This story of the Mellstock Quire and its old established west-gallery musicians, with some supplementary descriptions of similar officials in Two on a Tower, A Few Crusted Characters, and other places, is intended to be a fairly true picture, at first hand, of the personages, ways, and customs which were common among such orchestral bodies in the villages of fifty or sixty years ago.
One is inclined to regret the displacement of these ecclesiastical bandsmen by an isolated organist (often at first a barrel-organist) or harmonium player; and despite certain advantages in point of control and accomplishment which were, no doubt, secured by installing the single artist, the change has tended to stultify the professed aims of the clergy, its direct result being to curtail and extinguish the interest of parishioners in church doings. Under the old plan, from half a dozen to ten full-grown players, in addition to the numerous more or less grown-up singers, were officially occupied with the Sunday routine, and concerned in trying their best to make it an artistic outcome of the combined musical taste of the congregation. With a musical executive limited, as it mostly is limited now, to the parson’s wife or daughter and the school-children, or to the school-teacher and the children, an important union of interests has disappeared.
The zest of these bygone instrumentalists must have been keen and staying to take them, as it did, on foot every Sunday after a toilsome week, through all weathers, to the church, which often lay at a distance from their homes. They usually received so little in payment for their performances that their efforts were really a labour of love. In the parish I had in my mind when writing the present tale, the gratuities received yearly by the musicians at Christmas were somewhat as follows: From the manor-house ten shillings and a supper; from the vicar ten shillings; from the farmers five shillings each; from each cottage-household one shilling; amounting altogether to not more than ten shillings a head annually—just enough, as an old executant told me, to pay for their fiddle-strings, repairs, rosin, and music-paper (which they mostly ruled themselves). Their music in those days was all in their own manuscript, copied in the evenings after work, and their music-books were home-bound.
It was customary to inscribe a few jigs, reels, horn-pipes, and ballads in the same book, by beginning it at the other end, the insertions being continued from front and back till sacred and secular met together in the middle, often with bizarre effect, the words of some of the songs exhibiting that ancient and broad humour which our grandfathers, and possibly grandmothers, took delight in, and is in these days unquotable.
The date at which the following events are assumed to have occurred may be set down as between 1840 and 1850, when the old watering place herein called "Budmouth" still retained sufficient afterglow from its Georgian gaiety and prestige to lend it an absorbing attractiveness to the romantic and imaginative soul of a lonely dweller inland.
Under the general name of "Egdon Heath," which has been given to the sombre scene of the story, are united or typified heaths of various real names, to the number of at least a dozen; these being virtually one in character and aspect, though their original unity, or partial unity, is now somewhat disguised by intrusive strips and slices brought under the plough with varying degrees of success, or planted to woodland.
It is pleasant to dream that some spot in the extensive tract whose southwestern quarter is here described, may be the heath of that traditionary King of Wessex—Lear.
I bade good morrow,
And thought to leave her far away behind;
But cheerly, cheerly,
She loves me dearly;
She is so constant to me, and so kind.
I would deceive her,
And so leave her,
But ah! she is so constant and so kind."
‘I shall do one thing in this life – one thing certain – that is, love you, and long for you, and keep wanting you till I die’
Independent and spirited, Bathsheba Everdene owns the hearts of three men. Striving to win her love in different ways, their relationships with Bathsheba complicate her life in bucolic Wessex – and cast shadows over their own. With the morals and expectations of rural society weighing heavily upon her, Bathsheba experiences the torture of unrequited love and betrayal, and discovers how random acts of chance and tragedy can dramatically alter life’s course.
The first of Hardy’s novels to become a major literary success, Far from the Madding Crowd explores what it means to live and to love.
The first table of contents (at the very beginning of the ebook) lists the titles of all novels included in this volume. By clicking on one of those titles you will be redirected to the beginning of that work, where you'll find a new TOC that lists all the chapters and sub-chapters of that specific work.
Here you will find the complete novels of Thomas Hardy in the chronological order of their original publication.
