Never before had there been a large-scale clash between two rival samurai families, the Taira and the Minamoto, and never again would the result of a war in Japan be quite so dramatic. Fought to gain control over the emperor it would end with imperial power being totally eclipsed in favour of the military might of the samurai class and the establishment of the position of Shogun – Japan's military dictator. Turnbull examines the events of the five-year long conflict, revealing the changes that the war inflicted on Japanese culture and the establishment of many of the traditions of the samurai.
Through fascinating stories and full-color historical images that show the samurai in mesmerizing detail, military historian Stephen Turnbull provides an invaluable guide to an enduring legacy.
The earliest samurai warriors were actually aristocratic mounted archers, not swordsmen. Only as the archer gave way to the mounted spearman did swordsmanship come into play. Turnbull details how the history and the legacy of the samurai developed over centuries into a multifaceted, richly elaborate tapestry of martial and societal traditions.
From the first recorded use of the word samurai in the eighth century to the final wars waged in resistance to the Meiji government in the late nineteenth century, this Japanese history book recounts the complex history of these warriors and demonstrates why the samurai continue to fascinate the world today.
As with other classics, many of its themes are timeless. Quotations from the work can be meaningful apart from the thousands of years which separate us from the time and place of its creation.
The Art of War is itself a brief work. However, it is generally packaged with extensive commentary and additional essays, so that it appears to be a book of around 200 pages or more. (This new modern edition is only 40 pages in length.)
Much of what is added to these editions is only interesting to academics or students of the minutiae of history. At the same time, the intentions of readers tends to be to find out what it is that makes this work such a classic, not learn about the history of its commentaries.
This new edition meant to address the needs of the modern reader. By honing the language down to clear formulations, The Art of War can be more readily understood, more enjoyable to read, and more relevant to today.
The English is based on the original translation by Lionel Giles. The 1910 English prose of Giles is awkward to our modern ears, and slows down our reading and appreciation of this classic.
The new modern edition of The Art of War is meant to communicate the authentic essence and meaning of this work in modern, accessible English prose. This version is an abridgement, a shortened form of a work which nevertheless retains the same meaning and upholds the unity of the original.
Abridgement is foremost a cutting away of the inessential parts, which ends up in condensing the work. The key to abridging is to ensure the prose is extremely clear and transparent in meaning, requiring little additional guidance or interpretation to reach understanding.
The first Plantagenet kings inherited a blood-soaked realm from the Normans and transformed it into an empire that stretched at its peak from Scotland to Jerusalem. In this epic narrative history of courage, treachery, ambition, and deception, Dan Jones resurrects the unruly royal dynasty that preceded the Tudors. They produced England’s best and worst kings: Henry II and his wife Eleanor of Aquitaine, twice a queen and the most famous woman in Christendom; their son Richard the Lionheart, who fought Saladin in the Third Crusade; and his conniving brother King John, who was forced to grant his people new rights under the Magna Carta, the basis for our own bill of rights. Combining the latest academic research with a gift for storytelling, Jones vividly recreates the great battles of Bannockburn, Crécy, and Sluys and reveals how the maligned kings Edward II and Richard II met their downfalls. This is the era of chivalry and the Black Death, the Knights Templar, the founding of parliament, and the Hundred Years’ War, when England’s national identity was forged by the sword.
Nicknamed ‘The Anarchy' for its unprecedented levels of chaos and disorder, the succession crisis that followed the death of King Henry I in 1135 resulted in England's first civil war.
‘The Medieval Anarchy: History in an Hour’ neatly covers all the major facts and events giving you a clear and straightforward overview of the plots and violence that ensued during the the nineteen-year conflict. ‘The Medieval Anarchy: History in an Hour’ is engagingly written and accessible for all history lovers.
This, in an hour, is the story of ‘The Medieval Anarchy’ through the personalities, context, events and aftermath of England's first, and often forgotten, civil war.
Love your history? Find out about the world with History in an Hour...
The fourteenth century reflects two contradictory images: on the one hand, a glittering age of crusades, cathedrals, and chivalry; on the other, a world plunged into chaos and spiritual agony. In this revelatory work, Barbara W. Tuchman examines not only the great rhythms of history but the grain and texture of domestic life: what childhood was like; what marriage meant; how money, taxes, and war dominated the lives of serf, noble, and clergy alike. Granting her subjects their loyalties, treacheries, and guilty passions, Tuchman re-creates the lives of proud cardinals, university scholars, grocers and clerks, saints and mystics, lawyers and mercenaries, and, dominating all, the knight—in all his valor and “furious follies,” a “terrible worm in an iron cocoon.”
Praise for A Distant Mirror
“Beautifully written, careful and thorough in its scholarship . . . What Ms. Tuchman does superbly is to tell how it was. . . . No one has ever done this better.”—The New York Review of Books
“A beautiful, extraordinary book . . . Tuchman at the top of her powers . . . She has done nothing finer.”—The Wall Street Journal
“Wise, witty, and wonderful . . . a great book, in a great historical tradition.”—Commentary
NOTE: This edition does not include color images.
An engrossing record of Mao’s impact on China, an unusual window on the female experience in the modern world, and an inspiring tale of courage and love, Jung Chang describes the extraordinary lives and experiences of her family members: her grandmother, a warlord’s concubine; her mother’s struggles as a young idealistic Communist; and her parents’ experience as members of the Communist elite and their ordeal during the Cultural Revolution. Chang was a Red Guard briefly at the age of fourteen, then worked as a peasant, a “barefoot doctor,” a steelworker, and an electrician. As the story of each generation unfolds, Chang captures in gripping, moving—and ultimately uplifting—detail the cycles of violent drama visited on her own family and millions of others caught in the whirlwind of history.
