In page after fascinating page, this rich retrospective features the finest examples of medieval masonwork, woodwork, and metalwork dating back to the thirteenth century. Explore the soaring Gothic characteristics of vaulted ceilings, arched windows, flying buttresses, pointed spires, ornamental filials, and decorative panels, plus doorways, moldings, roofing, porches, door hinges, and other elaborate architectural elements.
Filled with fascinating insights into the creation of Gothic-style churches and cathedrals, this sweeping survey also provides lively observations of the medieval period.
This excellent reproduction of a rare nineteenth-century volume includes numerous full-page illustrations and construction details revealing a wealth of information on the major roof styles (tie-beam, trussed rafter, hammer-beam, and collar-braced) of medieval English churches. More than 50 illustrations of 34 English churches are included, among them the exquisite double hammer-beam roof of Knapton Church in Norwich, the richly ornamented roof over Trinity Chapel, Cirencester Church, in Gloucestershire, and the magnificent roof over Wymondham Church, in Norfolk, in which hammer-beams, boldly projecting into the nave, are exquisitely carved into figures of angels with expanding wings.
These and many more masterly constructions are captured in the authors' own geometric and perspective drawings (done on-site), superbly reproduced here in detailed, highly accurate engravings. In addition to a wealth of pictorial detail, the authors also provide an informative general introduction to the major types of roof construction, as well as expert commentary on each individual roof, describing its distinguishing characteristics, ornament, measurements, and other details.
Artists and illustrators will prize these beautifully rendered plates for their beauty and detail, while architects, antiquarians, and lovers of things medieval will appreciate the authenticity of the plates and the knowledgeable commentary of the architect-authors.
"Manhattan," he writes, "is the 20th century's Rosetta Stone . . . occupied by architectural mutations (Central Park, the Skyscraper), utopian fragments (Rockefeller Center, the U.N. Building), and irrational phenomena (Radio City Music Hall)." Koolhaas interprets and reinterprets the dynamic relationship between architecture and culture in a number of telling episodes of New York's history, including the imposition of the Manhattan grid, the creation of Coney Island, and the development of the skyscraper. Delirious New York is also packed with intriguing and fun facts and illustrated with witty watercolors and quirky archival drawings, photographs, postcards, and maps. The spirit of this visionary investigation of Manhattan equals the energy of the city itself.
Vitruvius describes the classic principles of symmetry, harmony, and proportion in architecture; the design of the treasury, prison, senate house, baths, forum, and temples; the construction of the theater: its site, foundations, and acoustics; the proper style and proportion for private dwellings; the differences between the Ionic, Doric, and Corinthian styles; methods of giving durability and beauty to polished finishings; and many other topics that help us understand the methods and beliefs of the Roman architect.
It is a direct, authoritative, and detailed introduction to the ancients' methods of construction, the materials of the architect, and the prevailing aesthetic beliefs of the times; but it is also a work of art. Vitruvius wrote in such a fascinating manner, and digressed from his subject so often (as, for instance, when he wrote about the winds, Archimedes in his bath, and why authors should receive awards and honors at least as often as athletes), that his book has had a continuing appeal to the general reader for many centuries. Besides being an instructive treatise on nearly everything connected with Roman and Greek architecture, it is an entertaining description of some aspects of the life and beliefs of the times. This edition is the standard English translation, prepared over a period of several years by Professor M. H. Morgan of Harvard University.
The Four Books of Architecture offers a compendium of Palladio's art and of the ancient Roman structures that inspired him. The First Book is devoted to building materials and techniques and the five orders of architecture: Tuscan, Doric, Ionic, Corinthian, and Composite. Palladio indicates the characteristic features of each order and supplies illustrations of various architectural details. The Second Book deals with private houses and mansions, almost all of Palladio's own design. Shown and described are many of his villas in and near Venice and Vicenza (including the famous Villa Capra, or "The Rotunda," the Thiene Palace, and the Valmarana Palace). Each plate gives a front view drawing of the building and the general floor plan. The Third Book is concerned with streets, bridges, piazzas, and basilicas, most of which are of ancient Roman origin. In the Fourth Book, Palladio reproduces the designs of a number of ancient Roman temples. Plates 51 to 60 are plans and architectural sketches of the Pantheon.