- Desperate Remedies
- Under the Greenwood Tree
- A Pair of Blue Eyes
- Far From the Madding Crowd
- The Hand of Ethelberta
- The Return of the Native
- The Trumpet-Major
- A Laodicean
- Two on a Tower
- The Romantic Adventures of a Milkmaid
- The Mayor of Casterbridge
- The Woodlanders
- Tess of the D’Urbervilles
- Jude the Obscure
- The Well–Beloved
'My life looks as if it had been wasted for want of chances! When I see what you know, what you have read, and seen, and thought, I feel what a nothing I am!'
Challenging the hypocrisy and social conventions of the rural Victorian world, Tess of the D'Urbervilles follows the story of Tess Durbeyfield as she attempts to escape the poverty of her background, seeking wealth by claiming connection with the aristocratic D'Urberville family. It is through Tess's relationships with two very different men that Hardy tells the story of his tragic heroine, and exposes the double standards of the world that she inhabits with searing pathos and heart-rending sentiment.
* illustrated with countless images relating to Hardy and his works
* annotated with concise introductions to the novels and other texts
* each novel has its own contents table - easily navigate between chapters!
* information on the lost first novel ‘THE POOR MAN AND THE LADY', with a rare novella and poem tracing its content
* ALL of the short stories with BOTH chronological and alphabetical contents tables
* the compete plays – even including the rare “Tragedy of the Queen of Cornwall” available nowhere else as a digital book
* ALL of the poems with their own separate chronological and alphabetical contents tables – find that special poem easily and quickly!
* the poems are ALSO presented in their original collections, each with its own table
* scholarly ordering of texts into chronological order and literary genres
* special Hardy’s Wessex Map to accompany your reading of the novels
* includes a special criticism section, with 6 different texts from other authors and critics, examining Hardy's literary work in detail
* D. H. Lawrence's lengthy critical book A STUDY OF THOMAS HARDY
* Hardy's wife's TWO biographies - explore the great writer's life in detail - available nowhere else
* UPDATED with newly formatted texts, introductions, corrections and many more images
Please visit www.delphiclassics.com to browse our range of exciting Complete Works titles
THE POOR MAN AND THE LADY
AN INDISCRETION IN THE LIFE OF AN HEIRESS
UNDER THE GREENWOOD TREE
A PAIR OF BLUE EYES
FAR FROM THE MADDING CROWD
THE HAND OF ETHELBERTA
THE RETURN OF THE NATIVE
TWO ON A TOWER
THE MAYOR OF CASTERBRIDGE
TESS OF THE D’URBERVILLES
JUDE THE OBSCURE
The Short Story Collections
LIFE’S LITTLE IRONIES
A GROUP OF NOBLE DAMES
The Short Stories
CHRONOLOGICAL LIST OF HARDY’S SHORT STORIES
ALPHABETICAL LIST OF HARDY’S SHORT STORIES
The Verse Dramas
TRAGEDY OF THE QUEEN OF CORNWALL
The Poetry Collections
WESSEX POEMS AND OTHER VERSES
POEMS OF THE PAST AND THE PRESENT
TIME’S LAUGHINGSTOCKS AND OTHER VERSES
SATIRES OF CIRCUMSTANCE
MOMENTS OF VISION AND MISCELLANEOUS VERSES
LATE LYRICS AND EARLIER WITH MANY OTHER VERSES
HUMAN SHOWS FAR PHANTASIES SONGS, AND TRIFLES
WINTER WORDS IN VARIOUS MOODS AND METRES
LIST OF POEMS IN CHRONOLOGICAL ORDER
LIST OF POEMS IN ALPHABETICAL ORDER
A STUDY OF THOMAS HARDY by D.H. Lawrence
THOMAS HARDY by Leon H. Vincent
THE LYRICAL POETRY OF THOMAS HARDY by Edmund Gosse
UNDER FRENCH ENCOURAGEMENT by David Christie Murray
THOMAS HARDY by John Cowper Powys
A NOTE ON THE GENIUS OF THOMAS HARDY by Arthur Symons
THE EARLY LIFE OF THOMAS HARDY, 1841–1891 by Florence Hardy
THE LATER YEARS OF THOMAS HARDY, 1892–1928 by Florence Hardy
Hardy’s Wessex Map
Please visit www.delphiclassics.com to browse our range of exciting titles
Etched against the background of a dying rural society, Tess of the d'Urbervilles was Thomas Hardy's "bestseller," and Tess Durbeyfield remains his most striking and tragic heroine. Of all the characters he created, she meant the most to him. Hopelessly torn between two men--Alec d'Urberville, a wealthy, dissolute young man who seduces her in a lonely wood, and Angel Clare, her provincial, moralistic, and unforgiving husband--Tess escapes from her vise of passion through a horrible, desperate act.
