The Tao Te Ching is the most widely traslated book in world literature, after the Bible. Yet the gemlike lucidity of the original has eluded most previous translations, and they have obscured some of its central ideas. Now the Tao Te ching has been rendered into English by the eminent scholar and traslator Stephen Mitchell. Mr. Mitchell's Dropping Ashes on the Buddha is a modern Zen classic, and his translations of Rilke and of the Book of Job have already been called definitive for our time.
The first part of Dante’s Divine Comedy is many things: a moving human drama, a supreme expression of the Middle Ages, a glorification of the ways of God, and a magnificent protest against the ways in which men have thwarted the divine plan. One of the few literary works that has enjoyed a fame both immediate and enduring, The Inferno remains powerful after seven centuries. It confronts the most universal values—good and evil, free will and predestination—while remaining intensely personal and ferociously political, for it was born out of the anguish of a man who saw human life blighted by the injustice and corruption of his times.
Translated by John Ciardi
With an Introduction by Archibald T. MacAllister
and an Afterword by Edward M. Cifelli
Pretty women wonder where my secret lies.
I’m not cute or built to suit a fashion model’s size
But when I start to tell them,
They think I’m telling lies.
It’s in the reach of my arms,
The span of my hips,
The stride of my step,
The curl of my lips.
I’m a woman
Thus begins “Phenomenal Woman,” just one of the beloved poems collected here in Maya Angelou’s third book of verse. These poems are powerful, distinctive, and fresh—and, as always, full of the lifting rhythms of love and remembering. And Still I Rise is written from the heart, a celebration of life as only Maya Angelou has discovered it.
“It is true poetry she is writing,” M.F.K. Fisher has observed, “not just rhythm, the beat, rhymes. I find it very moving and at times beautiful. It has an innate purity about it, unquenchable dignity. . . . It is astounding, flabbergasting, to recognize it, in all the words I read every day and night . . . it gives me heart, to hear so clearly the caged bird singing and to understand her notes.”
From the Hardcover edition.
Through his lyrical translations, Coleman Barks has been instrumental in bringing this exquisite literature to a remarkably wide range of readers, making the ecstatic, spiritual poetry of thirteenth-century Sufi Mystic Rumi more popular than ever.
The Essential Rumi continues to be the bestselling of all Rumi books, and the definitive selection of his beautiful, mystical poetry.
From the Hardcover edition.
Introduced and annotated throughout by world expert Suheil Bushrui, this revised and updated edition is a truly enlightening experience for anyone seeking solace and wisdom in the chaotic modern age.
Gibran's best-known work, 'The Prophet' is composed of twenty-six poetic essays. Its popularity grew markedly during the 1960s with the American counterculture and then with the flowering of the New Age movements. It has remained popular with these and with the wider population to this day. Since it was first published in 1923, it has never been out of print, and has been translated into more than forty languages.
General Press is proud to bring together, for the first time in ebook form, all of Gibran’s works into a single collection.
This collection features the following works:
A Tear and a Smile
The Broken Wings
The Earth Gods
The Garden of the Prophet
I Believe in You
Jesus the Son of Man
Lazarus and His Beloved
The Madman—His Parables and Poems
The New Frontier
Sand and Foam
The Wanderer—His Parables and His Sayings
You Have Your Lebanon and I Have My Lebanon
Your Thought and Mine
This edition presents the original twelve poems from Whitman's premier 1855 publication of Leaves of Grass. Included are some of the greatest poems of modern times: "Song of Myself," "I Sing the Body Electric," and "There Was a Child Went Forth," works that continue to upset conventional notions of beauty and originality even today.
More than any other Persian poet—even Rumi—Hafiz expanded the mystical, healing dimensions of poetry. Because his poems were often ecstatic love songs from God to his beloved world, many have called Hafiz the "Invisible Tongue." Indeed, Daniel Ladinsky has said that his work with Hafiz is an attempt to do the impossible: to render Light into words—to make the Luminous Resonance of God tangible to our finite senses.
a hole in a flute
that the Christ's breath moves
listen to this
With this stunning collection of Hafiz's most intimate poems, Ladinsky has succeeded brilliantly in presenting the essence of one of Islam's greatest poetic and religious voices. Each line of The Gift imparts the wonderful qualities of this master Sufi poet and spiritual teacher: encouragement, an audacious love that touches lives, profound knowledge, generosity, and a sweet, playful genius unparalleled in world literature.
