Applies the principle of universal and perennial metaphysics to spiritual and moral life.

The great 20th century metaphysician Frithjof Schuon was also a spiritual master familiar with the spiritual struggles of modern seekers. He once wrote, To be a human being means to be connected with God; life has no meaning without this. This human vocation means that until we find a personal connection with God we are not able to connect with the innermost being that lies locked up within the human heart. Schuon's simplest solution to all people of all religious persuasions: You must pray, always pray.

Essays examine the wisdom of the ancients, east and west, and the essential unity of their vision of truth.

The first book to focus on the solo residential work of the visionary interior decorator Stephen Sills. Simultaneously classical and modern, Stephen Sills’s design work is a dialogue between past and present. Filled with luxurious fabrics, furnishings from across centuries, and unusual finishes, his work is polished, seemingly effortless, and quietly rich, with a muted color palette that serves as a brilliant foil for modern art. In this striking, meditative volume, the follow-up to his best-selling book Dwellings, Sills presents sixteen breathtaking homes, gorgeously photographed by the legendary François Halard, in locations as varied as a penthouse on Manhattan’s Fifth Avenue, a modern Aspen retreat, an estate on the North Shore of Long Island, and his own country house in Bedford, New York (dubbed the "chicest house in America" by Karl Lagerfeld). Common to them all is a sense of atmosphere, point of view, and soul—the sense of a master craftsman at work.

For the first time, this book collects from Schoun's vast corpus his writings on Christianity, including selections from his personal correspondence and other previously unpunblished materials.

A new anthology of the work of Frithjof Schuon that
includes philosophical writings along with a selection of his poems, artworks,
and unpublished pieces from his personal papers.

Frithjof Schuon
(1907–1998), the leading figure in the perennialist school of comparative
religious thought, remains one of the most provocative voices on religion.
Bridging the divide between seeker and scholar, Schuon challenges the prevailing
notion that religion should be studied with agnostic neutrality. He speaks to
those who are looking for greater interfaith understanding and a deeper
penetration to the esoteric heart of specific traditions, while turning the
tables on an increasingly noisy chorus of skeptics.

In Splendor of
the True, James S. Cutsinger selects essential writings that reflect the
full range of Schuon’s thought on religion and tradition, metaphysics and
epistemology, human nature and destiny, sacred art and symbolism, and
spirituality and contemplative method. In addition to Schuon’s essays, the book
includes a number of poems, artworks, and previously unpublished materials drawn
from his letters, personal memoirs, and private texts for disciples. An
introductory chapter provides a careful examination of Schuon as perennial
philosopher, Sufi shaykh, and teacher of gnosis.

With over one billion believers throughout the globe, Islam remains one of the most misunderstood of the world's great Revelations. In this fully revised and amended translation of his masterpiece, philosopher Frithjof Schuon offers readers a deeper understanding of Islam, the world's second largest religion. Featuring an extensive appendix of previously unpublished materials and detailed editor's notes to aid readers, this book is a must for any collection.

Frithjof Schuon (1907-1998) is the foremost representative of the "Traditionalist" or "Perennialist" school of comparative religious thought. This new edition of Logic and Transcendence, his most important philosophical work, is a fully revised translation from the French original and contains an extensive Appendix with previously unpublished selections from Schuon's letters and other private writings. Logic and Transcendence contains chapters devoted to specifically philosophical questions such as the contradiction of relativism, the notion of the concrete and abstract, and the limitations of.

The work of influential, award-winning interior designer Thomas Pheasant is best described as "contemporary classical" and simply serene. Celebrated interior designer Thomas Pheasant is best known for his seamless melding of tradition and the contemporary. His spaces are fresh and of the age yet also enduringly timeless. Balancing classical elements, like recessed paneling, pilasters, crown moldings, and carved plaster garlands, Pheasant introduces modern details, sometimes including such flourishes and surprising complements as a scroll coffee table and a room screen of ribbed, translucent glass. Unafraid of combining pieces from various traditions, he achieves a sense of harmony and balance. This lavish offering of his work gives the reader a sensible, artful approach to interior design, presenting models of great aesthetic subtlety and beauty. Based in Washington, D.C., Thomas Pheasant works around the globe. Recent projects include the redesign of Blair House, the President’s guest house on Pennsylvania Avenue across from the White House, and apartments in Washington, New York, Paris, and Moscow. Never a strict by-the-book traditionalist, Pheasant responds to and sees in classicism its rational order, its quietude, its serenity.

Religion scholar Huston Smith called Frithjof Schuon “the most important religious thinker of [the 20th] century.” In the first section of this revised edition of his classic work, Schuon provides striking insights to age-old religious and philosophical controversies such as the problem of evil, predestination and free will, and the meaning of eternity in heaven and hell. In the second section, Schuon masterfully harmonizes the divergent theological claims of the three main branches of Christianity—Orthodoxy, Catholicism, and Protestantism—in the light of universal metaphysical truth. The final section contains several chapters relating to Islamic esoterism and concludes with a remarkable chapter on the spiritual substance of the Prophet.

This new edition contains 60 pages of completely new material, including a fully revised translation from the French original and previously unpublished selections from Schuon’s letters and other private writings. Also included are editor’s notes, a glossary, and an index.

This book contains two collections, Autumn Leaves and The Ring, and is offered here for the first time in a bilingual English-German edition. The various sections include: Beauty, Human Questions, Doctrine, Recollections, Images, and the Soul. In these poetic teachings Schuon speaks directly to the reader, expressing every conceivable subtlety of spiritual and moral counsel. They comfort and inspire the reader to cultivate inner beauty and seek a deeper consciousness of the presence of God."

Frithjof Schuon had a unique ability to penetrate to the heart if the world's great spiritual traditions, revealing new dimensions that astounded general readers and scholars alike. Schuon's insights on religion, prayer, the spiritual life, aesthetics and philosophy shine throughout this book.

This new edition of Frithjof Schuon's Spiritual Perspectives and Human Facts is a fully revised translation of the French edition, and has an extensive Appendix containing previously unpublished letters and other private writings.