----"Like the greatest characters in literature, Tess lives beyond the final pages of the book as a permanent citizen of the imagination," said Irving Howe. "In Tess he stakes everything on his sensuous apprehension of a young woman's life, a girl who is at once a simple milkmaid and an archetype of feminine strength. . . . Tess is that rare creature in literature: goodness made interesting."
----Now Tess of the d'Urbervilles has been brought to television in a magnificent new co-production from A&E Network and London Weekend Television. Justine Waddell (Anna Karenina) stars as the tragic heroine, Tess; Oliver Milburn (Chandler & Co.) is Angel Clare; and Jason Flemyng is Alec d'Urberville. The cast also includes John McEnery (Black Beauty) as Jack Durbeyfield and Lesley Dunlop (The Elephant Man) as Joan Durbeyfield. Tess of the d'Urbervilles is directed by Ian Sharp and produced by Sarah Wilson, with a screenplay by Ted Whitehead; it was filmed in Hardy country, the beautiful English countryside in Dorset where Thomas Hardy set his novels.
The Modern Library has played a significant role in American cultural life for the better part of a century. The series was founded in 1917 by the publishers Boni and Liveright and eight years later acquired by Bennett Cerf and Donald Klopfer. It provided the foun-
dation for their next publishing venture, Random House. The Modern Library has been a staple of the American book trade, providing readers with affordable hardbound editions of important works of literature and thought. For the Modern Library's seventy-fifth anniversary, Random House redesigned the series, restoring as its emblem the running torchbearer created by Lucian Bernhard in 1925 and refurbishing jackets, bindings, and type, as well as inaugurating a new program of selecting titles. The Modern Library continues to provide the world's best books, at the best prices.
Bathsheba, the story’s heroine, inherits the family farm at the start of the novel, and is forced to navigate both the challenges presented by her work and by the multiple men in her life – neither easy for a woman at that time. In addition to being a classic of Victorian literature, it has been called an early feminist novel, thanks to the resilience, independence, and depth shown by Bathsheba, and for its negative depiction of the sufferings of women rendered powerless by law and custom.
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Convinced that his impoverished family has noble connections, John Durbeyfield implores his daughter, Tess, to visit the wealthy Mrs. D’Urberville and claim kin. Reluctantly, Tess agrees, but when she falls prey to the manipulations of Alec D’Urberville, the widow’s dissolute son, her search for love and happiness takes a disastrous turn. An earnest suitor named Angel Clare offers hope for salvation, but Tess must decide whether to confess her sins to the minister’s son—or bury them forever.
First published in 1891, Tess of the D’Urbervilles scandalized Victorian readers with its frank depictions of female sexuality and its impassioned criticism of social conventions. Now widely recognized as Thomas Hardy’s masterpiece, this tragic story of virtue destroyed is one of the most moving and unforgettable novels in English literature.
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‘The movements of his mind seemed to tend to the thought that some power was working against him.’