The Lord is my shepherd; I shall not want.
He makes me to lie down in green pastures;
He leads me beside the still waters…
These are the opening lines to one of the most memorized, inspirational, and comforting passages in the Bible—and one of the greatest poems of all time. In six verses, it provides a microcosm of God’s grace. When anxiety robs us of sleep, our most powerful “tranquilizer” is Psalm 23. It’s a soul-soother. It appears in the middle of a trilogy of psalms dealing with our past, our present, and our future needs.
In The Lord is My Shepherd, Morgan teaches Psalm 23 verse-by-verse, explaining its extraordinary power to change lives and ease our troubles. He shares its fascinating context and colorful background, as well as his own charming, real-life stories of herding sheep. You’ll find encouragement to enjoy the “green pastures” of life while becoming strengthened by the “dark valleys.” Furthermore, Morgan maintains that some of the Bible’s richest truths are summarized in these six simple verses of Psalm 23. In knowing the Good Shepherd, we have total resources for all our internal, external, and eternal needs.
Through this clear explanation of the biblical text and great stories that illustrate the love and care of the shepherd, The Lord is My Shepherd will help you rediscover the joy, inspiration, and peace in the green pastures of this beloved psalm.
Tagore's literary reputation is disproportionately influenced very much by regard for his poetry; however, he also wrote novels, essays, short stories, travelogues, dramas, and thousands of songs. The poems of Rabindranath Tagore are among the most haunting and tender in Indian and in world literature, expressing a profound and passionate human yearning. His ceaselessly inventive works deal with such subjects as the interplay between God and the world, the eternal and transient, and with the paradox of an endlessly changing universe that is in tune with unchanging harmonies. Poems such as 'Earth' and 'In the Eyes of a Peacock' present a picture of natural processes unaffected by human concerns, while others, as in 'Recovery 14', convey the poet's bewilderment about his place in the world.
Tagore introduced new prose and verse forms and the use of colloquial language into Bengali literature, thereby freeing it from traditional models based on classical Sanskrit. He was highly influential in introducing the best of Indian culture to the West and vice versa, and he is generally regarded as the outstanding creative artist of modern South Asia.
(The Complete Works of Rabindranath Tagore by Rabindranath Tagore, 9788180320798)
Among the poets included: Elizabeth Alexander, W. H. Auden, Amy Clampitt, Billy Collins, Emily Dickinson, Louise Gluck, Ted Hughes, Galway Kinnell, Kenneth Koch, Philip Larkin, Li-Young Lee, Philip Levine, Marianne Moore, Sharon Olds, Mary Oliver, Robert Pinsky, Adrienne Rich, Theodore Roethke, Anne Sexton, Wallace Stevens, Dylan Thomas, Derek Walcott, and James Wright.
Gene Reeves's new translation appeals to readers with little or no familiarity with technical Buddhist vocabulary, as well as long-time practitioners and students. In addition, this remarkable volume includes the full "threefold" text of this classic.
Known for his fiction and philosophical nonfiction, C. S. Lewis—the great British writer, scholar, lay theologian, broadcaster, Christian apologist, and bestselling author of Mere Christianity, The Screwtape Letters, The Great Divorce, The Chronicles of Narnia, and many other beloved classics—was also an accomplished poet. In Poems, Lewis dives deep into a wide range of subjects—from God to nature to love to unicorns—revealing his extensive imagination and sense of wonder.
John Milton’s Paradise Lost, an epic poem on the clash between God and his fallen angel, Satan, is a profound meditation on fate, free will, and divinity, and one of the most beautiful works in world literature. Extracted from the Modern Library’s highly acclaimed The Complete Poetry and Essential Prose of John Milton, this edition reflects up-to-date scholarship and includes a substantial Introduction, fresh commentary, and other features—annotations on Milton’s classical allusions, a chronology of the writer’s life, clean page layouts, and an index—that make it the definitive twenty-first-century presentation of John Milton’s timeless signature work.
Rūmī produced an enormous body of work — as many as 2,500 mystical odes, 25,000 rhyming couplets, and 1,600 quatrains — some of it instructional, some personal and emotional, much of it sublimely beautiful. The present volume includes over 100 of his finest lyrics, including "The Marriage of True Minds," "The Children of Light," "The Man who Looked Back on his way to Hell," "The Ascending Soul," "The Pear-Tree of Illusion," "The Riddles of God," and many more.
