With rigor and wit, Dawkins examines God in all his forms, from the sex-obsessed tyrant of the Old Testament to the more benign (but still illogical) Celestial Watchmaker favored by some Enlightenment thinkers. He eviscerates the major arguments for religion and demonstrates the supreme improbability of a supreme being. He shows how religion fuels war, foments bigotry, and abuses children, buttressing his points with historical and contemporary evidence. The God Delusion makes a compelling case that belief in God is not just wrong but potentially deadly. It also offers exhilarating insight into the advantages of atheism to the individual and society, not the least of which is a clearer, truer appreciation of the universe's wonders than any faith could ever muster.
What can the call to discipleship, the adherence to the word of Jesus, mean today to the businessman, the soldier, the laborer, or the aristocrat? What did Jesus mean to say to us? What is his will for us today? Drawing on the Sermon on the Mount, Dietrich Bonhoeffer answers these timeless questions by providing a seminal reading of the dichotomy between “cheap grace” and “costly grace.” “Cheap grace,” Bonhoeffer wrote, “is the grace we bestow on ourselves...grace without discipleship....Costly grace is the gospel which must be sought again and again, the girl which must be asked for, the door at which a man must know....It is costly because it costs a man his life, and it is grace because it gives a man the only true life.”
The Cost of Discipleship is a compelling statement of the demands of sacrifice and ethical consistency from a man whose life and thought were exemplary articulations of a new type of leadership inspired by the Gospel, and imbued with the spirit of Christian humanism and a creative sense of civic duty.
Approaching capitalism as a culture, as a historical development that was by no means natural or inevitable, Joyce Appleby gives us a fascinating introduction to this most potent creation of mankind from its origins to its present global reach.
Archive Stories brings together ethnographies of the archival world, most of which are written by historians. Some contributors recount their own experiences. One offers a moving reflection on how the relative wealth and prestige of Western researchers can gain them entry to collections such as Uzbekistan’s newly formed Central State Archive, which severely limits the access of Uzbek researchers. Others explore the genealogies of specific archives, from one of the most influential archival institutions in the modern West, the Archives nationales in Paris, to the significant archives of the Bakunin family in Russia, which were saved largely through the efforts of one family member. Still others explore the impact of current events on the analysis of particular archives. A contributor tells of researching the 1976 Soweto riots in the politically charged atmosphere of the early 1990s, just as apartheid in South Africa was coming to an end. A number of the essays question what counts as an archive—and what counts as history—as they consider oral histories, cyberspace, fiction, and plans for streets and buildings that were never built, for histories that never materialized.
Contributors. Tony Ballantyne, Marilyn Booth, Antoinette Burton, Ann Curthoys, Peter Fritzsche, Durba Ghosh, Laura Mayhall, Jennifer S. Milligan, Kathryn J. Oberdeck, Adele Perry, Helena Pohlandt-McCormick, John Randolph, Craig Robertson, Horacio N. Roque Ramírez, Jeff Sahadeo, Reneé Sentilles
This new edition features a revised text that supplants all previous versions, English translations of the many passages in foreign languages, a new foreword in which Berlin biographer Michael Ignatieff explains the enduring appeal of Berlin's essay, and a new appendix that provides rich context, including excerpts from reviews and Berlin's letters, as well as a startling new interpretation of Archilochus's epigram.
The history of military history, showing how it has developed from ancient times to the present; The key ideas and concepts that shape analysis of military activity; it argues that military history is as methodologically and philosophically sophisticated as any field of history; The current controversies about which military historians argue, and why they are important; A survey of who does military history, where it is taught and published, and how it is practiced; A look at where military history is headed in the future.
The new edition of What is Military History? provides an up-to-date bibliography and cutting edge new case studies, including counterinsurgency, and as such continues to be ideal for classes in military history and in historiography generally, as well as for anyone interested in learning more about the dynamics of a rich and growing area of study.
Now, forty years on, the Imperial War Museum has at last given author Max Arthur and his team of researchers unlimited access to the complete WWI tapes. These are the forgotten voices of an entire generation of survivors of the Great War. The resulting book is an important and compelling history of WWI in the words of those who experienced it.