This revised and expanded edition of Frithjof Schuon's Sufism: Veil and Quintessence contains: a new translation of this classic work; previously unpublished correspondence by Frithjob Schuon; an editor's preface by James S. Cutsinger; a new foreword by Seyyed Hossein Nasr; extensive editor's notes by James S. Cutsinger; a glossary of foreign terms and phrases; an index; and biographical notes.

 

In this
book, which has been called a synthesis of his whole message, Frithjof Schuon
invites us to explore aspects of humankind’s relationship with the Divine,
including our sense of the sacred, the conditions of our existence, the
symbolism of the human body, and the question of accepting or refusing God’s
message. In doing so, Schuon paves the way for a true spiritual engagement. This
revised edition has been fully retranslated and contains valuable editor’s
notes and a glossary, plus a fascinating appendix of previously unpublished
writings.

The spiritual traveler may carry this German/English bilingual book of poems for a lifetime and not exhaust its content, because its contents I the inexhaustibly beautiful life of the spirit.

This revised collection of brief and inspiring passages on the spiritual life was selected from Schuon's unpublished letters and papers as well as from his books. They discuss our relationship with God, the importance of prayer, the meaning of virtue, the significance of beauty in our lives as well as other spiritual themes. This edition has been re-translated and expanded to include 19 additional pages of moving excerpts.

Famous pop stars and rappers from Jay-Z and Rick Ross to Rihanna and Christina Aguilera are believed by many to be a part of the infamous Illuminati secret society. These stars allegedly use Illuminati and satanic symbolism in their music videos and on their clothes that goes unnoticed by those not “in the know.”

Since these stars appear in our livings rooms on family friendly mainstream shows like Good Morning America, Ellen, and dozens of others—and are loved by virtually all the kids—they couldn’t possibly have anything to do with the infamous Illuminati or anything “satanic,” could they? Some famous musicians have even publicly denounced the Illuminati in interviews or songs.

Illuminati in the Music Industry takes a close look at some of today’s hottest stars and decodes the secret symbols, song lyrics, and separates the facts from the fiction in this fascinating topic. You may never see your favorite musicians the same way ever again.  Includes 50 photographs.

Discover why so many artists are promoting the Illuminati as the secret to success.  

Why an aspiring rapper in Virginia shot his friend as an “Illuminati sacrifice” hoping it would help him become rich and famous. 

How and why the founder of BET Black Entertainment Television became the first African American billionaire. 

Why popular female pop stars like Rihanna, Christina Aguilera, Kesha and others are promoting Satanism as cool, something that was once only seen in heavy metal and rock and roll bands.

Some musicians like Korn’s singer Jonathan Davis, rapper MC Hammer, Megadeth’s frontman Dave Mustaine, and others have all denounced the Illuminati and artists promoting them. 

Les Claypool, singer of Primus wrote a song about the Bohemian Grove.  

Muse singer Matt Bellamy recants his belief that 9/11 was an inside job after getting a taste of mainstream success with his album, The Resistance.

Bono said he attended an Illuminati meeting with other celebrities.  Was he joking or serious?

Why rap and hip hop is filled with Illuminati puppets and wannabes more than other genres of music.

Includes detailed profiles on dozens of artists who are suspected of being affiliated with the Illuminati and highlights the handful of musicians who have denounced the secret society and their puppets.

Learn about media effects, the power of celebrity, what the externalization of the hierarchy means and how you can break free from the mental enslavement of mainstream media and music.  

By the author of The Illuminati: Facts & Fiction

This unparalleled study of early Eastern and Western philosophy challenges every existing belief about the foundations of Western civilization. Spanning thirty years of intensive research, this book proves what many scholars could not explain: that today’s Western world must be considered the product of both Greek and Indian thought—Western and Eastern philosophies. Thomas McEvilley explores how trade, imperialism, and migration currents allowed cultural philosophies to intermingle freely throughout India, Egypt, Greece, and the ancient Near East. This groundbreaking reference will stir relentless debate among philosophers, art historians, and students.

Winner of the National Book Critics' Circle Award for Criticism.

One of the most highly regarded books of its kind, On Photography first appeared in 1977 and is described by its author as "a progress of essays about the meaning and career of photographs." It begins with the famous "In Plato's Cave"essay, then offers five other prose meditations on this topic, and concludes with a fascinating and far-reaching "Brief Anthology of Quotations."

A New York Times Notable Book
A Miami Herald Best Book of the Year

In this deeply personal book, the celebrated Haitian-American writer Edwidge Danticat reflects on art and exile.
 
Inspired by Albert Camus and adapted from her own lectures for Princeton University’s Toni Morrison Lecture Series, here Danticat tells stories of artists who create despite (or because of) the horrors that drove them from their homelands. Combining memoir and essay, these moving and eloquent pieces examine what it means to be an artist from a country in crisis.

BONUS MATERIAL: This edition includes an excerpt from Edwidge Danticat's Claire of the Sea Light. 

Embodying the entire system of Robert Henri's teaching, The Art Spirit contains much valuable advice, critical comment, and inspiration to every student of the arts.

A fly-on-the-wall account of the smart and strange subcultures that make, trade, curate, collect, and hype contemporary art.

The art market has been booming. Museum attendance is surging. More people than ever call themselves artists. Contemporary art has become a mass entertainment, a luxury good, a job description, and, for some, a kind of alternative religion.

In a series of beautifully paced narratives, Sarah Thornton investigates the drama of a Christie's auction, the workings in Takashi Murakami's studios, the elite at the Basel Art Fair, the eccentricities of Artforum magazine, the competition behind an important art prize, life in a notorious art-school seminar, and the wonderland of the Venice Biennale. She reveals the new dynamics of creativity, taste, status, money, and the search for meaning in life. A judicious and juicy account of the institutions that have the power to shape art history, based on hundreds of interviews with high-profile players, Thornton's entertaining ethnography will change the way you look at contemporary culture.

