* Beautifully illustrated with images relating to Meredith's life and works
* Concise introductions to the novels and other texts
* ALL 20 novels, with individual contents tables
* Images of how the books were first printed, giving your eReader a taste of the original Victorian texts
* Excellent formatting of the texts
* Special chronological and alphabetical contents tables for the poetry
* Easily locate the poems you want to read
* Includes rare essay collections appearing here for the first time in digital publishing
* Special criticism section, with 12 essays evaluating Meredith’s contribution to literature
* Features the celebrated biography on Meredith by Constantin Photiadès: GEORGE MEREDITH: HIS LIFE, GENIUS AND TEACHING, available in no other collection - discover Meredith's literary life
* Scholarly ordering of texts into chronological order and literary genres
Please visit www.delphiclassics.com to browse through our range of exciting titles
THE SHAVING OF SHAGPAT
THE ORDEAL OF RICHARD FEVEREL
EMILIA IN ENGLAND
THE ADVENTURES OF HARRY RICHMOND
THE HOUSE ON THE BEACH
THE CASE OF GENERAL OPLE AND LADY CAMPER
THE TALE OF CHLOE
THE TRAGIC COMEDIANS
DIANA OF THE CROSSWAYS
ONE OF OUR CONQUERORS
LORD ORMONT AND HIS AMINTA
THE AMAZING MARRIAGE
CELT AND SAXON
THE GENTLEMAN OF FIFTY AND THE DAMSEL OF NINETEEN
INTRODUCTION TO THE POETRY OF GEORGE MEREDITH
LIST OF POEMS IN CHRONOLOGICAL ORDER
LIST OF POEMS IN ALPHABETICAL ORDER
ESSAY ON COMEDY
UP TO MIDNIGHT
THE QUALITY OF GEORGE MEREDITH by Oscar Wilde
MEREDITH by Arnold Bennett
THE NOVELS OF GEORGE MEREDITH by Virginia Woolf
ON REREADING MEREDITH by Virginia Woolf
GEORGE MEREDITH by Robert Lynd
TWO LETTERS by Robert Louis Stevenson
GEORGE MEREDITH AS A POET by Arthur Symons
ABOUT MEREDITH by G. K. Chesterton
GEORGE MEREDITH by James Joyce
HARDY AND MEREDITH by Richard Burton
GEORGE MEREDITH by W. E. Henley
LIVING MASTERS: MEREDITH AND HALL CAINE by David Christie Murray
GEORGE MEREDITH: HIS LIFE, GENIUS AND TEACHING by Constantin Photiadès
Please visit www.delphiclassics.com to browse through our range of exciting titles
The nurse-maid waking in the night beheld a solitary figure darkening a lamp above her little sleeping charge, and became so used to the sight as never to wake with a start. One night she was strangely aroused by a sound of sobbing. The baronet stood beside the cot in his long black cloak and travelling cap. His fingers shaded a lamp, and reddened against the fitful darkness that ever and anon went leaping up the wall. She could hardly believe her senses to see the austere gentleman, dead silent, dropping tear upon tear before her eyes. She lay stone-still in a trance of terror and mournfulness, mechanically counting the tears as they fell, one by one. The hidden face, the fall and flash of those heavy drops in the light of the lamp he held, the upright, awful figure, agitated at regular intervals like a piece of clockwork by the low murderous catch of his breath: it was so piteous to her poor human nature that her heart began wildly palpitating. Involuntarily the poor girl cried out to him, "Oh, sir!" and fell a-weeping. Sir Austin turned the lamp on her pillow, and harshly bade her go to sleep, striding from the room forthwith. He dismissed her with a purse the next day.
Once, when he was seven years old, the little fellow woke up at night to see a lady bending over him. He talked of this the next day, but it was treated as a dream; until in the course of the day his uncle Algernon was driven home from Lobourne cricket-ground with a broken leg. Then it was recollected that there was a family ghost; and, though no member of the family believed in the ghost, none would have given up a circumstance that testified to its existence; for to possess a ghost is a distinction above titles.
The introduction to this edition provides context for the novel from Meredith’s own life, his theory of comedy, and his understanding of Darwinian thought. The appendices include reviews, other writing on comedy, and historical documents on women, sexual politics, and the theory of evolution.
