The first new edition in ten years of this important study of Latinos in U.S. history, Harvest of Empire spans five centuries-from the first New World colonies to the first decade of the new millennium. Latinos are now the largest minority group in the United States, and their impact on American popular culture-from food to entertainment to literature-is greater than ever. Featuring family portraits of real- life immigrant Latino pioneers, as well as accounts of the events and conditions that compelled them to leave their homelands, Harvest of Empire is required reading for anyone wishing to understand the history and legacy of this increasingly influential group.
As real as you can get without jumping in, this is the story of Slim’s life as he saw, felt, tasted, and smelled it. Only he could tell this story and make the reader feel it. If you thought Hustle & Flow was the true pimp story, this book is where it all began. This is the heyday of the pimp, the hard-won pride and glory, small though it may be; the beginnings of pimp before it was dragged in front of the camera, before pimp juice and pimp style. A trip through hell by one man who lived to tell the tale. The dangers of jail, addiction and death that are still all too familiar for today’s black community. Though it is a tale of his times, it will remain current and true for as long as there is a race bias, as long as there is a street life, as long as there is exploitation.
Sexy, dangerous, and intriguing—the next novel in the bestselling, much loved Thug series. Old fans will devour this new installment and new fans will discover Wahida Clark’s work for the first time.
In the torrid world of sex, drugs, and crime, Wahida Clark presents the definitive Hip-Hop soap opera that fans have come to love.
Justify My Thug continues the scintillating drama of the bestselling Thug series. The first and second books of the series appeared on the Essence bestseller list and her latest, Thug Lovin’, debuted on the New York Times extended bestseller list.
Following the action of Thug Lovin’, the story rejoins the saga’s favorite couple, Tasha and Trae, as they try to overcome their troubles and make their marriage work.
The Queen of Thug Love fiction, Wahida Clark has created one of Hip-Hop’s iconic street lit series. Wahida Clark has already sold 500,000 books, including 350,000 from the Thugs series alone.
This fascinating testimonio, or oral history, transcribed and presented in Castro's voice by historian Mario T. Garcia, is a compelling, highly readable narrative of a young boy growing up in Los Angeles who made history by his leadership in the blowouts and in his career as a dedicated and committed teacher. Blowout! fills a major void in the history of the civil rights and Chicano movements of the 1960s, particularly the struggle for educational justice.
¡Chicana Power! provides a critical genealogy of pioneering Chicana activist and theorist Anna NietoGomez and the Hijas de Cuauhtémoc, one of the first Latina feminist organizations, who together with other Chicana activists forged an autonomous space for women's political participation and challenged the gendered confines of Chicano nationalism in the movement and in the formation of the field of Chicana studies. She uncovers the multifaceted vision of liberation that continues to reverberate today as contemporary activists, artists, and intellectuals, both grassroots and academic, struggle for, revise, and rework the political legacy of Chicana feminism.
The chilling truth is that his story could have been mine. The tragedy is that my story could have been his.
Two kids named Wes Moore were born blocks apart within a year of each other. Both grew up fatherless in similar Baltimore neighborhoods and had difficult childhoods; both hung out on street corners with their crews; both ran into trouble with the police. How, then, did one grow up to be a Rhodes Scholar, decorated veteran, White House Fellow, and business leader, while the other ended up a convicted murderer serving a life sentence? Wes Moore, the author of this fascinating book, sets out to answer this profound question. In alternating narratives that take readers from heart-wrenching losses to moments of surprising redemption, The Other Wes Moore tells the story of a generation of boys trying to find their way in a hostile world.
The phenomenal true story of the black female mathematicians at NASA whose calculations helped fuel some of America’s greatest achievements in space. Soon to be a major motion picture starring Taraji P. Henson, Octavia Spencer, Janelle Monae, Kirsten Dunst, and Kevin Costner.
