Examines psychoanalytic concepts, values, debates and controversies that have been hallmarks of visual representation in the modern and contemporary periods
Covers topics including melancholia, sex, and pathology to the body, and parent-child relations
Advances theoretical debates in art history while offering substantive analyses of significant bodies of twentieth century art
Edited by internationally renowned art historian Griselda Pollock.
* the breaking of the city
* the crisis of culture
* new citizenship.
It discusses some of the major responses to postmodernity by contemporary French thinkers, both the very well known -Lyotard, Levinas, Derrida - and those who will be less familiar to a non-French audience. In doing so, it addresses the questions central to the postmodern debate whatever country it takes place in; questions of history, of representation, identity and community.
Pollock discusses the work of women artists such as Mary Kelly and Yve Lomax, highlighting the problems of working in a culture where the feminine is still defined as the object of the male gaze. Now published with a new introduction, Vision and Difference is as powerful as ever for all those seeking not only to understand the history of the feminine in art, but also to develop new strategies for representation for the future.
How did we come to represent the history of feminism in terms of waves and generations? What are the effects of such powerful metaphors? In Feminism: A Bad Memory? Griselda Pollock analyses the cultural memory of feminism through the concept of trauma: an event that cannot be immediately digested because of the enormity of the shock it represents to the system, and especially to its potential subjects, feminists.
Instead of plotting generations and waves and accepting selective versions of the feminist tradition, Pollock suggests that we can escape the familial metaphors and their burden of resentment and reaction. What happens when we pose feminism as a becoming-political that is creatively radical because it continuously throws up new conflicts, which become visible precisely because of the working through of a previous one? Drawing on a range of theories of the political to examine the issue of challenge and change, Pollock suggests psychoanalytical theories can illuminate the traumatic force of feminism over the twentieth century.
From the Hardcover edition.
Night is Elie Wiesel's masterpiece, a candid, horrific, and deeply poignant autobiographical account of his survival as a teenager in the Nazi death camps. This new translation by Marion Wiesel, Elie's wife and frequent translator, presents this seminal memoir in the language and spirit truest to the author's original intent. And in a substantive new preface, Elie reflects on the enduring importance of Night and his lifelong, passionate dedication to ensuring that the world never forgets man's capacity for inhumanity to man.
Night offers much more than a litany of the daily terrors, everyday perversions, and rampant sadism at Auschwitz and Buchenwald; it also eloquently addresses many of the philosophical as well as personal questions implicit in any serious consideration of what the Holocaust was, what it meant, and what its legacy is and will be.
From the Hardcover edition.
Shirer gives a clear, detailed and well-documented account of how it was that Adolf Hitler almost succeeded in conquering the world. With millions of copies in print, The Rise and Fall of the Third Reich has become one of the most authoritative books on one of mankind’s darkest hours. Shirer focuses on 1933 to 1945 in clear detail. Here is a worldwide bestseller that also tells the true story of the Holocaust, often in the words of the men who helped plan and conduct it. It is a classic by any measure.
The book has been translated into twelve languages and was adapted as a television miniseries, broadcast by ABC in 1968. This first ever e-book edition is published on the 50th anniversary of this iconic work.
From the actor who somehow lived through it all, a “sharply detailed…funny book about a cinematic comedy of errors” (The New York Times): the making of the cult film phenomenon The Room.
In 2003, an independent film called The Room—starring and written, produced, and directed by a mysteriously wealthy social misfit named Tommy Wiseau—made its disastrous debut in Los Angeles. Described by one reviewer as “like getting stabbed in the head,” the $6 million film earned a grand total of $1,800 at the box office and closed after two weeks. Ten years later, it’s an international cult phenomenon, whose legions of fans attend screenings featuring costumes, audience rituals, merchandising, and thousands of plastic spoons.