"In some of these poems," says A. J. Arberry in the Introduction, "the mystic's passion is so exuberant, his imagination so overflowing, that we catch glimpses of the very madness of Divine experience."
The present volume reproduces with excellent clarity all 135 plates that Doré produced for The Inferno, Purgatory, and Paradise. From the depths of hell onto the mountain of purgatory and up to the empyrean realms of paradise, Doré's illustrations depict the passion and grandeur of Dante's masterpiece in such famous scenes as the embarkation of the souls for hell, Paolo and Francesca (four plates), the forest of suicides, Thaïs the harlot, Bertram de Born holding his severed head aloft, Ugolino (four plates), the emergence of Dante and Virgil from hell, the ascent up the mountain, the flight of the eagle, Arachne, the lustful sinners being purged in the seventh circle, the appearance of Beatrice, the planet Mercury, and the first splendors of paradise, Christ on the cross, the stairway of Saturn, the final vision of the Queen of Heaven, and many more.
Each plate is accompanied by appropriate lines from the Henry Wadsworth Longfellow translation of Dante's work.
Watch for the new collection of poetry from Terrance Hayes, American Sonnets for My Past and Future Assassin, coming in June of 2018
Terrance Hayes is an elegant and adventurous writer with disarming humor, grace, tenderness, and brilliant turns of phrase. He is very much interested in what it means to be an artist and a black man. In his first collection, Muscular Music, he took the reader through a living library of cultural icons, from Shaft and Fat Albert to John Coltrane and Miles Davis. His second collection, Hip Logic, continued these explorations of popular culture, fatherhood, cultural heritage, and loss. Wind in a Box, Hayes’s resonant new collection, continues his interest in how traditions (of poetry and culture alike) can be simultaneously upended and embraced. The struggle for freedom (the wind) within containment (the box) is the unifying motif as Hayes explores how identity is shaped by race, heritage, and spirituality. This new book displays not only what the Los Angeles Times calls the range of a "bold virtuoso," but also the imaginative fervor of a poet in love with poetry.
In this stunning translation, Coleman Barks brings to light Rumi’s theme of “love as religion”—that to reach its most profound depths requires mindful practice—as well as love in its most meaningful form: soul friendship. These short poems by both Rumi and Shams Tabriz, rich in beauty and spiritual insight, capture the delight and the impermanence of these bonds that pierce deep into the human mind, heart, and soul.
Rumi’s poetry is honored and enjoyed by many traditions and cultures. Today, many people from all walks of life have moved beyond traditional notions of spirituality, embracing a sense of the sacred that transcends a singular religion, belief, or text. Rumi’s poetry speaks to them and nourishes their divine yearnings. Joyous and contemplative, provocative and playful, Rumi: Soul Fury is a sterling addition to the modern Rumi oeuvre, and is sure to be embraced by his wide and devoted readership.
To Persians , the poems of Hafiz are not "classical literature" from a remote past but cherished wisdom from a dear and intimate friend that continue to be quoted in daily life. With uncanny insight, Hafiz captures the many forms and stages of love. His poetry outlines the stages of the mystic's "path of love"-a journey in which love dissolves personal boundaries and limitations to join larger processes of growth and transformation.
With this stunning collection, Ladinsky has succeeded brilliantly in translating the essence of one of Islam's greatest poetic and spiritual voices.
"If you haven't yet had the delight of dining with Daniel Ladinsky's sweet, playful renderings of the musings of the great saints, I Heard God Laughing is a perfect appetizer. . . . This newly released edition of his first playful foray into Hafiz's divinely inspired poetry is essential reading . . . . Ladinsky is a master who will be remembered for finally bringing Hafiz alive in the West."—Alexandra Marks, The Christian Science Monitor
NPR.org writes: “In his second collection, The New Testament, Brown treats disease and love and lust between men, with a gentle touch, returning again and again to the stories of the Bible, which confirm or dispute his vision of real life. 'Every last word is contagious,' he writes, awake to all the implications of that phrase. There is plenty of guilt—survivor’s guilt, sinner’s guilt—and ever-present death, but also the joy of survival and sin. And not everyone has the chutzpah to rewrite The Good Book.”—NPR.org
"Erotic and grief-stricken, ministerial and playful, Brown offers his reader a journey unlike any other in contemporary poetry."—Rain Taxi
"To read Jericho Brown's poems is to encounter devastating genius."—Claudia Rankine
In the world of Jericho Brown's second book, disease runs through the body, violence runs through the neighborhood, memories run through the mind, trauma runs through generations. Almost eerily quiet in even the bluntest of poems, Brown gives us the ache of a throat that has yet to say the hardest thing—and the truth is coming on fast.