In all, the text is illustrated by over 200 magnificently engraved plates, showing edifices, either of Palladio's own design or reconstructed (in these drawings) by him from classical ruins and contemporary accounts.
All the original plates are reproduced in this new single-volume edition in full size and in clear, sharp detail. This is a republication of the Isaac Ware English edition of 1738. Faithful and accurate in the translation and in its reproduction of the exquisite original engravings, it has long been a rare, sought-after work. This edition makes The Four Books available for the first time in more than 200 years to the English-speaking public.
At the center of the story is the tempestuous but courtly Somervell–“dynamite in a Tiffany box,” as he was once described. In July 1941, the Army construction chief sprang the idea of building a single, huge headquarters that could house the entire War Department, then scattered in seventeen buildings around Washington. Somervell ordered drawings produced in one weekend and, despite a firestorm of opposition, broke ground two months later, vowing that the building would be finished in little more than a year. Thousands of workers descended on the site, a raffish Virginia neighborhood known as Hell’s Bottom, while an army of draftsmen churned out designs barely one step ahead of their execution. Seven months later the first Pentagon employees skirted seas of mud to move into the building and went to work even as construction roared around them. The colossal Army headquarters helped recast Washington from a sleepy southern town into the bustling center of a reluctant empire.
Vivid portraits are drawn of other key figures in the drama, among them Franklin D. Roosevelt, the president who fancied himself an architect; Secretary of War Henry L. Stimson and Army Chief of Staff General George C. Marshall, both desperate for a home for the War Department as the country prepared for battle; Colonel Leslie R. Groves, the ruthless force of nature who oversaw the Pentagon’s construction (as well as the Manhattan Project to create an atomic bomb); and John McShain, the charming and dapper builder who used his relationship with FDR to help land himself the contract for the biggest office building in the world.
The Pentagon’s post-World War II history is told through its critical moments, including the troubled birth of the Department of Defense during the Cold War, the tense days of the Cuban Missile Crisis, and the tumultuous 1967 protest against the Vietnam War. The pivotal attack on September 11 is related with chilling new detail, as is the race to rebuild the damaged Pentagon, a restoration that echoed the spirit of its creation.
This study of a single enigmatic building tells a broader story of modern American history, from the eve of World War II to the new wars of the twenty-first century. Steve Vogel has crafted a dazzling work of military social history that merits comparison with the best works of David Halberstam or David McCullough. Like its namesake, The Pentagon is a true landmark.
While most books about Gothic cathedrals focus on a particular building or on the cathedrals of a specific region, The Gothic Enterprise considers the idea of the cathedral as a humanly created space. Scott discusses why an impoverished people would commit so many social and personal resources to building something so physically stupendous and what this says about their ideas of the sacred, especially the vital role they ascribed to the divine as a protector against the dangers of everyday life.
Scott’s narrative offers a wealth of fascinating details concerning daily life during medieval times. The author describes the difficulties master-builders faced in scheduling construction that wouldn’t be completed during their own lifetimes, how they managed without adequate numeric systems or paper on which to make detailed drawings, and how climate, natural disasters, wars, variations in the hours of daylight throughout the year, and the celebration of holy days affected the pace and timing of work. Scott also explains such things as the role of relics, the quarrying and transporting of stone, and the incessant conflict cathedral-building projects caused within their communities. Finally, by drawing comparisons between Gothic cathedrals and other monumental building projects, such as Stonehenge, Scott expands our understanding of the human impulses that shape our landscape.
Author and illustrator Donald A. Mackay traces Manhattan's history from its first wood, stone, and brick houses to its famous modern structures, including the Empire State Building, Rockefeller Center, and the World Trade Center. Along with historical background, he presents clear explanations and illustrations of the skilled labor and methods behind the island's tunnels, bridges, and train lines. Mackay describes who does what at a construction site, the assembly of a tower crane, and the construction of skyscrapers, from the foundations to the floor-by-floor elevations, along with other amazing procedures that are all part of a day's work in building the big city.
