Black has never been more beautiful, witnessed by this magnificent collection featuring accomplished dark skinned-women from all walks of life. In Dark Girls, celebrities such as Lupita Nyong'o, Vanessa Williams, Sheryl Lee Ralph, Judge Mablean Ephriam, Brandi and Karli Harvey, and over seventy-five other outstanding women share intimate insights into what their dark skin means to them.
Filled with gorgeous photographs, this thoughtful, sophisticated, alluring, and uplifting collection captures the elegance of dark skin—joyfully showcasing that we truly are beautiful for who we are.
Herzog was once hailed by Francois Truffaut as the most important director alive. Famous for his frequent
collaborations with mercurial actor Klaus Kinski - including the epics, Aguirre, the Wrath of God and Fitzcarraldo, and the terrifying Nosferatu - and more recently with documentaries such as Grizzly Man, Cave of Forgotten Dreams and Into the Abyss, Herzog has built a body of work that is one of the most vital in post-war German cinema.
In conversations with ten innovative chefs in America, Questlove explores what makes their creativity tick, how they see the world through their cooking and how their cooking teaches them to see the world. The conversations begin with food but they end wherever food takes them.
Food is fuel. Food is culture. Food is history. And food is food for thought.
Featuring conversations with: Nathan Myhrvold, Modernist Cuisine Lab, Seattle; Daniel Humm, Eleven Madison Park, and NoMad, NYC; Michael Solomonov, Zahav, Philadelphia; Ludo Lefebvre, Trois Mec, L.A.; Dave Beran, Next, Chicago; Donald Link, Cochon, New Orleans; Dominque Crenn, Atelier Crenn, San Francisco; Daniel Patterson, Coi and Loco'l, San Francisco; Jesse Griffiths, Dai Due, Austin; and Ryan Roadhouse, Nodoguro, Portland
The movement in its inception was nameless. It, as we found, has many definitions and associations. Some original members of the scene referred to themselves as punks, others new romantics, new wavers, the bats, or the morbids, for example. Goth often did not become a term until the late 1980s or, in some countries such as Peru, a label in the 1990s. Therefore, postpunk in all its variety, is deemed as the "single" word that encompasses all evolutions of the 1980s proto-punk alternative movement. In one decade, the genre evolved, grew darker and crossed borders: from Argentina to the Netherlands, Greece to Canada and Belgium to Japan.
Even though the postpunk and goth timeline varied between countries, the movement began at approximately 1978 and concluded around 1992. Some regions reflected the economic challenges and sentiments towards social issues, while others relied on the individual desire to gain solace in a subculture that accepted diversity. To identify and encompass the words postpunk and goth are arduous since everyone has a different perspective on such definitions. There is no "one "truth about their timeline or attributes. Therefore, this book""is about the music, the individual, and the creativity of a worldwide community rather than theoretical definitions of a subculture.
Though not a complete historical essay on postpunk and goth, "Some Wear Leather, Some Wear Lace" is a visual and oral history of the first decade of the scene. The team found and interviewed both the performers and the audience in order to capture the community both on and off stage. Participants of the project dug through their personal archives for photographs of their past and these are placed alongside professional photography. By combining both personal collections and professional images, a unique range of fashions, bands and scenes are revealed within these pages.
Through AwachieÕs vivid photos and honest, poetic writing, Summer in Igboland presents contemporary Nigeria from a unique perspective. The book takes on everything from Nigerian nightlife to the politics of hair to vibrant foods to meeting extended family for the first time as an adult.
As intimate as a diary and as informative as a travel blog, Summer in Igboland is a story of finding fun, personal struggle, and most importantly, oneÕs roots in a country whose negative stories are often the most prominent. Explore it, and discover modern Nigeria through the eyes and voice of an adventurous, passionate first-generation Nigerian.
In My Holiday in North Korea: The Funniest/Worst Place on Earth, Wendy shares a glimpse of North Korea as it’s never been seen before. Even though it’s the scariest place on Earth, somehow Wendy forgot to check her sense of humor at the border.
But Wendy’s initial amusement and bewilderment soon turned to frustration and growing paranoia. Before long, she learned the essential conundrum of “tourism” in North Korea: Travel is truly a love affair. But, just like love, it’s a two-way street. And North Korea deprives you of all this. They want you to fall in love with the singular vision of the country they’re willing to show you and nothing more.
