Translated and with an introduction and notes by Robin Buss. Includes explanatory footnotes, as well as suggestions for further reading of acclaimed literary criticisms and references.
The Selected Letters of Laura Ingalls Wilder is a vibrant, deeply personal portrait of this revered American author, illuminating her thoughts, travels, philosophies, writing career, and dealings with family, friends, and fans as never before.
This is a fresh look at the adult life of the author in her own words. Gathered from museums and archives and personal collections, the letters span over sixty years of Wilder’s life, from 1894–1956 and shed new light on Wilder’s day-to-day life. Here we see her as a businesswoman and author—including her beloved Little House books, her legendary editor, Ursula Nordstrom, and her readers—as a wife, and as a friend. In her letters, Wilder shares her philosophies, political opinions, and reminiscences of life as a frontier child. Also included are letters to her daughter, writer Rose Wilder Lane, who filled a silent role as editor and collaborator while the famous Little House books were being written.
Wilder biographer William Anderson collected and researched references throughout these letters and the result is an invaluable historical collection, tracing Wilder’s life through the final days of covered wagon travel, her life as a farm woman, a country journalist, Depression-era author, and years of fame as the writer of the Little House books. This collection is a sequel to her beloved books, and a snapshot into twentieth-century living.
Patricia Highsmith, one of the great writers of 20th Century American fiction, had a life as darkly compelling as that of her favorite "hero-criminal," talented Tom Ripley. In this revolutionary biography, Joan Schenkar paints a riveting portrait, from Highsmith's birth in Texas to Hitchcock's filming of her first novel, Strangers On a Train, to her long, strange, self-exile in Europe. We see her as a secret writer for the comics, a brilliant creator of disturbing fictions, and erotic predator with dozens of women (and a few good men) on her love list. The Talented Miss Highsmith is the first literary biography with access to Highsmith's whole story: her closest friends, her oeuvre, her archives. It's a compulsive page-turner unlike any other, a book worthy of Highsmith herself.
Fourteen novels. Fourteen poisons. Just because it's fiction doesn't mean it's all made-up ...
Agatha Christie revelled in the use of poison to kill off unfortunate victims in her books; indeed, she employed it more than any other murder method, with the poison itself often being a central part of the novel. Her choice of deadly substances was far from random – the characteristics of each often provide vital clues to the discovery of the murderer. With gunshots or stabbings the cause of death is obvious, but this is not the case with poisons. How is it that some compounds prove so deadly, and in such tiny amounts?
Christie's extensive chemical knowledge provides the backdrop for A is for Arsenic, in which Kathryn Harkup investigates the poisons used by the murderer in fourteen classic Agatha Christie mysteries. It looks at why certain chemicals kill, how they interact with the body, the cases that may have inspired Christie, and the feasibility of obtaining, administering and detecting these poisons, both at the time the novel was written and today. A is for Arsenic is a celebration of the use of science by the undisputed Queen of Crime.
It was this volume that won the Prix Goncourt in 1919, affirming Proust as a major literary figure and dramatically increasing his fame. Here the narrator whose childhood was reflected in Swann’s Way moves further through childhood and into adolescence, as the author brilliantly examines themes of love and youth, in settings in Paris and by the sea in Normandy. The reader again encounters Swann, now married to his former mistress and largely fallen from high society, and meets for the first time several of Proust’s most memorable characters: the handsome, dashing Robert de Saint-Loup, who will become the narrator’s best friend; the enigmatic Albertine, leader of the “little band” of adolescent girls; the profoundly artistic Elstir, believed to be Proust’s composite of Whistler, Monet, and other leading painters; and, making his unforgettable entrance near the end of the volume, the intense, indelible Baron de Charlus.
