MunLing Shields places essay writing within the larger university experience for students. In a clear and easy to understand way the author guides the reader through the process of writing successful university essays by looking at essay writing in the context of academic communication, academic culture and different learning styles and approaches. This book:Helps students study more independently and learn more meaningfully to write better essays Offers invaluable insights into the way tutors see essays Explains why essays are set, and how to understand the rationale behind them Demonstrates how best to approach answering the question.
This highly accessible book offers practical, in-depth guidance on each of the stages of the essay writing process - planning, drafting and editing - and relates them to the important sub-skills of information-gathering, reading academic texts, how to get the most out of lectures, referencing and citations, and fluency and appropriateness of style and language.
'An excellent guide for students new to writing essays at university' - David Ellicott, Senior Lecturer in Youth Justice and Youth Studies, Nottingham Trent University
SAGE Study Skills are essential study guides for students of all levels. From how to write great essays and succeeding at university, to writing your undergraduate dissertation and doing postgraduate research, SAGE Study Skills help you get the best from your time at university. Visit the SAGE Study Skills hub for tips, quizzes and videos on study success!
Ronson investigates the strange things we’re willing to believe in, from lifelike robots programmed with our loved ones’ personalities to indigo children to hypersuccessful spiritual healers to the Insane Clown Posse’s juggalo fans. He looks at ordinary lives that take on extraordinary perspectives, for instance a pop singer whose life’s greatest passion is the coming alien invasion, and the scientist designated to greet those aliens when they arrive. Ronson throws himself into the stories—in a tour de force piece, he splits himself into multiple Ronsons (Happy, Paul, and Titch, among others) to get to the bottom of credit card companies’ predatory tactics and the murky, fabulously wealthy companies behind those tactics. Amateur nuclear physicists, assisted-suicide practitioners, the town of North Pole, Alaska’s Christmas-induced high school mass-murder plot: Ronson explores all these tales with a sense of higher purpose and universality, and suddenly, mid-read, they are stories not about the fringe of society or about people far removed from our own experience, but about all of us.
Incisive and hilarious, poignant and maddening, revealing and disturbing—Ronson writes about our modern world, the foibles of contemporary culture, and the chaos that lies at the edge of our daily lives.
From the moment he began writing his syndicated sex-advice column, Savage Love, Dan Savage has never been shy about expressing his opinion on controversial topics—political or otherwise. Now, he addresses issues ranging from parenting and the gay agenda to the Catholic Church and health care. Among them:
Why straight people should have straight “pride” parades, tooWhy Obamacare, as good as it is, is “still kinda evil”Why what passes for sex-ed in America is more like “sex dread”Why the Bible is “only as good and decent as the person reading it”
Speaking to a broad range of subjects with brutal honesty and irreverent humor, American Savage cements Dan Savage’s place as a provocative and insightful voice in American culture.
From the Trade Paperback edition.
Publication of The Souls of Black Folk was a dramatic event that helped to polarize black leaders into two groups: the more conservative followers of Washington and the more radical supporters of aggressive protest. Its influence cannot be overstated. It is essential reading for everyone interested in African-American history and the struggle for civil rights in America.
Love is, as everyone knows, a mysterious and all-controlling force, with vast power over our thoughts and life decisions.
But is there something a bit worrisome about all this uniformity of opinion? Is this the one subject about which no disagreement will be entertained, about which one truth alone is permissible? Consider that the most powerful organized religions produce the occasional heretic; every ideology has its apostates; even sacred cows find their butchers. Except for love.
Hence the necessity for a polemic against it. A polemic is designed to be the prose equivalent of a small explosive device placed under your E-Z-Boy lounger. It won’t injure you (well not severely); it’s just supposed to shake things up and rattle a few convictions.
From the Trade Paperback edition.
What is a womanist? Alice Walker sets out to define the concept in this anthology of early essays and other nonfiction pieces. As she outlines it, a womanist is a person who prefers to side with the oppressed: with women, with people of color, with the poor. As a writer, Walker has always taken such people as her primary subjects, and her search for paths toward self-possession and freedom always holds out hope for the transformative power of compassion and love. Whether she’s taking on nuclear proliferation, the promise and problems of the civil rights movement, or her own creative process, Walker always brings to bear a fearless determination to tell the truth.
This ebook features an illustrated biography of Alice Walker including rare photos from the author’s personal collection.
With stunning works by seminal black voices such as Zora Neale Hurston, Countee Cullen, and W.E.B. DuBois, Locke has constructed a vivid look at the new negro, the changing African American finding his place in the ever shifting sociocultural landscape that was 1920s America. With poetry, prose, and nonfiction essays, this collection is widely praised for its literary strength as well as its historical coverage of a monumental and fascinating time in the history of America.
Join Cassandra Clare and a Circle of more than a dozen top YA writers, including New York Times bestsellers Holly Black, Rachel Caine, and Kami Garcia, as they write about the Mortal Instruments series, its characters, and its world.