Through poignant, laugh-out-loud essays and 92 never-before-published color photographs of North Korea, Wendy chronicles one of the strangest vacations ever. Along the way, she bares all while undergoing an inner journey as convoluted as the country itself.
In this magnificent collection, more than twenty of the world’s top photographers have joined together to celebrate the brilliant woman they were privileged to capture through their camera lenses. These photographs are a testament to Whitney’s dazzling physical presence, but they also remind us that she was a multidimensional woman: powerful, vulnerable, commanding, enchanting, thoughtful, bewitching . . . and absolutely unforgettable— a singer whose smile was as bright and true as her voice.
Curated by renowned photographer Randee St. Nicholas, these images, which span thirty years of Whitney Houston’s career, are a fitting tribute to a legendary recording artist, style icon, and devoted mother, who touched millions of lives by doing what she loved.
An eye-opening chronicle of the Silicon Valley technology boom, capturing key moments in the careers of Steve Jobs and more than seventy other leading innovators as they created today’s digital world
In the spring of 1985, a technological revolution was under way in Silicon Valley, and documentary photographer Doug Menuez was there in search of a story—something big. At the same time, Steve Jobs was being forced out of his beloved Apple and starting over with a new company, NeXT Computer. His goal was to build a supercomputer with the power to transform education. Menuez had found his story: he proposed to photograph Jobs and his extraordinary team as they built this new computer, from conception to product launch.
In an amazing act of trust, Jobs granted Menuez unlimited access to the company, and, for the next three years, Menuez was able to get on film the spirit and substance of innovation through the day-to-day actions of the world’s top technology guru.
From there, the project expanded to include the most trailblazing companies in Silicon Valley, all of which granted Menuez the same complete access that Jobs had. Menuez photographed behind the scenes with John Warnock at Adobe, John Sculley at Apple, Bill Gates at Microsoft, John Doerr at Kleiner Perkins, Bill Joy at Sun Microsystems, Gordon Moore and Andy Grove at Intel, Marc Andreessen at Netscape, and more than seventy other leading companies and innovators. It would be fifteen years before Menuez stopped taking pictures, just as the dotcom bubble burst. An extraordinary era was coming to its close.
With his singular behind-the-scenes access to these notoriously insular companies, Menuez was present for moments of heartbreaking failure and unexpected success, moments that made history, and moments that revealed the everyday lives of the individuals who made it happen. This period of rapid, radical change would affect almost every aspect of our culture and our lives in ways both large and small and would also create more jobs and wealth than any other time in human history. And Doug Menuez was there, a witness to a revolution.
In more than a hundred photographs and accompanying commentary, Fearless Genius captures the human face of innovation and shows what it takes to transform powerful ideas into reality.
DIRTY WOW WOW AND OTHER LOVE STORIES celebrates the lives of fifty transitional love objects: a sweetly poignant collection of stuffies, blankies, lovies, and dolls who inspired and comforted their owners. Bundles of love and warmth fashioned from fluff and fur, these cherished friends have a lifetime of stories sewn up in their tattered bodies--a trip to Paris smushed in a suitcase, a secret hiding spot behind the family liquor cabinet, an interminable wait in the lost-and-found bin before a joyous
reunion at home.
With stunning photographs that reveal the personalities within, this thoughtful tribute is at once funny and oddly soothing-like a certain shabby buddy who's tucked away but never forgotten.
Hear the NPR Weekend Edition interview with the authors of Dirty Wow Wow
Reviews"This charming book would be a perfect gift for collectors and also an offbeat surprise for new parents."
-Minneapolis Star Tribune
"Dirty Wow Wow's striking photographs and brief narratives stir up vivid memories of . . . long-lost companions."
-Southwest Spirit Magazine
"This clever work, peppered with sumptuous snapshots of raggedy dolls, pays tribute to the beloved companions of childhood."