Hailed by The Huffington Post as “possibly the most important piece of literature ever printed,” The Disaster Artist is the hilarious, behind-the-scenes story of a deliciously awful cinematic phenomenon as well as the story of an odd and inspiring Hollywood friendship. Greg Sestero, Tommy’s costar, recounts the film’s bizarre journey to infamy, explaining how the movie’s many nonsensical scenes and bits of dialogue came to be and unraveling the mystery of Tommy Wiseau himself. But more than just a riotously funny story about cinematic hubris, “The Disaster Artist is one of the most honest books about friendship I’ve read in years” (Los Angeles Times).
“... Thank you for your very frank, very well written book. You have done a real service by letting the ones who are now silent and most forgotten speak ...With best regards and wishes, — A. Einstein.”
“This book is a horrifying, but necessary, reminder of one of the ugliest chapters in the history of human civilisation. Passionate, tormenting’”—New York Herald-Tribune
“It is a picture of utter hell”—Saturday Review of Literature
Gerda's serene and idyllic childhood is shattered when Nazis march into Poland on September 3, 1939. Although the Weissmanns were permitted to live for a while in the basement of their home, they were eventually separated and sent to German labor camps. Over the next few years Gerda experienced the slow, inexorable stripping away of "all but her life." By the end of the war she had lost her parents, brother, home, possessions, and community; even the dear friends she made in the labor camps, with whom she had shared so many hardships, were dead.
Despite her horrifying experiences, Klein conveys great strength of spirit and faith in humanity. In the darkness of the camps, Gerda and her young friends manage to create a community of friendship and love. Although stripped of the essence of life, they were able to survive the barbarity of their captors. Gerda's beautifully written story gives an invaluable message to everyone. It introduces them to last century's terrible history of devastation and prejudice, yet offers them hope that the effects of hatred can be overcome.
Tales from the Secret Annex is a complete collection of Anne Frank's lesser-known writings: short stories, fables, personal reminiscences, and an unfinished novel. Here, too, are portions of the diary originally withheld from publication by her father. By turns fantastical, rebellious, touching, funny, and heartbreaking, these writings reveal the astonishing range of Anne Frank's wisdom and imagination--as well as her indomitable love of life. Anne Frank's Tales from the Secret Annex is a testaments to this determined young woman's extraordinary genius and to the persistent strength of the creative spirit.
From the Paperback edition.
A stunning novel based on the true story of how German war profiteer and factory director Oskar Schindler came to save more Jews from the gas chambers than any other single person during World War II. In this milestone of Holocaust literature, Thomas Keneally, author of Daughter of Mars, uses the actual testimony of the Schindlerjuden—Schindler’s Jews—to brilliantly portray the courage and cunning of a good man in the midst of unspeakable evil.
The Princess Bride has been a family favorite for close to three decades. Ranked by the American Film Institute as one of the top 100 Greatest Love Stories and by the Writers Guild of America as one of the top 100 screenplays of all time, The Princess Bride will continue to resonate with audiences for years to come.
Cary Elwes was inspired to share his memories and give fans an unprecedented look into the creation of the film while participating in the twenty-fifth anniversary cast reunion. In As You Wish he has created an enchanting experience; in addition to never-before seen photos and interviews with his fellow cast mates, there are plenty of set secrets and backstage stories.
With a foreword by Rob Reiner and a limited edition original poster by acclaimed artist Shepard Fairey, As You Wish is a must-have for all fans of this beloved film.
The time is 1933, the place, Berlin, when William E. Dodd becomes America’s first ambassador to Hitler’s Nazi Germany in a year that proved to be a turning point in history.
A mild-mannered professor from Chicago, Dodd brings along his wife, son, and flamboyant daughter, Martha. At first Martha is entranced by the parties and pomp, and the handsome young men of the Third Reich with their infectious enthusiasm for restoring Germany to a position of world prominence. Enamored of the “New Germany,” she has one affair after another, including with the suprisingly honorable first chief of the Gestapo, Rudolf Diels. But as evidence of Jewish persecution mounts, confirmed by chilling first-person testimony, her father telegraphs his concerns to a largely indifferent State Department back home. Dodd watches with alarm as Jews are attacked, the press is censored, and drafts of frightening new laws begin to circulate. As that first year unfolds and the shadows deepen, the Dodds experience days full of excitement, intrigue, romance—and ultimately, horror, when a climactic spasm of violence and murder reveals Hitler’s true character and ruthless ambition.