Inside you’ll read:
• A cinematic tutorial on why the best friend (Simon) always loses out to the bad boy (Jace)
• The unexpected benefits of the incest taboo
• What we can read between the lines of Alec and Magnus’ European vacation
• The importance of friendship, art, humor, and rebellion
• And more, from the virtues of Downworlders to the naughty side of Shadowhunting
With cool humor and rich intellect, Gloria Steinem strips bare our social constructions of gender and race, explaining just how limiting these invented cultural identities can be. In the first of six sections, Steinem imagines how our understanding of human psychology would be different in a witty reversal: What if Freud had been a woman who inflicted biological inferiority on men (think “womb envy”)? In other essays, the author presents positive examples of people who turn stereotypes on their heads, from a female bodybuilder to Mahatma Gandhi, whose followers absorbed his wisdom that change starts at the bottom. And in some of the most moving pieces, Steinem reveals something of her own complicated history as a writer, woman, and citizen of the world.
A hilarious and timely essay collection about race, gender, and pop culture from upcoming comedy superstar and 2 Dope Queens podcaster Phoebe Robinson
Being a black woman in America means contending with old prejudices and fresh absurdities every day. Comedian Phoebe Robinson has experienced her fair share over the years: she's been unceremoniously relegated to the role of "the black friend," as if she is somehow the authority on all things racial; she's been questioned about her love of U2 and Billy Joel ("isn’t that . . . white people music?"); she's been called "uppity" for having an opinion in the workplace; she's been followed around stores by security guards; and yes, people do ask her whether they can touch her hair all. the. time. Now, she's ready to take these topics to the page—and she’s going to make you laugh as she’s doing it.
Using her trademark wit alongside pop-culture references galore, Robinson explores everything from why Lisa Bonet is "Queen. Bae. Jesus," to breaking down the terrible nature of casting calls, to giving her less-than-traditional advice to the future female president, and demanding that the NFL clean up its act, all told in the same conversational voice that launched her podcast, 2 Dope Queens, to the top spot on iTunes. As personal as it is political, You Can't Touch My Hair examines our cultural climate and skewers our biases with humor and heart, announcing Robinson as a writer on the rise.
Whether it's a student's beloved 1964 Ford Falcon (left behind for a station wagon and motherhood), or a cello that inspires a meditation on fatherhood, the intimate objects in this collection are used to reflect on larger themes -- the role of objects in design and play, discipline and desire, history and exchange, mourning and memory, transition and passage, meditation and new vision.In the interest of enriching these connections, Turkle pairs each autobiographical essay with a text from philosophy, history, literature, or theory, creating juxtapositions at once playful and profound. So we have Howard Gardner's keyboards and Lev Vygotsky's hobbyhorses; William Mitchell's Melbourne train and Roland Barthes' pleasures of text; Joseph Cevetello's glucometer and Donna Haraway's cyborgs. Each essay is framed by images that are themselves evocative. Essays by Turkle begin and end the collection, inviting us to look more closely at the everyday objects of our lives, the familiar objects that drive our routines, hold our affections, and open out our world in unexpected ways.
The planet's environmental problems respect no national boundaries. From soil erosion and population displacement to climate change and failed energy policies, American governing classes are paid by corporations to pretend that debate is the only democratic necessity and that solutions are capable of withstanding endless delay. Late Capitalism goes about its business of finishing off the planet. And we citizens are left with a shell of what was once proudly described as The American Dream.
In this collection of eleven essays, Berry confronts head-on the necessity of clear thinking and direct action. Never one to ignore the present challenge, he understands that only clearly stated questions support the understanding their answers require. For more than fifty years we've had no better spokesman and no more eloquent advocate for the planet, for our families, and for the future of our children and ourselves.
The essays cover a wide and colorful array of subjects including pro wrestling, the computer games Myst and Doom, soap operas, baseball card collecting, the Tour de France, karaoke, lesbian desire in the Wizard of Oz, Internet fandom for the series Babylon 5, and the stress-management industry. Broader themes examined include the origins of popular culture, the aesthetics and politics of performance, and the social and cultural processes by which objects and practices are deemed tasteful or tasteless. The commitment that binds the contributors is to an emergent perspective in cultural studies, one that engages with popular culture as the culture that "sticks to the skin," that becomes so much a part of us that it becomes increasingly difficult to examine it from a distance. By refusing to deny or rationalize their own often contradictory identifications with popular culture, the contributors ensure that the volume as a whole reflects the immediacy and vibrancy of its objects of study.
Hop on Pop will appeal to those engaged in the study of popular culture, American studies, cultural studies, cinema and visual studies, as well as to the general educated reader.