Before John Glenn orbited the earth, or Neil Armstrong walked on the moon, a group of dedicated female mathematicians known as “human computers” used pencils, slide rules and adding machines to calculate the numbers that would launch rockets, and astronauts, into space.
Among these problem-solvers were a group of exceptionally talented African American women, some of the brightest minds of their generation. Originally relegated to teaching math in the South’s segregated public schools, they were called into service during the labor shortages of World War II, when America’s aeronautics industry was in dire need of anyone who had the right stuff. Suddenly, these overlooked math whizzes had a shot at jobs worthy of their skills, and they answered Uncle Sam’s call, moving to Hampton, Virginia and the fascinating, high-energy world of the Langley Memorial Aeronautical Laboratory.
Even as Virginia’s Jim Crow laws required them to be segregated from their white counterparts, the women of Langley’s all-black “West Computing” group helped America achieve one of the things it desired most: a decisive victory over the Soviet Union in the Cold War, and complete domination of the heavens.
Starting in World War II and moving through to the Cold War, the Civil Rights Movement and the Space Race, Hidden Figures follows the interwoven accounts of Dorothy Vaughan, Mary Jackson, Katherine Johnson and Christine Darden, four African American women who participated in some of NASA’s greatest successes. It chronicles their careers over nearly three decades they faced challenges, forged alliances and used their intellect to change their own lives, and their country’s future.
The thoughts Woodson expressed in addresses and articles formed the basis for this work, described by The New York Times as a challenging book that "throws down the gauntlet to those who have had anything to do with Negro education, whether of white or black race."
The founder of the Association for the Study of Negro Life and History, Woodson was also the author of more than sixteen books and the founder and editor of the Journal of Negro History and the Negro History Bulletin. This landmark work remains essential reading for educators and everyone who seeks to understand the African-American experience.
Candelario draws on her participant observation in a Dominican beauty shop in Washington Heights, a New York City neighborhood with the oldest and largest Dominican community outside the Republic, and on interviews with Dominicans in New York City, Washington, D.C., and Santo Domingo. She also analyzes museum archives and displays in the Museo del Hombre Dominicano and the Smithsonian Institution as well as nineteenth- and early-twentieth-century European and American travel narratives.
But even after the war, as Escobedo shows, Mexican American women had to continue challenging workplace inequities and confronting family and communal resistance to their broadening public presence. Highlighting seldom heard voices of the "Greatest Generation," Escobedo examines these contradictions within Mexican families and their communities, exploring the impact of youth culture, outside employment, and family relations on the lives of women whose home-front experiences and everyday life choices would fundamentally alter the history of a generation.
The quinceañera, a celebration of a Latina girl’s fifteenth birthday, has become a uniquely American trend. This lavish party with ball gowns, multi-tiered cakes, limousines, and extravagant meals is often as costly as a prom or a wedding. But many Latina girls feel entitled to this rite of passage, marking a girl’s entrance into womanhood, and expect no expense to be spared, even in working-class families. Acclaimed author Julia Alvarez explores the history and cultural significance of the “quince” in the United States, and the consequences of treating teens like princesses. Through her observations of a quince in Queens, interviews with other quince girls, and the memories of her own experience as a young immigrant, Alvarez presents a thoughtful and entertaining portrait of a rapidly growing multicultural phenomenon, and passionately emphasizes the importance of celebrating Latina womanhood.
Macías conducted numerous interviews for Mexican American Mojo, and the voices of little-known artists and fans fill its pages. In addition, more famous musicians such as Ritchie Valens and Lalo Guerrero are considered anew in relation to their contemporaries and the city. Macías examines language, fashion, and subcultures to trace the history of hip and cool in Los Angeles as well as the Chicano influence on urban culture. He argues that a grass-roots “multicultural urban civility” that challenged the attempted containment of Mexican Americans and African Americans emerged in the neighborhoods, schools, nightclubs, dance halls, and auditoriums of mid-twentieth-century Los Angeles. So take a little trip with Macías, via streetcar or freeway, to a time when Los Angeles had advanced public high school music programs, segregated musicians’ union locals, a highbrow municipal Bureau of Music, independent R & B labels, and robust rock and roll and Latin music scenes.