Suffused with the tense atmosphere of the period, and with unforgettable portraits of the bizarre Göring and the expectedly charming--yet wholly sinister--Goebbels, In the Garden of Beasts lends a stunning, eyewitness perspective on events as they unfold in real time, revealing an era of surprising nuance and complexity. The result is a dazzling, addictively readable work that speaks volumes about why the world did not recognize the grave threat posed by Hitler until Berlin, and Europe, were awash in blood and terror.
Rees examines the strategic decisions that led the Nazi leadership to prescribe Auschwitz as its primary site for the extinction of Europe's Jews—their "Final Solution." He concludes that many of the horrors that were perpetrated in Auschwitz were driven not just by ideological inevitability but as a "practical" response to a war in the East that had begun to go wrong for Germany. A terrible immoral pragmatism characterizes many of the decisions that determined what happened at Auschwitz. Thus the story of the camp becomes a morality tale, too, in which evil is shown to proceed in a series of deft, almost noiseless incremental steps until it produces the overwhelming horror of the industrial scale slaughter that was inflicted in the gas chambers of Auschwitz.
– Bob Gale, co-creator, co-producer, and co-writer of the Back to the Future trilogy
A behind-the-scenes look at the making of the iconic Back to the Future trilogy
Long before Marty McFly and Doc Brown traveled through time in a flying DeLorean, director Robert Zemeckis, and his friend and writing partner Bob Gale, worked tirelessly to break into the industry with a hit. During their journey to realize their dream, they encountered unprecedented challenges and regularly took the difficult way out.
For the first time ever, the story of how these two young filmmakers struck lightning is being told by those who witnessed it. We Don’t Need Roads draws from over 500 hours of interviews, including original interviews with Zemeckis, Gale, Christopher Lloyd, Lea Thompson, Huey Lewis, and over fifty others who contributed to one of the most popular and profitable film trilogies of all time. The book includes a 16-page color photo insert with behind-the-scenes pictures, concept art, and more.
With a focus not only on the movies, but also the lasting impact of the franchise and its fandom, We Don’t Need Roads is the ultimate read for anyone who has ever wanted to ride a Hoverboard, hang from the top of a clock tower, travel through the space-time continuum, or find out what really happened to Eric Stoltz after the first six weeks of filming. So, why don’t you make like a tree and get outta here – and start reading! We Don’t Need Roads is your density.
"What fun! Deeply researched and engagingly written … the book Back to the Future fans have been craving for decades. Geekily enthusiastic and chock full of never-before-heard tales of what went on both on and off the screen, We Don't Need Roads is a book worthy of the beloved trilogy itself." – Brian Jay Jones, author of the national bestseller Jim Henson: The Biography
From the Trade Paperback edition.
In 1943, with Lvov's 150,000 Jews having been exiled, killed, or forced into ghettos and facing extermination, a group of Polish Jews daringly sought refuge in the city's sewer system. The last surviving member this group, Krystyna Chiger, shares one of the most intimate, harrowing and ultimately triumphant tales of survival to emerge from the Holocaust. The Girl in the Green Sweater is Chiger's harrowing first-person account of the fourteen months she spent with her family in the fetid, underground sewers of Lvov.
The Girl in the Green Sweater is also the story of Leopold Socha, the group's unlikely savior. A Polish Catholic and former thief, Socha risked his life to help Chiger's underground family survive, bringing them food, medicine, and supplies. A moving memoir of a desperate escape and life under unimaginable circumstances, The Girl in the Green Sweater is ultimately a tale of intimate survival, friendship, and redemption.