Contributors. John Bloom, Gerry Bloustein, Aniko Bodroghkozy, Diane Brooks, Peter Chvany, Elana Crane, Alexander Doty, Rob Drew, Stephen Duncombe, Nick Evans, Eric Freedman, Joy Fuqua, Tony Grajeda, Katherine Green, John Hartley, Heather Hendershot, Henry Jenkins, Eithne Johnson, Louis Kaplan, Maria Koundoura, Sharon Mazer, Anna McCarthy, Tara McPherson, Angela Ndalianis, Edward O’Neill, Catherine Palmer, Roberta Pearson, Elayne Rapping, Eric Schaefer, Jane Shattuc, Greg Smith, Ellen Strain, Matthew Tinkhom, William Uricchio, Amy Villarego, Robyn Warhol, Charles Weigl, Alan Wexelblat, Pamela Robertson Wojcik, Nabeel Zuberi
A collection of essays spanning politics, criticism, and feminism from one of the most-watched young cultural observers of her generation, Roxane Gay.
“Pink is my favorite color. I used to say my favorite color was black to be cool, but it is pink—all shades of pink. If I have an accessory, it is probably pink. I read Vogue, and I’m not doing it ironically, though it might seem that way. I once live-tweeted the September issue.”
In these funny and insightful essays, Roxane Gay takes us through the journey of her evolution as a woman (Sweet Valley High) of color (The Help) while also taking readers on a ride through culture of the last few years (Girls, Django in Chains) and commenting on the state of feminism today (abortion, Chris Brown). The portrait that emerges is not only one of an incredibly insightful woman continually growing to understand herself and our society, but also one of our culture.
Bad Feminist is a sharp, funny, and spot-on look at the ways in which the culture we consume becomes who we are, and an inspiring call-to-arms of all the ways we still need to do better.
Bestselling author, basketball legend and cultural commentator Kareem Abdul-Jabbar explores the heart of issues that affect Americans today.
Since retiring from professional basketball as the NBA's all-time leading scorer, six-time MVP, and Hall of Fame inductee, Kareem Abdul-Jabbar has become a lauded observer of culture and society, a New York Times bestselling author, and a regular contributor to The Washington Post, TIME magazine and TIME.com.
He now brings that keen insight to the fore in Writings on the Wall: Searching for a New Equality Beyond Black and White, his most incisive and important work of non-fiction in years. He uses his unique blend of erudition, street smarts and authentic experience in essays on the country's seemingly irreconcilable partisan divide - both racial and political, parenthood, and his own experiences as an athlete, African-American, and a Muslim. The book is not just a collection of expositions; he also offers keen assessments of and solutions to problems such as racism in sports while speaking candidly about his experiences on the court and off.
Timed for publication as the nation debates whom to send to the White House, the combination of plain talk on issues, life lessons, and personal stories places Writings on the Wall squarely in the middle of the conversation, as many of Abdul-Jabbar's topics are at the top of the national agenda. Whether it is sparring with Donald Trump, within the pages of TIME magazine, or full-length features in the The New York Times Magazine, writers, critics, and readers have come to agree on what The Washington Post observed: Abdul-Jabbar "has become a vital, dynamic and unorthodox cultural voice."
Readers will find edification and amusement in his estimates of a variety of Americans—Woodrow Wilson, Aimee Semple McPherson, Roosevelt I and Roosevelt II, James Gibbons Huneker, Rudolph Valentino, Calvin Coolidge, Ring Lardner, Theodore Dreiser, and Walt Whitman. Those musically inclined will enjoy his pieces on Beethoven, Schubert, and Wagner, and there is material for a hundred controversies in his selections on Joseph Conrad, Thorstein Veblen, Nietzsche, and Madame Blavatsky.
An anthology of the best new masters of nonfiction storytelling, personally chosen and introduced by Ira Glass, the producer and host of the award-winning public radio program This American Life.
These pieces-on teenage white collar criminals, buying a cow, Saddam Hussein, drunken British soccer culture, and how we know everyone in our Rolodex-are meant to mesmerize and inspire.
The Second Edition of this popular classroom volume includes boxed inserts that offer suggestions to aid in the research process, material on how to use observation and narratives with the ethnosemantic approach, an emphasis on how to find cultural themes and adaptive challenges by analyzing ethnographic field data, and extensive strategies for writing the final ethnographic paper. It also presents a comprehensive treatment of ethical responsibilities as well as a discussion of the significance of ethnographic research and its applications in the workplace.
With Essay concentrate, you’ll learn how to: interpret questions so that they actually make sense, read and research efficiently and effectively, design convincing and compelling arguments, plan and write content for your essays, and perfect your essays for top marks.
Not just advice; a step-by-step instructional manual on how to write an amazing essay.
One of the main topics of cultural conversation during the last decade was the supposed "fertility crisis," and whether modern women could figure out a way to have it all-a successful, demanding career and the required 2.3 children-before their biological clock stopped ticking. Now, however, conversation has turned to whether it's necessary to have it all (see Anne-Marie Slaughter) or, perhaps more controversial, whether children are really a requirement for a fulfilling life. The idea that some women and men prefer not to have children is often met with sharp criticism and incredulity by the public and mainstream media.