Drawing fire-breathing beasts and mysterious, magical creatures has never been so much fun—or so easy! In this 64-page how-to-draw book, fantasy artist Kythera of Anevern demonstrates how to draw dragons, fairies, ogres, merfolk, and everything in between! Readers will discover in-depth tips and techniques for drawing textures such as fur, hair, scales, and teeth, as well as features like tails, wings, talons, hooves, and horns. With a wealth of fanciful drawings and in-depth instruction on re-creating extraordinary creatures in graphite, this book is ideal for anyone who is fascinated by the fantastic.

Art as we know it is dramatically changing, but popular and critical responses lag behind. In this trenchant illustrated essay, David Joselit describes how art and architecture are being transformed in the age of Google. Under the dual pressures of digital technology, which allows images to be reformatted and disseminated effortlessly, and the exponential acceleration of cultural exchange enabled by globalization, artists and architects are emphasizing networks as never before. Some of the most interesting contemporary work in both fields is now based on visualizing patterns of dissemination after objects and structures are produced, and after they enter into, and even establish, diverse networks. Behaving like human search engines, artists and architects sort, capture, and reformat existing content. Works of art crystallize out of populations of images, and buildings emerge out of the dynamics of the circulation patterns they will house.

Examining the work of architectural firms such as OMA, Reiser + Umemoto, and Foreign Office, as well as the art of Matthew Barney, Ai Weiwei, Sherrie Levine, and many others, After Art provides a compelling and original theory of art and architecture in the age of global networks.

This show-all romp through design-world darling Jessica Hische's sketchbook reveals the creative and technical process behind making award-winning hand lettering. See everything, from Hische's rough sketches to her polished finals for major clients such as Wes Anderson, NPR, and Starbucks. The result is a well of inspiration and brass tacks information for designers who want to sketch distinctive letterforms and hone their skills. With more than 250 images of her penciled sketches, this highly visual ebook is an essential—and entirely enjoyable—resource for those who practice or simply appreciate the art of hand lettering.

As public interest in modern art continues to grow, as witnessed by the spectacular success of Tate Modern and the Bilbao Guggenheim, there is a real need for a book that will engage general readers, offering them not only information and ideas about modern art, but also explaining its contemporary relevance and history. This book achieves all this and focuses on interrogating the idea of 'modern' art by asking such questions as: What has made a work of art qualify as modern (or fail to)? How has this selection been made? What is the relationship between modern and contemporary art? Is 'postmodernist' art no longer modern, or just no longer modernist - in either case, why, and what does this claim mean, both for art and the idea of 'the modern'? Cottington examines many key aspects of this subject, including the issue of controversy in modern art, from Manet's Dejeuner sur L'Herbe (1863) to Picasso's Les Demoiselles, and Tracey Emin's Bed, (1999); and the role of the dealer from the main Cubist art dealer Kahnweiler to Charles Saatchi. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.

"There are no photographs which can be denied. All photographs have the status of fact. What is to be examined is in what way photography can and cannot give meaning to facts." With these words, two of our most thoughtful and eloquent interrogators of the visual offer a singular meditation on the ambiguities of what is seemingly our straightforward art form.
   As constructed by John Berger and the renowned Swiss photographer Jean Mohr, that theory includes images as well as words; not only analysis, but anecdote and memoir. Another Way of Telling explores the tension between the photographer and the photographed, between the picture and its viewers, between the filmed moment and the memories that it so resembles. Combining the moral vision of the critic and the pratical engagement of the photgrapher, Berger and Mohr have produced a work that expands the frontiers of criticism first charged by Walter Benjamin, Roland Barthes, and Susan Sontag.

What inspires a person to create? How does an artist see the world? What happens during a "eureka moment?" How does an artist find self-discipline? The Artist's Mentor is for those of us who want to create art but do not know how to begin. Drawing on interviews and autobiographical writings of more than 100 famous painters, photographers, sculptors, and film and video artists, Jackman gets to the heart of what makes art. Here, Michelangelo Brungardt, Frida Kahlo, Jean Renoir, Andy Warhol, Ansel Adams, Annie Leibowitz, Pablo Picasso, and many other visual artists describe the creative process. Quotes and passages from the artists are accompanied by commentary from Jackman.


From the Trade Paperback edition.

The leading art critic of the Victorian era, John Ruskin created a large body of work, writing influential essays and treatises on subjects as varied as geology, architecture, ornithology, literature, education, botany and political economy, to name but a few. This comprehensive eBook presents the complete published works of John Ruskin, with numerous illustrations, rare texts appearing in digital print for the first time, informative introductions and the usual Delphi bonus material. (Version 1)

* Beautifully illustrated with images relating to Ruskin’s life and works
* Concise introductions to the famous art books and other texts
* ALL the art criticism and published prose works, with individual contents tables
* Images of how the books were first printed, giving your eReader a taste of the original texts
* Excellent formatting of the texts
* Famous works such as MODERN PAINTERS and THE STONES OF VENICE are fully illustrated with their original artwork
* The complete poetry is presented in the scholarly Cook and Wedderburn edition
* Special alphabetical contents tables for the poetry - easily locate the poems you want to read
* The complete letters of the FORS CLAVIGERA with footnotes (Cook and Wedderburn), including the famous Whistler pamphlet – first time in digital print
* All the travel books
* Includes Ruskin’s rare autobiography PRAETERITA (Cook and Wedderburn), accompanied with the scarce DILECTA
* Special criticism section, with essays evaluating Ruskin’s contribution to literature and art criticism
* Features a bonus biography - discover Ruskin’s literary life
* Even offers a special illustrated section on Ruskin’s paintings
* Scholarly ordering of texts into chronological order and literary genres

Please visit www.delphiclassics.com to browse through our range of exciting titles

CONTENTS:

The Art Criticism
MODERN PAINTERS
THE SEVEN LAMPS OF ARCHITECTURE
PRE-RAPHAELITISM
GIOTTO AND HIS WORKS IN PADUA
LECTURES ON ARCHITECTURE AND PAINTING DELIVERED AT EDINBURGH IN NOVEMBER, 1853
LETTERS TO THE “TIMES” ON THE TURNER BEQUEST 1856, 1857
NOTES ON THE TURNER GALLERY AT MARLBOROUGH HOUSE
THE ELEMENTS OF DRAWING
A JOY FOR EVER
THE TWO PATHS
THE ELEMENTS OF PERSPECTIVE
SESAME AND LILIES
LECTURES ON ART DELIVERED BEFORE THE UNIVERSITY OF OXFORD IN HILARY TERM, 1870
ARATRA PENTELICI
THE EAGLE’S NEST
THE POETRY OF ARCHITECTURE
ARIADNE FLORENTINA
FRONDES AGRESTES
VAL D’ARNO
NOTES BY MR. RUSKIN ON HIS DRAWINGS BY THE LATE J. M. W. TURNER
THE LAWS OF FÉSOLE
NOTES ON SAMUEL PROUT AND WILLIAM HUNT
CIRCULAR RESPECTING MEMORIAL STUDIES OF ST. MARK’S, VENICE
THE ART OF ENGLAND
THE PLEASURES OF ENGLAND
FINAL LECTURES AT OXFORD
LECTURES ON LANDSCAPE
LECTURES AND NOTES FOR LECTURES ON GREEK ART AND MYTHOLOGY

The Travel Books
THE STONES OF VENICE
MORNINGS IN FLORENCE
ST. MARK’S REST
‘OUR FATHERS HAVE TOLD US’

Other Prose Works
THE KING OF THE GOLDEN RIVER
THE HARBOURS OF ENGLAND
‘UNTO THIS LAST’
THE ETHICS OF THE DUST
THE CROWN OF WILD OLIVE
TIME AND TIDE BY WEARE AND TYNE
LEONI: A LEGEND OF ITALY
THE QUEEN OF THE AIR
FORS CLAVIGERA
MUNERA PULVERIS
LOVE’S MEINIE
PROSERPINA
ELEMENTS OF ENGLISH PROSODY
ARROWS OF THE CHACE
THE STORM CLOUD OF THE NINETEENTH CENTURY
ON THE OLD ROAD
PRAETERITA
HORTUS INCLUSUS
RUSKINIANA

The Poetry
INTRODUCTION TO RUSKIN’S POETRY by E. T. Cook
THE POEMS: TABLE OF CONTENTS
LIST OF POEMS IN ALPHABETICAL ORDER

The Paintings
RUSKIN’S PAINTINGS

The Criticism
RUSKIN by G. K. Chesterton
RUSKIN by Henry Major Tomlinson
RUSKIN AS POET by W. H. Davenport Adams
CONTEMPORARY NOTES ON WHISTLER vs. RUSKIN by Henry James
RUSKIN by Virginia Woolf

The Biography
THE LIFE OF JOHN RUSKIN by W. G. Collingwood

Please visit www.delphiclassics.com to browse through our range of exciting titles

Clear, step-by-step instructions for drawing a variety of dragons, from baby dragons (hatchlings) and sea serpents to dragons of Western and Eastern origin

Fire-breathing beasts have soared in popularity in recent years. With Dragons, the newest addition to our best-selling How to Draw and Paint series, budding artists will find clear, step-by-step instructions for drawing these fanciful creatures. Featuring extraordinary information on the origin and history of dragons from around the world, as well as a wide variety of drawing and shading techniques, this book covers everything readers need to know to render their own versions of these impressive beasts. Dragons differentiates itself from similar books on the market because it features fantasy dragons as well as mythological dragons from around the world.

Since its introduction in 1839, photography has become part of everyday life, a position consolidated by the recent development of digital imaging and manipulation. Used to confirm identity, to sell products, to reshape the real, to visualize the news, to record and communicate the personal moment, and as an art form in its own right, photography is now one of the most accessible and pervasive of media.

Photography: The Key Concepts provides an ideal guide to the place of photography in our society and to the extraordinary range of photographic genres. Outlining the history of photography and explaining the body of theory which has built up around its use, the book guides the reader through the genres of documentary, portraiture, landscape, still life, art and global photography. Illustrated with a range of historical and contemporary images and case material, this book is essential reading for anyone interested in photography.

Learn the difference between a farrow and a barrow, and what distinguishes a weanling from a yearling. Country and city mice alike will delight in Julia Rothman’s charming illustrated guide to the curious parts and pieces of rural living. Dissecting everything from the shapes of squash varieties to how a barn is constructed and what makes up a beehive to crop rotation patterns, Rothman gives a richly entertaining tour of the quirky details of country life. 
 

The central argument of Chromophobia is that a chromophobic impulse - a fear of corruption or contamination through color - lurks within much Western cultural and intellectual thought. This is apparent in the many and varied attempts to purge color, either by making it the property of some "foreign body" - the oriental, the feminine, the infantile, the vulgar, or the pathological - or by relegating it to the realm of the superficial, the supplementary, the inessential, or the cosmetic.

Chromophobia has been a cultural phenomenon since ancient Greek times; this book is concerned with forms of resistance to it. Writers have tended to look no further than the end of the nineteenth century. David Batchelor seeks to go beyond the limits of earlier studies, analyzing the motivations behind chromophobia and considering the work of writers and artists who have been prepared to look at color as a positive value. Exploring a wide range of imagery including Melville's "great white whale", Huxley's reflections on mescaline, and Le Corbusier's "journey to the East", Batchelor also discusses the use of color in Pop, Minimal, and more recent art.

REA's Crash Course for the AP® Art History Exam - Gets You a Higher Advanced Placement® Score in Less Time
2nd Edition - Completely Revised for the New 2016 Exam

Crash Course is perfect for the time-crunched student, the last-minute studier, or anyone who wants a refresher on the subject.

Are you crunched for time? Have you started studying for your Advanced Placement® Art History exam yet? How will you memorize everything you need to know before the test? Do you wish there was a fast and easy way to study for the exam AND boost your score?