Say the shame I see inching like steam
Along the streets will never seep
Beneath the doors of this bedroom,
And if it does, if we dare to breathe,
Tell me that though the world ends us,
Lover, it cannot end our love
Of narrative. Don’t you have a story
For me?—like the one you tell
With fingers over my lips to keep me
From sighing when—before the queen
Is kidnapped—the prince bows
To the enemy, handing over the horn
Of his favorite unicorn like those men
Brought, bought, and whipped until
They accepted their masters’ names.
Jericho Brown worked as the speechwriter for the mayor of New Orleans before earning his PhD in creative writing and literature from the University of Houston. His first book, PLEASE (New Issues), won the American Book Award. He currently teaches at Emory University and lives in Atlanta, Georgia.
The dialogue, which takes place on the eve of an historic battle, probes the nature of God and what man should do to reach him. As the Bhagavadgita unfolds, this majestic poem provides a fascinating synopsis of the religious thought and experience of India through the ages. This edition offers the classic English verse translation by Sir Edwin Arnold (1832–1904), long admired for its evocation of the true feeling of the original poetry.
Devour it the moment it is fresh, before the dust settles upon it.
Its place is the warm climate of the heart; in this world it dies of cold.
Like a fish it quivered for an instant on dry land, another moment and you see it is cold.
Even if you eat it imagining it is fresh, it is necessary to conjure up many images.
What you drink is really your own imagination; it is no old tale, my good man.
Jalal al-Din Rumi (1207–73), legendary Persian Muslim poet, theologian, and mystic, wrote poems acclaimed through the centuries for their powerful spiritual images and provocative content, which often described Rumi’s love for God in romantic or erotic terms. His vast body of work includes more than three thousand lyrics and odes. This volume includes four hundred poems selected by renowned Rumi scholar A. J. Arberry, who provides here one of the most comprehensive and adept English translations of this enigmatic genius. Mystical Poems is the definitive resource for anyone seeking an introduction to or an enriched understanding of one of the world’s greatest poets.
“Rumi is one of the world’s greatest lyrical poets in any language—as well as probably the most accessible and approachable representative of Islamic civilization for Western students.”—James W. Morris, Oberlin College
What has always been aflame"
Wild Embers explores the fire that lies within every soul, weaving words around ideas of feeling at home in your own skin, allowing yourself to heal, and learning to embrace your uniqueness with love from the universe.
Featuring rewritten fairytale heroines, goddess wisdom, and poetry that burns with revolution, this collection is an explosion of femininity, empowerment, and personal growth.
Through the voices of ten inspiring poets and his own reflections, the author of Sacred America shows how poetry illuminates the eternal feelings and desires that stir the human heart and soul. These poems explore such universal themes as the awakening of wonder, the longing for love, the wisdom of dreams, and the courage required to live an authentic life. In thoughtful commentary on each work, Housden offers glimpses into his personal spiritual journey and invites readers to contemplate the significance of the poet's message in their own lives.
In Ten Poems to Change Your Life, Roger Housden shows how these astonishing poems can inspire you to live what you always knew in your bones but never had the words for.
"The Journey" by Mary Oliver
"Last Night as I Was Sleeping" by Antonio Machado
"Song of Myself" by Walt Whitman
"Zero Circle" by Rumi
"The Time Before Death" by Kabir
"Ode to My Socks" by Pablo Neruda
"Last Gods" by Galway Kinnell
"For the Anniversary of My Death" by W. S. Merwin
"Love After Love" by Derek Walcott
"The Dark Night" by St. John of the Cross
Celebrations is a collection of timely and timeless poems that are an integral part of the global fabric. Several works have become nearly as iconic as Angelou herself: the inspiring “On the Pulse of Morning,” read at President William Jefferson Clinton’s 1993 inauguration; the heartening “Amazing Peace,” presented at the 2005 lighting of the National Christmas Tree at the White House; “A Brave and Startling Truth,” which marked the fiftieth anniversary of the United Nations; and “Mother,” which beautifully honors the first woman in our lives. Angelou writes of celebrations public and private, a bar mitzvah wish to her nephew, a birthday greeting to Oprah Winfrey, and a memorial tribute to the late Luther Vandross and Barry White.