In this provocative and controversial collection of essays, curated by writer Meghan Daum, sixteen acclaimed writers explain why they have chosen to eschew parenthood. Contributors include Lionel Shriver, Sigrid Nunez, Kate Christiensen, Elliott Holt, Geoff Dyer, and Tim Kreider, among others, who will give a unique perspective on the overwhelming cultural pressure of parenthood.
Selfish, Shallow, and Self-Absorbed makes a thoughtful and passionate case for why parenthood is not the only path in life, taking our parent-centric, kid-fixated, baby-bump-patrolling culture to task in the process. What emerges is a more nuanced, diverse view of what it means to live a full, satisfying life.
Since its initial publication in 1958, The Poetics of Space has been a muse to philosophers, architects, writers, psychologists, critics, and readers alike. The rare work of irresistibly inviting philosophy, Bachelard’s seminal work brims with quiet revelations and stirring, mysterious imagery. This lyrical journey takes as its premise the emergence of the poetic image and finds an ideal metaphor in the intimate spaces of our homes. Guiding us through a stream of meditations on poetry, art, and the blooming of consciousness itself, Bachelard examines the domestic places that shape and hold our dreams and memories. Houses and rooms; cellars and attics; drawers, chests, and wardrobes; nests and shells; nooks and corners: No space is too vast or too small to be filled by our thoughts and our reveries. In Bachelard’s enchanting spaces, “We are never real historians, but always near poets, and our emotion is perhaps nothing but an expression of a poetry that was lost.”
This new edition features a foreword by Mark Z. Danielewski, whose bestselling novel House of Leaves drew inspiration from Bachelard’s writings, and an introduction by internationally renowned philosopher Richard Kearney who explains the book’s enduring importance and its role within Bachelard’s remarkable career.
For more than sixty-five years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,500 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
From the Trade Paperback edition.
Ben Davis currently lives and works in New York City where he is Executive Editor at Artinfo.
The authors, including Cornel West, Angela Y. Davis, and Toni Morrison, argue that we have reached a crisis of democracy represented by an ominous shift toward a renewed white nationalism in which racism is operating in coded, quasi-respectable new forms.
The second edition, while being as all-embracing in its coverage as the first edition, represents a wholesale revamping. Neil Smelser and Richard Swedberg have kept the main overall framework intact, but nearly two-thirds of the chapters are new or have new authors. As in the first edition, they bring together leading sociologists as well as representatives of other social sciences. But the thirty chapters of this volume incorporate many substantial thematic changes and new lines of research--for example, more focus on international and global concerns, chapters on institutional analysis, the transition from socialist economies, organization and networks, and the economic sociology of the ancient world. The Handbook of Economic Sociology, Second Edition is the definitive resource on what continues to be one of the leading edges of sociology and one of its most important interdisciplinary adventures. It is a must read for all faculty, graduate students, and undergraduates doing work in the field.A thoroughly revised and updated version of the most comprehensive treatment of economic sociology available Almost two-thirds of the chapters are new or have new authors Authors include leading sociologists as well as representatives of other social sciences Substantial thematic changes and new lines of research, including more focus on international and global concerns, institutional analysis, the transition from socialist economies, and organization and networks The definitive resource on what continues to be one of the leading edges of sociology and one of its most important interdisciplinary adventures A must read for faculty, graduate students, and undergraduates doing work in the field
one thing, but you ended up learning another. A sideways story can also
be a poem, or prose, that, because of the way it is written, may not be
all that direct in its meaning. What’s nice about both clouds, and art,
is that you can look at them and just resonate. That can be good for
both the heart and the mind.
Many of the moments of this book
have grown from experiences the author has had or stories he used in
his lectures with students or told in his office with clients. Some of
them have grown from essays written for others, for personal or
professional reasons. They are moments on a path through the discovery
of social work, a journey of beginnings, middles, and ends.
just the right blend of humor and candor, each of these stories
contains nuggets of wisdom that you will not find in a traditional
textbook. They capture the essence and the art and soul of social work.
In a world rushed with the illusion of technique and rank empiricism, it
is the author’s hope that some of the things here might make some
moment in your thinking or feeling grow as a social worker. If they
provoke a smile, or a tear, or a critical question, it’s worth it.
Everyone makes a different journey in a life of social work. These
stories are one social worker’s travelogue along the way.
In This Is Running for Your Life, Michelle Orange takes us from Beirut to Hawaii to her grandmother's retirement home in Canada in her quest to understand how people behave in a world increasingly mediated—for better and for worse—by images and interactivity. Orange's essays range from the critical to the journalistic to the deeply personal; she seamlessly combines stories from her own life with incisive analysis as she explores everything from the intimacies we develop with celebrities and movie characters to the troubled creation of the most recent edition of the Diagnostic and Statistical Manual of Mental Disorders.
With the insight of a young Joan Didion and the empathy of a John Jeremiah Sullivan, Orange dives into popular culture and the status quo and emerges with a persuasive and provocative book about how we live now. Her singular voice will resonate for years to come.