Now, the story of Shibli Bagarag, and of the ball he followed, and of the subterranean kingdom he came to, and of the enchanted palace he entered, and of the sleeping king he shaved, and of the two princesses he released, and of the Afrite held in subjection by the arts of one and bottled by her, is it not known as 'twere written on the finger-nails of men and traced in their corner-robes? As the poet says: Ripe with oft telling and old is the tale, But 'tis of the sort that can never grow stale.
Now, things were in that condition with Shibli Bagarag, that on a certain day he was hungry and abject, and the city of Shagpat the clothier was before him; so he made toward it, deliberating as to how he should procure a meal, for he had not a dirhem in his girdle, and the remembrance of great dishes and savoury ingredients were to him as the illusion of rivers sheening on the sands to travellers gasping with thirst.
And he considered his case, crying, 'Surely this comes of wandering, and 'tis the curse of the inquiring spirit! for in Shiraz, where my craft is in favour, I should be sitting now with my uncle, Baba Mustapha, the loquacious one, cross-legged, partaking of seasoned sweet dishes, dipping my fingers in them, rejoicing my soul with scandal of the Court!'
Now, he came to a knoll of sand under a palm, from which the yellow domes and mosques of the city of Shagpat, and its black cypresses, and marble palace fronts, and shining pillars, and lofty carven arches that spanned half-circles of the hot grey sky, were plainly visible. Then gazed he awhile despondingly on the city of Shagpat, and groaned in contemplation of his evil plight, as is said by the poet: The curse of sorrow is comparison! As the sun casteth shade, night showeth star, We, measuring what we were by what we are, Behold the depth to which we are undone.
There is a picture of her in an immense flat white silk hat trimmed with pale blue, like a pavilion, the broadest brim ever seen, and she simply sits on a chair; and Venus the Queen of Beauty would have been extinguished under that hat, I am sure; and only to look at Countess Fanny's eye beneath the brim she has tipped ever so slightly in her artfulness makes the absurd thing graceful and suitable. Oh! she was a cunning one. But you must be on your guard against the scandalmongers and collectors of anecdotes, and worst of any, the critic, of our Galleries of Art; for she being in almost all of them (the principal painters of the day were on their knees for the favour of a sitting), they have to speak of her pretty frequently, and they season their dish, the coxcombs do, by hinting a knowledge of her history.
The chief members of the White Rose Club were Berthold Schmidt, the rich goldsmith's son; Dietrich Schill, son of the imperial saddler; Heinrich Abt, Franz Endermann, and Ernst Geller, sons of chief burghers, each of whom carried a yard-long scroll in his cap, and was too disfigured in person for men to require an inspection of the document. They were dangerous youths to meet, for the oaths, ceremonies, and recantations they demanded from every wayfarer, under the rank of baron, were what few might satisfactorily perform, if lovers of woman other than the fair Margarita, or loyal husbands; and what none save trained heads and stomachs could withstand, however naturally manful. The captain of the Club was he who could drink most beer without intermediate sighing, and whose face reckoned the proudest number of slices and mixture of colours. The captaincy was most in dispute between Dietrich Schill and Berthold Schmidt, who, in the heat and constancy of contention, were gradually losing likeness to man. 'Good coin,' they gloried to reflect, 'needs no stamp.'
The Shaving of Shagpat
The Ordeal of Richard Feverel
The Adventures of Harry Richmond
The Tragic Comedians
Diana of the Crossways
One of Our Conquerors
Lord Ormont and his Aminta
The Amazing Marriage
Celt and Saxon
Case of General Ople
The Tale of Chloe
The House on the Beach
The Gentleman of Fifty
On The Idea Of Comedy And Of The Uses Of The Comic Spirit
Introduction To W. M. Thackeray's "The Four Georges"
A Pause In The Strife.
Concession To The Celt.
Correspondence From The Seat Of War In Italy Letters
Written To The 'Morning Post' From The Seat Of War In Italy.
A Reading of Life, and Other Poems
Poems, Volume 1.
Poems, Volume 2.
Poems, Volume 3.