More than a writer, Angelou is a chronicler of history, an advocate for peace, and a champion for the planet, as well as a patriot, a mentor, and a friend. To be shared and cherished, the wisdom and poetry of Maya Angelou proves there is always cause for celebration.
From the Hardcover edition.
Poems by Robert FrostA Boy’s Will and North of Boston
The publication of A Boy’s Will (1913) and North of Boston (1914) marked the debut of Robert Frost as a major talent and established him as the true poetic voice of New England. Four of his volumes would win the Pulitzer Prize before his death in 1963, and his body of work has since become an integral part of the American national heritage.
This is the only edition to present these two classics in their original form. A Boy’s Will introduced readers to Frost’s unmistakable poetic voice, and in North of Boston, we find two of his most famous poems, “Mending Wall” and “The Death of the Hired Man.” With an introduction by distinguished critic and Amherst professor William H. Pritchard and an afterword by poet and critic Peter Davison, this centennial edition stands as a complete and vital introduction to the work of the quintessential modern American poet.
Introduction by William H. Pritchard
Afterword by Peter Davison
Considered by Rumi to be “the master” of Sufi mystic poetry, Attar is best known for his epic poem The Conference of the Birds, a magnificent allegorical tale about the soul’s search for meaning. The poem recounts the perilous journey of the world’s birds to the faraway peaks of Mount Qaf—a mythical mountain that wraps around the earth—in search of their king, the mysterious Simorgh. Attar’s beguiling anecdotes and humor intermingle the sublime with the mundane, the spiritual with the worldly, and the religious with the metaphysical. Reflecting the entire evolution of Sufi mystic tradition, The Conference of the Birds models the soul’s escape from the mind’s rational embrace.
Wolpé re-creates the intense beauty of the original Persian in contemporary English verse and poetic prose, capturing for the first time the grace and timeless wisdom of Attar’s complete masterwork for modern readers.
John O'Donohue won hundreds of thousands of admirers with his now classic work on Celtic spirituality Anam Cara. Unfortunately he died suddenly at age fifty-two just as his book of blessings, To Bless the Space Between Us, was being published. The loss of his powerfully wise and lyrical voice has been profoundly missed, but his many readers are given a special opportunity to revisit John in a new book based on a series of papers he wrote on the elements of water, stone, air, and fire, now published here for the first time. O'Donohue's readers know him as both a spiritual guide and a poet, and in this work he exhibits both qualities, sharing his Celtic heritage and his love for his native landscape in the west of Ireland. As O'Donohue explores a range of themes relating to the way we live our lives today, he reveals how the energy and rhythm of the natural world—its innocence and creativity, its power and splendor—hold profound lessons for us all. With a foreword written by his beloved brother, Pat, this illuminating book is an inspired reflection on the ancient wisdom of the earth.
Although the consciousness of death is, in most cultures, very much a part of life, this is perhaps nowhere more true than in Japan, where the approach of death has given rise to a centuries-old tradition of writing jisei, or the "death poem." Such a poem is often written in the very last moments of the poet's life.
Hundreds of Japanese death poems, many with a commentary describing the circumstances of the poet's death, have been translated into English here, the vast majority of them for the first time. Yoel Hoffmann explores the attitudes and customs surrounding death in historical and present-day Japan and gives examples of how these have been reflected in the nation's literature in general. The development of writing jisei is then examined—from the longing poems of the early nobility and the more "masculine" verses of the samurai to the satirical death poems of later centuries.
Zen Buddhist ideas about death are also described as a preface to the collection of Chinese death poems by Zen monks that are also included. Finally, the last section contains three hundred twenty haiku, some of which have never been assembled before, in English translation and romanized in Japanese.
The 100th Anniversary Edition of a global classic, containing beautiful translations along with the original German text.
While visiting Russia in his twenties, Rainer Maria Rilke, one of the twentieth century's greatest poets, was moved by a spirituality he encountered there. Inspired, Rilke returned to Germany and put down on paper what he felt were spontaneously received prayers. Rilke's Book of Hours is the invigorating vision of spiritual practice for the secular world, and a work that seems remarkably prescient today, one hundred years after it was written.