In a surprising account that powerfully revises history, Wendy Lower uncovers the role of German women on the Nazi eastern front—not only as plunderers and direct witnesses, but as actual killers. Lower, drawing on twenty years of archival research and fieldwork, presents startling evidence that these women were more than “desk murderers” or comforters of murderous German men: they went on “shopping sprees” and romantic outings to the Jewish ghettos; they were present at killing-field picnics, not only providing refreshment but also shooting Jews. And Lower uncovers the stories of SS wives with children of their own whose brutality is as chilling as any in history.
Hitler’s Furies challenges our deepest beliefs: women can be as brutal as men, and the evidence can be hidden for seventy years.
“Disquieting . . . Earlier books about the Holocaust have offered up poster girls of brutality and atrocity . . . [Lower’s] insight is to track more mundane lives, and to argue for a vastly wider complicity.” —New York Times
“An unsettling but significant contribution to our understanding of how nationalism, and specifically conceptions of loyalty, are normalized, reinforced, and regulated.” —Los Angeles Review of Books
In this important book, fifty-three distinguished men and women respond to Wiesenthal's questions. They are theologians, political leaders, writers, jurists, psychiatrists, human rights activists, Holocaust survivors, and victims of attempted genocides in Bosnia, Cambodia, China and Tibet. Their responses, as varied as their experiences of the world, remind us that Wiesenthal's questions are not limited to events of the past. Often surprising and always thought provoking, The Sunflower will challenge you to define your beliefs about justice, compassion, and human responsibility.
From the Trade Paperback edition.
Only Ayoade can appreciate Ayoade's unique methodology. Only Ayoade can recognise Ayoade's talent. Only Ayoade can withstand Ayoade's peculiar scent. Only Ayoade can truly get inside Ayoade.
They have called their book Ayoade on Ayoade: A Cinematic Odyssey. Take the journey, and your life will never be the same again.
Ayoade on Ayoade captures the director in his own words: pompous, vain, angry and very, very funny.
At the end of the Civil War, a stagecoach hurtles through the wintry Wyoming landscape. Bounty hunter John Ruth and his fugitive captive Daisy Domergue race toward the town of Red Rock, where Ruth will bring Domergue to justice. Along the road, they encounter Major Marquis Warren, a former Union soldier turned infamous bounty hunter; and Chris Mannix, a renegade who claims to be the town's new sheriff. Lost in a blizzard, Ruth, Domergue, Warren, and Mannix seek refuge at Minnie's Haberdashery, a stagecoach stopover. When they arrive, they are greeted by four unfamiliar faces: Bob, who takes care of Minnie's in the owner's absence; Oswaldo Mobray, the hangman of Red Rock; cow-puncher Joe Gage; and Confederate general Sanford Smithers. As the storm overtakes the mountainside, our eight travelers come to learn they may not make it to Red Rock after all ...
THE HATEFUL EIGHT is a Tarantino master class in tension-filled atmosphere, singular characters, and razor-sharp dialogue.
Edith Hahn was an outspoken young woman in Vienna when the Gestapo forced her into a ghetto and then into a slave labor camp. When she returned home months later, she knew she would become a hunted woman and went underground. With the help of a Christian friend, she emerged in Munich as Grete Denner. There she met Werner Vetter, a Nazi Party member who fell in love with her. Despite Edith's protests and even her eventual confession that she was Jewish, he married her and kept her identity a secret.
In wrenching detail, Edith recalls a life of constant, almost paralyzing fear. She tells how German officials casually questioned the lineage of her parents; how during childbirth she refused all painkillers, afraid that in an altered state of mind she might reveal something of her past; and how, after her husband was captured by the Soviets, she was bombed out of her house and had to hide while drunken Russian soldiers raped women on the street.
Despite the risk it posed to her life, Edith created a remarkable record of survival. She saved every document, as well as photographs she took inside labor camps. Now part of the permanent collection at the Holocaust Memorial Museum in Washington, D.C., these hundreds of documents, several of which are included in this volume, form the fabric of a gripping new chapter in the history of the Holocaust—complex, troubling, and ultimately triumphant.