Permeated by the “bloom of youth” and its resonances in memories of love and friendship, In the Shadow of Young Girls in Flower takes readers into the heart of Proust’s comic and poetic genius. As with Swann’s Way, Carter uses C. K. Scott Moncrieff’s beloved translation as the basis for this annotated and fully revised edition. Carter corrects long-standing errors in Scott Moncrieff’s otherwise superlative translation, bringing it closer than ever to the spirit and style of Proust’s original text—and reaching English readers in a way that the PlÃ©iade annotations cannot. Insightful and accessible, Carter’s edition of Marcel Proust’s masterwork will be the go-to text for generations of readers seeking to understand Proust’s remarkable bygone world.
This gripping, deeply thoughtful book considers future of civilization in the light of what we know about climate change and related threats. David Orr, an award-winning, internationally recognized leader in the field of sustainability and environmental education, pulls no punches: even with the Paris Agreement of 2015, Earth systems will not reach a new equilibrium for centuries. Earth is becoming a different planet—more threadbare and less biologically diverse, with more acidic oceans and a hotter, more capricious climate. Furthermore, technology will not solve complex problems of sustainability.
Yet we are not fated to destroy the Earth, Orr insists. He imagines sustainability as a quest and a transition built upon robust and durable democratic and economic institutions, as well as changes in heart and mindset. The transition, he writes, is beginning from the bottom up in communities and neighborhoods. He lays out specific principles and priorities to guide us toward enduring harmony between human and natural systems.
Rare Birds of North America provides unparalleled insights into vagrancy and avian migration, and will enrich the birding experience of anyone interested in finding and observing rare birds.
Covers 262 species of vagrant birds found in the United States and Canada
Features 275 stunning color plates that depict every species
Explains patterns of occurrence by region and season
Provides an invaluable overview of vagrancy patterns and migration
Includes detailed species accounts and cutting-edge identification tips
Preview of this summary: Part1
Down-on-his-luck, Augie Odenkirk helps homeless Janice Cray care for her baby as they wait in the early morning fog for a job fair. A gray Mercedes plows into the crowd. Augie, Janice and the baby are among the victims.Part 2
About a year after the Mercedes crash, Retired Detective K. William Hodges watches more grubby reality shows, fails to enjoy his beer, and thinks, again, of shooting himself. The arrival of the mail distracts him. A letter, allegedly from the driver of the killer Mercedes, stuns him. The writer brags about killing eight and wounding many. He says that he got off sexually at he drove into the crowd. He wore a condom and used bleach to get rid of any DNA. He wore a hair net under a clown mask for the same reason. He knows Hodges is miserable and hopes the letter cheers him up. He gives Hodges a website where they can talk, including a username: kermitfrog19.
Hodges wonders if he should turn the letter over to his former partner, Pete Huntley. He believes the writer is the killer because he knows inside information about the condom and the bleach. The idea of using this letter, and chats on line, to catch the killer gives Hodges a reason to live.
Hodges analyzes the letter and sees that the writer has several identifying traits, including misusing perk for perp and peppering his words with an image of a smiley face. The same smiley face was glued onto the steering wheel of the Mercedes. Hodges calls Pete and makes a lunch date....
A moving document of decline, Rimbaud’s letters begin with the enthusiastic artistic pronouncements of a fifteen-year-old genius, and end with the bitter what-ifs of a man whose life has slipped disastrously away. But whether soapboxing on the essence of art, or struggling under the yoke of self-imposed exile in the desert of his later years, Rimbaud was incapable of writing an uninteresting sentence. As translator and editor Wyatt Mason makes clear in his engaging Introduction, the letters reveal a Rimbaud very different from our expectations. Rimbaud—presented by many biographers as a bohemian wild man—is unveiled as “diligent in his pursuit of his goals . . . wildly, soberly ambitious, in poetry, in everything.”
