The stories are divided into three sections: The Age of Fable or Stories of Gods and Heroes (first published in 1855); The Age of Chivalry (1858), which contains King Arthur and His Knights, The Mabinogeon, and The Knights of English History; and The Legends of Charlemagne or The Romance of the Middle Ages (1863). For the Greek myths, Bulfinch drew on Ovid and Virgil, and for the sagas of the north, from Mallet's Northern Antiquities. provides lively versions of the myths of Zeus and Hera, Venus and Adonis, Daphne and Apollo, and their cohorts on Mount Olympus; the love story of Pygmalion and Galatea; the legends of the Trojan War and the epic wanderings of Ulysses and Aeneas; the joys of Valhalla and the furies of Thor; and the tales of Beowulf and Robin Hood.
Does the sensation of Tingrith(1) make you yelp? Do you bend sympathetically when you see someone Ahenny(2)? Can you deal with a Naugatuck(3) without causing a Toronto(4)? Will you suffer from Kettering(5) this summer?
Probably. You are almost certainly familiar with all these experiences but just didn’t know that there are words for them. Well, in fact, there aren’t—or rather there weren’t, until Douglas Adams and John Lloyd decided to plug these egregious linguistic lacunae(6). They quickly realized that just as there are an awful lot of experiences that no one has a name for, so there are an awful lot of names for places you will never need to go to. What a waste. As responsible citizens of a small and crowded world, we must all learn the virtues of recycling(7) and put old, worn-out but still serviceable names to exciting, vibrant, new uses. This is the book that does that for you: The Deeper Meaning of Liff—a whole new solution to the problem of Great Wakering(8)
1—The feeling of aluminum foil against your fillings.
2—The way people stand when examining other people’s bookshelves.
3—A plastic packet containing shampoo, mustard, etc., which is impossible to open except by biting off
4—Generic term for anything that comes out in a gush, despite all your efforts to let it out carefully, e.g., flour into a white sauce, ketchup onto fish, a dog into the yard, and another naughty meaning that we can’t put on the cover.
5—The marks left on your bottom and thighs after you’ve been sitting sunbathing in a wicker chair.
6—God knows what this means
7—For instance, some of this book was first published in Britain twenty-six years ago.
8—Look it up yourself.
A Wall Street lawyer specializing in bonds and mortgages hires a respectable young man to copy legal documents by hand. At first, the new scrivener approaches his duties with a calm efficiency. Then comes the day when his response to a new assignment is, “I would prefer not to.” The mysterious phrase soon becomes Bartleby’s reply to everything asked of him, and his surrender to inertia is both maddening and inexorable. Torn between frustration and pity, anger and sorrow, his employer desperately tries to save Bartleby, but the cause is as doomed to disappointment as life itself.
A strange and haunting fable that continues to resonate a century and a half after it was first published, Bartleby, the Scrivener is a masterpiece of American literature.
This ebook has been professionally proofread to ensure accuracy and readability on all devices.
"Though there have been many valuable English translations of Don Quixote, I would commend Edith Grossman's version for the extraordinarily high quality of her prose. The Knight and Sancho are so eloquently rendered by Grossman that the vitality of their characterization is more clearly conveyed than ever before. There is also an astonishing contextualization of Don Quixote and Sancho in Grossman's translation that I believe has not been achieved before. The spiritual atmosphere of a Spain already in steep decline can be felt throughout, thanks to her heightened quality of diction.
Grossman might be called the Glenn Gould of translators, because she, too, articulates every note. Reading her amazing mode of finding equivalents in English for Cervantes's darkening vision is an entrance into a further understanding of why this great book contains within itself all the novels that have followed in its sublime wake."
From the Introduction by Harold Bloom
Miguel de Cervantes was born on September 29, 1547, in Alcala de Henares, Spain. At twenty-three he enlisted in the Spanish militia and in 1571 fought against the Turks in the battle of Lepanto, where a gunshot wound permanently crippled his left hand. He spent four more years at sea and then another five as a slave after being captured by Barbary pirates. Ransomed by his family, he returned to Madrid but his disability hampered him; it was in debtor's prison that he began to write Don Quixote. Cervantes wrote many other works, including poems and plays, but he remains best known as the author of Don Quixote. He died on April 23, 1616.
'Stars, hide your fires!
Let not light see my black and deep desires.'
One of Shakespeare's darkest and most violent tragedies, Macbeth's struggle between his own ambition and his loyalty to the King is dramatically compelling. As those he kills return to haunt him, Macbeth is plagued by the prophecy of three sinister witches and the power hungry desires of his wife.
This new edition includes a comprehensive introduction that summarizes some of the most important historical events and movements that defined the world of Chaucer and his pilgrims; two additional tales (Reeve’s and Shipman’s); introductions for each tale designed to prepare the reader for a better understanding and enjoyment of the tale; newly written and conveniently placed explanatory notes; and a new, more easily understood system for learning to pronounce Chaucerian Middle English.
From the Paperback edition.
Shakespeare’s timeless story of revenge, corruption, and murder is considered one of the greatest works in the English language. Prince Hamlet sets out to avenge his beloved father's death at the hand of his uncle Claudius — but Hamlet's spiral into grief and madness will have permanent and immutable consequences for the Kingdom of Denmark. Composed over 400 years ago, Hamlet remains one of the theater’s most studied and performed works, and is presented here in a stunning, sound-rich full-cast recording alongside the text.
By merging text and audio, this ebook is a perfect learning tool for enhancing comprehension and enjoyment, and is highly recommended as a study aid for students, teachers, actors and directors. Widely read in high school and college, Hamlet is a text exemplar of the Common Core State Standards for English Language Arts.
Includes scene-by-scene and word-for-word text and audio of L.A. Theatre Works’ full cast performance starring:
Josh Stamberg as Hamlet
Stephen Collins as King Claudius
JoBeth Williams as Queen Gertrude
Stacy Keach as Ghost
Alan Mandell as Polonius
Emily Swallow as Ophelia
JD Cullum as Laertes
Matthew Wolf as Horatio
Mark Capri as Ambassador and others
Josh Clark as Gravedigger, Voltemand and others
Henri Lubatti as Rosencrantz and others
Jon Matthews as Guildenstern and others
Darren Richardson as Player Queen and others
André Sogliuzzo as Reynaldo and others.
Directed by Martin Jarvis for L.A. Theatre Works.
Lead funding for this production is generously provided by the Rosenthal Family Foundation.