On September 23, 1939, Wladyslaw Szpilman played Chopin's Nocturne in C-sharp minor live on the radio as shells exploded outside—so loudly that he couldn't hear his piano. It was the last live music broadcast from Warsaw: That day, a German bomb hit the station, and Polish Radio went off the air.
Though he lost his entire family, Szpilman survived in hiding. In the end, his life was saved by a German officer who heard him play the same Chopin Nocturne on a piano found among the rubble. Written immediately after the war and suppressed for decades, The Pianist is a stunning testament to human endurance and the redemptive power of fellow feeling.
The Holocaust, in which 11 million people died, was the largest atrocity of the 20th century and perhaps the hardest to understand. Approximately 6 million Jews and 5 million others including Roma people, Poles, Russian prisoners of war, political prisoners, homosexuals, people of colour, Jehovah's Witnesses, and various other minorities were first persecuted and then murdered.
How, both morally and logistically, had this came to happen? From received sentiments of anti-Semitism at the beginning of the 20th century, through the rise of Hitler and the Nazi party, to the Nuremberg Laws of 1935 and finally Second World War, the victimisation of these minorities intensified beyond precedent. With the complicity of a nation hatred became policy. Under the control of sadists, bureaucrats and even ordinary soldiers, irrational acts were then enacted on an industrial scale, and with the use of concentration camps, Western Europe witnessed its most shocking treatment of humanity in modern history.
Love history? Know your stuff with History in an Hour...
A Washington Post Notable Book of 2016
"Simply miraculous...As her saga becomes ever more spellbinding, so does the reader's astonishment at the magic she creates. This is a story about the triumph of the human spirit over bigotry, intolerance and cruelty, and at the center of The Book of Harlan is the restorative force that is music.”
“Another one of Bernice L. McFadden’s masterpieces…McFadden took me on a melodious literary journey through time and place—complex, real, beautifully raw, and necessary…McFadden’s prose lingers, giving me courage to stay committed to telling authentic stories that, while revealing of unspeakable truths, serve to unite us all.”
"I've finally discovered a writer I should've been reading for years!...McFadden has a gift for placing her characters into the vivid history swirling around them, but keeping their emotional experience front and center in the story. There's a Zora Neale Hurston sensibility to the way she does that."
--MPR News, Kerri Miller's Must-Read
"McFadden's writing breaks the heart--and then heals it again. The perspective of a black man in a concentration camp is unique and harrowing and this is a riveting, worthwhile read."
"The Book of Harlan is an incredible read. Bernice McFadden…has created an amazing novel that speaks to lesser known aspects of the African-American experience and illuminates the human heart and spirit. Her spare prose is rich in details that convey deep emotions and draw the reader in. This fictional narrative of Harlan Elliot’s life is firmly grounded amidst real people and places—prime historical fiction, and the best book I have read this year.”
--Historical Novels Review, Editors’ Choice
"McFadden packs a powerful punch with tight prose and short chapters that bear witness to key events in early twentieth-century history: both World Wars, the Great Depression, and the Great Migration. Partly set in the Jim Crow South, the novel succeeds in showing the prevalence of racism all across the country--whether implemented through institutionalized mechanisms or otherwise. Playing with themes of divine justice and the suffering of the righteous, McFadden presents a remarkably crisp portrait of one average man's extraordinary bravery in the face of pure evil."
--Booklist, Starred review
"Through this character portrait of Harlan, McFadden has constructed a vivid, compelling narrative that makes historical fiction an accessible, literary window into the African-American past and some of the contemporary dilemmas of the present."
“McFadden’s impressive achievement offers us a window into the often very difficult lives of African Americans from the Jim Crow era up to the present--and, unexpectedly, in wartime Germany. Highly recommended for showing us that however badly black citizens have historically been treated, black lives matter.”