When Henchard, an out-of-work hay-trusser gets drunk and sells his wife at a country fair, his life will never be the same. Eighteen years later, his wife and daughter return to Casterbridge to find that Henchard has become Mayor. Although he’s spent most of his life attempting to repent for his actions, he remains a rash and impetuous man. Hardy portrays Henchard as a tragic hero, searching for love and acceptance from the community around him, posing the overarching question of whether we shape our own fate, or whether life deals us an inevitable hand.
with original illustrations
Hardy's last novel depicts a changing world, where a poor stonemason can aspire to a university education and a higher place in society—but where in reality such dreams remain unattainable. Thwarted at every turn, Jude Hawley abandons his hopes, is trapped into an unwise marriage, and pursues a doomed relationship with his free-spirited cousin, Sue Bridehead. The lovers find themselves equally incapable of living within the conventions of their era and of transcending its legal and moral strictures. Hailed by modern critics as a pioneering work of feminism and socialist thought, Hardy's tragic parable continues to resonate with readers.
Subtitled A Pure Woman Faithfully Presented, Thomas Hardy's sympathetic portrait of a blameless young woman's destruction first appeared in 1891. Its powerful indictment of Victorian hypocrisy, along with its unconventional focus on the rural lower class and its direct treatment of sexuality and religion, raised a ferocious public outcry. Tess of the D'Ubervilles is Hardy's penultimate novel; the pressures of critical infamy shortly afterward drove the author to abandon the genre in favor of poetry. Like his fictional heroine, the artist fell victim to a rigidly oppressive moral code.
Today, Tess is regarded as Hardy's masterpiece, embodying all of the most profoundly moving elements of its creator's dark vision. No perspective on 19th-century fiction is complete without a consideration of this compelling tale, now available in an inexpensive and high-quality edition.
'Gloriously physical, full of passion and irony, humour and tenderness' Anne Michaels
'Like the greatest characters in literature, Tess lives beyond the final pages of the book as a permanent citizen of the imagination,' said Irving Howe. 'In Tess he stakes everything on his sensuous apprehension of a young woman's life, a girl who is at once a simple milkmaid and an archetype of feminine strength. . . . Tess is that rare creature in literature: goodness made interesting.'
Now Tess of the d'Urbervilles has been brought to television in a magnificent new co-production from A&E Network and London Weekend Television. Justine Waddell (Anna Karenina) stars as the tragic heroine, Tess; Oliver Milburn (Chandler & Co.) is Angel Clare; and Jason Flemyng is Alec d'Urberville. The cast also includes John McEnery (Black Beauty) as Jack Durbeyfield and Lesley Dunlop (The Elephant Man) as Joan Durbeyfield. Tess of the d'Urbervilles is directed by Ian Sharp and produced by Sarah Wilson, with a screenplay by Ted Whitehead; it was filmed in Hardy country, the beautiful English countryside in Dorset where Thomas Hardy set his novels.
This book is published by Booklassic which brings young readers closer to classic literature globally.
If he could only prevent himself growing up! He did not want to be a man'
Jude Fawley, the stonemason excluded not by his wits but by poverty from the world of Christminster privilege, finds fulfilment in his relationship with Sue Bridehead. Both have left earlier marriages. Ironically, when tragedy tests their union it is Sue, the modern emancipated woman, who proves unequal to the challenge. Hardy's fearless exploration of sexual and social relationships and his prophetic critique of marriage scandalised the late Victorian establishment and marked the end of his career as a novelist.
The Penguin English Library - 100 editions of the best fiction in English, from the eighteenth century and the very first novels to the beginning of the First World War.
Tess Durbeyfield knows what it is to work hard and expect little. But her life is about to veer from the path trod by her mother and grandmother. When her ne’er-do-well father learns that his family is the last of a long noble line, the d’Urbervilles, he sends Tess on a journey to meet her supposed kin—a journey that will see her victimized by lust, poverty, and hypocrisy. Shaped by an acute sense of social injustice and by a vision of human fate cosmic in scope, her story is a singular blending of harsh realism and poignant beauty. Thomas Hardy created in Tess not a standard Victorian heroine but a woman whose intense vitality shines against the bleak backdrop of a dying way of life. The novel shocked contemporary readers with its honesty and remains a timeless commentary on the human condition.