Focusing on a dozen key controversies ranging across the political spectrum and representing a wide array of charges, Wiener seeks to understand why some cases make the headlines and end careers, while others do not. He looks at the well publicized cases of Michael Bellesiles, the historian of gun culture accused of research fraud; accused plagiarists and "celebrity historians" Stephen Ambrose and Doris Kearns Goodwin; Pulitzer Prize–winner Joseph J. Ellis, who lied in his classroom at Mount Holyoke about having fought in Vietnam; and the allegations of misconduct by Harvard’s Stephan Thernstrom and Emory’s Elizabeth Fox-Genovese, who nevertheless were appointed by George W. Bush to the National Council on the Humanities.
As the Bancroft Prize–winning historian Linda Gordon wrote in Dissent, Wiener’s "very readable book . . . reveal[s] not only scholarly misdeeds but also recent increases in threats to free debate and intellectual integrity."
The Prophet is a collection of poetic essays that are philosophical, spiritual, and, above all, inspirational. Gibran’s musings are divided into twenty-eight chapters covering such sprawling topics as love, marriage, children, giving, eating and drinking, work, joy and sorrow, housing, clothes, buying and selling, crime and punishment, laws, freedom, reason and passion, pain, self-knowledge, teaching, friendship, talking, time, good and evil, prayer, pleasure, beauty, religion, and death.
Each essay reveals deep insights into the impulses of the human heart and mind. The Chicago Post said of The Prophet: “Cadenced and vibrant with feeling, the words of Kahlil Gibran bring to one’s ears the majestic rhythm of Ecclesiastes . . . If there is a man or woman who can read this book without a quiet acceptance of a great man’s philosophy and a singing in the heart as of music born within, that man or woman is indeed dead to life and truth.”
With twelve full-page drawings by Gibran, this beautiful work makes an incredible gift for anyone seeking enlightenment and inspiration.
The Oral History Reader,now in its third edition, is a comprehensive, international anthology combining major, ‘classic’ articles with cutting-edge pieces on the theory, method and use of oral history. Twenty-seven new chapters introduce the most significant developments in oral history in the last decade to bring this invaluable text up to date, with new pieces on emotions and the senses, on crisis oral history, current thinking around traumatic memory, the impact of digital mobile technologies, and how oral history is being used in public contexts, with more international examples to draw in work from North and South America, Britain and Europe, Australasia, Asia and Africa.
Arranged in five thematic sections, each with an introduction by the editors to contextualise the selection and review relevant literature, articles in this collection draw upon diverse oral history experiences to examine issues including:
Key debates in the development of oral history over the past seventy years
First hand reflections on interview practice, and issues posed by the interview relationship
The nature of memory and its significance in oral history
The practical and ethical issues surrounding the interpretation, presentation and public use of oral testimonies
how oral history projects contribute to the study of the past and involve the wider community.
The challenges and contributions of oral history projects committed to advocacy and empowerment
With a revised and updated bibliography and useful contacts list, as well as a dedicated online resources page, this third edition of The Oral History Reader is the perfect tool for those encountering oral history for the first time, as well as for seasoned practitioners.
Part civics primer, part cultural history, The Story of America excavates the origins of everything from the paper ballot and the Constitution to the I.O.U. and the dictionary. Along the way it presents fresh readings of Benjamin Franklin's Way to Wealth, Thomas Paine's Common Sense, "The Raven" by Edgar Allan Poe, and "Paul Revere's Ride" by Henry Wadsworth Longfellow, as well as histories of lesser-known genres, including biographies of presidents, novels of immigrants, and accounts of the Depression.
From past to present, Lepore argues, Americans have wrestled with the idea of democracy by telling stories. In this thoughtful and provocative book, Lepore offers at once a history of origin stories and a meditation on storytelling itself.
"History," wrote James Baldwin, "does not refer merely, or even principally, to the past. On the contrary, the great force of history comes from the fact that we carry it within us, are unconsciously controlled by it in many ways, and history is literally present in all that we do."
Rarely has Baldwin's insight been more forcefully confirmed than during the past few decades. History has become a matter of public controversy, as Americans clash over such things as museum presentations, the flying of the Confederate flag, or reparations for slavery. So whose history is being written? Who owns it?