I Promise to Be Good: The Letters of Arthur Rimbaud is the second and final volume in Mason’s authoritative presentation of Rimbaud’s writings. Called by Edward Hirsch “the definitive translation for our time,” Mason’s first volume, Rimbaud Complete (Modern Library, 2002), brought Rimbaud’s poetry and prose into vivid focus. In I Promise to Be Good, Mason adds the missing epistolary pieces to our picture of Rimbaud. “These letters,” he writes, “are proofs in all their variety—of impudence and precocity, of tenderness and rage—for the existence of Arthur Rimbaud.” I Promise to Be Good allows English-language readers to see with new eyes one of the most extraordinary poets in history.
From the Hardcover edition.
At seven volumes, three thousand pages, and more than four hundred characters, as well as a towering reputation as a literary classic, Proust’s novel can seem daunting. But though begun a century ago, in 1909, it is in fact as engaging and relevant to our times as ever. Patrick Alexander is passionate about Proust’s genius and appeal—he calls the work “outrageously bawdy and extremely funny”—and in his guide he makes it more accessible to the general reader through detailed plot summaries, historical and cultural background, a guide to the fifty most important characters, maps, family trees, illustrations, and a brief biography of Proust. Essential for readers and book groups currently reading Proust and who want help keeping track of the huge cast and intricate plot, this Reader’s Guide is also a wonderful introduction for students and new readers and a memory-refresher for long-time fans.
Black Performance on the Outskirts of the Left illustrates the black political ideas that radicalized the artistic endeavors of musicians, playwrights, and actors beginning in the 1960s. These ideas paved the way for imaginative models for social transformation through performance. Using the notion of excess—its transgression, multiplicity, and ambivalence—Malik Gaines considers how performances of that era circulated a black political discourse capable of unsettling commonplace understandings of race, gender, and sexuality. Following the transnational route forged by W.E.B. Du Bois, Josephine Baker, and other modern political actors, from the United States to West Africa, Europe and back, this book considers how artists negotiated at once the local, national, and diasporic frames through which race has been represented.
Looking broadly at performances found in music, theater, film, and everyday life—from American singer and pianist Nina Simone, Ghanaian playwrights Efua Sutherland and Ama Ata Aidoo, Afro-German actor Günther Kaufmann, to California-based performer Sylvester—Gaines explores how shared signs of racial legacy and resistance politics are articulated with regional distinction.
Bringing the lens forward through contemporary art performance at the 2015 Venice Biennial, Gaines connects the idea of sixties radicality to today’s interest in that history, explores the aspects of those politics that are lost in translation, and highlights the black expressive strategies that have maintained potent energy. Black Performance on the Outskirts of the Left articulates the role black theatricality played in the radical energy of the sixties, following the evolution of black identity politics to reveal blackness’s ability to transform contemporary social conditions.
Artful is a celebration of literature’s worth in and to the world—it is about the things art can do, the things art is made of, and the quicksilver nature of all artfulness. A magical hybrid that refuses to be tied down to either fiction or the essay form, Artful is narrated by a character who is haunted—literally—by a former lover, the writer of a series of lectures about art and literature. Ali Smith’s heady powers as a novelist and short story writer harmonize with her keen perceptions as a reader and critic to form a living thing that reminds us that life and art are never separate.
Using Chandler’s own words as well as Day’s text, here is the life of “the man with no home,” a man precariously balanced between his classical English education with its immutable values and that of a fast-evolving America during the years before the Great War, and the changing vernacular of the cultural psyche that resulted. Chandler makes clear what it is to be a writer, and in particular what it is to be a writer of “hardboiled” fiction in what was for him “another language.” Along the way, he discusses the work of his contemporaries: Dashiell Hammett, James M. Cain, Hemingway, Fitzgerald, Agatha Christie, W. Somerset Maugham, and others (“I wish,” said Chandler, “I had one of those facile plotting brains, like Erle Gardner”).