Terry Jones and Alan Ereira are your guides to this most misrepresented and misunderstood period, and they point you to things that will surprise and provoke. Did you know, for example, that medieval people didn't think the world was flat? That was a total fabrication by an American journalist in the 19th century. Did you know that they didn't burn witches in the Middle Ages? That was a refinement of the so-called Renaissance. In fact, medieval kings weren't necessarily merciless tyrants, and peasants entertained at home using French pottery and fine wine.
Terry Jones' Medieval Lives reveals Medieval Britain as you have never seen it before - a vibrant society teeming with individuality, intrigue and innovation.
In Foundation, the chronicler of London and of its river, the Thames, takes us from the primeval forests of England's prehistory to the death, in 1509, of the first Tudor king, Henry VII. He guides us from the building of Stonehenge to the founding of the two great glories of medieval England: common law and the cathedrals. He shows us glimpses of the country's most distant past--a Neolithic stirrup found in a grave, a Roman fort, a Saxon tomb, a medieval manor house--and describes in rich prose the successive waves of invaders who made England English, despite being themselves Roman, Viking, Saxon, or Norman French.
With his extraordinary skill for evoking time and place and his acute eye for the telling detail, Ackroyd recounts the story of warring kings, of civil strife, and foreign wars. But he also gives us a vivid sense of how England's early people lived: the homes they built, the clothes the wore, the food they ate, even the jokes they told. All are brought vividly to life in this history of England through the narrative mastery of one of Britain's finest writers.
Mao Zedong used it to defeat Chiang Kai-shek. Colin Powell thinks every US soldier should be familiar with its principles. New England Patriots coach Bill Belichick built a football dynasty out of lessons learned within its pages. Even Gordon Gekko and Tony Soprano are fans.
In the twenty-five hundred years since it was composed, The Art of War has been applied to just about every field of human endeavor. Sun Tzu’s shrewd advice is indispensible to anyone seeking to gain an advantage over an opponent.
Using a new translation by James Trapp and including editorial notes, this edition of The Art of War lays the original Chinese text opposite the modern English translation. The book contains the full original 13 chapters on such topics as laying plans, attacking by stratagem, weaponry, terrain and the use of spies. Sun Tzu addresses different campaign situations, marching, energy and how to exploit your enemy’s weaknesses.
Of immense influence to great leaders across millennia, The Art of War is a classic text richly deserving this fresh modern translation.
Framed by ten phrases common in the Chinese vernacular—“people,” “leader,” “reading,” “writing,” “Lu Xun” (one of the most influential Chinese writers of the twentieth century), “disparity,” “revolution,” “grassroots,” “copycat,” and “bamboozle”—China in Ten Words reveals as never before the world’s most populous yet oft-misunderstood nation. In “Disparity,” for example, Yu Hua illustrates the mind-boggling economic gaps that separate citizens of the country. In “Copycat,” he depicts the escalating trend of piracy and imitation as a creative new form of revolutionary action. And in “Bamboozle,” he describes the increasingly brazen practices of trickery, fraud, and chicanery that are, he suggests, becoming a way of life at every level of society.
Characterized by Yu Hua’s trademark wit, insight, and courage, China in Ten Words is a refreshingly candid vision of the “Chinese miracle” and all its consequences, from the singularly invaluable perspective of a writer living in China today.
From the Hardcover edition.
Empress Dowager Cixi (1835–1908) is the most important woman in Chinese history. She ruled China for decades and brought a medieval empire into the modern age.
At the age of sixteen, in a nationwide selection for royal consorts, Cixi was chosen as one of the emperor’s numerous concubines. When he died in 1861, their five-year-old son succeeded to the throne. Cixi at once launched a palace coup against the regents appointed by her husband and made herself the real ruler of China—behind the throne, literally, with a silk screen separating her from her officials who were all male.
In this groundbreaking biography, Jung Chang vividly describes how Cixi fought against monumental obstacles to change China. Under her the ancient country attained virtually all the attributes of a modern state: industries, railways, electricity, the telegraph and an army and navy with up-to-date weaponry. It was she who abolished gruesome punishments like “death by a thousand cuts” and put an end to foot-binding. She inaugurated women’s liberation and embarked on the path to introduce parliamentary elections to China. Chang comprehensively overturns the conventional view of Cixi as a diehard conservative and cruel despot.
Cixi reigned during extraordinary times and had to deal with a host of major national crises: the Taiping and Boxer rebellions, wars with France and Japan—and an invasion by eight allied powers including Britain, Germany, Russia and the United States. Jung Chang not only records the Empress Dowager’s conduct of domestic and foreign affairs, but also takes the reader into the depths of her splendid Summer Palace and the harem of Beijing’s Forbidden City, where she lived surrounded by eunuchs—one of whom she fell in love, with tragic consequences. The world Chang describes here, in fascinating detail, seems almost unbelievable in its extraordinary mixture of the very old and the very new.
Based on newly available, mostly Chinese, historical documents such as court records, official and private correspondence, diaries and eyewitness accounts, this biography will revolutionize historical thinking about a crucial period in China’s—and the world’s—history. Packed with drama, fast paced and gripping, it is both a panoramic depiction of the birth of modern China and an intimate portrait of a woman: as the concubine to a monarch, as the absolute ruler of a third of the world’s population, and as a unique stateswoman.
From the Hardcover edition.