A timeless classic. Includes 8,200 songs in 818 lists for nine voice classifications; indexed by composer, title, vocal range, and publisher. The complete work represents the living song repertoire of today drawn from recital programs, recordings, broadcasts, telecasts, and other sources, and is comprised of Part I: Coloratura, Lyric and Dramatic Soprano, Part II: Mezzo Soprano and Contralto, Part III: Lyric and Dramatic Tenor, and Part IV: Baritone and Bass.
voice training and acting
• Simple, easy-to-follow exercises to strengthen the voice in just 10 minutes
• Revised and expanded edition includes
• Replaces ISBN 0-8230-8333-0
Chuck Jones, the leading expert on using the voice to convey character, explains his groundbreaking techniques clearly and concisely in this revised edition of a classic. First, Jones examines acting basics related to the voice: being heard, character choices, and power. Then he introduces daily exercises that release, stretch, and strengthen the voice, in order to increase the actor’s expressive range. For any actor who wants to grow and develop, Make Your Voice Heard offers powerful, practical tools for connecting the voice to emotions—and using the vocal instrument to create new levels of meaning.
From the Trade Paperback edition.
Whether you're a beginning vocalist or a seasoned songster, Singing for Dummies makes it easy for you to achieve your songbird dreams. This practical guide gives you step-by-step instructions and lots of helpful tips, hints, vocal exercises, reminders, and warnings for both men and women, including advice on the mechanics of singing, discovering your singing voice, developing technique, singing in performance, maintaining vocal health, and performing like a pro. This Second Edition is an even greater resource with additional vocal exercises, new songs, and information on the latest technology and recording devices.Covers comprehensive singing techniques, finding one's pitch, the importance of posture and breath control, and taking care of one's voice Discover how to sing alone or with accompaniment The updated CD features new tracks and musical exercises, as well as demonstrations of popular technique, scales and pitch drills, and practice songs for singers of all levels
Singing for Dummies, Second Edition contains all the information, practices, techniques, and expert advice you need to hone your vocal skills with ease!
Note: DVD and other supplementary materials are not included as part of eBook file. These materials are available for download upon purchase.
Because the structures and movements inherent in the vocal instrument are the same for every singer, they apply equally to every kind of singing. Differences in style result from differences in the choice of movement. Understanding and mapping the structures and movements used in singing provides the technical foundation for all singers. The purpose of this book is to provide singers with that foundation. This book does not espouse a single method or attempt to teach singing techniques. Rather, it describes the movements of singing with accuracy and detail so that singers may experiment on their own and communicate with each other more effectively. This has never been done before and it is a substantial contribution to music education in general and the education of singers in particular.
For the second edition, the authors have greatly updated and expanded the content throughout the volume, reflecting the latest research on and knowledge.
Every time we open our mouths, we have an effect on ourselves and the way others perceive us. The ability to speak clearly and confidently can make or break a presentation, an important meeting, or even a first date. Now, with the advent of Skype, YouTube, podcasting, Vine, and any number of reality talent competitions, your vocal presence has never been more necessary for success or more central to achieving your dreams.
Roger Love has over 30 years of experience as one of the world's leading authorities on voice. Making use of the innovative techniques that have worked wonders with his professional clients, Love distills the best of his teaching in SET YOUR VOICE FREE, and shares exercises that will help readers bring emotion, range, and power to the way they speak.
This updated edition incorporates what he's learned in the last 15 years as the Internet and talent competitions have completely changed the role your voice plays in your life. These are the new essentials for sounding authentic, persuasive, distinctive, and real in a world that demands nothing less.
The updated edition includes more detailed illustrations and an expansion of the appendix on vocal misuse and abuse, including data on subglottic air pressure/air flow ratios, the phonatory mode known as belting, and the aging voice, especially as it is affected by hormonal changes in the body. With extensive bibliography.
Entries are divided by broad category (art song, arias, folk songs, oratorio, musicals, etc.) and are arranged by song title. Each entry includes author, poet or librettist, key(s) available, ranges (for each key), tessitura, difficulty level, voice types, comments, a summary of the text, and notes as to genre, language, and editions available. Five comprehensive indexes facilitate searching.