Rilke's Book of Hours shares with the reader a new kind of intimacy with God, or the divine—a reciprocal relationship between the divine and the ordinary in which God needs us as much as we need God. Rilke influenced generations of writers with his Letters to a Young Poet, and now Rilke's Book of Hours tells us that our role in the world is to love it and thereby love God into being. These fresh translations rendered by Joanna Macy, a mystic and spiritual teacher, and Anita Barrows, a skilled poet, capture Rilke's spirit as no one has done before.
From the Trade Paperback edition.
NAMED ONE OF THE BEST BOOKS OF THE YEAR BY
NEWSWEEK/THE DAILY BEAST
Billy Collins is widely acknowledged as a prominent player at the table of modern American poetry. And in this smart, lyrical, and mischievous collection of poetry, which covers the everlasting themes of love and loss, youth and aging, solitude and union, Collins’s verbal gifts are on full display.
Note to Readers: adjusting the size of the type on your e-reading device may affect the line formatting of this eBook. We have formatted the eBook so that any words that get bumped to a new line in a poem will be noticeably indented.
Grown men aren’t supposed to cry…Yet in this fascinating anthology, one hundred men—distinguished in literature and film, science and architecture, theater and human rights—confess to being moved to tears by poems that continue to haunt them. Although the majority are public figures not prone to crying, here they admit to breaking down, often in words as powerful as the poems themselves.
Their selections include classics by visionaries, such as Walt Whitman, W.H. Auden, and Philip Larkin, as well as modern works by masters, including Billy Collins, Seamus Heaney, Derek Walcott, and poets who span the globe from Pablo Neruda to Rabindranath Tagore. The poems chosen range from the sixteenth century to the twenty-first, with more than a dozen by women, including Mary Oliver, Elizabeth Bishop, and Gwendolyn Brooks. Their themes range from love in its many guises, through mortality and loss, to the beauty and variety of nature. All are moved to tears by the exquisite way a poet captures, in Alexander Pope’s famous phrase, “what oft was thought, but ne’er so well express’d.”
From J.J. Abrams to John le Carré, Salman Rushdie to Jonathan Franzen, Daniel Radcliffe to Nick Cave to Stephen Fry, Stanley Tucci to Colin Firth to the late Christopher Hitchens, this collection delivers private insight into the souls of men whose writing, acting, and thinking are admired around the world. “Everyone who reads this collection will be roused: disturbed by the pain, exalted in the zest for joy given by poets” (Nadine Gordimer, winner of the Nobel Prize for literature).
In this volume, American Senior Zen Roshi Robert Aitken gives new insight into Haiku by poetic masters Basho, Issa, Buson, and Shiki. In presenting themes from Haiku and from Zen literature, Aitken illuminates the relationship between the two. Readers are certain to find this an invaluable and enjoyable experience for the remarkable revelation it offers.
The personal tones of the translations, the blend of reverence and humor so characteristic of him, show how deeply Merton identified with the legendary authors of these sayings and parables, the fourth-century Christian Fathers who sought solitude and contemplation in the deserts of the Near East.
The hermits of Screte who turned their backs on a corrupt society remarkably like our own had much in common with the Zen masters of China and Japan, and Father Merton made his selection from them with an eye to the kind of impact produced by the Zen mondo.
Here, readers will find solace in works that are bracing and courageous, organized into such resonant headings as "Such As It Is More or Less" and "Let It Spill." From William Shakespeare and Walt Whitman to R. S. Gwynn and Jennifer Michael Hecht, the voices gathered in this collection will be more than welcome to those who've been struck by bad news, who are burdened by stress, or who simply appreciate the power of good poetry.
It’s a humble sharing of Wisdom. I hope the words sound good when spoken allowed.
Leslie W Brown
One hundred women—distinguished in literature and film, science and law, theater and human rights—share poems that have stayed with them long after reading. The poems here range from the eighth century to today, from Rumi and Shakespeare to Sylvia Plath, W.H. Auden to Carol Ann Duffy, Pablo Neruda, and Derek Walcott to Imtiaz Dharker and Warsan Shire. Their themes range from love and loss, through mortality and mystery, war and peace, to the beauty and variety of nature. From Yoko Ono to Judi Dench, Chimamanda Ngozi Adichie to Elena Ferrante, Tina Brown, Michelle Williams, and Sarah Waters to Kaui Hart Hemmings and Joan Baez to Nikki Giovanni, this unique collection delivers private insights into the minds of women whose writing, acting, and thinking are admired around the world. Their selections include classics by visionaries, such as Emily Dickinson, Walt Whitman, and Pablo Neruda as well as contemporary works by masters, including Seamus Heaney, Adrienne Rich, and Warsan Shire, with introductions to their work as powerful as the poems themselves.