Randall gives readers an inside look at her children's education, the process through which new law was enacted, the ins and outs of healthcare, employment, internationalism, culture, and ordinary people's lives. She explores issues of censorship and repression, describing how Cuban writers and artists faced them. She recounts one of the country's last beauty pageants, shows us a night of People's Court, and takes us with her when she shops for her family's food rations. Key figures of the revolution appear throughout, and Randall reveals aspects of their lives never before seen.
More than fifty black and white photographs, most by the author, add depth and richness to this astute and illuminating memoir. Written with a poet's ear, depicted with a photographer's eye, and filled with a feminist vision, To Change the Worldùneither an apology nor gratuitous attackùadds immensely to the existing literature on revolutionary Cuba.
In Oye Como Va!, Deborah Pacini Hernandez traces the trajectories of various U.S. Latino musical forms in a globalizing world, examining how the blending of Latin music reflects Latino/a American lives connecting across nations. Exploring the simultaneously powerful, vexing, and stimulating relationship between hybridity, music, and identity, Oye Como Va! asserts that this potent combination is a signature of the U.S. Latino/a experience.
In 2005, Tyler Perry took Hollywood by storm. The movie he wrote, produced, and starred in, Diary of a Mad Black Woman, opened number one at the box office and went on to gross more than $50 million. In its first week on sale, the DVD sold 2.4 million copies. At the same time, Perry was starring nightly across the country in a soldout stage show he'd also written, produced, and scored-Madea Goes to Jail-even as another one of his productions, Meet the Browns, was touring nationally. Every week in 2005, 35,000 people saw a Tyler Perry production. His second feature film, Madea's Family Reunion, opens in theaters in February 2006. Now, this triple-threat actor/playwright/director, has written his first book, and it features his most beloved, most irreverent creation: sixty-eight-year-old grandmother Madea Simmons.
Madea is at the center of all of Tyler Perry's work, and she's always unfailingly outspoken, dead-on, and hilarious. But in Don't Make a Black Woman Take Off Her Earrings, Madea shares more than she ever has before- about herself, and about what she thinks of everyone around her. The topics inimitably covered by Madea (a term of endearment for "Mother Dear") include love and marriage, child-rearing, etiquette and neighborliness, beauty tips, health tips, financial tips, the Bible and the church, and, of course, gun care. She's brazen, feisty, and never at a loss for words, but at the heart of everything she says- and at the heart of all of Perry's work-is a resounding message of faith and forgiveness.
Shockingly hilarious, surprisingly moving, and as rousing and inspiring as a great gospel show, Madea's words of wisdom, memories, and straight-up in-your-face advice will be cherished by Perry's numerous fans- and it all comes just in time for Mother's Day. Tyler Perry is about to take the publishing world by storm.
Publication of The Souls of Black Folk was a dramatic event that helped to polarize black leaders into two groups: the more conservative followers of Washington and the more radical supporters of aggressive protest. Its influence cannot be overstated. It is essential reading for everyone interested in African-American history and the struggle for civil rights in America.
The Young Lords offers readers the opportunity to learn about this vibrant organization through their own words and images, collecting an array of their essays, journalism, photographs, speeches, and pamphlets. Organized topically and thematically, this volume highlights the Young Lords’ diverse and inventive activism around issues such as education, health care, gentrification, police injustice and gender equality, as well as self-determination for Puerto Rico.
In recovering these rare written and visual materials, Darrel Enck-Wanzer has given voice to the lost chorus of the Young Lords, while providing an indispensable resource for students, scholars, activists, and others interested in learning about this influential grassroots “street political” organization.