Concentrating not on rare landmarks but on typical dwellings in ordinary neighborhoods all across the United States -- houses built over the past three hundred years and lived in by Americans of every social and economic background -- the book provides you with the facts (and frame of reference) that will enable you to look in a fresh way at the houses you constantly see around you. It tells you -- and shows you in more than 1,200 illustrations -- what you need to know in order to be able to recognize the several distinct architectural styles and to understand their historical significance. What does that cornice mean? Or that porch? That door? When was this house built? What does its style say about the people who built it? You'll find the answers to such questions here.
This is how the book works: Each of thirty-nine chapters focuses on a particular style (and its variants). Each begins with a large schematic drawing that highlights the style's most important identifying features. Additional drawings and photographs depict the most common shapes and the principal subtypes, allowing you to see at a glance a wide range of examples of each style. Still more drawings offer close-up views of typical small details -- windows, doors, cornices, etc. -- that might be difficult to see in full-house pictures. The accompanying text is rich in information about each style -- describing in detail its identifying features, telling you where (and in what quantity) you're likely to find examples of it, discussing all of its notable variants, and revealing its origin and tracing its history.
In the book's introductory chapters you'll find invaluable general discussions of house-building materials and techniques ("Structure"), house shapes ("Form"), and the many traditions of architectural fashion ("Style") that have influenced American house design through the past three centuries. A pictorial key and glossary help lead you from simple, easily recognized architectural features -- the presence of a tile roof, for example -- to the styles in which that feature is likely to be found.
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Sharp tracks the development of architecture through periods such as modernism, revivalism, avant garde, classicism and expressionism in a decade-by-decade study of the changing face of structural design, art and culture. When the first edition of this book appeared in 1972 it very rapidly achieved the status of essential work of reference. Now, 30 years later, this greatly expanded and revised edition adds the key buildings and architectural concepts of three more decades to the survey and thus covers the entire century.
Industry professionals, students and all those fascinated by the art of architecture will benefit from this comprehensive guide to the great and sometimes controversial architectural achievements of our age.
From the Trade Paperback edition.
In this eminently fascinating work, author Philip Ball makes sense of the visual and emotional power of Chartres and brilliantly explores how its construction—and the creation of other Gothic cathedrals—represented a profound and dramatic shift in the way medieval thinkers perceived their relationship with their world. Beautifully illustrated and written, filled with astonishing insight, Universe of Stone embeds the magnificent cathedral in the culture of the twelfth century—its schools of philosophy and science, its trades and technologies, its politics and religious debates—enabling us to view this ancient architectural marvel with fresh eyes.
Of the many plans submitted, one stood out--a daring and unorthodox solution to vaulting what is still the largest dome (143 feet in diameter) in the world. It was offered not by a master mason or carpenter, but by a goldsmith and clockmaker named Filippo Brunelleschi, who would dedicate the next twenty-eight years to solving the puzzles of the dome's construction. In the process, he did nothing less than reinvent the field of architecture.
Brunelleschi's Dome is the story of how a Renaissance genius bent men, materials, and the very forces of nature to build an architectural wonder we continue to marvel at today. Denounced at first as a madman, Brunelleschi was celebrated at the end as a genius. He engineered the perfect placement of brick and stone, built ingenious hoists and cranes to carry an estimated 70 million pounds hundreds of feet into the air, and designed the workers' platforms and routines so carefully that only one man died during the decades of construction--all the while defying those who said the dome would surely collapse and his own personal obstacles that at times threatened to overwhelm him.
Even today, in an age of soaring skyscrapers, the cathedral dome of Santa Maria del Fiore retains a rare power to astonish. Ross King brings its creation to life in a fifteenth-century chronicle with twenty-first-century resonance.
Find out the real value of a house or condo using the tested techniques in this step-by-step guide. Written by a professional home inspector and fully updated throughout, The Complete Book of Home Inspection, Fourth Edition, shows you how to determine exactly what's behind, beneath, above, and around a house before you make an offer. If you're selling your home, you'll learn how to accurately evaluate its condition prior to setting a price.