Poems That Make Grown Women Cry is a collection which represents a variety of aesthetic sensibilities and the full spectrum of human emotion. It is also a reminder of how poetry can touch minds and hearts, and how easily it will do so for readers of all stripes if they turn the first page.
The Chinese sage abounds in wit and paradox and shattering insights into the true ground of being. Thomas Merton, no stranger to Asian thought, brings a vivid, modern idiom to the timeless wisdom of Tao.
And so they came: the Archangel Gabriel, the Archangel Raphael and sharing the fourth place, the Archangels Uriel and Metatron, each of them sharing their views on such topics as Deserving, Celebration, Forgiveness, Uniqueness, Acceptance and more.
Archangel Gabriel generally used the Element of Air or Mind as his viewpoint; he addresses Forgiveness as “A Factor of the Mind;” through the Element of Water or Emotion, the Archangel Raphael spoke on “Healing Through Celebration.” The Archangel Uriel oft en chose the Element of Fire/Inspiration such as when he conversed on “The Soul’s Courage” while Metatron draws on the Element of Earth or Practicality with “The Gestati on of Peace” during the Commencement talk. The Archangel Michael encourages Acceptance by beginning “With the Love of Archangel Michael”
The Love and inspiration of these High Bright Beings brings encouragement, upliftment and a-ha moments for each of you.
Kind Words from Purchasers:
"I started reading your book and have cried already, cried out of joy and at the sadness that I feel ... a sadness that I have missed out on the love that has been waiting for me for so very long. That the Angels have been there with a wealth of knowledge and love and it over joys me... I cannot wait to continue on this journey wherever it is taking me. I just want to say that your book is a book that makes a person want to buy it for others because there is no way you will want to lend it !! I lend a lot of my books after reading, but this will not be one I can even fathom lending at this time, it is much too precious a resource." - CC, Edmonton, Canada
“The definitive translation for our time.”
From Dante’s Inferno to Sartre’s No Exit, writers have been fascinated by visions of damnation. Within that rich literature of suffering, Arthur Rimbaud’s A Season in Hell–written when the poet was nineteen–provides an astonishing example of the grapple with self.
As a companion to Rimbaud’s journey, readers could have no better guide than Wyatt Mason. One of our most talented young translators and critics, Mason’s new version of A Season in Hell renders the music and mystery of Rimbaud’s tale of Hell on Earth with exceptional finesse and power.
This bilingual edition includes maps, a helpful chronology of Rimbaud’s life, and the unfinished suite of prose poems, Illuminations. With A Season in Hell, they cement Rimbaud’s reputation as one of the foremost, and most influential, writers in French literature.
From the Trade Paperback edition.
In this luminous collection, Daniel Ladinsky—best known for his gifted and bestselling interpretations of the great Sufi poet Hafiz—brings together the timeless work of twelve of the world's finest spiritual writers, six from the East and six from the West. Once again Ladinsky reveals his talent for creating profound and playful renditions of classic poems for a modern audience. Rumi's joyous, ecstatic love poems; St. Francis's loving observations of nature through the eyes of Catholicism; Kabir's wild, freeing humor that synthesizes Hindu, Muslim, and Christian beliefs; St. Teresa's sensual verse; and the mystical, healing words of Sufi poet Hafiz—these along with inspiring works by Rabia, Meister Eckhart, St. Thomas Aquinas, Mira, St. Catherine of Siena, St. Teresa of Avila, St. John of the Cross, and Tukaram are all “love poems by God,” from writers considered to be "conduits of the divine." A spiritual treasure to cherish always.
A first-rate modern rendering of a literary classic!
In 1919, C. S. Lewis—the great British writer, scholar, lay theologian, broadcaster, Christian apologist, and bestselling author of Mere Christianity, The Screwtape Letters, The Great Divorce, The Chronicles of Narnia, and many other beloved classics—published his first book, Spirits in Bondage, under the pseudonym Clive Hamilton. Written when Lewis was a student at Oxford and during the war when he served at the front in France, Spirits in Bondage reflects the intellectual and spiritual struggles of a young man wounded by war and conflicted over faith. As he contemplates the nature of morality, love, the presence of evil, the possibility of God, and other profound questions. Lewis reveals a side of himself unfamiliar to many readers.