The Book of Harlan opens with the courtship of Harlan's parents and his 1917 birth in Macon, Georgia. After his prominent minister grandfather dies, Harlan and his parents move to Harlem, where he eventually becomes a professional musician. When Harlan and his best friend, trumpeter Lizard Robbins, are invited to perform at a popular cabaret in the Parisian enclave of Montmartre--affectionately referred to as "The Harlem of Paris" by black American musicians--Harlan jumps at the opportunity, convincing Lizard to join him.
But after the City of Light falls under Nazi occupation, Harlan and Lizard are thrown into Buchenwald--the notorious concentration camp in Weimar, Germany--irreparably changing the course of Harlan's life. Based on exhaustive research and told in McFadden's mesmeric prose, The Book of Harlan skillfully blends the stories of McFadden's familial ancestors with those of real and imagined characters.
In January 1943, unable to flee Germany, the four members of the Arndt family went underground to avoid deportation to Auschwitz. Ellen Lewinsky and her mother, Charlotte, joined them; a year later, Bruno Gumpel arrived. Hiding in a small factory near Hitler’s bunker, without identification cards or food-ration stamps, they were dependent on German strangers for survival.
When Russian soldiers finally rescued the group in April 1945, the families were near death from starvation. But their will to live triumphed and two months later, four of the survivors—Erich Arndt and Ellen Lewinsky, and Ruth Arndt and Bruno Gumpel—reunited in a double wedding ceremony.
Survival in the Shadows chronicles the previously untold story of the largest group of German Jews to have survived hiding in Berlin through the final and most deadly years of the Holocaust.
Relayed to Barbara Lovenheim by three survivors from the group, the riveting story is a touching portrayal of the bravery of these seven Jews, and a heartfelt acknowledgment of the fortitude and humanity of the compassionate Germans who kept them alive.
—Daily Telegraph (London)
“One Girl’s Story of Survival,” Clara’s War is based on Clara Kramer’s diary of her years spent hiding in an underground bunker with seventeen other people during the Nazi occupation of Poland. In the classic vein of The Diary of Anne Frank—a heart-wrenching and inspiring story of a life lived in fear and cramped quarters—Clara’s War is a true story of the Holocaust as told by a remarkable young girl who lived to bear witness.
This is a shocking, brutal story that has never before been told. It is the most important study of Polish-Jewish relations to be published in decades and should become a classic of Holocaust literature.
Jan Gross pieces together eyewitness accounts and other evidence into an engulfing reconstruction of the horrific July day remembered well by locals but forgotten by history. His investigation reads like a detective story, and its unfolding yields wider truths about Jewish-Polish relations, the Holocaust, and human responses to occupation and totalitarianism. It is a story of surprises: The newly occupying German army did not compel the massacre, and Jedwabne's Jews and Christians had previously enjoyed cordial relations. After the war, the nearby family who saved Jedwabne's surviving Jews was derided and driven from the area. The single Jew offered mercy by the town declined it.
Most arresting is the sinking realization that Jedwabne's Jews were clubbed, drowned, gutted, and burned not by faceless Nazis, but by people whose features and names they knew well: their former schoolmates and those who sold them food, bought their milk, and chatted with them in the street. As much as such a question can ever be answered, Neighbors tells us why.
In many ways, this is a simple book. It is easy to read in a single sitting, and hard not to. But its simplicity is deceptive. Gross's new and persuasive answers to vexed questions rewrite the history of twentieth-century Poland. This book proves, finally, that the fates of Poles and Jews during World War II can be comprehended only together.
One of Kirkus Reviews' Ten Most Anticipated Nonfiction Books of Fall 2016
From the New York Times bestselling author of The Widow Clicquot comes an extraordinary and gripping account of Irena Sendler—the “female Oskar Schindler”—who took staggering risks to save 2,500 children from death and deportation in Nazi-occupied Poland during World War II.