With an Introduction by Marcelle Clements
From the Paperback edition.
All Coterie Classics have been formatted for ereaders and devices and include a bonus link to the free audio book.
“Did it never strike your mind that what every woman says, some women may feel?” ― Thomas Hardy, Tess of the D'Urbervilles
Tess of the d'Urbervilles is a heartbreaking tale of a woman going to every length to try and do what is right, only to have fate tease her at each turn.
Guy Fawkes night, Diggory Venn, a reddleman dyed red from his trade, transports a young woman, Thomasin Yeobright, to her aunt’s house on Egdon Heath. Despite Venn’s love for the sweet-natured Thomasin, he agrees to secure the man of her choice, the fickle innkeeper Damon Wildeve, who delayed his marriage to Thomasin earlier that day. Wildeve is still enchanted by the beautiful Eustacia Vye, who detests the heath upon which she lives with her grandfather and longs for a glamorous life abroad. When Thomasin’s cousin, Clym Yeobright, returns from his life as a diamond merchant in Paris, Eustacia sees her chance to escape. However, Wildeve cannot let her go.
The text is based on the authoritative Wessex Edition of 1912, revised and corrected by Hardy himself.
This edition is the companion volume to the Mobil Masterpiece Theatre WGBH television presentation broadcast on PBS. It stars Paloma Baeza as Bathsheba Everdene, Nathaniel Parker as Gabriel Oak, Nigel Terry as Mr. Boldwood, and Jonathan Firth as Frank Troy. Adapted by Philomena McDonagh, Far from the Madding Crowd is directed by Nick Renton.
Rich in symbolism, Jude the Obscure is the story of Jude Fawley and his struggle to rise from his station as a poor Wessex stonemason to that of a scholar at Christminster. It is also the story of Jude’s ill-fated relationship with his cousin Sue Bridehead, and the ultimate tragedy that causes Jude’s undoing and Sue’s transformation. Jude the Obscure explores man’s essential loneliness and remains one of Hardy’s most widely read novels.
United by the theme of love, the writings in the Great Loves series span over two thousand years and vastly different worlds. Readers will be introduced to love’s endlessly fascinating possibilities and extremities: romantic love, platonic love, erotic love, gay love, virginal love, adulterous love, parental love, filial love, nostalgic love, unrequited love, illicit love, not to mention lost love, twisted and obsessional love....
Written in 1874, Far from the Madding Crowd was Hardy's first masterpiece. Alive with lush, idyllic settings that exert profound influences on the novel's characters, it is an unforgettable narrative of both beauty and devastation. Its portrait of rural life, and compelling examination of social conventions, has made it one of English literature's greatest works.
It initially appeared in a censored and serialised version, published by the British illustrated newspaper The Graphic in 1891 and in book form in 1892.
Though now considered a major nineteenth-century English novel and possibly Hardy's masterpiece, Tess of the d'Urbervilles received mixed reviews when it first appeared, in part because it challenged the sexual morals of late Victorian England.
Growing up in southern England, Jude Fawley dreams of one day transcending his country life and becoming a scholar at Christminster’s most prestigious college. It’s the driving focus of his young life, leading him to rigorous study of classical Greek and Latin after spending long days working as a stonemason.
But everything changes when Jude meets Arabella Donn, a calculating local girl who ensnares him in marriage. As his dreams of Christminster recede into the background, Jude finds himself trapped in one unhappy marriage while the woman her loves, his free-thinking cousin Sue Bridehead, is trapped in another.
Though Jude and Sue are able to escape their first spouses, their new life together proves to be no simpler. With two young children born out of wedlock, Jude and Sue’s unconventional relationship is burdened by the judgments of society. But it isn’t until the unexpected arrival of Jude’s first son, born of his troubled relationship with Arabella, that the accumulation of Jude’s misfortunes reaches its final, shattering crescendo.
