Show Your Work! is about why generosity trumps genius. It’s about getting findable, about using the network instead of wasting time “networking.” It’s not self-promotion, it’s self-discovery—let others into your process, then let them steal from you. Filled with illustrations, quotes, stories, and examples, Show Your Work! offers ten transformative rules for being open, generous, brave, productive.
In chapters such as You Don’t Have to Be a Genius; Share Something Small Every Day; and Stick Around, Kleon creates a user’s manual for embracing the communal nature of creativity— what he calls the “ecology of talent.” From broader life lessons about work (you can’t find your voice if you don’t use it) to the etiquette of sharing—and the dangers of oversharing—to the practicalities of Internet life (build a good domain name; give credit when credit is due), it’s an inspiring manifesto for succeeding as any kind of artist or entrepreneur in the digital age.
When Mr. Kleon was asked to address college students in upstate New York, he shaped his speech around the ten things he wished someone had told him when he was starting out. The talk went viral, and its author dug deeper into his own ideas to create Steal Like an Artist, the book. The result is inspiring, hip, original, practical, and entertaining. And filled with new truths about creativity: Nothing is original, so embrace influence, collect ideas, and remix and re-imagine to discover your own path. Follow your interests wherever they take you. Stay smart, stay out of debt, and risk being boring—the creative you will need to make room to be wild and daring in your imagination.
This book is a compilation of aircraft scale modelling techniques, step by step guides with hundreds of colour pictures for WWI, WWII, coldwar and modern aircraft, showing a wide range of painting and weathering techniques. All aspects of aircraft modelling are covered in a way that is both easy to understand and follow. From tools, and how to use various materials, to camouflage painting, markings, engines, pilots, etc. This is a must have for aircraft modelers. F.A.Q. is a compendium of the main techniques used in aircraft modelling, explained from a beginner level, through to the most complex of tasks. Created by world famous modeller, Daniel Zamarbide, and aided by the most prominent aircraft modellers in Europe.
For the first time ever, drawing instructor and graphic novelist Mark Crilley brings his easy-to-follow artistic instruction to aspiring artists in the form of a comic book, providing you with a one-of-a-kind how-to experience. In The Drawing Lesson, you’ll meet David—a young boy who wants nothing more than to learn how to draw. Luckily for David, he’s just met Becky—his helpful drawing mentor. Page by page, Becky teaches David (and you!) about the essential fundamentals that artists need in order to master drawing, all in a unique visual format. In panel after panel, Crilley provides lessons on shading, negative space, creating compositions, and more, with accompanying exercises that you can try for yourself. Are you ready to start your drawing lesson today?
From the Trade Paperback edition.
The book is intended as a main text in history of art education courses, as a supplemental text in courses in art education methods and history of education, and as a resource for students, professors and researchers.
From the Trade Paperback edition.
From the Trade Paperback edition.
Students of art hailed Classical Drawing Atelier, Juliette Aristides’s first book, as a dynamic return to the atelier educational model. Ateliers, popular in the nineteenth century, teach emerging artists by pairing them with a master artist over a period of years. The educational process begins as students copy masterworks, then gradually progress to painting as their skills develop. The many artists at every level who learned from Classical Drawing Atelier have been clamoring for more of this sophisticated approach to teaching and learning. In Classical Painting Atelier, Aristides, a leader in the atelier movement, takes students step-by-step through the finest works of Old Masters and today’s most respected realist artists to reveal the principles of creating full-color realist still lifes, portraits, and figure paintings. Rich in tradition, yet practical for today’s artists, Classical Painting Atelier is ideal for serious art students seeking a timeless visual education.
Over 170 profiles cover schemes from the most common camouflage to the most original and unusual vehicles used by the DAK and Regio Esercito, including major artillery pieces used in Africa, highlighting above all the powerful 88 mm Flak 18/36/37.
Through the 108 pages of this book, you will find inspiration for your next African modelling project; projects that you can enhance further with the AK 550 Africa Korps Colors Acrylic Set, and the AK 068 DAK Weathering Set.