-Entertainment Weekly's "Must List"
View the gallery of entries from the Show Us your Dirty Wow Wow Contest
This compelling collection of inspiring case studies from community arts projects in five countries will inform and inspire students, artists, and activists. ¡VIVA! is the product of a five-year transnational research project that integrates place, politics, passion, and praxis. Framed by postcolonial theories of decolonization, the pedagogy of the oppressed articulated by Brazilian educator Paulo Freire, and the burgeoning field of community arts, this collection not only analyzes the dynamic integration of the critical and the creative in social justice movements, it embodies such a praxis. Learn from Central America: Kuna children’s art workshops, a community television station in Nicaragua, a cultural marketplace in Guadalajara, Mexico, community mural production in Chiapas; and from North America: arts education in Los Angeles inner-city schools, theater probing ancestral memory, community plays with over one hundred participants, and training programs for young artists in Canada. These practices offer critical hope for movements hungry for new ways of knowing and expressing histories, identities, and aspirations, as well as mobilizing communities for social transformation.
Beautifully illustrated with more than one hundred color photographs, the book also includes a DVD with videos that bring the projects to life.
“¡Viva! is a powerful read, raising the bar on what we need to know and where we can grow. It is heartening to sense that we are part of a rising stream on its way to becoming a river. This book will become a touchstone in a growing international network of allies, so that more untold stories and projects can be heard and become part of a building momentum.” — Beverly Naidus, author of Arts for Change: Teaching Outside the Frame
A consummate photojournalist, Stanley Tretick was sent by United Press International to follow the Kennedy campaign of 1960. The photographer soon befriended the candidate and took many of JFK's best pictures during this time. When Kennedy took office, Tretick was given extensive access to the White House, and the picture magazine Look hired him to cover the president and his family. Tretick is best known today for the photographs he took of President Kennedy relaxing with his children. His photographs helped define the American family of the early sixties and lent Kennedy an endearing credibility that greatly contributed to his popularity.
Accompanied by an insightful, heartwarming essay from Kitty Kelley—Tretick's close friend—about the relationship between the photographer and JFK, Capturing Camelot includes some of the most memorable images of America's Camelot and brings to life the uniquely hopeful historical era from which it emerged.
Books in every home
"If your first love was book, love it forever"
Passengers 2012 will be the second book of the series. It’s a Fran Simó project for Barcelona Photobloggers.
Robert C. Knudsen presents the majesty and dignity of this national cemetery with over 200 full-color photos of Arlington during each of the four seasons. He highlights the natural beauty that surrounds it, with the vibrant colors of fall foliage, the stark contrast of a winter's snow, the soft pink of the cherry blossoms, and the bright sun of the summer. Every branch of the military is represented as well, with up-close photographs of ceremonies, practices, and many of the unique and interesting gravesites Arlington holds.
A Living Treasure showcases the changing of the guard at the Tomb of the Unknown Soldier; Section 27 and Freedman's Village, where one-time slaves are buried; Kennedy's grave and the Eternal Flame; the honor guards, ceremonial units, and special events for each military branch; and so much more. It includes text sidebars explaining highlights of Arlington's history as well, from the Arlington Ladies to how burial at ANC became such an honor.
With a special focus on each branch of the military and each season of the year, A Living Treasure is a unique and beautiful keepsake, whether you've been to Arlington National Cemetery, plan on visiting, or just want to experience the beauty on your own.
When Janey Comes Marching Home juxtaposes forty-eight photographs by Sascha Pflaeging with oral histories collected by Laura Browder to provide a dramatic portrait of women at war. Women from all five branches of the military share their stories here--stories that are by turns moving, comic, thought-provoking, and profound. Seeing their faces in stunning color photographic portraits and reading what they have to say about loss, comradeship, conflict, and hard choices will change the ways we think about women and war.
Serving in a combat zone is an all-encompassing experience that is transformative, life-defining, and difficult to leave behind. By coming face-to-face with women veterans, we who are outside that world can begin to get a sense of how the long wars in Iraq and Afghanistan have shaped their lives and how their stories may ripple out and influence the experiences of all American women.
The book accompanies a photography exhibit of the same name opening May 1, 2010, at the Women in Military Service to America Memorial at Arlington National Cemetery, and continuing to travel around the country through 2011.
In search of contemporary Asian America, celebrated photographer Wing Young Huie—the only member of his family not born in China—traveled with his wife Tara through nearly forty states to explore and document the funny, touching, and sometimes strange intersection of Asian American and American cultures. Looking for Asian America illustrates their rich and surprising journey across the United States.