This comprehensive manual covers every aspect of exterior, interior, and electromechanical home inspection--and contains a new chapter on green home technology. Now with details on American Society of Home Inspectors (ASHI) requirements, this book serves as a valuable on-the-job tool as well as a basic layperson's guide. Plenty of useful photos, drawings, worksheets, and checklists are included in this practical resource.
The Complete Book of Home Inspection, Fourth Edition, covers:Tools and procedures Roofs Roof-mounted structures and projections Paved areas around the structure Walls, windows, and doors Lot and landscaping Garage Wood-destroying insects and rot Attic Interior rooms Basement and crawl space Electrical system Plumbing Heating systems Domestic water heaters Air-conditioning Swimming pools Energy considerations Environmental concerns Green home technology
From ancient ruins to twentieth-century Modernism, the Illustrated Dictionary of Historic Architecture covers the full spectrum of architecture's rise and development. Subject areas include the following periods: Ancient, Islamic, Greek and Hellenistic, Mesoamerican, Roman, Romanesque, Early Christian, Gothic, Renaissance, Chinese, Japanese, Indian, and Modern. This volume is an important research tool that places particular emphasis on clarity and accuracy. For the architect, artist, historian, student, teacher, or architecture enthusiast, this valuable guide offers indispensable information and lucid illustrations covering the whole of architecture.
The first book to document an American cult of the ruin, Untimely Ruins traces its deviations as well as derivations from European conventions. Unlike classical and Gothic ruins, which decayed gracefully over centuries and inspired philosophical meditations about the fate of civilizations, America’s ruins were often “untimely,” appearing unpredictably and disappearing before they could accrue an aura of age. As modern ruins of steel and iron, they stimulated critical reflections about contemporary cities, and the unfamiliar kinds of experience they enabled. Unearthing evocative sources everywhere from the archives of amateur photographers to the contents of time-capsules, Untimely Ruins exposes crucial debates about the economic, technological, and cultural transformations known as urban modernity. The result is a fascinating cultural history that uncovers fresh perspectives on the American city.
Guide to the LEED Green Associate V4 Exam is acomprehensive study guide for the LEED Green Associate v4 exam.Written by a LEED expert and consultant who actually passed theexam, this guide provides a first-hand account of preparationstrategies that work. The book is designed to work with how peoplestudy, organized for quick navigation, with sample questions andflashcards throughout. The companion website offers additionalstudy aids, including more sample test questions andflashcards. The book covers all topics and principles includedon the exam, and provides all the information necessary topass.
Passing the LEED Green Associate v4 exam is the only way to getthe Green Associate credential, so a complete, comprehensive studyguide is essential. The Guide to the LEED Green AssociateExam has been updated specifically to align with the mostcurrent version of the exam. Topics include:The three tiers of the credentialing processConcepts and processes of sustainable designLEED design strategies and technologiesHow and what to study for the exam
Beyond just providing information, this book offers the insightof someone who's been there, and can manage expectations andeliminate surprises. Motivating, engaging, and packed with expertadvice, the Guide to the LEED Green Associate Exam helpseager professionals prepare for – and pass – the LEEDGreen Associate v4 exam.
The Interactive Resource Center is an online learningenvironment where instructors and students can access the toolsthey need to make efficient use of their time, while reinforcingand assessing their understanding of key concepts for successfulunderstanding of the course. An access card with redemption codefor the online Interactive Resource Center isincluded with all new, print copies or can bepurchased separately. (***If you rent or purchase aused book with an access code, the access code may have beenredeemed previously and you may have to purchase a new access code-ISBN: 9781118986837).
The online Interactive Resource Center containsresources tied to the book, such as:Interactive Animations highlighting key conceptsPhoto Gallery of architectural precedents illustrated in thebookFlashcards for focused learning
Architecture: Form, Space, and Order, Fourth Edition isthe classic introduction to the basic vocabulary of architecturaldesign, updated with new information on emerging trends and recentdevelopments. This bestselling visual reference helps both studentsand professionals understand the vocabulary of architectural designby examining how space and form are ordered in the environment.