As a guide to selecting vocal repertoire, this book's practical and sometimes colorful comments on each song or aria will assist the vocal instructor in matching the student's ability and range to the appropriate piece. This distillation of Barbara Doscher's many years of experience in the teaching studio is a necessary addition to any vocal instructor's collection, as well as a valuable resource for the individual singer.
The book is filled with numerous illustrations and musical examples, as well as fun and productive singing exercises. Unlike more traditional vocal instruction books, Idiot's Guide: Singing takes a "fast-track" approach to the topic, so that budding vocalists start singing right from the very start. The book even shows readers how to sing in different musical styles (pop, rock, country, classical, etc.) and how to perform live-including proper microphone technique.
This second edition of Idiot's Guide: Singing is accompanied by a variety of audio exercises and examples, which will be available online. These online examples and exercises replace the CD-based audio tracks available with the first edition, and will help to make the exercises more immediately accessible and lower the cost of the new edition.
A primary section on the history of singing stresses the importance of understanding vocal history while inspiring and motivating the student through the experiences of opera stars such as Enrico Caruso, Maria Callas, and Jussi Björling. The second section explains vocal techniques, including the use and proper pronunciation of the IPA (International Phonetic Alphabet), and provides 64 specific exercises with clearly defined goals designed to overcome faults and to develop vocal virtuosity. Complete instructions for transposing the exercises for both male and female voices are included, as well as drawings of the exercises, musical examples from vocal literature, excellent anatomical illustrations by Frank Netter, MD, and copious photographs of opera stars. Singing: The First Art is an invaluable text for students, professionals, singers, conductors, composers, and vocal medical professionals, or anyone interested in understanding and appreciating the vocal art.
New theories and concepts, rooted in both the wisdom of masters in the field and current scientific research, are introduced from the unique perspective of the performer. Practical application exercises train the singer to work with, rather than against, the systems of singing to integrate the cognitive and conscious with the unconscious sensory and motor processes of our nervous system.
By mapping not only the body's musculoskeletal structure, but also the body's voluntary and involuntary behavioral responses, the vocal artist is empowered with an ability to maintain the following with ease: Optimal performance, characterized by elite execution, coordination, and self-correction. An ideal performance state, characterized by heightened awareness, vigilant attention, and autonomic balance/an absence of anxiety. Imagery or manipulation of a mental representation of a sensory event, characterized by an ability to express one's thoughts and feelings through an infinite supply of phenomenal images. Alignment.
Few pedagogical or therapeutic approaches provide any training in the recognition of the subtle, indirect patterns of use, stance, or tension that prevent students from relaxing the jaw, releasing the breath, lifting the palate, or any of the other demands teachers make to get them to sing well. Even when the teacher recognizes that there is a problem, the knowledge of how to retrain the students neuro-musculo-skeletal system in order to effect real change and self-awareness by the student is often limited or lacking. Body and Voice: Somatic Re-education addresses this need.
This book begins with a brief definition and theoretical overview of body re-education, its principles and applications. Subsequent chapters teach how to recognize poor body dynamics. The final chapters provide specific lessons as well as guidance for independent explorations that will increase the students kinesthetic and body awareness.
In this follow up to her 1999 volume, The Professional Vocalist, author Rachel L. Lebon continues to give expert advice on the singing profession, describing the musical and vocal adjustments essential to becoming a versatile vocalist. She addresses proprioception, the kinesthetic feedback, vocal adjustments associated with "crossing over" and exploring new sounds and styles, and performing authentically within contrasting performance situations. Many facets of performance are considered: differing venues—from small studios or clubs to large concert halls; singing acoustically or with sound reinforcement; singing in various styles of music—be it commercial, popular, jazz, or classical; and varieties of instrumental accompaniment—whether a single instrument, a small ensemble, a full orchestra with strings, a big band with horns blaring, or rock bands with wailing guitars. The book discusses factors that influence vocal approaches, including recording studio technology, live sound reinforcement, speech, language, and microphone styles and their affect on musical genres. Practical aspects of music preparation, song learning, rehearsal techniques, and achieving vocal longevity are given, as well as "real world" strategies and advice from Lebon and other working professionals.