Through Huie’s eyes, keenly aware of his own Midwestern roots and perspective, we witness such images as a Vietnamese Elvis, Miss Congeniality on her cell phone in San Francisco’s Chinatown, a Hmong street sign in rural North Carolina, a meditating Falun Gong protestor in Washington, D.C., a bubble tea Valley Girl, and a Chinese theme park in Orlando. Huie’s camera captures ABCs (American-born Chinese), FOAs (Fresh Off the Airplane), and a self-described “redneck” Chinese restaurant owner near the Okefenokee Swamp. Taken together the photographs reveal a complex portrait of the U.S. cultural landscape, and their dignified elegance invites a closer, deeper look.
Accompanied by the personal reflections of both Wing and Tara Huie, the nearly one hundred spectacular photos tell a story that both mirrors and contradicts stereotypes of Asian Americans, ultimately questioning what it means to be ethnic and American in the twenty-first century.
Wing Young Huie has received widespread acclaim for his works, including Lake Street USA, documenting the cultural landscape of his native Minnesota. He is a recipient of a Bush Artist Fellowship and two-time recipient of the McKnight Photography Fellowship. He lives in Minneapolis.
Frank H. Wu is dean of Wayne State University Law School and the author of Yellow: Race in America Beyond Black and White.
Anita Gonzalez teaches in the Master of Liberal Studies Program at the University of Minnesota.
Unfortunately a family emergency brought him home after eight months and 2,000 miles sailed. While the boat stayed in limbo on the island of St. Kitts, he compiled his more interesting journal entries and photographs into this documentary of his travels to the West Indies, and awaiting his chance to return to the voyage.
"Even if you think you've seen it all where Katrina's concerned, trust me, you're going to love Shaw's marvelous memoir."—The Times-Picayune
"This is the kind of book that reminds you that books can be beautiful objects." —The Los Angeles Times
"Hurricane Story is a tabletop, toy box Odyssey. With simple objects, trenchant statements, and exquisite camera vision, Shaw relates an epic tale of displacement, creation and discovery." — George Slade, curator, Photographic Resource Center, Boston
"An engaging variation on a near mythic theme."—Gambit Weekly
Hurricane Story is a spellbinding odyssey of exile, birth and return told in forty-six photographs and simple, understated prose. This first-person narrative told through dreamlike images of toys and dolls chronicles one couple’s evacuation from New Orleans ahead of the broken levees, the birth of their first child on the day that Katrina made landfall, and their eventual return to the city as a family. Shaw’s photographs, at turns humorous and haunting, contrast deftly with the prose.
This ebook edition includes an introduction by Rob Walker, author of Letters From New Orleans and former “Consumed” columnist for The New York Times Magazine; an afterword by Steven Maklansky, who was assistant director for art and curator of photographs at the New Orleans Museum of Art when Katrina made landfall; and a radio interview of the author by Susan Larson on WWNO's The Reading Life.
With Rediscovering Jacob Riis, art historian Bonnie Yochelson and historian Daniel Czitrom place Jacob Riis’s images in historical context even as they expose a clear sightline to the present. In the first half of their book, Czitrom explores Riis’s reporting and activism within the gritty specifics of Gilded Age New York: its new immigrants, its political machines, its fiercely competitive journalism, its evangelical reformers, and its labor movement. In delving into Riis’s intellectual education and the lasting impact of How the Other Half Lives, Czitrom shows that though Riis argued for charity, not sociopolitical justice, the empathy that drove his work continues to inspire urban reformers today.
In the second half of the book, Yochelson describes for the first time Riis’s photographic practice: his initial reliance on amateur photographers to take the photographs he needed, his own use of the camera, and then his collecting of photographs by professionals, who by 1900 were documenting social reform efforts for government agencies and charities. She argues that while Riis is rightly considered a revolutionary in the history of photography, he was not a photographic artist. Instead, Riis was a writer and lecturer who first harnessed the power of photography to affect social change.
As staggering inequality continues to be an urgent political topic, this book, illustrated with nearly seventy of Riis’s photographs, will serve as a stunning reminder of what has changed, and what has not.
Smith reads Du Bois’s photographs in relation to other turn-of-the-century images such as scientific typologies, criminal mugshots, racist caricatures, and lynching photographs. By juxtaposing these images with reproductions from Du Bois’s exhibition archive, Smith shows how Du Bois deliberately challenged racist representations of African Americans. Emphasizing the importance of comparing multiple visual archives, Photography on the Color Line reinvigorates understandings of the stakes of representation and the fundamental connections between race and visual culture in the United States.