Chuck Klosterman, “The Ethicist” for The New York Times Magazine, has walked into the darkness. In I Wear the Black Hat, he questions the modern understanding of villainy. When we classify someone as a bad person, what are we really saying, and why are we so obsessed with saying it? How does the culture of malevolence operate? What was so Machiavellian about Machiavelli? Why don’t we see Bernhard Goetz the same way we see Batman? Who is more worthy of our vitriol—Bill Clinton or Don Henley? What was O.J. Simpson’s second-worst decision? And why is Klosterman still haunted by some kid he knew for one week in 1985?
Masterfully blending cultural analysis with self-interrogation and imaginative hypotheticals, I Wear the Black Hat delivers perceptive observations on the complexity of the antihero (seemingly the only kind of hero America still creates). As the Los Angeles Times notes: “By underscoring the contradictory, often knee-jerk ways we encounter the heroes and villains of our culture, Klosterman illustrates the passionate but incomplete computations that have come to define American culture—and maybe even American morality.” I Wear the Black Hat is a rare example of serious criticism that’s instantly accessible and really, really funny.
Simply the best storyteller around, Weingarten describes the world as you think it is before revealing how it actually is—in narratives that are by turns hilarious, heartwarming, and provocative, but always memorable.
Millions of people know the title piece about violinist Joshua Bell, which originally began as a stunt: What would happen if you put a world-class musician outside a Washington, D.C., subway station to play for spare change? Would anyone even notice? The answer was no. Weingarten’s story went viral, becoming a widely referenced lesson about life lived too quickly. Other classic stories—the one about “The Great Zucchini,” a wildly popular but personally flawed children’s entertainer; the search for the official “Armpit of America”; a profile of the typical American nonvoter—all of them reveal as much about their readers as they do their subjects.
Including pieces from the Atlantic, Vanity Fair, the New Yorker, and the Philadelphia Inquirer, this collection is Bowden at his best. The titular article, “The Three Battles of Wanat,” tells the story of one of the bloodiest days in the War in Afghanistan and the extraordinary years-long fallout it generated within the United States military. In “The Killing Machines,” Bowden examines the strategic, legal, and moral issues surrounding armed drones. And in a brilliant piece on Kim Jong-un, “The Bright Sun of Juche,” he recalibrates our understanding of the world’s youngest and most baffling dictator. Also included are profiles of newspaper scion Arthur Sulzberger; renowned defense attorney and anti-death-penalty activist Judy Clarke; and David Simon, the creator of “The Wire.”
Absorbing and provocative, The Three Battles of Wanat is an essential collection for fans of Mark Bowden’s writing, and for anyone who enjoys first-rate narrative nonfiction.
Would you want to be one of Artemis’ Hunters?
Why do so many monsters go into retail?
Spend a little more time in Percy Jackson’s world—a place where the gods bike among us, monsters man snack bars, and each of us has the potential to become a hero.
Why Dionysus might actually be the best director Camp Half-Blood could have
How to recognize a monster when you see one
Why even if we aren’t facing manticores and minotaurs, reading myth can still help us deal with the scary things in our own lives
Plus, consult our glossary of people, places, and things from Greek myth: how Medusa got her snake hair extensions, why Chiron isn’t into partying and paintball like the rest of his centaur family, and the whole story on Percy’s mythical namesake.
It has been decades since women of color first turned feminism upside down, exposing the feminist movement as exclusive, white, and unaware of the concerns and issues of women of color from around the globe. Since then, key social movements have risen, including Black Lives Matter, the transgender movement, and the activism of young undocumented students. Social media has also changed how feminism looks for young women of color, generating connections and access to audiences in all corners of the country. But we remain a country divided by race and gender.
Now, a new generation of outspoken women of color offer a much-needed fresh dimension to the shape of feminism of the future. In Colonize This!, Daisy Hernandez and Bushra Rehman have collected a diverse, lively group of emerging writers who speak to the strength of community and the influence of color, to borders and divisions, and to the critical issues that need to be addressed to finally reach an era of racial freedom. With prescient and intimate writing, Colonize This! will reach the hearts and minds of readers who care about the experience of being a woman of color, and about establishing a culture that fosters freedom and agency for women of all colors.
The New York Times bestselling author of Generation Kill immerses himself in even more cultures on the edge.
Evan Wright's affinity for outsiders has inspired this deeply personal journey through what he calls "the lost tribes of America." A collection of previously published pieces, Hella Nation delivers provocative accounts of sex workers in Porn Valley, a Hollywood über-agent-turned-war documentarian and hero of America's far right, runaway teens earning corporate dollars as skateboard pitchmen, radical anarchists plotting the overthrow of corporate America, and young American troops on the hunt for terrorists in the combat zones of the Middle East
The pieces collected here span the career of W.E.H. Stanner as well as the history of Australian race relations. They reveal the extraordinary scholarship, humanity and vision of one of Australia's finest essayists. Their revival is a significant event.