In Who Owns History?, Eric Foner proposes his answer to these and other questions about the historian's relationship to the world of the past and future. He reconsiders his own earlier ideas and those of the pathbreaking Richard Hofstadter. He also examines international changes during the past two decades--globalization, the collapse of the Soviet Union, the end of apartheid in South Africa--and their effects on historical consciousness. He concludes with considerations of the enduring, but often misunderstood, legacies of slavery, the Civil War, and Reconstruction. This is a provocative, even controversial, study of the reasons we care about history--or should.
To account for the complexities of the foundational event through which monotheism was established, "Moses the Egyptian" goes back to the short-lived monotheistic revolution of the Egyptian king Akhenaten (1360-1340 B.C.E.). Assmann traces the monotheism of Moses to this source, then shows how his followers denied the Egyptians any part in the origin of their beliefs and condemned them as polytheistic idolaters. Thus began the cycle in which every "counter-religion," by establishing itself as truth, denounced all others as false. Assmann reconstructs this cycle as a pattern of historical abuse, and tracks its permutations from ancient sources, including the Bible, through Renaissance debates over the basis of religion to Sigmund Freud's "Moses and Monotheism." One of the great Egyptologists of our time, and an exceptional scholar of history and literature, Assmann is uniquely equipped for this undertaking--an exemplary case study of the vicissitudes of historical memory that is also a compelling lesson in the fluidity of cultural identity and beliefs.
Historians have the wrong Jefferson. Hyland, an experienced trial lawyer, presents the most reliable historical evidence while dissecting the unreliable, and in doing so he cuts through centuries of unsubstantiated charges. The author reminds us that the DNA tests identified Eston Hemings, Sally's youngest child, as being merely the descendant of a "Jefferson male." Randolph Jefferson, the president's wayward, younger brother with a reputation for socializing among the Monticello slaves, emerges as the most likely of several possible candidates. Meanwhile, the author traces the evolution of this rumor about Thomas Jefferson back to the allegation made by one James Callendar, a "drunken ruffian" who carried a grudge after unsuccessfully lobbying the president for a postmaster appointment---and who then openly bragged of ruining Jefferson's reputation. Hyland also delves into Hemings family oral histories that go against the popular rumor, as well as the ways in which the Jefferson rumors were advanced by less-than-historical dramas and by flawed scholarly research often shaped by political agendas.
Reflecting both a layperson's curiosity and a lawyer's precision, Hyland definitively puts to rest the allegation of the thirty-eight-year liaison between Jefferson and Hemings. In doing so, he reclaims the nation's third president from the arena of Hollywood-style myth and melodrama and gives his readers a unique opportunity to serve as jurors on this enduringly fascinating episode in American history.
This book's groundbreaking investigation of feudal historiography finds that the historical formation of "feudalism" mediated the theorization of sovereignty and a social contract, even as it provided a rationale for colonialism and facilitated the disavowal of slavery. Sovereignty is also at the heart of today's often violent struggles over secular and religious politics, and Davis traces the relationship between these struggles and the narrative of "secularization," which grounds itself in a period divide between a "modern" historical consciousness and a theologically entrapped "Middle Ages" incapable of history. This alignment of sovereignty, the secular, and the conceptualization of historical time, which relies essentially upon a medieval/modern divide, both underlies and regulates today's volatile debates over world politics.
The problem of defining the limits of our most fundamental political concepts cannot be extricated, Davis argues, from the periodizing operations that constituted them, and that continue today to obscure the process by which "feudalism" and "secularization" govern the politics of time.
As Kubrick's cinema moves between the possibilities of human transcendence dramatized in 2001: A Space Odyssey and the dismal limitations of human nature exhibited in A Clockwork Orange, the filmmaker's style "de-realizes" cinematic realism while, paradoxically, achieving an unprecedented frankness of vision and documentary and technical richness. The result is a kind of vertigo: the audience is made aware of both the de-realized and the realized nature of cinema. As opposed to the usual studies providing a summary and commentary of individual films, this will be the first to provide an analysis of the "elements" of Kubrick's total cinema.
