the most splendid examples of such persons. Nor did he belong to that type of genial persons who are outwardly poorly endowed by nature, and who on their side place no value on the outer forms of life, and in the painful gloominess of their feelings fly from human relations. On the contrary he was tall and symmetrically built, of consummate beauty of countenance and of unusual physical strength, he was charming in his manner, a master of speech, and jovial and affectionate to everybody. He loved beauty in the objects of his surroundings, he was fond of wearing magnificent garments and appreciated every refinement of conduct. In his treatise on the art of painting he compares in a significant passage the art of painting with its sister arts and thus discusses the difficulties of the sculptor: "Now his face is entirely smeared and powdered with marble dust, so that he looks like a baker, he is covered with small marble splinters, so that it seems as if it snowed on his back, and his house is full of stone splinters, and dust. The case of the painter is quite different from that; for the painter is well dressed and sits with great comfort before his work, he gently and very lightly brushes in the beautiful colors. He wears as decorative clothes as he likes, and his house is filled with beautiful paintings and is spotlessly clean. He often enjoys company, music, or some one may read for him various nice works, and all this can be listened to with great pleasure, undisturbed by any pounding from the hammer and other noises."
THE SEXUAL ABERRATIONS
1. DEVIATION IN REFERENCE TO THE SEXUAL OBJECT
B. The Sexually Immature and Animals as Sexual Objects
2. DEVIATION IN REFERENCE TO THE SEXUAL AIM
(a) Anatomical Transgression
(b) Fixation of Precursory Sexual Aims
3. GENERAL STATEMENTS APPLICABLE TO ALL PERVERSIONS
4. THE SEXUAL IMPULSE IN NEUROTICS
PARTIAL IMPULSES AND EROGENOUS ZONES
EXPLANATION OF THE MANIFEST PREPONDERANCE OF SEXUAL PERVERSIONS IN THE PSYCHONEUROSES
REFERENCE TO THE INFANTILISM OF SEXUALITY
THE INFANTILE SEXUALITY
THE SEXUAL LATENCY PERIOD OF CHILDHOOD AND ITS INTERRUPTIONS
THE MANIFESTATIONS OF THE INFANTILE SEXUALITY
THE SEXUAL AIM OF THE INFANTILE SEXUALITY
THE MASTURBATIC SEXUAL MANIFESTATIONS
THE INFANTILE SEXUAL INVESTIGATION
THE SOURCES OF THE INFANTILE SEXUALITY
THE TRANSFORMATION OF PUBERTY
THE PRIMACY OF THE GENITAL ZONES AND THE FORE-PLEASURE
THE PROBLEM OF SEXUAL EXCITEMENT
THE THEORY OF THE LIBIDO
DIFFERENTIATION BETWEEN MAN AND WOMAN
Freud Verbatim is a collection of quotes, maxims, observations, and witticisms by Freud on subjects ranging from politics and religion to love and sex. In addition to assembling passages from Freud’s major works, this collection also makes use of personal letters to his friends and family. Organized into ten thematic chapters, this compilation, in a handsome two-color printed format, provides a representative look into all of Freud’s work. Thus the quote, by its nature only a part, nonetheless speaks for the whole.
His analysis of his own and his patients' dreams as wish-fulfillments provided him with models for the clinical analysis of symptom formation and the mechanisms of repression as well as for elaboration of his theory of the unconscious as an agency disruptive of conscious states of mind. Freud postulated the existence of libido, an energy with which mental processes and structures are invested and which generates erotic attachments, and a death drive, the source of repetition, hate, aggression and neurotic guilt. In his later work Freud drew on psychoanalytic theory to develop a wide-ranging interpretation and critique of religion and culture.
Psychoanalysis remains influential within psychotherapy, within some areas of psychiatry, and across the humanities. As such it continues to generate extensive and highly contested debate with regard to its therapeutic efficacy, its scientific status and as to whether it advances or is detrimental to the feminist cause. Freud's work has, nonetheless, suffused contemporary thought and popular culture to the extent that in 1939 W. H. Auden wrote, in a poem dedicated to him:
"to us he is no more a person / now but a whole climate of opinion / under whom we conduct our different lives".
Sigmund Freud (Born Sigismund Schlomo Freud; 6 May 1856 – 23 September 1939) was an Austrian neurologist who became known as the founding father of psychoanalysis.
Freud qualified as a doctor of medicine at the University of Vienna in 1881, and then carried out research into cerebral palsy, aphasia and microscopic neuroanatomy at the Vienna General Hospital. He was appointed a university lecturer in neuropathology in 1885 and became a professor in 1902.