Essential and timeless, the fundamental elements of space andform still present a challenge to those who crave a deeperunderstanding. Taking a critical look at the evolution of spaces,Architecture distills complex concepts of design into aclear focus that inspires, bringing difficult abstractions to life.The book is illustrated throughout to demonstrate the conceptspresented, and show the relationships between fundamental elementsof architecture through the ages and across cultures. Topicsinclude:Primary elements and the principles of space designForm and space, including light, view, openings, andenclosuresOrganization of space, and the elements and relationships ofcirculationProportion and scale, including proportioning systems andanthropometry
Forty-five buildings of all sorts — cottages, villas, suburban houses, town houses, a farm, a jail, courthouses, banks, store fronts, churches, schools, even stables — are portrayed in beautiful architectural drawings of scaled elevations and floor plans. Large-sized details show the principal corners, panels, railings, arches, finials, window and verandah sections; scales range from 3/32 of an inch to the foot for the elevations, to 1/2"/1' for the details.
The designs come from architects in Boston, Philadelphia, Chicago, St. Louis, Nashville, and were built in many large and small communities. Along with the private homes and standard public buildings, there are plans for the first completely fireproof courthouse (built of marble and cast iron) in the United States, at Macoupin County, Illinois; the Bay County Courthouse in Bay City, Michigan, may also be numbered among the noteworthy inclusions. A three-story home in this book, with four bedrooms, dining room, kitchen, parlor, verandah, hall, portico, and cellar (with servants' quarters, if necessary) cost, at that time, $5000 to build; a series of specifications, both general and particular (for carpenters, plumbers, painters and masons) and sample contracts (with provisions for bad weather and striking workmen) offer some idea how such buildings were possible at such prices.
The detailed measurements and specifications provide modellers, miniaturists, set designers, woodworkers, or even full-scale builders, with the information necessary to recreate these designs. Historians of architecture, home restorers, anyone who delights in the felicities of American Victorian, will find this book a superb primary source of authentic building style.
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An essential one-volume reference of architectural topics usingFrancis D.K. Ching's signature presentation. It is the onlydictionary that provides concise, accurate definitions illustratedwith finely detailed, hand-rendered drawings. From Arch to Wood,every concept, technology, material and detail important toarchitects and designers are presented in Ching's unique style.Combining text and drawing, each term is given a minimumdouble-page spread on large format trim size, so that the term canbe comprehensively explored, graphically showing relations betweenconcepts and sub-termsA comprehensive index permits the reader to locate anyimportant word in the text.This long-awaited revision brings the latest concepts andtechnology of 21st century architecture, design and construction tothis classic reference work
It is sure to be by the side of and used by any seriousarchitect or designer, students of architecture, interiordesigners, and those in construction.
This book is about those cities. It’s neither a history of grand plans nor a literary exploration of the utopian impulse, but rather something different, hybrid, idiosyncratic. It’s a magpie’s book, full of characters and incidents and ideas drawn from cities real and imagined around the globe and throughout history. Thomas More’s allegorical island shares space with Soviet mega-planning; Marco Polo links up with James Joyce’s meticulously imagined Dublin; the medieval land of Cockaigne meets the hopeful future of Star Trek. With Darran Anderson as our guide, we find common themes and recurring dreams, tied to the seemingly ineluctable problems of our actual cities, of poverty and exclusion and waste and destruction. And that’s where Imaginary Cities becomes more than a mere—if ecstatically entertaining—intellectual exercise: for, as Anderson says, “If a city can be imagined into being, it can be re-imagined.” Every architect, philosopher, artist, writer, planner, or citizen who dreams up an imaginary city offers lessons for our real ones; harnessing those flights of hopeful fancy can help us improve the streets where we live.
Though it shares DNA with books as disparate as Calvino’s Invisible Cities and Jane Jacobs’s Death and Life of Great American Cities, there’s no other book quite like Imaginary Cities. After reading it, you’ll walk the streets of your city—real or imagined—with fresh eyes.
Designs and floor and ground plans for villas, cottages, and other residences are revealed in 122 detailed engravings, among them a six-room ornamental cottage (without bathroom facilities) for $1,500; an elegant Elizabethan villa, with entry hall, library, china closet, and five bedrooms, for $27,000; and an ornate Gothic suburban residence, complete with parlor, sitting room, dressing rooms, six bedrooms, and two bathrooms, at a cost of $33,000.