A New York Times Notable Book.
The Babylonians invented it, the Greeks banned it, the Hindus worshiped it, and the Church used it to fend off heretics. Now it threatens the foundations of modern physics. For centuries the power of zero savored of the demonic; once harnessed, it became the most important tool in mathematics. For zero, infinity's twin, is not like other numbers. It is both nothing and everything.
In Zero, Science Journalist Charles Seife follows this innocent-looking number from its birth as an Eastern philosophical concept to its struggle for acceptance in Europe, its rise and transcendence in the West, and its ever-present threat to modern physics. Here are the legendary thinkers—from Pythagoras to Newton to Heisenberg, from the Kabalists to today's astrophysicists—who have tried to understand it and whose clashes shook the foundations of philosophy, science, mathematics, and religion. Zero has pitted East against West and faith against reason, and its intransigence persists in the dark core of a black hole and the brilliant flash of the Big Bang. Today, zero lies at the heart of one of the biggest scientific controversies of all time: the quest for a theory of everything.
In Nostradamus: How an Obscure Renaissance Astrologer Became the Modern Prophet of Doom, historian Stéphane Gerson takes readers on a journey back in time to explore the life and afterlife of Michel de Nostredame, the astrologer whose Prophecies have been interpreted, adopted by successive media, and eventually transformed into the Gospel of Doom for the modern age. Whenever we seem to enter a new era, whenever the premises of our worldview are questioned or imperiled, Nostradamus offers certainty and solace. In 1666, guests at posh English dinner parties discussed his quatrain about the Great Fire of London. In 1942, the Jewish writer Irène Némirovsky latched her hopes for survival to Nostradamus' prediction that the war would soon end. And on September 12, 2001, teenagers proclaimed on the streets of Brooklyn that "this guy, Nostradamus" had seen the 9/11 attacks coming.
Through prodigious research in European and American archives, Gerson shows that Nostradamus — a creature of the modern West rather than a vestige from some antediluvian era — tells us more about our past and our present than about our future. In chronicling the life of this mystifying figure and the lasting fascination with his predictions, Gerson's book becomes a historical biography of a belief: the faith that we can know tomorrow and master our anxieties through the powers of an extraordinary but ever more elusive seer.
Cronus liked to eat babies.
Narcissus probably should have just learned to masturbate.
Odin got construction discounts with bestiality.
Isis had bad taste in jewelry.
Ganesh was the very definition of an unplanned pregnancy.
And Abraham was totally cool about stabbing his kid in the face.
All our lives, we’ve been fed watered-down, PC versions of the classic myths. In reality, mythology is more screwed up than a schizophrenic shaman doing hits of unidentified…wait, it all makes sense now. In Zeus Grants Stupid Wishes, Cory O’Brien, creator of Myths RETOLD!, sets the stories straight. These are rude, crude, totally sacred texts told the way they were meant to be told: loudly, and with lots of four-letter words.
Skeptical? Here are a few more gems to consider:
• Zeus once stuffed an unborn fetus inside his thigh to save its life after he exploded its mother by being too good in bed.
• The entire Egyptian universe was saved because Sekhmet just got too hammered to keep murdering everyone.
• The Hindu universe is run by a married couple who only stop murdering in order to throw sweet dance parties…on the corpses of their enemies.
• The Norse goddess Freyja once consented to a four-dwarf gangbang in exchange for one shiny necklace.
And there’s more dysfunctional goodness where that came from.
In vivid portraits of renegades and their “respectable” adversaries, Russell shows that the nation’s history has been driven by clashes between those interested in preserving social order and those more interested in pursuing their own desires—insiders versus outsiders, good citizens versus bad. The more these accidental revolutionaries existed, resisted, and persevered, the more receptive society became to change.
Russell brilliantly and vibrantly argues that it was history’s iconoclasts who established many of our most cherished liberties. Russell finds these pioneers of personal freedom in the places that usually go unexamined—saloons and speakeasies, brothels and gambling halls, and even behind the Iron Curtain. He introduces a fascinating array of antiheroes: drunken workers who created the weekend; prostitutes who set the precedent for women’s liberation, including “Diamond Jessie” Hayman, a madam who owned her own land, used her own guns, provided her employees with clothes on the cutting-edge of fashion, and gave food and shelter to the thousands left homeless by the 1906 San Francisco earthquake; there are also the criminals who pioneered racial integration, unassimilated immigrants who gave us birth control, and brazen homosexuals who broke open America’s sexual culture.
