"A woodcarver is one who can take a scrap of wood, breathe life into it with patient, skilled hands, and make it a warm object of lasting beauty. That is creativity," say award-winning craftsmen Beiderman and Johnston in this well-organized and highly instructive guidebook that tells you everything you need to know to create attractive woodcarvings.
Especially written for the novice, it shows how to produce realistic animals, flowers, and humorous figures in a variety of forms: in the round, in relief, and as line carvings. A wide spectrum of more than 60 project patterns offers practical plans and ideas for carvers at all levels of expertise.
The authors provide a detailed yet easy-to-follow introduction to carving tools and how to use them. There are also helpful hints to guide beginning carvers through difficult stages of carving, and expert advice on painting and finishing, woodcarving as gifts, how to exhibit and enter carvings in competition, and much more. You'll even find a whole chapter devoted to carving birds.
Abundantly illustrated with over 200 photographs and detailed line drawings, this first paperback edition of The Beginner's Handbook of Woodcarving will be welcomed by any would-be woodcarver seeking a thorough, reliable, and crystal-clear introduction to the age-old art of carving wood.
In this sixth book of the Carving and Painting series, carvers are led through all the phases of carving an American Kestrel--from roughing out the major feather groups to carving the head and adding individual feathers. The finishing touches--burning, texturing, and painting--are fully described, enabling the carver to create a stunningly lifelike kestrel.
In this remarkable biography of the elusive artist, Hayden Herrera observes this driving force of Noguchi's creativity as intimately tied to his deep appreciation of nature. As a boy in Japan, Noguchi would collect wild azaleas and blue mountain flowers for a little garden in front of his home. As Herrera writes, he also included a rock, "to give a feeling of weight and permanence." It was a sensual appreciation he never abandoned. When looking for stones in remote Japanese quarries for his zen-like Paris garden forty years later, he would spend hours actually listening to the stones, scrambling from one to another until he found one that "spoke to him." Constantly striving to "take the essence of nature and distill it," Noguchi moved from sculpture to furniture, and from playgrounds to sets for his friend the choreographer Martha Graham, and back again working in wood, iron, clay, steel, aluminum, and, of course, stone.
Throughout his career, Noguchi traveled constantly, from New York to Paris to India to Japan, forever uprooting himself to reinvigorate what he called the "keen edge of originality." Wherever he went, his needy disposition and boyish charm drew women to him, yet he tended to push them away when things began to feel too settled. Only through his art—now seen as a powerful aesthetic link between the East and the West—did Noguchi ever seem to feel that he belonged.
Combining the personal correspondence of and interviews with Noguchi and those closest to him—from artists, patrons, assistants, and lovers—Herrera has created an authoritative biography of one of the twentieth century's most important sculptors. She locates Noguchi in his friendships with such artists as Buckminster Fuller and Arshile Gorky, and in his affairs with women including Frida Kahlo and Anna Matta Clark. With the attention to detail and scholarship that made her biography of Gorky a finalist for the Pulitzer Prize, Herrera has written a rich meditation on art in a globalized milieu. Listening to Stone is a moving portrait of an artist compulsively driven to reinvent himself as he searched for his own "essence of sculpture."
The ski slope-inspired hats in this collection will do more than just keep your family warm; these hats will give you a style all your own! Whether going on a hike, shredding down the slopes, or roasting marshmallows by the fire, this book has you (and your head) covered. Choose from 16 different hats for boys, girls, men and women with styles ranging from classic beanies to neon Mohawks, princess crowns, and more. The unique designs are balanced by classic styles so you're sure to find something for everyone. Simple, easy-to-follow patterns make for quick crocheting, so you'll have more time to enjoy the outdoors in your new hats!
Includes: Patterns for the entire family including a coordinating hat and scarf set for each family member Easy-to-follow directions and simple step-by-steps for basic techniques Illustrated stitch glossary
Beginning with a detailed study of modelling a head from a cast model, Lanteri gives meticulous descriptions of the anatomical features that comprise the head. Next, there are instructions for sculpting a bust from a live model: how to place the model, use the clay, take measurements, set up the all-important framework, put on hair, etc. The author also covers modelling the figure from nature, including such factors as the scale of proportions, posing the model, the chief line, contrasts of line, building up the figure, and more.
Part III covers sculpting in relief (poses, fixing the background, tools, superposition of planes, color, change of light, etc.); drapery (arrangement of folds, principles of radiation, flying drapery, etc.); and medals (proportion, working the mold, inscriptions, etc.). Also discussed are principles of composition, both in relief and in the round. Profusely illustrated with hundreds of photographs, drawings, and diagrams, this work is the kind of comprehensive resource that should be a lifelong studio companion to the figure sculptor. 107 full-page photographic plates, 27 other photographs, 175 drawings and diagrams.
