Among them are Marlowe: "The Passionate Shepherd to His Love"; Shakespeare: "Sonnet XVIII" ("Shall I compare thee to a summer's day?"); Donne: "Holy Sonnet X" ("Death, be not proud"); Marvell: "To His Coy Mistress"; Wordsworth: "I Wandered Lonely as a Cloud"; Shelley: "Ode to the West Wind"; Longfellow: "The Children's Hour"; Poe: "The Raven"; Tennyson: "The Charge of the Light Brigade"; Whitman: "O Captain! My Captain!"; Dickinson: "This Is My Letter to the World"; Yeats: "When You Are Old"; Frost: "The Road Not Taken"; Millay: "First Fig."
Works by many other poets — Milton, Blake, Burns, Coleridge, Byron, Keats, Emerson, the Brownings, Hardy, Housman, Kipling, Pound, and Auden among them — are included in this treasury, a perfect companion for quiet moments of reflection.
After a full day of creating beautiful interiors for the rich and famous, Lew Smith would come home, take off his tie, and get down to his real work as a psychic healer who miraculously cured thousands of people. For his son, Philip, watching his father transform himself, at a moment's notice, from gracious society decorator into a healer with supernatural powers was a bit like living with Clark Kent and Superman.
Walking Through Walls is Philip Smith's astonishing memoir of growing up in a household where séances, talking spirits, and exorcisms were daily occurrences, and inexplicable psychic healings resulted in visitors suddenly discarding their crutches and wheelchairs or being cured of fatal diseases.
While there are benefits to having a miracle man in the house, Philip soon discovers the downside of living with a father who psychically knows everything he is doing. Surrounded by invisible spirits who tend to behave like nagging relatives, Philip looks for ways to escape his mystical home life -- including forays into sex, surfing, and even Scientology.
By turns hilarious and profound, Walking Through Walls recounts Philip Smith's often bizarre but always magical coming of age in a household that felt like a cross between Lourdes and the set of Rosemary's Baby, and shows how he managed to map out his own identity in the shadow of a father who, truly, loomed larger than life itself.
Comprised of case studies of the War in Iraq, the Gulf War, and the Suez Crisis, Why War? decodes the cultural logic of the narratives that justify military action. Each nation, Smith argues, makes use of binary codes—good and evil, sacred and profane, rational and irrational, to name a few. These codes, in the hands of political leaders, activists, and the media, are deployed within four different types of narratives—mundane, tragic, romantic, or apocalyptic. With this cultural system, Smith is able to radically recast our "war stories" and show how nations can have vastly different understandings of crises as each identifies the relevant protagonists and antagonists, objects of struggle, and threats and dangers.
The large-scale sacrifice of human lives necessary in modern war, according to Smith, requires an apocalyptic vision of world events. In the case of the War in Iraq, for example, he argues that the United States and Britain replicated a narrative of impending global doom from the Gulf War. But in their apocalyptic account they mistakenly made the now seemingly toothless Saddam Hussein once again a symbol of evil by writing him into the story alongside al Qaeda, resulting in the war's contestation in the United States, Britain, and abroad.
Offering an innovative approach to understanding how major wars are packaged, sold, and understood, Why War? will be applauded by anyone with an interest in military history, political science, cultural studies, and communication.
`Smith and Natalier have produced an accessible, wide-ranging and lucid text which sets the major questions of criminal justice within the broad framework of classical and contemporary sociological theory. It represents a significant step forward among teaching texts in the field, synthesising some difficult material without over-simplifying it, and providing a broad-overview without losing sight of the texture of discreet issues' - Professor Nicola Lacey, London School of Economics
Is there really an intrinsic link between the law and our criminal justice system? What exactly is it and can an understanding of wider sociological issues tell us anything about this relationship?
Understanding Criminal Justice addresses the fundamental relationship between law and the criminal justice system, and the ways in which both are intimately connected with wider social forces.
The book provides an essential introduction coverering classic themes, debates and literatures to ground the student before moving on to contemporary themes such as globalisation, internet regulation and the media. The subject matter is contextualised within the wider social framework by calling into play the historical, political, community and cultural inputs that impact upon concrete policies and practice. The authors integrate theory with data and examples from the UK, USA and Australia.
Through the inclusion of the following pedagogical devices, the student is encouraged to more fully and independently develop their understanding of key questions and issues:
" review questions and exercises
" further reading lists
" suggested internet sites
" highlighted key terms
" bullets to summarise key points
" boxed sections on themes, definitions and case studies
This comprehensive overview is ideal for 1st and 2nd year undergraduates in Criminology, Criminal Justice Studies, Law, Legal Studies, Sociology, Social Work and Policing. Having used this text the reader will come to appreciate the myriad paths through which law and the criminal justice system play a vital, if contested, role in our society.
In Firefly Revisited: Essays on Joss Whedon’s Classic Series, Michael Goodrum and Philip Smith present a collection that reflects on the program, the characters, and the post-cancellation film and comics that grew out of the show. The contributors to this volume offer fresh perspectives on familiar characters and blaze new trails into unexplored areas of the Firefly universe. Individual essays explore the series’ place in the history of the space-Western subgenre, the political economy of the Alliance, and the uses of music and language in the series to immerse audiences in a multicultural future.
These essays look at how the show offered viewers high adventure as well as engaged with a range of themes that still resonate today. As such, Firefly Revisited will intrigue the show’s many fans, as well as Whedon scholars and anyone interested in the twenty-first-century renaissance of science-fiction television.
This fifth Australian edition continues to build on the book’s reputation for coverage, clarity and content, drawing upon the work of leading Australian sociologists as well as engaging with global social trends and sociological developments.