Among Russell’s most controversial points is his argument that the enemies of the renegade freedoms we now hold dear are the very heroes of our history books— he not only takes on traditional idols like John Adams, Thomas Jefferson, Andrew Carnegie, John Rockefeller, Thomas Edison, Franklin Roosevelt, and John F. Kennedy, but he also shows that some of the most famous and revered abolitionists, progressive activists, and leaders of the feminist, civil rights, and gay rights movements worked to suppress the vibrant energies of working-class women, immigrants, African Americans, and the drag queens who founded Gay Liberation.
This is not history that can be found in textbooks— it is a highly original and provocative portrayal of the American past as it has never been written before.
Considered to be one of the most important philosophical works of all time, the History of Western Philosophy is a dazzlingly unique exploration of the ideologies of significant philosophers throughout the ages—from Plato and Aristotle through to Spinoza, Kant and the twentieth century. Written by a man who changed the history of philosophy himself, this is an account that has never been rivaled since its first publication over sixty years ago.
Since its first publication in 1945, Lord Russell’s A History of Western Philosophy is still unparalleled in its comprehensiveness, its clarity, its erudition, its grace, and its wit. In seventy-six chapters he traces philosophy from the rise of Greek civilization to the emergence of logical analysis in the twentieth century.
Among the philosophers considered are: Pythagoras, Heraclitus, Parmenides, Empedocles, Anaxagoras, the Atomists, Protagoras, Socrates, Plato, Aristotle, the Cynics, the Sceptics, the Epicureans, the Stoics, Plotinus, Ambrose, Jerome, Augustine, Benedict, Gregory the Great, John the Scot, Aquinas, Duns Scotus, William of Occam, Machiavelli, Erasmus, More, Bacon, Hobbes, Descartes, Spinoza, Leibniz, Locke, Berkeley, Hume, Rousseau, Kant, Hegel, Schopenhauer, Nietzsche, the Utilitarians, Marx, Bergson, James, Dewey, and lastly the philosophers with whom Lord Russell himself is most closely associated—Cantor, Frege, and Whitehead, coauthor with Russell of the monumental Principia Mathematica.
The Power of Myth launched an extraordinary resurgence of interest in Joseph Campbell and his work. A preeminent scholar, writer, and teacher, he has had a profound influence on millions of people--including Star Wars creator George Lucas. To Campbell, mythology was the “song of the universe, the music of the spheres.” With Bill Moyers, one of America’s most prominent journalists, as his thoughtful and engaging interviewer, The Power of Myth touches on subjects from modern marriage to virgin births, from Jesus to John Lennon, offering a brilliant combination of intelligence and wit.
This extraordinary book reveals how the themes and symbols of ancient narratives continue to bring meaning to birth, death, love, and war. From stories of the gods and goddesses of ancient Greece and Rome to traditions of Buddhism, Hinduism and Christianity, a broad array of themes are considered that together identify the universality of human experience across time and culture. An impeccable match of interviewer and subject, a timeless distillation of Campbell’s work, The Power of Myth continues to exert a profound influence on our culture.
From the Trade Paperback edition.
Relying upon this exceptionally well-documented case study, Ginzburg argues that a similar transformation of attitudes—perceiving folk beliefs as diabolical witchcraft—took place all over Europe and spread to the New World. In his new preface, Ginzburg reflects on the interplay of chance and discovery, as well as on the relationship between anomalous cultural notions and historical generalizations.-- Peter Burke
From a lynching in Paris at the turn of the century to the 1998 murder of Jasper resident James Byrd Jr., who was dragged to death behind a truck, this volume uncovers the violent side of race relations in the Lone Star State.
Historian Bruce A. Glasrud has curated an essential contribution to Texas history and historiography that will also bring attention to a chapter in the state’s history that, for many, is still very much a part of the present.