Michael Camille begins his long-awaited study by recounting architect Eugène Viollet-le-Duc’s ambitious restoration of the structure from 1843 to 1864, when the gargoyles were designed, sculpted by the little-known Victor Pyanet, and installed. These gargoyles, Camille contends, were not mere avatars of the Middle Ages, but rather fresh creations—symbolizing an imagined past—whose modernity lay precisely in their nostalgia. He goes on to map the critical reception and many-layered afterlives of these chimeras, notably in the works of such artists and writers as Charles Méryon, Victor Hugo, and photographer Henri Le Secq. Tracing their eventual evolution into icons of high kitsch, Camille ultimately locates the gargoyles’ place in the twentieth-century imagination, exploring interpretations by everyone from Winslow Homer to the Walt Disney Company.
Lavishly illustrated with more than three hundred images of its monumental yet whimsical subjects, The Gargoyles of Notre-Dame is a must-read for historians of art and architecture and anyone whose imagination has been sparked by the lovable monsters gazing out over Paris from one of the world’s most renowned vantage points.
Mark your calendar!
A whole year's worth of holidays, festivities, and special occasions can be celebrated with polymer clay. Party favors, centerpieces, wreaths, displays, decorations for weddings, birthdays, showers, and seasonal holidays can all be made (or made more special) using polymer clay.
Projects include: Christmas Ornaments Wedding Flowers Valentine's Day Hearts Hanukah Menorah Easter Eggs Butterflies Mardi Gras and Halloween Masks Autumn Leaves
This richly illustrated book evaluates rock-art conservation in an holistic way, bringing together researchers from across the world to share experiences of work in progress or recently completed. The chapters focus on a series of key themes: documentation projects and resource assessments; the identification and impact assessment of weathering/erosion processes at work in open-air rock-art sites; the practicalities of potential or implemented conservation interventions; experimentation and monitoring programs; and general management issues connected with public presentation and the demands of ongoing research investigations. Consideration is given to the conservation of open-air rock-art imagery from many periods and cultural traditions across the Old and New Worlds. This timely volume will be of interest to conservators, managers, and researchers dealing with aesthetic and ethical issues as well as technical and practical matters regarding the conservation of open-air rock-art sites.
In 1871, recovering from Reconstruction, a group of progressive citizens noticed that Houston needed a new cemetery at the edge of the central city. Embracing the picturesque aesthetic that had swept through the Eastern Seaboard, the founders of Glenwood selected land along Buffalo Bayou and developed Glenwood. Since then, the cemetery's monuments have memorialized the lives of many of the city's most interesting residents (Allen, Baker, Brown, Clayton, Cooley, Cullinan, Farish, Hermann, Hobby, House, Hughes, Jones, Law, Rice, Staub, Sterling, Weiss, and Wortham, among many others). The monuments also showcase the artistry and craftsmanship of some of the region's finest sculptors and artisans.
Accompanied by the breathtaking photography of Paul Hester, this book chronicles the cemetery's origins from its inception in 1871 to the present day.
Through the story of Glenwood, readers will appreciate some of the natural features that shaped Houston's evolution and will also begin to understand the forces of urbanization that positioned Houston to become the vital community it is today.
Houston's Silent Garden is a must-read for those interested in Houston civic and regional history, architecture, and urban planning.
Soapylove shows you how to turn a glycerin melt-and-pour soap base into tempting, stylish soaps. You'll learn fun and easy techniques for 25 yummy projects featuring bright colors, amazing designs and delicious scents. Glycerin melt-and-pour soap is very easy to use - a microwave or stovetop is all you need! There is no messy boiling or complicated mixing. Techniques not yet found in any glycerin soap project book, including how to make cameos, plaid patterns, soap pops and even jelly donut soaps. The ins and outs of melt-and-pour soap supplies, allowing you to experiment with your own style. So come on in and start creating - you're bound to "Feel the love!"
PHŒNICIAN, CYPRIOTE, AND ASIA MINOR PAINTING.
ETRUSCAN AND ROMAN PAINTING.
EARLY CHRISTIAN AND MEDIÆVAL PERIOD. 200-1250.
GOTHIC PERIOD. 1250-1400.
EARLY RENAISSANCE. 1400-1500.
THE HIGH RENAISSANCE—1500-1600.
THE HIGH RENAISSANCE, 1500-1600.—CONTINUED.
THE HIGH RENAISSANCE. 1500-1600. (Continued.)
THE DECADENCE AND MODERN WORK. 1600-1894.
SIXTEENTH, SEVENTEENTH, AND EIGHTEENTH-CENTURY PAINTING.
THE NINETEENTH CENTURY.
THE NINETEENTH CENTURY (Continued).
SCATTERING SCHOOLS AND INFLUENCES IN ART.