With an introductory essay by Robert Manne.
"Stanner's essays still hold their own among this country's finest writings on matters black and white." - Noel Pearson
Economics is no longer the “dismal science” dreaded by college freshmen. In recent years, a band of economists has broken away from the charts and graphs of college textbooks, and begun to explain ordinary behavior in plain and often entertaining English. Steve Landsburg was one of the first of the new breed, in his book The Armchair Economist and long-running “Everyday Economics” column in Slate magazine. Now he is back, and more provocative than ever.
In More Sex Is Safer Sex, Landsburg shows how the rational behavior of each one of us—when combined together—produces the often bizarre, seemingly irrational behavior of crowds. We all stand up at the ballpark, so none of us can see. We avoid casual sex, from fear of disease, and we thereby make sex more dangerous. Things really get interesting when Landsburg suggests ways to change the rules, and game the system. Why not charge juries if a convicted felon is exonerated? Why not have each member of Congress represent a national subset of voters, chosen alphabetically? Why not solve the “overpopulation” problem by having more children, who will help think of ways to improve our use of resources?
More Sex Is Safer Sex will make you laugh and argue—and it will make you think about the world around you in new and unforgettable ways.
From the Hardcover edition.
Gopnik takes us on an intimate tour of the artists, poets, composers, writers, explorers, scientists, and thinkers, who helped shape a new and modern idea of winter. Here we learn how a poem by William Cowper heralds the arrival of the middle class; how snow science leads to existential questions of God and our place in the world; how the race to the poles marks the human drive to imprint meaning on a blank space. Gopnik’s kaleidoscopic work ends in the present day, when he traverses the underground city in Montreal, pondering the future of Northern culture.
A stunningly beautiful meditation buoyed by Gopnik’s trademark gentle wit, Winter is at once an enchanting homage to an idea of a season and a captivating journey through the modern imagination. This deluxe 50th anniversary edition includes full-colour images printed on two 8-page inserts.
The culmination of Will Durant’s sixty-plus years spent researching the philosophies, religions, arts, sciences, and civilizations from across the world, Fallen Leaves is the distilled wisdom of one of the world’s greatest minds, a man with a renowned talent for rendering the insights of the past accessible. Over the course of Durant’s career he received numerous letters from “curious readers who have challenged me to speak my mind on the timeless questions of human life and fate.” With Fallen Leaves, his final book, he at last accepted their challenge.
In twenty-two short chapters, Durant addresses everything from youth and old age to religion, morals, sex, war, politics, and art. Fallen Leaves is “a thought-provoking array of opinions” (Publishers Weekly), offering elegant prose, deep insights, and Durant’s revealing conclusions about the perennial problems and greatest joys we face as a species. In Durant’s singular voice, here is a message of insight for everyone who has ever sought meaning in life or the counsel of a learned friend while navigating life’s journey.
Labash was born with a natural appreciation for the American scoundrel and a sense that life is one big chance for laughter. For those reasons, Fly Fishing with Darth Vader will be cherished and talked about for years.
In vivid detail, these writers share how the realities of life abroad match up to the expat fantasy. One woman negotiates the rough courtesies of Serbia, finding lives limned by harshness and an insurmountable spirit. Another is tutored on English manners by an eclectic bunch from Liverpool: "The cardinal sin in America is to be insincere, whereas the cardinal sin in England is to be boring." For some, their new home prompts them to reconnect or confront lost parts of themselves: One woman rediscovers her Judaism—in Japan; another writer's Western outlook is challenged by Javanese mysticism. Many share their own naïve blunders and private confessions: a Thanksgiving dinner that doesn't translate in Paris, a sudden yearning for bad Hollywood films. And all discover that what it means to be "American" is redefined, again and again.
Expat taps into the bewilderment, the joys and surprises of life overseas, where the challenges often take unexpected forms and the obstacles overcome are all the more triumphant. Featuring an astonishing range of perspectives, destinations and circumstances, this collection offers a beautiful portrait of expatriate life.
Lawrence Wright has written the autobiography of a generation, giving back to us with stunning force the feelings of those turbulent times when the euphoria of Kennedy’s America would come to its shocking end. Filled with compassion and insight, In the New World is both the intimate tale of one man’s coming-of-age, and a universal story of the American experience of two crucial decades.
Now with a new Foreword by the author.
“The best presentation of the challenges facing the country—and the possible solutions—I've ever seen.”—P. J. O’Rourke
Tom Brokaw, known and beloved for his landmark work in American journalism and for the New York Times bestsellers The Greatest Generation and Boom!, now turns his attention to the challenges that face America in the new millennium, to offer reflections on how we can restore America’s greatness.