In So You Want to Sing Sacred Music, multiple contributors offer a broad overview of sacred singing in the Judeo-Christian tradition. Evan Kent, Anthony Ruff, Matthew Hoch, and Sharon L. Radionoff share their expertise on topics as diverse as Jewish cantorial music, Gregorian chant, post-Vatican II Catholic music, choral traditions, and contemporary Christian music. This plethora of styles represents the most common traditions encountered by amateur and emerging professional singers when exploring sacred performance opportunities. In each chapter, contributors consider liturgical origins, musical characteristics, training requirements, repertoire, and resources for each of these traditions. The writers—all professional singers and teachers with rich experience singing these styles—also discuss vocal technique as it relates to each style. Contributors also offer professional advice for singers seeking work within each tradition’s institutional settings, surveying the skills needed while offering practical advice for auditioning and performing successfully in the world of sacred music.
So You Want to Sing Sacred Music is a helpful resource for any singer looking to add sacred performance to their portfolio or seeking opportunities and employment where sacred music is practiced and performed. Additional chapters by Scott McCoy, Wendy LeBorgne, and Matthew Edwards address universal questions of voice science and pedagogy, vocal health, and audio enhancement technology.
The So You Want to Sing series is produced in partnership with the National Association of Teachers of Singing. Like all books in the series, So You Want to Sing Sacred Music features online supplemental material on the NATS website. Please visit www.nats.org to access style-specific exercises, audio and video files, and additional resources.
In Fortissimo, Murray follows twelve young singers in the Lyric Opera of Chicago’s training program, the prestigious Opera Center for American Artists, through the 2003–2004 season. In the course of the year, these singers attend countless coaching sessions, inspiring master classes, nerve-racking auditions and grueling rehearsals—and finally perform with some of the most celebrated names (and spectacular egos) in opera, from Samuel Ramey to José Cura and Natalie Dessay. While chronicling their progress, Murray offers an insider’s look at the different aspects of the opera world that influence a young singer’s success, a world filled with temperamental maestros, ambitious directors, old-world tradition and sacred monsters.
Weaving recollections of his own days training in New York, Rome and Milan in the 1950s with the personal and artistic struggles of the young singers in Chicago today, Murray lays bare the staggering ambition and relentless will required to achieve a career in the arts. As he writes, “Becoming a successful opera singer—stepping out on a huge stage to try to fill the house with your voice, to bring an audience of thirty-six hundred people to its feet—is as risky in its own peculiar way as embarking on a career as a matador. You can triumph, you can struggle to survive or you can perish from your wounds.” Fortissimo is a delicious tale of rising talents, angst and heartache and small triumphs, and the music that inspires it all.
From the Hardcover edition.
The book acts as a guide for both lay and professional music instructors, as well as choristers, by drawing upon the basic components of the best choral performance. It is useful for both ensemble performances and solo singing.
***Comes with online access to free audio demonstrating all examples. Hear how each one is sung by a teacher, then sing along with the backing band.***
"Excellent Product. This helped with a singing class I have begun teaching. It is an excellent product for teaching young singers the art of singing!" - W. Baker [Amazon]
Progressive Singing Method for Young Beginners contains all you need to know to start teaching kids to sing - in one easy-to-follow, lesson-by-lesson children’s singing tutorial. Suitable for children aged 4 to 8. No prior knowledge of how to read music or how to sing is required to teach a child to learn to sing from this book.
Teach your child:
• How to sing a repertoire of well known children’s songs, along with the use of sol-fa syllables to help the student identify pitches within the key
• How to read and sing note pitches and note rhythms while also referring to the keyboard to check the correct pitch
• All the fundamental techniques of singing including correct posture and breathing
• Basic music theory for kids including rhythm, time signatures and first and second endings
• Singing tips for kids that every child should know when learning singing
• Shortcuts for how to learn singing fast by getting the most from singing practice sessions
Contains everything you need to know about how to teach a child to sing today.