More than 200 diagrams and photographs accompany clear, concise instructions, enabling novices and veteran woodworkers alike to recreate everything from Gothic tracery to sixteenth-century moldings and lettering. Part One deals with simple carving, gradually advances to slightly modelled detail, and offers expert advice on how to construct rails, chests, a stool, and cradle. Part Two provides examples of more advanced work, with descriptions of Renaissance designs and pierced carvings.
Profusely illustrated with photographs and drawings, this volume will serve as a valuable resource for artists and craftspeople, inspiring creative efforts while offering a wealth of helpful hints and practical information.
A Totem Pole History contains seventy-six photographs, including Joeês most significant totem poles, many of which Pauline watched him carve. She conveys with great insight the stories, teachings, and history expressed by her fatherês totem poles. Eight contributors provide essays on Coast Salish art and carving, adding to the authorês portrayal of Joeês philosophy of art in Salish life, particularly in the context of twentieth century intercultural relations.
This engaging volume provides an historical record to encourage Native artists and brings the work of a respected Salish carver to the attention of a broader audience.
Here's your guide to sculpting fantasy characters that are a little quirky, occasionally cranky and definitely fun. Dawn Schiller's "oddfae" are gnarly little folk who are often mischievous and always fun to sculpt. In this book, you'll learn Dawn's secrets for shaping incredibly detailed and friendly (for the most part) little faces, hands and feet, poseable bodies, and true-to-life costumes. Learn about tools, special precautions and quick, simple techniques for working with polymer clay. Follow along to create 9 characters step by step - Chrainn the elf, Ithe the ogre, Zylphia the witch and other fairy tale fugitives. Pick up useful and fun fae facts (such as Fetch the troll's great weakness for sesame seeds). Crank up your imagination, grab your sculpting tools and some clay, and find out who's waiting for you inside. Once you get the hang of it, you'll be ready to bring to life original fae friends of your very own!
From the flurry of excitement surrounding her discovery, to the raging disputes over her authenticity, to the politics and personalities that have given rise to her mystique, Gregory Curtis has given us a riveting look at the embattled legacy of a beloved icon and a remarkable tribute to one of the world’s great works of art.
Rediscover such classics as:
• Interlocking wooden puzzles
• Rings and dumbbells
• Continuous wooden chains
• Ships inside bottles
Perfect for a beginner or someone looking to enhance their whittling skills, this book also contains instructions for making such items as working wooden scissors and pliers, balls in cages, entwined hearts, fans, animal toys, and joint work. Enjoy exploring a new hobby with this unabridged republication of the original edition.
Taylor extends reflection beyond the page and returns with new insights about what is hiding in plain sight all around us. Weaving together words, objects, and images, his artful work enacts what it describes. Things long familiar suddenly appear strange, and the strange, unexpected, and unprogrammed unsettle readers in surprising ways. This timely meditation gives pause in the midst of harried lives and turns attention toward what we usually overlook: night, silence, touch, grace, ghosts, water, earth, stones, bones, idleness, infinity, slowness, and contentment. Recovering Place is a unique work that lingers long after the book is closed.
He describes the process that will take anyone from lengths of hard, raw bamboo to a beautiful finished rod with clear, step-by-step instructions and illustrations, including how to find the best supplies; select tools and materials; make heat treaters and binders; cut culms; straighten bamboo strips; plane and stagger strips; bind strips; apply finishes; mount the reel seat, ferrules, and tip-top; and much more. This is surely the most thorough book available for those who wish to make and fish their own bamboo fly rods.
A lapsed art historian and devoted urbanite, Hogan initially sought firsthand experience of the monumental earthworks of the 1970s and the 1980s—Robert Smithson’s Spiral Jetty, Nancy Holt’s Sun Tunnels, Walter De Maria’s Lightning Field, James Turrell’s Roden Crater, Michael Heizer’s Double Negative, and the contemporary art mecca of Marfa, Texas. Armed with spotty directions, no compass, and less-than-desert-appropriate clothing, she found most of what she was looking for and then some.
“I was never quite sure what Hogan was looking for when she set out . . . or indeed whether she found it. But I loved the ride. In Spiral Jetta, an unashamedly honest, slyly uproarious, ever-probing book, art doesn’t magically have the power to change lives, but it can, perhaps no less powerfully, change ways of seeing.”—Tom Vanderbilt, New York Times Book Review
“The reader emerges enlightened and even delighted. . . . Casually scrutinizing the artistic works . . . while gamely playing up her fish-out-of-water status, Hogan delivers an ingeniously engaging travelogue-cum-art history.”—Atlantic
“Smart and unexpectedly hilarious.”—Kevin Nance, Chicago Sun-Times
“One of the funniest and most entertaining road trips to be published in quite some time.”—June Sawyers, Chicago Tribune
“Hogan ruminates on how the work affects our sense of time, space, size, and scale. She is at her best when she reexamines the precepts of modernism in the changing light of New Mexico, and shows how the human body is meant to be a participant in these grand constructions.”—New Yorker