Published during a literary era marked by the ascendance of black writers such as Richard Wright, Ralph Ellison, James Baldwin, and Alex Haley, this thinly fictionalized account of Claude Brown’s childhood as a hardened, streetwise criminal trying to survive the toughest streets of Harlem has been heralded as the definitive account of everyday life for the first generation of African Americans raised in the Northern ghettos of the 1940s and 1950s.
When the book was first published in 1965, it was praised for its realistic portrayal of Harlem—the children, young people, hardworking parents; the hustlers, drug dealers, prostitutes, and numbers runners; the police; the violence, sex, and humor.
The book continues to resonate generations later, not only because of its fierce and dignified anger, not only because the struggles of urban youth are as deeply felt today as they were in Brown’s time, but also because of its inspiring message. Now with an introduction by Nathan McCall, here is the story about the one who “made it,” the boy who kept landing on his feet and grew up to become a man.
Exploring the larger social forces behind demographic shifts, Gill shows both how North Carolina communities are facing the challenges and opportunities presented by these changes and how migrants experience the economic and social realities of their new lives. Latinos are no longer just visitors to the state but are part of the inevitably changing, long-term makeup of its population. Today, emerging migrant communities and the integration of Latino populations remain salient issues as the U.S. Congress stands on the verge of formulating comprehensive immigration reform for the first time in nearly three decades. Gill makes connections between hometowns and the increasing globalization of people, money, technology, and culture by shedding light on the many diverse North Carolina residents who are highly visible yet, as she shows, invisible at the same time.
In one memorable scene, after realizing that her friend Carmen is cleaning the house of one of the producers of Annie Hall, María recruits her to take her picture as she poses dramatically with Mr. Joffe’s Oscar in hand. It is María’s defiant yet determined attitude amidst her sacrifices that allows for Guillermo’s spirited coming of age and coming out.
Their common ground is the drama of their encounters with discovery, heartbreak, and passion—the explosive emotions that light up the stage of their two-actor theater. Honorable Mention, Best Auto/Biography in English, International Latino Book Awards
The collection opens with an in-depth exploration of the social and sonic currents that coalesced into reggaeton in Puerto Rico during the 1990s. Contributors consider reggaeton in relation to that island, Panama, Jamaica, and New York; Cuban society, Miami’s hip-hop scene, and Dominican identity; and other genres including reggae en español, underground, and dancehall reggae. The reggaeton artist Tego Calderón provides a powerful indictment of racism in Latin America, while the hip-hop artist Welmo Romero Joseph discusses the development of reggaeton in Puerto Rico and his refusal to embrace the upstart genre. The collection features interviews with the DJ/rapper El General and the reggae performer Renato, as well as a translation of “Chamaco’s Corner,” the poem that served as the introduction to Daddy Yankee’s debut album. Among the volume’s striking images are photographs from Miguel Luciano’s series Pure Plantainum, a meditation on identity politics in the bling-bling era, and photos taken by the reggaeton videographer Kacho López during the making of the documentary Bling’d: Blood, Diamonds, and Hip-Hop.
Contributors. Geoff Baker, Tego Calderón, Carolina Caycedo, Jose Davila, Jan Fairley, Juan Flores, Gallego (José Raúl González), Félix Jiménez, Kacho López, Miguel Luciano, Wayne Marshall, Frances Negrón-Muntaner, Alfredo Nieves Moreno, Ifeoma C. K. Nwankwo, Deborah Pacini Hernandez, Raquel Z. Rivera, Welmo Romero Joseph, Christoph Twickel, Alexandra T. Vazquez
So quipped Antonin Scalia about Sonia Sotomayor at the Supreme Court's annual end-of-term party in 2010. It's usually the sort of event one would expect from such a grand institution, with gentle parodies of the justices performed by their law clerks, but this year Sotomayor decided to shake it up—flooding the room with salsa music and coaxing her fellow justices to dance.
It was little surprise in 2009 that President Barack Obama nominated a Hispanic judge to replace the retiring justice David Souter. The fact that there had never been a nominee to the nation's highest court from the nation's fastest growing minority had long been apparent. So the time was ripe—but how did it come to be Sonia Sotomayor?