This ebook has been professionally proofread to ensure accuracy and readability on all devices.
The original flavour of this classic has been carefully retained in this abridged version.
Far from the Madding Crowd has long been considered one of Hardy's most successful and thematic works. This edition is annotated with a short biography about the life and times of Thomas Hardy. It also includes a plot summary.
“There are disappointments which wring us, and there are those which inflict a wound whose mark we bear to our graves. Such are so keen that no future gratification of the same desire can ever obliterate them: they become registered as a permanent loss of happiness.” - Thomas Hardy, A Pair of Blue Eyes
Elfride Swancourt, a beautiful young woman, is caught between the love of two men: Stephen Smith, a low-born architect who wants to make a name for himself and Henry Knight, an older, respectable and established man. The two are friends and don’t know about each other’s feelings towards Elfride. How will they react when they find out?
This Xist Classics edition has been professionally formatted for e-readers with a linked table of contents. This eBook also contains a bonus book club leadership guide and discussion questions. We hope you’ll share this book with your friends, neighbors and colleagues and can’t wait to hear what you have to say about it.
Spirited, impulsive, and beautiful, Bathsheba Everdene arrives in Wessex to live with her aunt. She strikes up a friendship with a neighbor, Gabriel Oak, and even saves the young shepherd’s life. But when he responds by asking for her hand in marriage, she refuses. She cannot sacrifice her independence for a man she does not love.
Years later, misfortune has bankrupted Gabriel, while Bathsheba has inherited her uncle’s estate and is now a wealthy woman. She hires Gabriel as a shepherd but is interested in William Boldwood, a prosperous farmer whose reticence inspires her to playfully send him a valentine. William, like Gabriel before him, quickly falls in love with Bathsheba and proposes. But it is the dashing Sergeant Francis Troy who finally wins her heart. Despite the warnings of her first two suitors, Bathsheba accepts his proposal—a decision that brings long-buried secrets to the fore and leaves everything for which she has fought so hard hanging in the balance.
Published a century and a half ago, Far from the Madding Crowd was Thomas Hardy’s first major success and introduced the themes he would continue to explore for the rest of his life. A love story wrapped in the cloak of tragedy, it is widely considered to be one of the finest novels of the nineteenth century.
This ebook has been professionally proofread to ensure accuracy and readability on all devices.
In A Letter Concerning Toleration, composed as early as 1667 but not published for political reasons until 1689 — after the "Glorious Revolution" — Locke pleaded for religious tolerance on grounds similar to his argument for political freedom, i.e., that all men are by nature "free, equal, and independent," and are entitled to freedom of thought, freedom of speech, and freedom of worship. To help guarantee the latter freedom, Locke called for separation of church and state.
The basis of social and political philosophy for generations, these works laid the foundation of the modern democratic state in England and abroad. Their enduring importance makes them essential reading for students of philosophy, history, and political science.
In 1941 the German physicist Werner Heisenberg made a clandestine trip to Copenhagen to see his Danish counterpart and friend Niels Bohr. Their work together on quantum mechanics and the uncertainty principle had revolutionized atomic physics. But now the world had changed and the two men were on opposite sides in a world war. Why Heisenberg went to Copenhagen and what he wanted to say to Bohr are questions that have vexed historians ever since. In Michael Frayn’s ambitious, fiercely intelligent, and daring new play Heisenberg and Bohr meet once again to discuss the intricacies of physics and to ponder the metaphysical—the very essence of human motivation.
From the Trade Paperback edition.
Conan Doyle wrote the story in 1886, and it was published the following year. The book's title derives from a speech given by Holmes to Doctor Watson on the nature of his work, in which he describes the story's murder investigation as his "study in scarlet": "There's the scarlet thread of murder running through the colourless skein of life, and our duty is to unravel it, and isolate it, and expose every inch of it." (A "study" is a preliminary drawing, sketch or painting done in preparation for a finished piece.)