In 1942, one young social worker, Irena Sendler, was granted access to the Warsaw ghetto as a public health specialist. While there, she reached out to the trapped Jewish families, going from door to door and asking the parents to trust her with their young children. She started smuggling them out of the walled district, convincing her friends and neighbors to hide them. Driven to extreme measures and with the help of a network of local tradesmen, ghetto residents, and her star-crossed lover in the Jewish resistance, Irena ultimately smuggled thousands of children past the Nazis. She made dangerous trips through the city’s sewers, hid children in coffins, snuck them under overcoats at checkpoints, and slipped them through secret passages in abandoned buildings.
But Irena did something even more astonishing at immense personal risk: she kept secret lists buried in bottles under an old apple tree in a friend’s back garden. On them were the names and true identities of those Jewish children, recorded with the hope that their relatives could find them after the war. She could not have known that more than ninety percent of their families would perish.
In Irena’s Children, Tilar Mazzeo tells the incredible story of this courageous and brave woman who risked her life to save innocent children from the Holocaust—a truly heroic tale of survival, resilience, and redemption.
Our Crime Was Being Jewish contains 576 vivid memories of 358 Holocaust survivors. These are the true, insider stories of victims, told in their own words. They include the experiences of teenagers who saw their parents and siblings sent to the gas chambers; of starving children beaten for trying to steal a morsel of food; of people who saw their friends commit suicide to save themselves from the daily agony they endured. The recollections are from the start of the war—the home invasions, the Gestapo busts, and the ghettos—as well as the daily hell of the concentration camps and what actually happened inside.
Six million Jews were killed in the Holocaust, and this hefty collection of stories told by its survivors is one of the most important books of our time. It was compiled by award-winning author Anthony S. Pitch, who worked with sources such as the United States Holocaust Memorial Museum to get survivors’ stories compiled together and to supplement them with images from the war. These memories must be told and held onto so what happened is documented; so the lives of those who perished are not forgotten—so history does not repeat itself.
These massive crimes have been generally overlooked or underestimated by Holocaust historians, who have focused on the gas chambers. In this painstaking account, Pulitzer Prize-winning author Richard Rhodes profiles the eastern campaign’s architects as well as its “ordinary” soldiers and policemen, and helps us understand how such men were conditioned to carry out mass murder. Marshaling a vast array of documents and the testimony of perpetrators and survivors, this book is an essential contribution to our understanding of the Holocaust and World War II.
Few books have altered the perception of a celebrity as much as Marilyn. Gloria Steinem reveals that behind the familiar sex symbol lay a tortured spirit with powerful charisma, intelligence, and complexity. The book delves into a topic many other writers have ignored—that of Norma Jeane, the young girl who grew up with an unstable mother, constant shuffling between foster homes, and abuse. Steinem evocatively recreates that world, connecting it to the fragile adult persona of Marilyn Monroe. Her compelling text draws on a long, private interview Monroe gave to photographer George Barris, part of an intended joint project begun during Monroe’s last summer. Steinem’s Marilyn also includes Barris’s extraordinary portraits of Monroe, taken just weeks before the star’s death.
This magnificent second volume of Richard J. Evans's three-volume history of Nazi Germany was hailed by Benjamin Schwartz of the Atlantic Monthly as "the definitive English-language account... gripping and precise." It chronicles the incredible story of Germany's radical reshaping under Nazi rule. As those who were deemed unworthy to be counted among the German people were dealt with in increasingly brutal terms, Hitler's drive to prepare Germany for the war that he saw as its destiny reached its fateful hour in September 1939. The Third Reich in Power is the fullest and most authoritative account yet written of how, in six years, Germany was brought to the edge of that terrible abyss.
Jack and Rochelle first met at a youth dance in Poland before the war. They shared one dance, and Jack stepped on Rochelle’s shoes. She was unimpressed. When the Nazis invaded eastern Poland in 1941, both Jack (in the town of Mir) and Rochelle (in the town of Stolpce) witnessed the horrors of ghettoization, forced labor, and mass killings that decimated their families. Jack and Rochelle managed, in their separate ways, to escape into the forest. They reunited, against all odds, in the winter of 1942–43 and became Jewish partisans who fought back against the Nazis. The couple’s careful courtship soon blossomed into an enduring love that sustained them through the raging hatred of the Holocaust and the destruction of the lives they had known.