In 1976, in an obscure scholarly article, Ulrich wrote, "Well behaved women seldom make history." Today these words appear on t-shirts, mugs, bumper stickers, greeting cards, and all sorts of Web sites and blogs. Ulrich explains how that happened and what it means by looking back at women of the past who challenged the way history was written. She ranges from the fifteenth-century writer Christine de Pizan, who wrote The Book of the City of Ladies, to the twentieth century’s Virginia Woolf, author of A Room of One's Own. Ulrich updates their attempts to reimagine female possibilities and looks at the women who didn't try to make history but did. And she concludes by showing how the 1970s activists who created "second-wave feminism" also created a renaissance in the study of history.
From the Trade Paperback edition.
A wonderful critical introduction to an often-overlooked genre for scholars and casual readers of history alike.
Winner of the 2011 National Book Award for Non-Fiction One of the world's most celebrated scholars, Stephen Greenblatt has crafted both an innovative work of history and a thrilling story of discovery, in which one manuscript, plucked from a thousand years of neglect, changed the course of human thought and made possible the world as we know it.
Nearly six hundred years ago, a short, genial, cannily alert man in his late thirties took a very old manuscript off a library shelf, saw with excitement what he had discovered, and ordered that it be copied. That book was the last surviving manuscript of an ancient Roman philosophical epic, On the Nature of Things, by Lucretius—a beautiful poem of the most dangerous ideas: that the universe functioned without the aid of gods, that religious fear was damaging to human life, and that matter was made up of very small particles in eternal motion, colliding and swerving in new directions.
The copying and translation of this ancient book-the greatest discovery of the greatest book-hunter of his age-fueled the Renaissance, inspiring artists such as Botticelli and thinkers such as Giordano Bruno; shaped the thought of Galileo and Freud, Darwin and Einstein; and had a revolutionary influence on writers such as Montaigne and Shakespeare and even Thomas Jefferson.
FINALIST FOR THE GUARDIAN FIRST BOOK AWARD
In No god but God, internationally acclaimed scholar Reza Aslan explains Islam—the origins and evolution of the faith—in all its beauty and complexity. This updated edition addresses the events of the past decade, analyzing how they have influenced Islam’s position in modern culture. Aslan explores what the popular demonstrations pushing for democracy in the Middle East mean for the future of Islam in the region, how the Internet and social media have affected Islam’s evolution, and how the war on terror has altered the geopolitical balance of power in the Middle East. He also provides an update on the contemporary Muslim women’s movement, a discussion of the controversy over veiling in Europe, an in-depth history of Jihadism, and a look at how Muslims living in North America and Europe are changing the face of Islam. Timely and persuasive, No god but God is an elegantly written account that explains this magnificent yet misunderstood faith.
Praise for No god but God
“Grippingly narrated and thoughtfully examined . . . a literate, accessible introduction to Islam.”—The New York Times
“[Reza] Aslan offers an invaluable introduction to the forces that have shaped Islam [in this] eloquent, erudite paean to Islam in all of its complicated glory.”—Los Angeles Times Book Review
“Wise and passionate . . . an incisive, scholarly primer in Muslim history and an engaging personal exploration.”—The New York Times Book Review
“Acutely perceptive . . . For many troubled Muslims, this book will feel like a revelation, an opening up of knowledge too long buried.”—The Independent (U.K.)
“Thoroughly engaging and excellently written . . . While [Aslan] might claim to be a mere scholar of the Islamic Reformation, he is also one of its most articulate advocates.”—The Oregonian
Now, in A Nation on Trial, two leading critics challenge Goldhagen's findings and show that his work is not scholarship at all. With compelling cumulative effect, Norman G. Finkelstein meticulously documents Goldhagen's distortions of secondary literature and the internal contradictions of his argument. In a complementary essay, Ruth Bettina Birn juxtaposes Goldhagen's text against the German archives he consulted. The foremost international authority on these archives, Birn conclusively demonstrates that Goldhagen systematically misrepresented their contents.
The definitive statement on the Goldhagen phenomenon, this volume is also a cautionary tale on the corruption of scholarship by ideological zealotry.