In Breaking In: The Rise of Sonia Sotomayor and the Politics of Justice, the veteran journalist Joan Biskupic answers that question. This is the story of how two forces providentially merged—the large ambitions of a talented Puerto Rican girl raised in the projects in the Bronx and the increasing political presence of Hispanics, from California to Texas, from Florida to the Northeast—resulting in a historical appointment. And this is not just a tale about breaking barriers as a Puerto Rican. It's about breaking barriers as a justice.
Biskupic, the author of highly praised judicial biographies of Justice Antonin Scalia and Justice Sandra Day O'Connor, now pulls back the curtain on the Supreme Court nomination process, revealing the networks Sotomayor built and the skills she cultivated to go where no Hispanic has gone before. We see other potential candidates edged out along the way. And we see how, in challenging tradition and expanding our idea of a justice (as well as expanding her public persona), Sotomayor has created tension within and without the court's marble halls.
As a Supreme Court justice, Sotomayor has shared her personal story to an unprecedented degree. And that story—of a Latina who emerged from tough times in the projects not only to prevail but also to rise to the top—has even become fabric for some of her most passionate comments on matters before the Court. But there is yet more to know about the rise of Sonia Sotomayor. Breaking In offers the larger, untold story of the woman who has been called "the people's justice."
Looking back on how he went from being a homeless child in Memphis to playing in the NFL, Michael talks about the goals he had to break out of the cycle of poverty, addiction, and hopelessness that trapped his family. Eventually he grasped onto football as his ticket out and worked hard to make his dream into a reality. With his adoptive family, the Touhys, and other influential people in mind, he describes the absolute necessity of seeking out positive role models and good friends who share the same values to achieve one's dreams. Sharing untold stories of heartache, determination, courage, and love, I Beat the Odds is an incredibly rousing tale of one young man's quest to achieve the American dream.
Contributors are Brenda D. Arellano, Leo R. Chavez, Yvette G. Flores, Ramón A. Gutiérrez, Aída Hurtado, Olga Nájera-Ramírez, Chon A. Noriega, Manuel Pastor Jr., Armida Ornelas, Russell W. Rumberger, Daniel Solórzano, Enriqueta Valdez Curiel, and Abel Valenzuela Jr.
Paredez argues that Selena’s death galvanized Latina/o efforts to publicly mourn collective tragedies (such as the murders of young women along the U.S.-Mexico border) and to envision a brighter future. At the same time, reactions to the star’s death catalyzed political jockeying for the Latino vote and corporate attempts to corner the Latino market. Foregrounding the role of performance in the politics of remembering, Paredez unravels the cultural, political, and economic dynamics at work in specific commemorations of Selena. She analyzes Selena’s final concert, the controversy surrounding the memorial erected in the star’s hometown of Corpus Christi, and the political climate that served as the backdrop to the touring musicals Selena Forever and Selena: A Musical Celebration of Life. Paredez considers what “becoming” Selena meant to the young Latinas who auditioned for the biopic Selena, released in 1997, and she surveys a range of Latina/o queer engagements with Selena, including Latina lesbian readings of the star’s death scene and queer Selena drag. Selenidad is a provocative exploration of how commemorations of Selena reflected and changed Latinidad.
In his moving yet practical book, Hill Harper undertakes a journey both universal and deeply personal in search of answers to these questions. He has conversations with friends and strangers –married, single and divorced – and learns about their private struggles, emotional vulnerabilities, and real concerns, and begins to see common themes emerge. As his journey picks up momentum, Hill begins to recognize his own struggles in other people’s stories, and is encouraged to more deeply examine his own relationship issues.
Why does so much misinformation and mistrust exist between the sexes? Hill addresses the stereotypes that have developed in the Black community, in the hope that by addressing the challenges, Black men and women can find their way to common ground. The Conversation aims to open up the lines of communication, and offers inspiration to those who want to take control of this crisis and start building successful, sustainable relationships.