Rooted in the values, lessons, and verities of generations past and of his South Dakota upbringing, Brokaw weaves together inspiring stories of Americans who are making a difference and personal stories from his own family history, to engage us in a conversation about our country and to share ideas for how we can revitalize the promise of the American Dream. Inviting us to foster a rebirth of family, community, and civic engagement as profound as the one that helped win World War II, built our postwar prosperity, and ushered in the Civil Rights era, Brokaw traces the exciting, unnerving changes in modern life—in values, education, public service, housing, the Internet, and more—that have transformed our society in the decades since the age of thrift in which he was raised. In offering ideas from Americans who are change agents in their communities, Brokaw gives us a nourishing vision of hopefulness in an age of diminished expectations.
NEW YORK TIMES BESTSELLER
“Inspiring tales of how people from different walks of life have found ways to be of service to their communities and country.”—Walter Isaacson
Indeed, competitive offence-claiming is ratcheting up well beyond religious sensibilities. So, while Islamists and feminists may seem to have little in common, they are both united in demanding retribution in the form of bans, penalties and censorship of those who hurt their feelings.
But how did we become so thin-skinned? In 'I Find That Offensive!' Claire Fox addresses the possible causes of what is fast becoming known as 'Generation Snowflake' head-on (no 'safe spaces' here) in a call to toughen up, become more robust and make a virtue of the right to be offensive.
"Beautifully written and delightfully strange...as earthy as it is sublime...in the truest sense, an eye-opener." --Daily News
From Annie Dillard, the Pulitzer Prize-winning author of Pilgrim at Tinker Creek and one of the most compelling writers of our time, comes For the Time Being, her most profound narrative to date. With her keen eye, penchant for paradox, and yearning for truth, Dillard renews our ability to discover wonder in life's smallest--and often darkest--corners.
Why do we exist? Where did we come from? How can one person matter? Dillard searches for answers in a powerful array of images: pictures of bird-headed dwarfs in the standard reference of human birth defects; ten thousand terra-cotta figures fashioned for a Chinese emperor in place of the human court that might have followed him into death; the paleontologist and theologian Teilhard de Chardin crossing the Gobi Desert; the dizzying variety of clouds. Vivid, eloquent, haunting, For the Time Being evokes no less than the terrifying grandeur of all that remains tantalizingly and troublingly beyond our understanding.
"Stimulating, humbling, original--. [Dillard] illuminate[s] the human perspective of the world, past, present and future, and the individual's relatively inconsequential but ever so unique place in it."--Rocky Mountain News
In the 1950s Elizabeth Marshall Thomas became one of the first Westerners to live with the Bushmen of the Kalahari desert in Botswana and South-West Africa. Her account of these nomadic hunter-gatherers, whose way of life had remained unchanged for thousands of years, is a ground-breaking work of anthropology, remarkable not only for its scholarship but for its novelistic grasp of character. On the basis of field trips in the 1980s, Thomas has now updated her book to show what happened to the Bushmen as the tide of industrial civilization—with its flotsam of property rights, wage labor, and alcohol—swept over them. The result is a powerful, elegiac look at an endangered culture as well as a provocative critique of our own.
"The charm of this book is that the author can so truly convey the strangeness of the desert life in which we perceive human traits as familiar as our own. . . . The Harmless People is a model of exposition: the style very simple and precise, perfectly suited to the neat, even fastidious activities of a people who must make their world out of next to nothing." —The Atlantic
No writer has succeeded in capturing the medical and human drama of illness as honestly and as eloquently as Oliver Sacks.
During the last few months of his life, he wrote a set of essays in which he movingly explored his feelings about completing a life and coming to terms with his own death.
“It is the fate of every human being,” Sacks writes, “to be a unique individual, to find his own path, to live his own life, to die his own death.”
Together, these four essays form an ode to the uniqueness of each human being and to gratitude for the gift of life.
“Oliver Sacks was like no other clinician, or writer. He was drawn to the homes of the sick, the institutions of the most frail and disabled, the company of the unusual and the ‘abnormal.’ He wanted to see humanity in its many variants and to do so in his own, almost anachronistic way—face to face, over time, away from our burgeoning apparatus of computers and algorithms. And, through his writing, he showed us what he saw.”
—Atul Gawande, author of Being Mortal
Mattilda, aka Matt Bernstein Sycamore, has a history of editing anthologies based on brazen nonconformity and gender defiance. Mattilda sets out to ask the question, “What lies are people forced to tell in order to gain acceptance as 'real'.” The answers are as varied as the life experiences of the writers who tackle this urgent and essential topic.
This Is the Story of a Happy Marriage takes us into the very real world of Ann Patchett’s life. Stretching from her childhood to the present day, from a disastrous early marriage to a later happy one, it covers a multitude of topics, including relationships with family and friends, and charts the hard work and joy of writing, and the unexpected thrill of opening a bookstore.
As she shares stories of the people, places, ideals, and art to which she has remained indelibly committed, Ann Patchett brings into focus the large experiences and small moments that have shaped her as a daughter, wife, and writer.