Here is Chandler’s Los Angeles (“There is a touch of the desert about everything in California,” he said, “and about the minds of the people who live here”), a city he adopted and that adopted him in the post-World War I period . . . Here is his Hollywood (“Anyone who doesn’t like Hollywood,” he said, “is either crazy or sober”) . . . He recounts his own (rocky) experiences working in the town with Billy Wilder, Howard Hawks, Alfred Hitchcock, and others. . .We see Chandler’s alter ego, Philip Marlowe, private eye, the incorruptible knight with little armor who walks the “mean streets” in a world not made for knights (“If I had ever an opportunity of selecting the movie actor who would best represent Marlowe to my mind, I think it would have been Cary Grant.”) . . . Here is Chandler on drinking (his life in the end was in a race with alcohol—and loneliness) . . . and here are Chandler’s women—the Little Sisters, the “dames” in his fiction, and in his life (on writing The Long Goodbye, Chandler said, “I watched my wife die by half inches and I wrote the best book in my agony of that knowledge . . . I was as hollow as the places between the stars.” After her death Chandler led what he called a “posthumous life” writing fiction, but more often than not, his writing life was made up of letters written to women he barely knew.)
Interwoven throughout the text are more than one hundred pictures that reveal the psyche and world of Raymond Chandler. “I have lived my whole life on the edge of nothing,” he wrote. In his own words, and with Barry Day’s commentary, we see the shape this took and the way it informed the man and his extraordinary work.
From the Hardcover edition.
Through insightful commentary and revealing interviews, you will enter the unique world of Lisbeth Salander, Mikael Blomkvist---and of Stieg Larsson himself---discovering the fascinating real-life experiences and incidents involving Swedish politics, violence against women, and neo-Nazis that are at the heart of Larsson's work.
John-Henri Holmberg, a Swedish author and close friend of Larsson for more than three decades, provides a unique insider's look into the secrets of the author's imaginative universe, his life, and his ideas for future books---including the mysterious "fourth book" in the series, which Larsson had started but not finished at the time of his death.
Included within are answers to compelling questions on every Larsson fan's mind:
· What makes the Lisbeth Salander character so unique and memorable? Why have so many people from all backgrounds and with all kinds of tastes found The Girl with the Dragon Tattoo so riveting?
· What are the speculations---and what is the truth---about Stieg Larsson's tragic death at age fifty, just before the publication of his novels, and the bitter battle over his legacy?
· What changes were made in the plots and translations of the novels after Larsson's death---and why?
· How did Larsson's early interest in science fiction and American and British crime writers feed into his creation of the Millennium trilogy?
· What were Larsson's ideas for the fourth book, and are there any clues to the plots he imagined for his ten-book series? Will we meet Lisbeth's twin sister, Camilla, or any of her other seven siblings that Zalachenko tells her she has?
· Does Lisbeth Salander give feminism a new definition?
· What will happen in the contentious battle between Stieg Larsson's life partner, Eva Gabrielsson, and his father and brother over the future of the books, as well as the billion dollars at stake in his legacy?
· Who are the emerging Swedish crime writers we should pay attention to now?
· And much, much more!
Karin Davis is stuck between a rock and a hard place when her family is hit with a tragedy. Balancing teenagers and an overdue mortgage, Karin decides to go back to her old ways.
In starting her old business she runs into problems and discovers way more than she bargained for. Will she be able to save her family and remain Madam of the subdivision?
Find out in The Secret Life of a Soccer Mom.
Formerly Published as Madam Soccer Mom Series
Keywords: Free Reads, Free Books, Free Romance, Dirty Secret, Happy Ending Romance, Suspense romance, Romantic Suspense, Billionaire Romance, Romance Book free, Free romance, Romance reads
With the cooperation of Sue Grafton, who provided unprecedented access to her working journals, authors Natalie Hevener Kaufman and Carol McGinnis Kay have created a fully dimensional biography of Kinsey Millhone that will answer every question readers have ever had. Here is a feast for Kinsey's fans, including such features as time lines, maps, floor plans, case logs, and photographs.