From the Trade Paperback edition.
Contents include a review of materials and tools of rendering; handling the pen and building tones; value studies; kinds of outline and their uses; drawing objects in light and shade; handling groups of objects; basic principles of composition; using photographs, study of the work of well-known artists; on-the-spot sketching; representing trees and other landscape features; drawing architectural details; methods of architectural rendering; examination of outstanding examples of architectural rendering; solving perspective and other rendering problems; handling interiors and their accessories; and finally, special methods of working with pen including its use in combination with other media.
The book is profusely illustrated with over 300 drawings that include the work of famous illustrators and renderers of architectural subjects such as Rockwell Kent, Charles Dana Gibson, James Montgomery Flagg, Willy Pogany, Reginald Birch, Harry Clarke, Edward Penfield, Joseph Clement Coll, F.L. Griggs, Samuel V. Chamberlain, Louis C. Rosenberg, John Floyd Yewell, Chester B. Price, Robert Lockwood, Ernest C. Peixotto, Harry C. Wilkinson, Bertram Grosvenor Goodhue, and Birch Burdette Long. Best of all, Arthur Guptill enriches the text with drawings of his own.
Completely free of arty jargon, this full-color guide has all the hands-on instruction you need to master the basics. You’ll see how to plan a painting, build an image in layers, mix colors, and create stunning compositions. You’ll also find everything you need to know about oil paints, solvents, and pigments; brushes, palettes, and painting surfaces; and how to keep costs down at the art supply store. Discover how to:Choose the right supplies Set up your studio and care for your equipment Handle your materials safely Develop your design and composition skills Make practice sketches and studies Use broken stroke, dry brush, glazing, scraffito and other brush strokes Try out different compositions Mix any color you want Simplify tricky still-life subjects Paint landscapes and common objects out doors Paint portraits and the human form
Complete with handy color chart, basic materials list, and a very useful viewing square, Oil Painting For Dummies is the fun and easy way to discover your inner artist!
This instructive book presents excellent annotated line drawings of anatomical structure for the beginning artist. Explaining the subject in simple terms and with an extensive series of dynamic illustrations, the author identifies parts of the body and demonstrates a wide array of physical activities through his sketches. Following notes on proportion and drawing, chapters cover the human skeleton, head and neck, torso, arm, hand, leg, foot, and musculature. Numerous illustrations depict various views of these structures, movements of the human figure, as well as changes in the relative proportions of features at different ages.
One of the best books in its field, Anatomy and Drawing helps demystify a complex subject by enabling students to visualize the muscles and bones under the skin, and covers just about everything a beginner needs to know about drawing the human anatomy.
In this book, Donna leads you through all the strokes you need - shell strokes, C-strokes and more - to create leaves, roses, fruit, ribbons and many other beautiful subjects. You'll also find 12 step-by-step projects that show how Donna's One-Stroke method can be used to decorate an exciting variety of surfaces in just a few easy strokes.
The One-Stroke method is perfect for the beginner, and so versatile that decorative artists of any skill level will enjoy its speed and simplicity.
The 209 pages of drawings in this volume show the human body in a wide variety of positions, viewed from many different angles. Marsh directs special attention to those angles, aspects, and physical positions which are the most difficult to portray. His great talent, coupled with a rare ability to instruct others (Marsh taught at the Art Students League for many years) gave him unusual sensitivity to the concerns of the artist in life drawing: his concise commentary on the drawing points up the problems addressed in each — tone, movement, proportion, composition, etc. The front, side, back, head, arms and hands, legs and feet, and full figure drawings are all included. A separate section on the problems of proportion explores 7, 7 1/2, and 8 head schemes, providing an unusually workable and lucid treatment of the topic for the practicing artist. The body and parts of the body are drawn in skeleton, tissue and muscle, major bone structure, and as they appear in life. Marsh studied medical anatomy as well as the work of the great medical artists in order to perfect his knowledge of human anatomy.