If this sounds like you, don't panic. REA's Crash Course for AP® Art History is just what you need.

Our Crash Course gives you:

Targeted, Focused Review - Study Only What You Need to Know
The Crash Course is based on an in-depth analysis of the new AP® Art History course description outline and actual AP® test questions. It covers only the information tested on the exam, so you can make the most of your valuable study time. Written by an AP® Art History teacher, the targeted review prepares students for the 2016 test by focusing on the new framework concepts and learning objectives tested on the redesigned AP® Art History exam.

Easy-to-read review chapters in outline format cover all the artistic traditions students need to know, including Global Prehistory, Ancient Mediterranean, Europe and the Americas, Asia, Africa, and more. The book also features must-know Art History terms all AP® students should know before test day.

Expert Test-taking Strategies
Our experienced AP® Art History teacher shares detailed question-level strategies and explains the best way to answer the multiple-choice and free-response questions you'll encounter on test day. By following our expert tips and advice, you can boost your overall point score!

FREE Practice Exam
After studying the material in the Crash Course, go to the online REA Study Center and test what you've learned. Our free practice exam features timed testing, detailed explanations of answers, and automatic scoring analysis. The exam is balanced to include every topic and type of question found on the actual AP® exam, so you know you're studying the smart way.

Whether you're cramming for the test at the last minute, looking for extra review, or want to study on your own in preparation for the exams - this is the study guide every AP® Art History student must have.

When it's crucial crunch time and your Advanced Placement® exam is just around the corner, you need REA's Crash Course for AP® Art History!

9.5 Theses on Art and Class seeks to show how a clear understanding of class makes sense of what is at stake in a broad number of contemporary art's most persistent debates, from definitions of political art to the troubled status of "outsider" and street art to the question of how we maintain faith in art itself.

Ben Davis currently lives and works in New York City where he is Executive Editor at Artinfo.

In today's art world many strange, even shocking, things qualify as art. In this Very Short Introduction Cynthia Freeland explains why innovation and controversy are valued in the arts, weaving together philosophy and art theory with many fascinating examples. She discusses blood, beauty, culture, money, museums, sex, and politics, clarifying contemporary and historical accounts of the nature, function, and interpretation of the arts. Freeland also propels us into the future by surveying cutting-edge web sites, alongside the latest research on the brain's role in perceiving art. This clear, provocative book engages with the big debates surrounding our responses to art and is an invaluable introduction to anyone interested in thinking about art. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.

This Book is for testing, Don't buy this book. 1

The notion of beauty and its relationship to contemporary art is once again arousing passionate discussion and wide-spread debate among artists, writers, critics, and curators. Uncontrollable Beauty is the first anthology to capture this new wave of critical discourse, examining the role of beauty in twentieth-century art and culture in order to redefine it for a new generation of artists and writers. Encompassing three central themes: Theory, Ownership, and Practice, the thirty essays, writings, and poems explore how we define beauty, where we locate it in art, and its complex links to issues of gender, morality, and universalism. Included are works by John Ashbery, Agnes Martin, and Carter Ratcliff, as well as a conversation with Julia Kristeva and an exclusive interview with Louise Bourgeois. Anyone wanting to stay current with contemporary art criticism will find this book a stimulating selection of dialogue, debate, and philosophical insight. Contributors: John Ashbery; Louise Bourgeois; Hubert Damisch; Arthur Danto; Max Fierst; David Freedberg; Jeremy Gilbert-Rolfe; John Hejduk; Dave Hickey; James Hillman; Ariane Lopez-Huici; Kenneth Koch; Julia Kristeva; Donald Kuspit; Jaqueline Lichtenstein; Agnes Martin; Thomas McEvilley; Robert Morgan; Frank O'Hara; Carter Ratcliff; William Rubin; Meyer Schapiro; Peter Schjeldahl; David Shapiro; Robert Farris Thompson; Kirk Varnedoe; Marjorie Welish; John Yau. Uncontrollable Beauty is co-published with the School of Visual Arts as part of the Aesthetics Today series.

Allworth Press, an imprint of Skyhorse Publishing, publishes a broad range of books on the visual and performing arts, with emphasis on the business of art. Our titles cover subjects such as graphic design, theater, branding, fine art, photography, interior design, writing, acting, film, how to start careers, business and legal forms, business practices, and more. While we don't aspire to publish a New York Times bestseller or a national bestseller, we are deeply committed to quality books that help creative professionals succeed and thrive. We often publish in areas overlooked by other publishers and welcome the author whose expertise can help our audience of readers.

Kinky Nature draws you into a dream forest, teeming with the kinkiest beauties in the land. Explore the wild side of these enchanting girls, whether they’re lost in latex or wandering the forest naughtily nude. Fetish and frivolity come together leaving everything and nothing to the imagination. The sultry style of Emma Delves-Broughton’s satiates your desire for wild abandonment and kinky natures.  

This book introduces a new way for thinking about, creating, and viewing art. Rudolf Steiner saw his task as the renewal of the lost unity of science, the arts, and religion; thus, he created a new, cognitive scientific and religious art in anthroposophy. The implications of his act --recognized by such diverse artists as Wassily Kandinsky and Joseph Beuys --are only now coming fully to light.

In his thorough introduction of more than a hundred pages, Michael Howard takes readers through these thought-provoking chapters: Is Art Dead? To Muse or Amuse Artistic Activity As Spiritual Activity The Representative of Humanity Beauty, Creativity, and Metamorphosis New Directions in Art Lectures include: The Aesthetics of Goethe's Worldview The Spiritual Being of Art Buildings Will Speak The Sense Organs and Aesthetic Experience The Two Sources of Art The Building at Dornach The Supersensible Origin of the Arts Truth, Beauty, and Goodness Christ, Ahriman, and Lucifer Plus a bibliography and index

A Decade of Negative Thinking brings together writings on contemporary art and culture by the painter and feminist art theorist Mira Schor. Mixing theory and practice, the personal and the political, she tackles questions about the place of feminism in art and political discourse, the aesthetics and values of contemporary painting, and the influence of the market on the creation of art. Schor writes across disciplines and is committed to the fluid interrelationship between a formalist aesthetic, a literary sensibility, and a strongly political viewpoint. Her critical views are expressed with poetry and humor in the accessible language that has been her hallmark, and her perspective is informed by her dual practice as a painter and writer and by her experience as a teacher of art.