Muslim, Dalit and Subaltern Narratives (Volume 5) addresses the role of marginal and Muslim groups respectively, exploring minority perceptions of the Uprising, including Dalit narratives and the use of 1857 in re-imagining the past. The second half of the volume looks into the response and involvement of different Muslim social groups, from civil servants, philosophers and logicians to the Mujahidin, as well as exploring the experience of indigenous participants in their own words.
Ato Sekyi – Otu
Professor Emeritus of Social and Political Thought
York University, Toronto, Ontario, Canada
The essays in Reclaiming Indigenous Voice and Vision spring from an International Summer Institute held in 1996 on the cultural restoration of oppressed Indigenous peoples. The contributors, primarily Indigenous, unravel the processes of colonization that enfolded modern society and resulted in the oppression of Indigenous peoples.
The authors -- among them Gregory Cajete, Erica-Irene Daes, Bonnie Duran and Eduardo Duran, James Youngblood Henderson, Linda Hogan, Leroy Little Bear, Ted Moses, Linda Tuhiwai Te Rina Smith, Graham Hingangaroa Smith, and Robert Yazzie -- draw on a range of disciplines, professions, and experiences. Addressing four urgent and necessary issues -- mapping colonialism, diagnosing colonialism, healing colonized Indigenous peoples, and imagining postcolonial visions -- they provide new frameworks for understanding how and why colonization has been so pervasive and tenacious among Indigenous peoples. They also envision what they would desire in a truly postcolonial context.
In moving and inspiring ways, Reclaiming Indigenous Voice and Vision elaborates a new inclusive vision of a global and national order and articulates new approaches for protecting, healing, and restoring long-oppressed peoples, and for respecting their cultures and languages.
Covering more than the published literature, the book also surveys memorabilia, artifacts, cultural icons, music, film, and exhibitions. Divided into three sections, the work opens with a historiographical survey of the literature, then includes descriptive lists of more peripheral material, and concludes with a bibliography of 674 entries. All items covered in the historiographical survey are included in the bibliography. This useful guide will appeal to researchers - both laymen and scholars - interested in the Titanic.
From the Trade Paperback edition.
From Socrates to Sartre presents a rousing and readable introduction to the lives, and times of the great philosophers. This thought-provoking book takes us from the inception of Western society in Plato’s Athens to today when the commanding power of Marxism has captured one third of the world. T. Z. Lavine, Elton Professor of Philosophy at George Washington University, makes philosophy come alive with astonishing clarity to give us a deeper, more meaningful understanding of ourselves and our times.
From Socrates to Sartre discusses Western philosophers in terms of the historical and intellectual environment which influenced them, and it connects their lasting ideas to the public and private choices we face in America today.
From Socrates to Sartre formed the basis of from the PBS television series of the same name.
From the Paperback edition.
Zinn tells the story of Columbus’ discovery of America from the standpoint of the native people whose hands Columbus cut off to terrorize them into giving him gold. He tells the story of the Civil War not from the point of view of the great generals who directed the slaughter, but from that of the slaves and from the ordinary people who gave up their lives in the struggle. It tells of the Spanish-American War from the point of view of Mark Twain, who wrote, “When the smoke was over, the dead buried, and the cost of the war came back to the people... it suddenly dawned on us that the cause of the Spanish-American war was the price of sugar... that the lives, blood, and money of the American people were used to protect the interest of the American capitalists.”
Howard Zinn’s fresh look at history has earned him a devoted following. Zinn For Beginners tells the story of where Zinn came from, what events shaped his life, and walks through the main points of his major works.
We hear at first from British, German and Commonwealth soldiers and civilians. Accounts of the impact of U.S. involvement after Pearl Harbour and the major effects it had on the war in Europe and the Far East is chronicled in startling detail, including compelling interviews from U.S. and British troops who fought against the Japanese. Continuing through from D-Day, to the Rhine Crossing and the dropping of the Atom Bomb in August 1945, this book is a unique testimony to one of the world's most dreadful conflicts. One of the hallmarks of Max Arthur's work is the way he involves those left behind on the home front as well as those working in factories or essential services. Their voices will not be neglected.