Invaluable to architects, preservationists, and home restorers, this authentic guide to a wealth of house styles from the late 1800s will also delight anyone intrigued by Victorian life.
From the Trade Paperback edition.
LEED (Leadership in Energy and Environmental Design) is one of the most important trends of development and is revolutionizing the construction industry. It has gained tremendous momentum and has a profound impact on our environment.
From this book, you will learn how to:
1.Pass the LEED Green Associate Exam.
2.Use LEED exam preparation strategies, study methods, tips, suggestions, mnemonics, and exam tactics to improve your exam performance.
3.Effectively understand, digest, and retain your LEED knowledge.
4.Understand the process of registering and certifying a building for LEED.
5.Understand the scope, main intent, core concepts and strategies, as well as identify the regulations, recognition, and incentives for each major LEED category.
6.Identify the strategies for case studies.
7.Identify the synergy in case studies.
8.Implement the most important LEED related codes and building standards.
9.Get points for categories not yet clearly defined by the USGBC.
There is NO official GBCI book on the LEED Green Associate Exam. This pocket guide fills in the blanks and demystifies LEED. It uncovers the secrets, codes, and jargon for LEED as well as the true meaning of "going green." It provides a solid foundation and fundamental framework for LEED. It covers every major aspect of LEED in plain and concise language, and introduces it to ordinary people. This guide is small and easy to carry around. You can read it whenever you have a few extra minutes. It is an indispensable book for ordinary people, developers, brokers, contractors, administrators, architects, landscape architects, civil, structural, mechanical, electrical and plumbing engineers, interns, drafters, designers and other design professionals.
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"I took the 1-day Green LEED GA course and walked away with a power point binder printed in very small print-which was missing MUCH of the required information (although I didn't know it at the time). I studied my little heart out and took the test, only to fail it by 1 point. Turns out I did NOT study all the material I needed to in order to pass the test. I found this book, read it, marked it up, retook the test, and passed it with a 95%. Look, we all know the LEED GA exam is new and the resources for study are VERY limited. This one's the VERY best out there right now. I highly recommend it."
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"I studied this book for about 3 days and passed the exam ... if you are truly interested in learning about the LEED system and green building design, this is a great place to start."
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For over three decades, Building Construction Illustratedhas offered an outstanding introduction to the principles ofbuilding construction. This new edition of the revered classicremains as relevant as ever, providing the latest information inFrancis D.K. Ching's signature style. Its rich and comprehensiveapproach clearly presents all of the basic concepts underlyingbuilding construction.
New to this edition are digital enhancements delivered as anonline companion to the print edition and also embedded in e-bookeditions. Features include a 3D model showing how buildingcomponents come together in a final project.llustrated throughout with clear and accurate drawings thatpresent the state of the art in construction processes andmaterialsUpdated and revised to include the latest knowledge onsustainability, incorporation of building systems, and use of newmaterialsContains archetypal drawings that offer clear inspiration fordesigners and draftersReflects the 2012 International Building Codes and 2012 LEEDsystem
This new edition of Building Construction Illustratedremains as relevant as ever, with the most current knowledgepresented in a rich and comprehensive manner that does notdisappoint.
When we think of cathedrals, we usually envision the great Gothic Buildings of 12th- and 13th-century Europe. But other than being a large church, a cathedral is neither a specific building type nor specifically medieval. What a makes a large church a cathedral is the presence of a single item of furniture: the chair (in Latin: cathedra) or throne that is the symbol of the ecclesiastical and spiritual authority of a bishop. This book is an introduction to the medieval cathedral, those churches that are usually regarded as among the greatest achievements of medieval architecture.
While cathedrals were often the most prominent urban structure in many European cities, their construction was never a civic responsibility, but remained the responsibility of the clergy in charge of the day to day activities and services. Beginning with an overview of the social history of cathedrals, Clark examines such topics as patrons, builders and artists, and planning and construction; and provides an in-depth examination of the French Cathedral at Reims--a seminal building with significant technological advances, important sculptural programs, a surviving bishop's palace, and other structures. The volume concludes with a series of illustrations, a selection of original texts, and a selected bibliography for further study. A full index is also provided.