In essays such as “The ism that dare not speak its name,” “Generation 2.5,” “Like a Veneer,” “Modest Painting,” “Blurring Richter,” and “Trite Tropes, Clichés, or the Persistence of Styles,” Schor considers how artists relate to and represent the past and how the art market influences their choices: whether or not to disavow a social movement, to explicitly compare their work to that of a canonical artist, or to take up an exhausted style. She places her writings in the rich transitory space between the near past and the “nextmodern.” Witty, brave, rigorous, and heartfelt, Schor’s essays are impassioned reflections on art, politics, and criticism.

During his decades of world fame as a novelist, Tolstoy also wrote prolifically in a series of essays and polemics on issues of morality, social justice and religion. These works culminated in What is Art?, published in 1898. Impassioned and iconoclastic, this powerfully influential work both criticizes the elitist nature of art in nineteenth-century Western society, and rejects the idea that its sole purpose should be the creation of beauty. The works of Dante, Michelangelo, Shakespeare, Beethoven, Baudelaire and Wagner are all vigorously condemned, as Tolstoy explores what he believes to be the spiritual role of the artist - arguing that true art must work with religion and science as a force for the advancement of mankind.

Draw 50 Cars, Trucks, and Motorcycles shows artists of all levels how to draw with ease by following simple step-by-step examples. Celebrated author Lee J. Ames shows you how to draw your favorite hot rods, sports cars, and clunkers, including Rolls-Royces, Bentleys, dump trucks, tandem bikes, and Harley-Davidsons, with drawings of classic models from 1870 to 1984. Ames’s drawing method has proven successful for children and adults of all ages over the past forty years. The twenty-nine books in the Draw 50 series have sold more than 5 million copies and have shown artists from beginning to advanced levels how to draw everything from animals to airplanes. It’s easy to have your dream car at your fingertips when it’s done the Draw 50 way.

This Book is for testing, Don't buy this book.

Increased public and academic interest in drawing and sketching, both traditional and digital, has allowed drawing research to emerge recently as a discipline in its own right. In light of this development, Writing on Drawing presents a collection of essays that reveal a provocative agenda for the field, analyzing the latest work on creativity, education, and thinking from a variety of perspectives. Bringing together contributions by leading artists and researchers, this volume offers consolidation, discussion, and guidance for a previously fragmented discipline. Available for the first time in paperback, it will be an essential resource for artists, scientists, designers, and engineers.

From Holbein to Hockney, from Norman Rockwell to Pablo Picasso, from sixteenth-century Rome to 1980s SoHo, Robert Hughes looks with love, loathing, warmth, wit and authority at a wide range of art and artists, good, bad, past and present.
   As art critic for Time magazine, internationally acclaimed for his study of modern art, The Shock of the New, he is perhaps America’s most widely read and admired writer on art.  In this book:  nearly a hundred of his finest essays on the subject.
   For the realism of Thomas Eakins to the Soviet satirists Komar and Melamid, from Watteau to Willem de Kooning to Susan Rothenberg, here is Hughes—astute, vivid and uninhibited—on dozens of famous and not-so-famous artists.  He observes that Caravaggio was “one of the hinges of art history; there was art before him and art after him, and they were not the same”; he remarks that Julian Schnabel’s “work is to painting what Stallone’s is to acting”; he calls John Constable’s Wivenhoe Park “almost the last word on Eden-as-Property”; he notes how “distorted traces of [Jackson] Pollock lie like genes in art-world careers that, one might have thought, had nothing to do with his.”  He knows how Norman Rockwell made a chicken stand still long enough to be painted, and what Degas said about success (some kinds are indistinguishable from panic).
   Phrasemaker par excellence, Hughes is at the same time an incisive and profound critic, not only of particular artists, but also of the social context in which art exists and is traded.  His fresh perceptions of such figures as Andy Warhol and the French writer Jean Baudrillard are matched in brilliance by his pungent discussions of the art market—its inflated prices and reputations, its damage to the public domain of culture.  There is a superb essay on Bernard Berenson, and another on the strange, tangled case of the Mark Rothko estate.  And as a finale, Hughes gives us “The SoHoiad,” the mock-epic satire that so amused and annoyed the art world in the mid-1980s.
   A meteor of a book that enlightens, startles, stimulates and entertains.

From the ‘Monster of Ravenna’ to the ‘Elephant Man’, Myra Hindley and Ted Bundy, the visualisation of ‘real’, human monsters has always played a part in how society sees itself. But what is the function of a monster? Why do we need to embody and represent what is monstrous? This book investigates the appearance of the human monster in Western culture, both historically and in our contemporary society. It argues that images of real (rather than fictional) human monsters help us both to identify and to interrogate what constitutes normality; we construct what is acceptable in humanity by depicting what is not quite acceptable. By exploring theories and examples of abnormality, freakishness, madness, otherness and identification, Alexa Wright demonstrates how monstrosity and the monster are social and cultural constructs. However, it soon becomes clear that the social function of the monster – however altered a form it takes – remains constant; it is societal self-defence allowing us to keep perceived monstrosity at a distance. Through engaging with the work of Michel Foucault, Julia Kristeva and Canguilhem (to name but a few) Wright scrutinises and critiques the history of a mode of thinking. She reassesses and explodes conventional concepts of identity, obscuring the boundaries between what is ‘normal’ and what is not.