But this book is also a revealing journey into the mind and work habits of Kinsey's creator. You'll learn why Grafton chose to write detective fiction and how she responds to runaway plot lines and unruly characters. You will find out what titles she has discarded in the series, what she plans for Kinsey's future, and how she sees their evolving relationship. Ultimately, you'll understand why Grafton is so esteemed in the field of detective fiction and, from an analysis of her craft, why she has earned so prominent a place in American letters.
Winner of the American Library in Paris Book Award, 2017
Les Misérables is among the most popular and enduring novels ever written. Like Inspector Javert’s dogged pursuit of Jean Valjean, its appeal has never waned, but only grown broader in its one-hundred-and-fifty-year life. Whether we encounter Victor Hugo’s story on the page, onstage, or on-screen, Les Misérables continues to captivate while also, perhaps unexpectedly, speaking to contemporary concerns. In The Novel of the Century, the acclaimed scholar and translator David Bellos tells us why.
This enchanting biography of a classic of world literature is written for “Les Mis” fanatics and novices alike. Casting decades of scholarship into accessible narrative form, Bellos brings to life the extraordinary story of how Victor Hugo managed to write his novel of the downtrodden despite a revolution, a coup d’état, and political exile; how he pulled off a pathbreaking deal to get it published; and how his approach to the “social question” would define his era’s moral imagination. More than an ode to Hugo’s masterpiece, The Novel of the Century also shows that what Les Misérables has to say about poverty, history, and revolution is full of meaning today.
The essays in this collection grapple with a wide range of issues important to the female sleuth – the most important, perhaps, being the oft-heard challenge to her suitability for the job. Not surprisingly, gender issues are the main focus of all the essays; indeed, in detective novels with a woman protagonist, these issues are often right at the surface.
Some of the papers see the female sleuth as an important force in popular fiction, but many also challenge the notion that the woman detective is a positive model for feminists. They argue that fictional female sleuths have lost the `otherness' that a feminine approach to the genre should encourage. Collectively, the essays also reveal the differences between British and American perspectives on the woman detective.
For nearly half a century, feminist scholars, writers, and fans have successfully challenged the notion that science fiction is all about “boys and their toys,” pointing to authors such as Mary Shelley, Clare Winger Harris, and Judith Merril as proof that women have always been part of the genre. Continuing this tradition, Sisters of Tomorrow: The First Women of Science Fiction offers readers a comprehensive selection of works by genre luminaries, including author C. L. Moore, artist Margaret Brundage, and others who were well known in their day, including poet Julia Boynton Green, science journalist L. Taylor Hansen, and editor Mary Gnaedinger. Providing insightful commentary and context, this anthology documents how women in the early twentieth century contributed to the pulp-magazine community and showcases the content they produced, including short stories, editorial work, illustrations, poetry, and science journalism. Yaszek and Sharp’s critical annotation and author biographies link women’s work in the early science fiction community to larger patterns of feminine literary and cultural production in turn-of-the-twentieth-century America. In a concluding essay, the award-winning author Kathleen Ann Goonan considers such work in relation to the history of women in science and engineering and to the contemporary science fiction community itself.
"No one who has read [Greenblatt's] accounts of More, Tyndale, Wyatt, and others can fail to be moved, as well as enlightened, by an interpretive mode which is as humane and sympathetic as it is analytical. These portraits are poignantly, subtly, and minutely rendered in a beautifully lucid prose alive in every sentence to the ambivalences and complexities of its subjects."—Harry Berger Jr., University of California, Santa Cruz
Detecting Texts includes an introduction by the editors that defines the metaphysical detective story and traces its history from Poe's classic tales to today's postmodernist experiments. In addition to the editors, contributors include Stephen Bernstein, Joel Black, John T. Irwin, Jeffrey T. Nealon, and others.
So it's particularly shocking when Mintar's attractive wife, Virginia, goes missing just after a small dinner party. Her disappearance is eerily reminiscent of the day four years before, when the Mintars' adult daughter Caroline left the house, never to return.