Jack and Rochelle’s story, told in their own voices through extensive interviews with their son, Lawrence, has been in print for twenty years and is celebrated as a classic of Holocaust memoir literature. This is the first electronic edition.
“A story of heroism and of touching romance in a time of fear and danger.” —USA Today
In May 1945, an eleven-year-old Hunt watched American troops occupy Hitler's mountain retreat, signaling the end of the Nazi dictatorship and World War II. As the Nazi crimes began to be accounted for, many Germans tried to deny the truth of what had occurred; Hunt, in contrast, was determined to know and face the facts of her country's criminal past.
On Hitler's Mountain is more than a memoir -- it is a portrait of a nation that lost its moral compass. It is a provocative story of a family and a community in a period and location in history that, though it is fast becoming remote to us, has important resonance for our own time.
Sam Pivnik is the ultimate survivor from a world that no longer exists. On fourteen occasions he should have been killed, but luck, his physical strength, and his determination not to die all played a part in Sam Pivnik living to tell his extraordinary story.
In 1939, on his thirteenth birthday, Pivnik's life changed forever when the Nazis invaded Poland. He survived the two ghettoes set up in his home town of Bedzin and six months on Auschwitz's notorious Rampe Kommando where prisoners were either taken away for entry to the camp or gassing. After this harrowing experience he was sent to work at the brutal Fürstengrube mining camp. He could have died on the ‘Death March' that took him west as the Third Reich collapsed and he was one of only a handful of people who swam to safety when the Royal Air Force sank the prison ship Cap Arcona in 1945, mistakenly believing it to be carrying fleeing members of the SS.
He eventually made his way to London where he found people too preoccupied with their own wartime experiences on the Home Front to be interested in what had happened to him.
Now in his eighties, Sam Pivnik tells for the first time the story of his life, a true tale of survival against the most extraordinary odds.
This is the story of No. 22483, who had been shipped from Belgium to Buchenwald. This is an account of what No. 22483 saw and felt during his calvary from Antwerp to the Malin distribution camp in France and from there to the extermination camp of Buchenwald.
To say that this book contains the scenes of a twentieth-century Inferno may sound commonplace. Yet, every page of this book reminds one of Dante’s Inferno, with one exception: the Inferno the author writes about consumed the lives not of the sinful whom divine justice cast into the immortality of suffering.
This Inferno was thronged by millions, many of whom were babies and little children, mothers and young women who had hoped to become mothers. It was thronged with people who deserved their fates because they were men in the sense that God meant them to be. They were in Inferno because they were strong men and brave, the real heroes of our days. They were doomed because the Nazi super-race set up a different scale of values which regarded heroism as the greatest of sins and considered depravity the greatest of virtues. Reading this book one feels that the titanic Dante himself would have been staggered by the demented criminality the judges of the just displayed.
This is the story of No. 22483 of Buchenwald, one of the millions who were doomed and one of the few who escaped. Throughout, the writing is poignant, vibrant with humanity, a cry “de profundis” and a vow that it must never happen again. This book should be long remembered.
On May 29, 1944, the day after Isabella Katz’s twenty-third birthday, she, her family, and all the Jews in the ghetto in Kisvárda, Hungary, were rounded up by Nazi storm troopers, packed into cattle cars, and deported to Auschwitz. There, Dr. Josef Mengele, the so-called Angel of Death, scrutinized the family and decided who would live—for a time—and who would die. Isabella and three of her sisters waged a daily battle to survive, giving one another strength, courage, and love, promising themselves that they would cheat the crematoriums and end each day alive.
Thirty years after she escaped from the Nazis, Isabella wrote this powerful and luminous memoir. Hailed by Publishers Weekly as “a celebration of the strength of the human spirit as it passes through fire,” Fragments of Isabella has become a classic of holocaust literature and human survival.
This ebook features rare images from the author’s estate.