In a work of great wisdom and insight, art critic and philosopher Arthur Danto delivers a compact, masterful tour of Andy Warhol's personal, artistic, and philosophical transformations. Danto traces the evolution of the pop artist, including his early reception, relationships with artists such as Jasper Johns and Robert Rauschenberg, and the Factory phenomenon. He offers close readings of individual Warhol works, including their social context and philosophical dimensions, key differences with predecessors such as Marcel Duchamp, and parallels with successors like Jeff Koons. Danto brings to bear encyclopedic knowledge of Warhol's time and shows us Warhol as an endlessly multidimensional figure--artist, political activist, filmmaker, writer, philosopher--who retains permanent residence in our national imagination. Danto suggests that "what makes him an American icon is that his subject matter is always something that the ordinary American understands: everything, or nearly everything he made art out of came straight out of the daily lives of very ordinary Americans. . . . The tastes and values of ordinary persons all at once were inseparable from advanced art."

The near-absence of religion from contemporary discourse on art is one of the most fundamental issues in postmodernism. Artists critical of religion can find voices in the art world, but religion itself, including spirituality, is taken to be excluded by the very project of modernism. The sublime, "re-enchantment" (as in Weber), and the aura (as in Benjamin) have been used to smuggle religious concepts back into academic writing, but there is still no direct communication between "religionists" and scholars. Re-Enchantment, volume 7 in The Art Seminar Series, will be the first book to bridge that gap.

The volume will include an introduction and two final, synoptic essays, as well as contributions from some of the most prominent thinkers on religion and art including Boris Groys, James Elkins, Thierry de Duve, David Morgan, Norman Girardot, Sally Promey, Brent Plate, and Christopher Pinney.

John Heskett wants to transform the way we think about design by showing how integral it is to our daily lives, from the spoon we use to eat our breakfast cereal, and the car we drive to work in, to the medical equipment used to save lives. Design combines 'need' and 'desire' in the form of a practical object that can also reflect the user's identity and aspirations through its form and decoration. This concise guide to contemporary design goes beyond style and taste to look at how different cultures and individuals personalize objects. Heskett also reveals how simple objects, such as a toothpick, can have their design modified to suit the specific cultural behaviour in different countries. There are also fascinating insights into how major companies such as Nokia, Ford, and Sony approach design. Finally, the author gives us an exciting vision of what design can offer us in the future, showing in particular how it can humanize new technology. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.

Film: The Key Concepts presents a coherent, clear and exciting overview of film theory for beginning readers. The book takes the reader through the often conflicting analyses that make up film theory, illustrating arguments with examples from mainstream and independent films. Concise and comprehensive, the book guides the reader through realism, formalism, structuralism, semiotics, Marxism, psychoanalysis, feminism, cognitivism, post-colonialism, postmodernism, gender and queer film theory, stardom and film audience research. The book as a whole provides a complete overview of the evolution of film theory. Throughout, the analysis is illustrated with lively boxed studies of key mainstream and independent films. Bulleted chapter summaries, questions and guides to further reading are also provided.

 Introduction to “The Secrets Of You” 

• I am not able to control myself to articulate you about this amazing, rare discovery of yourself our self. 

• “The Secrets Of You” is a self-awakening guide to reveal your hidden powers to achieve health, wealth, peace, relationship and much more. 

• Through this book I want you to reveal your secret and to be familiar with your secret. 

• I want you to understand the elements of universe, law of attraction, manifestation, and vibration which highly impact in our life. 

• In my guide you will learn how to make universe work for you. You will be familiar with your attraction power. You will be mesmerized with your manifestation knack. You will learn how to command your wish and receive it by being in vibrational mode. 

• You will know your inner self. This is a practical guide to using your hidden powers to achieve ultimate abundance in all areas of your life. 

• I hope I can help you with my writings. 

• Empathetically yours, 
   Arif Parmar 

Originally published in 1983, Leo Steinberg's classic work has changed the viewing habits of a generation. After centuries of repression and censorship, the sexual component in thousands of revered icons of Christ is restored to visibility. Steinberg's evidence resides in the imagery of the overtly sexed Christ, in Infancy and again after death. Steinberg argues that the artists regarded the deliberate exposure of Christ's genitalia as an affirmation of kinship with the human condition. Christ's lifelong virginity, understood as potency under check, and the first offer of blood in the circumcision, both required acknowledgment of the genital organ. More than exercises in realism, these unabashed images underscore the crucial theological import of the Incarnation.

This revised and greatly expanded edition not only adduces new visual evidence, but deepens the theological argument and engages the controversy aroused by the book's first publication.

This Book is for testing, Don't buy this book. 1

An extraordinary collection—hawk-eyed and understanding—from the Man Booker Prize–winning, best-selling author of The Sense of an Ending and Levels of Life.

As Julian Barnes notes: “Flaubert believed that it was impossible to explain one art form in terms of another, and that great paintings required no words of explanation. Braque thought the ideal state would be reached when we said nothing at all in front of a painting . . . But it is a rare picture that stuns, or argues, us into silence. And if one does, it is only a short time before we want to explain and understand the very silence into which we have been plunged.”

This is the exact dynamic that informs his new book. In his 1989 novel A History of the World in 10½ Chapters, Barnes had a chapter on Géricault’s The Raft of the Medusa, and since then he has written about many great masters of nineteenth- and twentieth-century art, including Delacroix, Manet, Fantin-Latour, Cézanne, Degas, Redon, Bonnard, Vuillard, Vallotton, Braque, Magritte, Oldenburg, Lucian Freud and Howard Hodgkin. The seventeen essays gathered here help trace the arc from Romanticism to Realism and into Modernism; they are adroit, insightful and, above all, a true pleasure to read.


From the Hardcover edition.

Newly qualified art therapists often feel daunted by the challenge of actually being face-to-face with a client and are unsure how to progress after the first image has been created. In this honest and encouraging book, Deborah Schroder explains how art can provide openings into therapeutic relationships and create a safe space for exploring issues and concerns. Drawing on her own development as an art therapist and her extensive experience of supervising new therapists and students, Schroder provides practical advice on encouraging nervous or reluctant clients, or those unfamiliar with art therapy, to benefit from artmaking. She argues for a two-way sharing of art between therapist and client, exploring not only how specific techniques can be put into practice, but also how they benefit the therapeutic relationship. Providing guidance on moving into deeper work, exploring and containing particular emotions, and bringing the therapeutic relationship to a close, this book is invaluable to new art therapists at all stages of their relationships with clients.