• Progressive step-by-step easy singing lessons written by a professional children’s singing teacher
• Beautifully illustrated in full color throughout
• Easy-to-read singing music for kids
• Keyboard note chart chart for all important notes
• 35 great sounding children's songs including popular kindergarten songs
Kids singing lessons have never been this easy for parents and teachers who want to teach children to learn how to sing, fast.
The star of the Metropolitan Opera's recent revival of Dvorak's Rusalka, soprano Renée Fleming brings a consummately beautiful voice, striking interpretive talents, and compelling artistry to bear on performances that have captivated audiences in opera houses and recital halls throughout the world. In The Inner Voice—a book that is the story of her own artistic development and the “autobiography” of her voice—this great performer presents a unique and privileged look at the making of a singer and offers hard-won, practical advice to aspiring performance artists everywhere. From her youth as the child of two singing teachers through her years at Juilliard, from her struggles to establish her career to her international success, The Inner Voice is a luminous, articulate, and candid self-portrait of a contemporary artist—and the most revelatory examination yet of the performing life.
So You Want to Sing Rock 'n' Roll gives readers a comprehensive guide to rock history, voice science, vocal health, audio technology, technical approaches to singing rock, and stylistic parameters for various rock subgenres. Matthew Edwards, assistant professor of voice at Shenandoah Conservatory, provides easy-to-understand explanations of technical concepts, with tips for practical application, and suggestions for listening and further reading.
So You Want to Sing Rock ‘n’ Roll includes guest-authored chapters by singing voice researchers Dr. Scott McCoy and Dr. Wendy LeBorgne, as well as audio and visual examples available from the website of the National Association of Teachers of Singing. This work is not only the ideal guide to singing professionals, but the perfect reference work for voice teachers and their students, lead and back-up singers, record producers and studio engineers.
The So You Want to Sing series is produced in partnership with the National Association of Teachers of Singing. Like all books in the series, So You Want to Sing Rock 'n' Roll features online supplemental material on the NATS website. Please visit www.nats.org to access style-specific exercises, audio and video files, and additional resources.
* Over the Rainbow
* Simple Gifts
* Bridge over Troubled Water
* Let There Be Peace on Earth
* How High Can I Fly
* You Raise Me Up
* The Blessing
* The Prayer
* The Impossible Dream
***Comes with online access to free audio demonstrating all examples. Hear how each one is sung by a teacher, then sing along.***
"I’ve always loved singing, but needed some direction.... this book helped me not only improve at singing, but understand my theory and better communicate ideas to other musicians." - Sara Perry, IL
Progressive Beginner Rock Singing contains all you need to know to start learning to be a great rock singer - in one easy-to-follow, lesson-by-lesson singing tutorial. Suitable for all ages and all types of singers including soprano, mezzo soprano, alto, tenor, baritone and bass. No prior knowledge of how to read music or sing is required to teach yourself to learn to sing from this book.
• How to match pitch and rhythms, pre-hear notes, copy melodies by ear and harmonize melodies
• The basics of reading and understanding music, the blues scale, time signatures and the language of rock
• How chords and chord progressions work and how to perform in public
• How to sing beginner vocal scales used in lead vocalist solos in major and minor keys
• All the fundamental techniques of singing including essential information on breathing, posture, tone production
• Music theory for learning how to read vocal music for beginners
• Singing tips and singing tricks that every singer should know when learning how to sing
• Shortcuts for how to learn to sing fast by getting the most from singing practice sessions
Contains everything you need to know to learn to sing today.
• Progressive step-by-step easy singing lessons written by a professional singing teacher
• Full color photos and diagrams
• Easy-to-read singing music for beginners
• Diagrams containing ranges for six basic voice types including soprano, mezzo soprano, alto, tenor, baritone and bass
• 85 singing exercises and popular easy vocal music for beginners in rock singer styles
Beginner singing lessons have never been this easy for anyone who wants to learn how sing, fast.