As the voice of the BBC’s Letter from America for close to six decades, Alistair Cooke addressed several millions of listeners on five continents. They tuned in every Friday evening or Sunday morning to listen to his erudite and entertaining reports on life in the United States. According to Lord Hill of Luton, chairman of the BBC, Cooke had “a virtuosity approaching genius in talking about America in human terms.”
Letters from America: 1946–1951 contains highlights from the first five years of Alistair Cooke’s legendary BBC radio program, years when listeners were eager to put the horrors of World War II behind them.
Cooke’s lively and illuminating dispatches from New York perfectly capture the spirit of the times. From the significance of Labor Day to reflections on the changing seasons to the heroic Long Island duck that saved two people from drowning, little escapes the broadcaster’s sharp reportorial eye and affable wit. This collection includes Cooke’s historical tour of Washington, DC, and his thoughts on why New York is such a singular city, and covers more serious topics such as the Soviet threat and the anxieties of the atomic age. Always captivating, Cooke treats the reader to profiles of Joe Louis and Will Rogers and reflections on Damon Runyon’s America, and concludes with a “Letter to an Intending Immigrant.”
Letters from America: 1946–1951, the first volume of Cooke’s iconic broadcasts, offers a captivating journey through culture, history, and politics and is a classic of twentieth-century journalism.
One of Entertainment Weekly's Top 10 Nonfiction Books of the Year 2011
A Time Magazine Top 10 Nonfiction book of 2011
A Boston Globe Best Nonfiction Book of 2011
One of Library Journal's Best Books of 2011
A sharp-eyed, uniquely humane tour of America's cultural landscape—from high to low to lower than low—by the award-winning young star of the literary nonfiction world.
In Pulphead, John Jeremiah Sullivan takes us on an exhilarating tour of our popular, unpopular, and at times completely forgotten culture. Simultaneously channeling the gonzo energy of Hunter S. Thompson and the wit and insight of Joan Didion, Sullivan shows us—with a laidback, erudite Southern charm that's all his own—how we really (no, really) live now.
In his native Kentucky, Sullivan introduces us to Constantine Rafinesque, a nineteenth-century polymath genius who concocted a dense, fantastical prehistory of the New World. Back in modern times, Sullivan takes us to the Ozarks for a Christian rock festival; to Florida to meet the alumni and straggling refugees of MTV's Real World, who've generated their own self-perpetuating economy of minor celebrity; and all across the South on the trail of the blues. He takes us to Indiana to investigate the formative years of Michael Jackson and Axl Rose and then to the Gulf Coast in the wake of Katrina—and back again as its residents confront the BP oil spill.
Gradually, a unifying narrative emerges, a story about this country that we've never heard told this way. It's like a fun-house hall-of-mirrors tour: Sullivan shows us who we are in ways we've never imagined to be true. Of course we don't know whether to laugh or cry when faced with this reflection—it's our inevitable sob-guffaws that attest to the power of Sullivan's work.
Of all the charming misfits on television, there’s no doubt Raj from The Big Bang Theory—the sincere yet incurably geeky Indian astrophysicist—ranks among the misfittingest. Now, we meet the actor who is every bit as loveable as the character he plays on TV. In this revealing collection of essays written in his irreverent, hilarious, and self-deprecating voice, Kunal Nayyar traces his journey from a little boy in New Delhi who mistakes an awkward first kiss for a sacred commitment, gets nosebleeds chugging Coca-Cola to impress other students, and excels in the sport of badminton, to the confident, successful actor on the set of TV’s most-watched sitcom since Friends.
Going behind the scenes of The Big Bang Theory and into his personal experiences, Kunal introduces readers to the people who helped him grow, such as his James Bond-loving, mustachioed father. Kunal also walks us through his college years in Portland, where he takes his first sips of alcohol and learns to let loose with his French, 6’8” gentle-giant roommate, works his first-ever job for the university’s housekeeping department cleaning toilets for minimum wage, and begins a series of romantic exploits that go just about as well as they would for Raj. (That is, until he meets and marries a former Miss India in an elaborate seven-day event that we get to experience in a chapter titled “My Big Fat Indian Wedding.”)
Full of heart, but never taking itself too seriously, this witty collection of underdog tales follows a young man as he traverses two continents in search of a dream, along the way transcending culture and language (and many, many embarrassing incidents) to somehow miraculously land the role of a lifetime.
Sometimes emotional, sometimes hilarious, this collection gives young women who already identify with the feminist movement the opportunity to be heard—and it welcomes into the fold those new to the still-developing story of feminism.
Whether they’re cleaning out closets of loved ones, hiding a shoplifting habit, trying out extreme couponing, dividing up family possessions, or buying a brand-new car while in labor, the book’s contributors vacillate between convincing themselves to spend and struggling not to. This illuminating anthology links the effects shopping has on our emotions — whether it fills us with guilt, happiness, resentment, or doubt — our self-worth, and our relationships with parents, grandparents, lovers, children, and friends.