For skeptics, art lovers, and the millions of us who visit art galleries every year—and are confused—What Are You Looking At? by former director of London’s Tate Gallery Will Gompertz is a wonderfully lively, accessible narrative history of Modern Art, from Impressionism to the present day.

What is modern art? Who started it? Why do we either love it or loathe it? And why is it such big money? Join BBC Arts Editor Will Gompertz on a dazzling tour that will change the way you look at modern art forever. From Monet's water lilies to Van Gogh's sunflowers, from Warhol's soup cans to Hirst's pickled shark, hear the stories behind the masterpieces, meet the artists as they really were, and discover the real point of modern art.

You will learn: not all conceptual art is bollocks; Picasso is king (but Cézanne is better); Pollock is no drip; Dali painted with his moustache; a urinal changed the course of art; why your 5-year-old really couldn't do it. Refreshing, irreverent and always straightforward, What Are You Looking At? cuts through the pretentious art speak and asks all the basic questions that you were too afraid to ask. Your next trip to the art gallery is going to be a little less intimidating and a lot more interesting.

With his offbeat humor, down-to-earth storytelling, and flair for odd details that spark insights, Will Gompertz is the perfect tour guide for modern art. His book doesn’t tell us if a work of art is good; it gives us the knowledge to decide for ourselves.

A unique anthology of 35 feminist art manifestos by contemporary women artists from around the world (1969-2013) introduced by Katy Deepwell. These feminist art manifestos written at different moments over the last forty years explore the potential of women's cultural production as visual artists. Manifestos occupy a specific place in the visual arts, as a means to communicate radical ideas. These texts outline a critique of patriarchy and utopian hopes for the future.

CONTENT: KATY DEEPWELL – NEGOTIATIONS (an introduction); MIERLE LADERMAN UKELES - MANIFESTO FOR MAINTENANCE ART 1969!; AGNES DENES - A MANIFESTO (1969); MICHELE WALLACE - MANIFESTO OF WSABAL (1970); NANCY SPERO - FEMINIST MANIFESTO (1970-1971); MONICA SJOO AND ANNE BERG - IMAGES ON WOMANPOWER - ARTS MANIFESTO (1971); RITA MAE BROWN - A MANIFESTO FOR THE FEMINIST ARTIST (1972); VALIE EXPORT - WOMEN'S ART: A MANIFESTO (1972); FEMINIST FILM AND VIDEO ORGANIZATIONS - WOMANIFESTO (1975); KLONARIS / THOMADAKI - MANIFESTE POUR UNE FÉMINITÉ RADICALE POUR UN CINÉMA AUTRE (1977);CAROLEE SCHNEEMANN - WOMEN IN THE YEAR 2000 (1977); Z.BUDAPEST, U.ROSENBACH, S.B.A.COVEN - FIRST MANIFESTO ON THE CULTURAL REVOLUTION OF WOMEN (1978); EWA PARTUM - CHANGE, MY PROBLEM IS A PROBLEM OF A WOMAN (1979); WOMEN ARTISTS OF PAKISTAN MANIFESTO (1983); CHILA BURMAN - THERE HAVE ALWAYS BEEN GREAT BLACKWOMEN ARTISTS (1986); EVA AND CO - THE MANIFESTO (1992); VNS MATRIX - BITCH MUTANT MANIFESTO (1994); VIOLETTA LIAGATCHEV - CONSTITUTION INTEMPESTIVE DE LA RÉPUBLIQUE INTERNATIONALE DES ARTISTES FEMMES (1995); OLD BOYS NETWORK - 100 ANTI-THESES (1997); LILY BEA MOOR (aka SENGA NENGUDI) - LILIES OF THE VALLEY UNITE! OR NOT (1998); DORA GARCIA - 100 IMPOSSIBLE ARTWORKS (2001); SUBROSA - REFUGIA: MANIFESTO FOR BECOMING AUTONOMOUS ZONES (BAZ)(2002); ORLAN - CARNAL ART MANIFESTO (2002); RHANI LEE REMEDES - THE SCUB MANIFESTO (2002); FACTORY OF FOUND CLOTHES - MANIFESTO (2002); FEMINIST ART ACTION BRIGADE - MANIFESTO (2003); METTE INGVARTSEN - YES MANIFESTO (2004); XABIER ARAKISTAIN - ARCO MANIFESTO (2005); YES! ASSOCIATION/FÖRENINGEN JA! - JÄMLIKHETSAVTAL #1(THE EQUAL OPPORTUNITIES AGREEMENT #1) (2005); ARAHMAIANI - LETTER TO MARINETTI and MANIFESTO OF THE SCEPTICS (2009); GUERRILLA GIRLS - GUIDE TO BEHAVING BADLY (2010); JULIE PERINI - RELATIONAL FILMMAKING MANIFESTO (2010); ELIZABETH M. STEPHENS AND ANNIE M. SPRINKLE - ECOSEX MANIFESTO (2011); LUCIA TKACOVA and ANETTA MONA CHISA - 80:20; SILVIA ZIRANEK - MANIFESTA (2013); MARTINE SYMS - MUNDANE AFROFUTURIST MANIFESTO (2013)

I have met numerous artists in my life, many of whom seem to be unfulfilled in their creative journey. I feel it is the same for many professionals. I personally believe that when we start on this path, we have great passion; a burning desire. This is what establishes the goals we want to achieve. These goals may consist of getting that job in the studio, or the project we wanted to do. We may find that once this happens, we become dormant, and stop setting those goals. It then turns into complaints, frustration, and the constant questioning of, "What is it that I really want to do?" This book is a collection of my trials, and personal thoughts about life as an artist.  It’s also about reminding ourselves of the importance of setting new goals, creating that passion and vision, and the courage and perseverance to ignite your dreams again. This book is written for you.