Follow it he did, and his book Our Sacred Maíz Is Our Mother changes the way we look at Mexican Americans. Not so much peoples created as a result of war or invasion, they are people of the corn, connected through a seven-thousand-year old maíz culture to other Indigenous inhabitants of the continent. Using corn as the framework for discussing broader issues of knowledge production and history of belonging, the author looks at how corn was included in codices and Mayan texts, how it was discussed by elders, and how it is represented in theater and stories as a way of illustrating that Mexicans and Mexican Americans share a common culture.
Rodriguez brings together scholarly and traditional (elder) knowledge about the long history of maíz/corn cultivation and culture, its roots in Mesoamerica, and its living relationship to Indigenous peoples throughout the continent, including Mexicans and Central Americans now living in the United States. The author argues that, given the restrictive immigration policies and popular resentment toward migrants, a continued connection to maíz culture challenges the social exclusion and discrimination that frames migrants as outsiders and gives them a sense of belonging not encapsulated in the idea of citizenship. The “hidden transcripts” of corn in everyday culture—art, song, stories, dance, and cuisine (maíz-based foods like the tortilla)—have nurtured, even across centuries of colonialism, the living maíz culture of ancient knowledge.
The book draws its information from the writings of respected early historians as well as historical documents from libraries and archives in Spain, Latin America and the United States.
Cortes, Pizarro, Alvarado, todos ellos hombres conocidos y famosos. Pero y las mujeres? Si bien fue el hombre el que mayormente cargo sobre sus hombros la empresa conquistadora, muchas fueron las mujeres que tambien formaron parte de tal epopeya. Sin embargo, la historia les paso por encima y las relego al triste olvido.
Esta obra se empena en hacerles justicia historica a estas mujeres, destacando sus vidas y hazanas sobre todo a ocho de ellas, quizas las mas conocidas, pero no las unicas. Fueron mujeres excepcionales, resolutas, integras, juiciosas, prontas a echar un pie adelante cuando las circunstancias asi lo exigieron, pero, vale recalcar, sin renunciar en ningun momento a sus dotes de madres y esposas. De las ocho mujeres, seis fueron espanolas y dos indigenas, incluyendose, ademas, a unas cuarenta mas aunque en menos detalle.
La obra rebosa humanidad y sentido historico y esta escrita en un lenguaje pulcro y sencillo, al alcance de todo tipo de lector. Sus fuentes son rigurosamente historicas y fidedignas, fruto de las mas excelsas plumas a ambos lados del Atlantico y pertenecientes a todas las epocas, incluyendo, claro esta, a los primitivos cronistas de Indias.
Viego argues that the repeated themes of wholeness, completeness, and transparency with respect to ethnic and racialized subjectivity are fundamentally problematic as these themes ultimately lend themselves to the project of managing and controlling ethnic and racialized subjects by positing them as fully knowable, calculable sums: as dead subjects. He asserts that the refusal of critical race and ethnic studies scholars to read ethnic and racialized subjects in a Lacanian framework—as divided subjects, split in language—contributes to a racist discourse. Focusing on theoretical, historical, and literary work in Latino studies, he mines the implicit connection between Latino studies’ theory of the “border subject” and Lacan’s theory of the “barred subject” in language to argue that Latino studies is poised to craft a critical multiculturalist, anti-racist Lacanian account of subjectivity while adding historical texture and specificity to Lacanian theory.
The result is a motivational but approachable book full of encouragement on a wide array of hot topics, particularly among young African-American and Hispanic men. From the challenges of getting a good education and making it through college to the media’s destructive emphasis on material wealth, Letters to a Young Brother delivers eye-opening answers. Reminiscent of Marian Wright Edelman’s New York Times bestseller, The Measure of Our Success: A Letter to My Children and Yours, Hill Harper’s words will resonate for years to come.