The story, and its main characters, attracted little public interest when it first appeared. Only 11 complete copies of the magazine in which the story first appeared, Beeton's Christmas Annual for 1887, are known to exist now and they have considerable value. Although Conan Doyle wrote 56 short stories featuring Holmes, A Study in Scarlet is one of only four full-length novels in the original canon. The novel was followed by The Sign of the Four, published in 1890. A Study in Scarlet was the first work of detective fiction to incorporate the magnifying glass as an investigative tool.
Rousseau's five-part approach devotes the first three sections to Emile's early education, including the child's interactions with the larger world and the selection of a trade. The fourth part explores the cultivation of sentiment, with particular focus on natural religion. The book concludes with a profile of Emile's prospective bride, Sophie, that emphasizes the role of mothers in educating their children but encourages women to be submissive to their husbands—a view that excited controversy even among Rousseau's contemporaries and helped inspire Mary Wollstonecraft's A Vindication of the Rights of Woman.
These selections reflect the most important philosophic concepts in the book, such as the "death of God" (i.e., the bankruptcy of the traditional Christian morality), with the subsequent need for a new morality administered by a more evolved humanity (the Übermensch), and the "will to power." Editor Stanley Appelbaum presents accurate English translations on the pages facing the original German, an informative introduction to the author's life and oeuvre, plus notes throughout the text and brief summaries of the omitted chapters.
Nietzsche's influence on twentieth-century thought is incalculable. Freud is reputed to have developed his theory of the ego from some passages in Zarathustra. The Surrealists and Existentialists admired Nietzsche, and his skepticism made him a model for Postmodernist thinkers. This volume represents an outstanding resource not only for students and teachers of German language and literature but also for anyone with an interest in literature, philosophy, and psychology.
Where do they get the money? Coming up redheaded curates from the county Leitrim, rinsing empties and old man in the cellar. Then, lo and behold, they blossom out as Adam Findlaters or Dan Tallons. Then thin of the competition. General thirst. Good puzzle would be cross Dublin without passing a pub. Save it they can't. Off the drunks perhaps. Put down three and carry five. What is that, a bob here and there, dribs and drabs. On the wholesale orders perhaps. Doing a double shuffle with the town travellers. Square it you with the boss and we'll split the job, see?
How much would that tot to off the porter in the month? Say ten barrels of stuff. Say he got ten per cent off. O more. Fifteen. He passed Saint Joseph's National school. Brats' clamour. Windows open. Fresh air helps memory. Or a lilt. Ahbeesee defeegee kelomen opeecue rustyouvee doubleyou. Boys are they? Yes. Inishturk. Inishark. Inishboffin. At their joggerfry. Mine. Slieve Bloom.
He halted before Dlugacz's window, staring at the hanks of sausages, polonies, black and white. Fifteen multiplied by. The figures whitened in his mind, unsolved: displeased, he let them fade. The shiny links, packed with forcemeat, fed his gaze and he breathed in tranquilly the lukewarm breath of cooked spicy pigs' blood.
A kidney oozed bloodgouts on the willowpatterned dish: the last. He stood by the nextdoor girl at the counter. Would she buy it too, calling the items from a slip in her hand? Chapped: washingsoda. And a pound and a half of Denny's sausages. His eyes rested on her vigorous hips. Woods his name is. Wonder what he does. Wife is oldish. New blood. No followers allowed. Strong pair of arms. Whacking a carpet on the clothesline. She does whack it, by George. The way her crooked skirt swings at each whack.
The ferreteyed porkbutcher folded the sausages he had snipped off with blotchy fingers, sausagepink. Sound meat there: like a stallfed heifer.
He took a page up from the pile of cut sheets: the model farm at Kinnereth on the lakeshore of Tiberias. Can become ideal winter sanatorium. Moses Montefiore. I thought he was. Farmhouse, wall round it, blurred cattle cropping. He held the page from him: interesting: read it nearer, the title, the blurred cropping cattle, the page rustling. A young white heifer. Those mornings in the cattlemarket, the beasts lowing in their pens, branded sheep, flop and fall of dung, the breeders in hobnailed boots trudging through the litter, slapping a palm on a ripemeated hindquarter, there's a prime one, unpeeled switches in their hands. He held the page aslant patiently, bending his senses and his will, his soft subject gaze at rest. The crooked skirt swinging, whack by whack by whack.