In many cities across the world, particularly in Europe, old buildings form a prominent part of the built environment, and we often take it for granted that their contribution is intrinsically positive. How has that widely-shared belief come about, and is its continued general acceptance inevitable?
Certainly, ancient structures have long been treated with care and reverence in many societies, including classical Rome and Greece. But only in modern Europe and America, in the last two centuries, has this care been elaborated and energised into a forceful, dynamic ideology: a ‘Conservation Movement’, infused with a sense of historical destiny and loss, that paradoxically shared many of the characteristics of Enlightenment modernity. The close inter-relationship between conservation and modern civilisation was most dramatically heightened in periods of war or social upheaval, beginning with the French Revolution, and rising to a tragic climax in the 20th-century age of totalitarian extremism; more recently the troubled relationship of ‘heritage’ and global commercialism has become dominant.
Miles Glendinning’s new book authoritatively presents, for the first time, the entire history of this architectural Conservation Movement, and traces its dramatic fluctuations in ideas and popularity, ending by questioning whether its recent international ascendancy can last indefinitely.
McCarter examines here how Wright aspired to influence America’s evolving democratic society by the challenges his buildings posed to traditional views of private and public space. He investigates Wright’s relationships with key leaders of art, industry, and society, and how their views came to have concrete significance in Wright’s work and writings. Wright argued that architecture should be the “background or framework” for daily life, not the “object,” and McCarter dissects how and why he aspired to this and other ideals, such as his belief in the ethical duty of architects to improve society and culture.
A penetrating study of the foremost pioneer in modern architecture, Frank Lloyd Wright offers a fascinating biographical chronicle that reveals the principles and relationships at the base of Wright’s production.
Examining the work of architectural firms such as OMA, Reiser + Umemoto, and Foreign Office, as well as the art of Matthew Barney, Ai Weiwei, Sherrie Levine, and many others, After Art provides a compelling and original theory of art and architecture in the age of global networks.
Business, legal, and technical trends in architecture areconstantly changing. The Architect's Handbook of ProfessionalPractice has offered firms the latest guidance on those trendssince 1920.
The Fifteenth Edition of this indispensable guidefeatures nearly two-thirds new content and covers all aspects ofcontemporary practice, including updated material on:Small-firm practice, use of technologies such as BIM, andproject delivery methods, such as IPD and architect-leddesign-buildCareer development and licensure for emerging professionals andstate-mandated continuing education for established architectsBusiness management topics, such as organizational development,marketing, finance, and human resourcesResearch as an integrated aspect of architectural practice,featuring such topics as evidence-based design and research in asmall-firm context
The Fifteenth Edition of The Architect's Handbook ofProfessional Practice includes access to a website thatcontains samples of all AIA Contract Documents (in PDF format forMac and PC computers). With comprehensive coverage of contemporarypractices in architecture, as well as the latest developments andtrends in the industry, The Architect's Handbook of ProfessionalPractice continues to be the essential reference for everyarchitect who must meet the challenges of today's marketplace withinsight and confidence.
Nine essays by noted architects and architectural historians cover a range of topics from broad-based critical commentaries to discussions of individual architects and buildings. Among the latter are the architects Enrique del Moral, Juan O'Gorman, Carlos Obregón Santacilia, Juan Segura, Mario Pani, and the campus and stadium of the Ciudad Universitaria in Mexico City.
Relatively little has been published in English regarding this era in Mexican architecture. Thus, Modernity and the Architecture of Mexico will play a groundbreaking role in making the underlying assumptions, ideological and political constructs, and specific architect's agendas known to a wide audience in the humanities. Likewise, it should inspire greater appreciation for this undervalued body of works as an important contribution to the modern movement.
Bertram's exploration of the Turkish house shows how this feature of Ottoman culture took on symbolic meaning in the Turkish imagination as Turkey became more Westernized and secular in the early decades of the twentieth century. She shows how artists, writers, and architects all drew on the memory of the Turkish house as a space where changing notions of spirituality, modernity, and identity—as well as the social roles of women and the family—could be approached, contested, revised, or embraced during this period of tumultuous change.