Indeed Lorraine Hansberry's award-winning drama about the hopes and aspirations of a struggling, working-class family living on the South Side of Chicago connected profoundly with the psyche of black America--and changed American theater forever. The play's title comes from a line in Langston Hughes's poem "Harlem," which warns that a dream deferred might "dry up/like a raisin in the sun."
"The events of every passing year add resonance to A Raisin in the Sun," said The New York Times. "It is as if history is conspiring to make the play a classic." This Modern Library edition presents the fully restored, uncut version of Hansberry's landmark work with an introduction by Robert Nemiroff.
It is a prophetic book with a revolutionary perspective. It is prophetic in that it points to the direction the Black Church must take to effectively address the spiritual needs of the Black community. It is revolutionary because it challenges the Church and believers to establish a new paradigm, an African Spiritual frame of reference. The Black Church must transform itself and take on a new view of the scriptures, doctrines and dogmas of Christendom.
This book documents the fact that what Blacks have been given as Christianity is in reality stolen African mythology, cosmology and history that has been corrupted by Roman and Greek priest, philosophers and emperors. It is one of the most powerful challenges to Orthodox Christianity to date. The Truth will liberate you from their strong delusions.
While there is indeed some positive and beneficial aspects to Church membership it is time for the Black Church to make its exodus from the Western religious way of faith in God to the African spiritual way of knowledge of God.
Black Pastors and religious leaders must begin to teach that which will bring about the manifestation of the fullness of Christ. This is the charge given to all church leadership by the Bible they teach from. “And He Himself gave some to be apostles, some prophets, some evangelist, some pastors and teachers, for the equipping of the saints for the work of the ministry, for the edifying of the body of Christ, till we all come to the unity of the faith and the knowledge of the Son of God, to be a perfect man, to the measure of the stature of the fullness of Christ.” Ephesians 4:11-13. There are far too many Babes in Christ in the Church. It is not the fault of the believers but a reflection of corrupted doctrines and false dogmas. In addition the unity of the Black Church must become a priority. Not one church or believer can say they have no need of the rest of the Body of Christ in good conscience. Yet unity in the Black Church is more a rhetorical than an actual reality. Imagine what could be done if the wealth of the Church was combined to establish a super fund. Unity must be at the top of the agenda for the Black Church and for the Black community.
Lastly, though we have the proverbial church on every corner there is an undeniable spiritual crisis in the Black community. The Liberation of the African Mind: The Key to Black Salvation makes the Spiritual Resurrection of the Black man a valid goal and priority. It will challenge many long held beliefs and dogmas, however Christendom must be examined and that which is not of God must be abandoned. Not since Marcus Garvey, Fredrick Douglas and the Honorable Elijah Muhammad have Blacks questioned the validity or efficacy of Christianity. Mr. Muhammad made an attempt to make Blacks aware that Christianity was the religion of the people who had enslaved them. Every race worships God in a way that is peculiar to their culture. Since the days of captivity Blacks have worshiped the god of their conquerors and oppressors. Worshipping a White man as God is not only a form of idolatry but extremely detrimental to the Black Psyche.
Second only to Fidel Castro, Batista is the most controversial leader in modern Cuban history. And yet, until now, there has been no objective biography written about him. Existing biographical literature is predominantly polemical and either borders on hero worship or launches a series of attacks aimed at denigrating his entire legacy.
In this book, the first of two volumes, Frank Argote-Freyre provides a full and balanced portrait of this historically shadowed figure. He describes Batista's rise to power as part of a revolutionary movement and the intrigues and dangers that surrounded him. Drawing on an extensive review of Cuban newspapers, government records, memos, oral history interviews, and a selection of Batista's personal documents, Argote-Freyre moves beyond simplistic caricatures to uncover the real man-one with strengths and weaknesses and with a career marked by accomplishments as well as failures.