The porkbutcher snapped two sheets from the pile, wrapped up her prime sausages and made a red grimace.
So begins this riveting study by one of the foremost authorities on witchcraft and occult phenomena. An indefatigable researcher, Summers explores the presence of vampires in Greek and Roman lore, in England and Ireland during Anglo-Saxon times, in Hungary, Czechoslovakia, Russia, Romania, and Bulgaria, even in modern Greece. More than just a collection of library lore, however, this detailed examination of the history of vampirism in Europe also includes anecdotes and firsthand accounts gathered by the author from peasants in places where belief in vampires was still common.
A fascinating, sometimes terrifying book, The Vampire in Lore and Legend is a "mine of out-of-the-way information full of unspeakable tales," writes The New York Times; and according to Outlook, "a fascinating inquiry into the vampire legend . . . a storehouse of curious and interesting lore." Of great interest to any enthusiast of the supernatural and the occult, this book will appeal as well to the legions of general readers captivated by this ancient myth.
This essay on Wisdom and Destiny was to have been a thing of some twenty pages, the work of a fortnight; but the idea took root, others flocked to it, and the volume has occupied M. Maeterlinck continuously for more than two years. It has much essential kinship with the "Treasure of the Humble," though it differs therefrom in treatment; for whereas the earlier work might perhaps be described as the eager speculation of a poet athirst for beauty, we have here rather the endeavour of an earnest thinker to discover the abode of truth. And if the result of his thought be that truth and happiness are one, this was by no means the object wherewith he set forth. Here he is no longer content with exquisite visions, alluring or haunting images; he probes into the soul of man and lays bare all his joys and his sorrows. It is as though he had forsaken the canals he loves so well—the green, calm, motionless canals that faithfully mirror the silent trees and moss-covered roofs—and had adventured boldly, unhesitatingly, on the broad river of life.
He describes this book himself, in a kind of introduction that is almost an apology, as "a few interrupted thoughts that entwine themselves, with more or less system, around two or three subjects." He declares that there is nothing it undertakes to prove; that there are none whose mission it is to convince. And so true is this, so absolutely honest and sincere is the writer, that he does not shrink from attacking, qualifying, modifying, his own propositions; from advancing, and insisting on, every objection that flits across his brain; and if such proposition survive the onslaught of its adversaries, it is only because, in the deepest of him, he holds it for absolute truth. For this book is indeed a confession, a naive, outspoken, unflinching description of all that passes in his mind; and even those who like not his theories still must admit that this mind is strangely beautiful.
There have been many columns filled—and doubtless will be again—with ingenious and scholarly attempts to place a definitive label on M. Maeterlinck, and his talent; to trace his thoughts to their origin, clearly denoting the authors by whom he has been influenced; in a measure to predict his future, and accurately to establish the place that he fills in the hierarchy of genius. With all this I feel that I have no concern. Such speculations doubtless have their use and serve their purpose. I shall be content if I can impress upon those who may read these lines, that in this book the man is himself, of untrammelled thought; a man possessed of the rare faculty of seeing beauty in all things, and, above all, in truth; of the still rarer faculty of loving all things, and, above all, life.
Famous for introducing the character of the vampire Count Dracula, the novel tells the story of Dracula's attempt to move from Transylvania to England so he may find new blood and spread the undead curse, and the battle between Dracula and a small group of men and women led by Professor Abraham Van Helsing.
Dracula has been assigned to many literary genres including vampire literature, horror fiction, the gothic novel and invasion literature. Although Stoker did not invent the vampire, he defined its modern form, and the novel has spawned numerous theatrical, film and television interpretations.