Caroline seems to have vanished off the face of the earth, but Virginia's body is soon found at the bottom of a garden well, and Inspector Luke Thanet and his partner, Sergeant Mike Lineham, who are called in to investigate, quickly discard any idea of accidental death. Virginia was the perfect murder victim. Her outrageous flirting made her many enemies, several of whom were there on the night of her death. They had both reason and opportunity to kill her, but which one took the final, fatal step? Who wanted Virginia dead and gone?
Who was Virginia's latest lover? What does her mother-in-law have to hide? What about Caroline's younger sister and her womanizing fiancé? Thanet and Lineham wonder how they can even begin to unravel the morass of family secrets that complicate this case.
Distracted by his own daughter Bridget's dangerous pregnancy and pushed by his boss to find hard evidence in this high-profile homicide, Luke Thanet feels pressured as never before as he probes into the life and death of one of the most poignant and, finally, shocking cases of his career.
Always a skilled mistress of the classic British crime novel, award-winning author Dorothy Simpson is at the top of her form in this powerful novel of family love gone tragically wrong.
Everyone knows the name of Sherlock Holmes -- the fictional detective created by Arthur Conan Doyle with his superhuman powers of observation and unbeatable methodology for solving crimes. But could his 1800’s philosophy really work in the modern world to solve genuine crimes?
That’s the very question that a real-life US-based private detective asked himself before embarking on the adventure of a lifetime by stepping into Holmes’ shoes and using his mindset to solve real crimes. So effective was this method that he decided to turn his attention to the greatest set of crimes known in history -- the brutal murders perpetrated by the criminal who came to be known as Jack the Ripper.
The author, along with a team of three of the world’s top forensic scientists and criminologists, Dr. Michael M. Baden, Dr. Cyril H. Wecht and Dr. Henry C. Lee, have convincingly solved the infamous Jack the Ripper murders of 1888 London – arguably the world’s most talked-about unsolved murder mystery. But their true-life resolution of the case is presented here in the form of a Sherlock Holmes novel, painstakingly penned faithfully in the style of Sir Arthur Conan Doyle. In it, the author – who actually used Holmes’ methods to uncover the killers’ identity – explains exactly how the crimes were committed and by whom, all in the form of a fast-paced thriller featuring the world’s most beloved detective along with Dr. Watson, from whose point-of-view most of the tale is told. Once the reader has finally been clued in on the final solution, the murders are then revisited from the killers’ perspective.
The story opens in the year 2017 with the sealed box of Holmes’ most controversial cases being opened by Watson’s great grandson Jacob, and among those cases is that of London’s Ripper murders that took place in what was then and has forever after been known as the “Autumn of Terror.” Jacob is shocked to learn the true story, as well as the reasons Holmes deemed the case’s explosive resolution too shocking and incendiary to have been revealed to the public in Victorian England and so to be sealed “entombed in a tin box” for 125 years, as were a number of other cases that are mentioned in some of Doyle’s Holmes stories. Along the way, the actual facts of the case and the evidence that led Randy and his team to the real killer will be revealed to the reader through Holmes’ investigative methods.
The Sherlock Holmes Book is packed with witty illustrations, clear graphics, and memorable quotes that make it the perfect Sherlock Holmes guide, covering every case of the world's greatest detective, from A Study in Scarlet to The Adventure of Shoscombe Old Place, placing the sorties in a wider context. Stories include at-a-glance flowcharts that show how Holmes reaches his conclusions through deductive reasoning, and character guides provide handy reference for readers and an invaluable resource for fans of the Sherlock Holmes films and TV series.
The Sherlock Holmes Book holds a magnifying glass to the world of Sir Arthur Conan Doyle's legendary detective.