This volume focuses on Batista's role as a revolutionary leader from 1933 to 1934 and his image as a "strongman" in the years between 1934 and 1939. Argote-Freyre also uses Batista as an interpretive prism to review an entire era that is usually ignored by scholars-the Republican period of Cuban history. Bringing together global and local events, he considers the significance and relationship of the worldwide economic depression, the beginnings of World War II, and in Cuba, the Revolution of 1933, the expansion of the middle class, and the gradual development of democratic institutions.
Fulgencio Batista and most of Cuba's past prior to the Revolution of 1959 has been lost in the historical mists. Cuba had a rich and fascinating history before the Marxist Revolution and the reign of Fidel Castro. This captivating and long-overdue book uncovers it.
issues in transnational religious movements in Latina/o and African
This is the first collection of essays to analyze
intersectional religious and cultural practices surrounding the deity Yemoja. In
Afro-Atlantic traditions, Yemoja is associated with motherhood, women, the arts,
and the family. This book reveals how Yemoja traditions are negotiating gender,
sexuality, and cultural identities in bold ways that emphasize the shifting
beliefs and cultural practices of contemporary times. Contributors come from a
wide range of fields—religious studies, art history, literature, and
anthropology—and focus on the central concern of how different religious
communities explore issues of race, gender, and sexuality through religious
practice and discourse. The volume adds the voices of religious practitioners
and artists to those of scholars to engage in conversations about how Latino/a
and African diaspora religions respond creatively to a history of colonization.
In masterfully weaving together a multiplicity of voices, Poniatowska has reasserted the inherent value and latent power of people working together. Punctuated by Poniatowska's own experiences and observations, these post disaster testimonies speak of the disruption of families and neighborhoods, of the destruction of homes and hospitals, of mutilation and death—the collective loss of a city. Drawing the reader dramatically into the scene of national horror through dozens of personal stories, Poniatowska demonstrates the importance of courage and self-reliance in redeeming life from chaos.
A lifelong bachelor, Novarro carefully cultivated his image as a man deeply devoted to his family and to Catholicism. His murder shattered that persona. News reports revealed that the dashing screen hero had not only been gay, but he was dead at the hands of two young, male hustlers. Since then, details of his murder have achieved near mythic proportions, obscuring Novarro’s professional legacy. Beyond Paradise presents a full picture of the man who made motion picture history. Including original interviews with Novarro’s surviving friends, family, co-workers, and the two men convicted of his murder, this biography provides unique insights into an early Hollywood star—a man whose heart was forever in conflict with his image and whose myth continues to fascinate today.
In Chasing the Sun, the international music icon and humanitarian shares the incredible story of his life and how music and faith guided his path. In his own un-adulterated words, and with visually arresting images throughout—some of them never before seen—Juanes imparts his defining moments from childhood to present day, reflecting on his spiritual and musical journey and the personal and professional experiences that shaped the man he is today.
Born and raised in Colombia, Juanes developed his deep love of music from his family and learned to play guitar at an early age. By age sixteen, he became a founding member, lead guitarist, vocalist, and song-writer for Ekhymosis, which went on to become Colombia’s leading hard-rock band. However, it was his career as a solo artist that propelled him toward international superstardom. With great honesty, Juanes reveals how his times of glory were often intersected by times of doubt and soul-searching and how remaining true to his beliefs and passionate about his art gave him the strength and foresight to reinvent himself and his career. While his role as a recording artist is well documented, the very private Juanes has never opened up in his own words—until now.
One of the most important civil rights leaders in American history, Cesar Chavez was a firm believer in the principles of nonviolence, and he effectively employed peaceful tactics to further his cause. Through his efforts, he helped achieve dignity, fair wages, benefits, and humane working conditions for hundreds of thousands of farm workers. This extensive collection of Chavez's speeches and writings chronicles his progression and development as a leader, and includes previously unpublished material. From speeches to spread the word of the Delano Grape Strike to testimony before the House of Representatives about the hazards of pesticides, Chavez communicated in clear, direct language and motivated people everywhere with an unflagging commitment to his ideals.
For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
From the Trade Paperback edition.