On October 16, 1957, Albert Camus was dining in a small restaurant on Paris's Left Bank when a waiter approached him with news: the radio had just announced that Camus had won the Nobel Prize for Literature. Camus insisted that a mistake had been made and that others were far more deserving of the honor than he. Yet Camus was already recognized around the world as the voice of a generation—a status he had achieved with dizzying speed. He published his first novel, The Stranger, in 1942 and emerged from the war as the spokesperson for the Resistance and, although he consistently rejected the label, for existentialism. Subsequent works of fiction (including the novels The Plague and The Fall), philosophy (notably, The Myth of Sisyphus and The Rebel), drama, and social criticism secured his literary and intellectual reputation. And then on January 4, 1960, three years after accepting the Nobel Prize, he was killed in a car accident.
In a book distinguished by clarity and passion, Robert Zaretsky considers why Albert Camus mattered in his own lifetime and continues to matter today, focusing on key moments that shaped Camus's development as a writer, a public intellectual, and a man. Each chapter is devoted to a specific event: Camus's visit to Kabylia in 1939 to report on the conditions of the local Berber tribes; his decision in 1945 to sign a petition to commute the death sentence of collaborationist writer Robert Brasillach; his famous quarrel with Jean-Paul Sartre in 1952 over the nature of communism; and his silence about the war in Algeria in 1956. Both engaged and engaging, Albert Camus: Elements of a Life is a searching companion to a profoundly moral and lucid writer whose works provide a guide for those perplexed by the absurdity of the human condition and the world's resistance to meaning.
With The Getaway Car, we get our first glimpse of another side of Westlake the writer: what he did when he wasn’t busy making stuff up. And it’s fascinating. Setting previously published pieces, many little seen, alongside never-before-published material found in Westlake’s working files, the book offers a clear picture of the man behind the books—including his thoughts on his own work and that of his peers, mentors, and influences. The book opens with revealing (and funny) fragments from an unpublished autobiography, then goes on to offer an extended history of private eye fiction, a conversation among Westlake’s numerous pen names, letters to friends and colleagues, interviews, appreciations of fellow writers, and much, much more. There’s even a recipe for Sloth à la Dortmunder. Really.
Rounded out with a foreword by Westlake’s longtime friend Lawrence Block, The Getaway Car is a fitting capstone to a storied career and a wonderful opportunity to revel anew in the voice and sensibility of a master craftsman.
'Controversial, erotic and radical, Emma Donoghue's lesbian voyage of exploration outlines an astonishing spectrum of gender rebellion which creates a new map of eighteenth-century sexual territories and identities.' Patricia Duncker
PART 1 explores the nature and history of the genre and helpsyou get started with ideas, planning and research.
PART 2 includes tips by bestselling crime writers: Mark Billingham, S.J. Bolton, Alafair Burke, Lee Child, N. J. Cooper, Meg Gardiner, Tess Gerritsen, Sophie Hannah, Jim Kelly, Laura Lippman, Gayle Lynds, Alex McBride, Val McDermid, Dreda Say Mitchell, Sara Paretsky, Jill Paton Walsh, George Pelecanos, Ian Rankin, Peter Robinson, S. J. Rozan, Guy Saville, Yrsa Sigurðardóttir, Dana Stabenow, Andrew Taylor, Charles Todd and Laura Wilson. PART 3 contains practical advice--from shaping plots and exploring your characters to the meaning of writer's block, the power of the rewrite, and how to find an agent when your novel is complete.
Now, devoted fans can delve into her life and work with this definitive guide. The Complete Patricia Cornwell Companion features:
Book-by-book synopses with excerpts and little-known facts
An examination of Cornwell's life, writing accomplishments, and forensic expertise
Character portraits of both good guys and bad guys-from Kay Scarpetta, Pete Marino, and Andy Brazil to the cold-hearted killers
A handy in-depth chronology of all her novels
The many connections between the author's life history and her fascinating fiction
A comprehensive list of settings-from Tangier Island to Paris
Forensic detection "shop talk" and procedures