All of the hundreds of drawings, figures, and details of this volume have been excellently reproduced in this edition. The last 95 drawings in the book are all original studies by Marsh, never before published in book form. These casual, light-hearted drawings (mostly of female nudes) illustrate both Marsh's seemingly easy mastery of the techniques of life drawing, and his characteristic lusty, Rubenesque style. Because they are so distinctly in his own style, these drawings highlight the great scope and knowledgeability he has shown in the earlier instructive studies. Those who know and admire Marsh as an artist, as well as anyone who wishes to learn to draw from life, will find this volume indispensable.
Automotive Cheap Tricks & Special F/X II, the ultimate book of automotive custom painting has been released. Automotive Cheap Tricks & Special F/X II is a compilation of step-by-step instruction by Craig Fraser, one of the greatest forces behind the popularization of automotive custom painting. In fact, Special F/X II far exceeds its predecessor, F/X I, in superior design, nearly double the content (31 chapters, including 11 introductory sub-chapters and a comprehensive glossary), and size (212 pages). The subtitle, Learn How to Paint Cars, Trucks, Motorcycles, Musical Instruments, Surfboards, and R.C. Cars, really says it all, and lives up to its promise with some of the most cutting-edge work dissected for your reference and execution.
This amazing visual smorgasbord tutors on how to achieve stunning graphics, special effects, murals, pinstriping, and more for beginners and pros. It’s especially fascinating how perceptually difficult effects (bullet holes, fire, water droplets, old school flames, and tons more) and textures (alligator and dragon skin, chrome, cheetah fur, faux f/x, and many others) are so easily rendered with stencils, freehand shields, a variety of tapes, vinyl, and even a torch! It almost seems as if the author gave away too much, like a magician who would surprisingly reveal his secrets with impunity.
Fraser was thoughtful enough to include enough editorial and instruction for newbies that includes a Back to Da’ Basics chapter, and some great articles on self-promotion, the zen of custom painting, how to photograph your artwork (the importance of this cannot be overstated), the paint and equipment you’ll need to get started, and the business of custom painting.
In great, painstaking detail throughout, the book also addresses critically essential information on the proper sequences and steps to working with urethanes and clearcoats, among other things. The fact that improper methods can lead to catastrophic results on, say, a $100,000 vehicle makes this book even more important.
Chapters include: Flamin’ Out A Killer Skull (skull and flames on a motorcycle tank), Steampunk Guitar (mind-blowing; gorgeous), Formula Drift (classic graphics with stunning results), Dragon Drums, Da Kine Surf-Tiki (Craig proves that you, too, can paint a bitchin’ surfboard), Rice Fink (sure to be a big favorite), RC Car (you better read this before you attempt one), Donkey Frog, and Homage A Giger (H.R., that is).
Automotive Cheap Tricks & Special F/X II is beautifully printed in full color and on heavy paper stock, and it’s obvious that the publisher spared no expense in producing it. At $34.95 this volume is a steal. And it is, without question, the new gold standard for books on automotive custom painting and will remain so for years to come."
Do you know that?
In one day, your blood travels 12,000 miles around your body. That’s four times the distance across the US from coast-to-coast.
The only part of the body that has no blood supply is the cornea in the eye. It takes in oxygen directly from the air.
The enamel on the top surface of our tooth is the hardest part of the entire body.
You have no sense of smell when you're sleeping.
The brain grows quickest till the age of 5.
Every drop of blood in your body is filtered by your body over 300 times a day.
Your skeleton keeps changing every 10 years that means your bodies keep renewing themselves so every 10 year you have a new skeleton.
Blinking helps to wash tears over our eyeballs. That keeps them clean and moist.
Our fingers don't have any muscles. The muscles which move our finger joints are located in the palm and up in the forearm.
An average person has over 1,460 dreams a year which is about 4 dreams every night.
All babies are color blind when they are born so they only see black and white.
Blood is 6 times thicker than water.
Inside all of us is around 0.2 milligrams of gold, most of which is in our blood.
If the human brain were a computer, it could perform 38 thousand-trillion operations per second. The world’s most powerful supercomputer can manage only .002% of that.
As you read this book over and over to your child it won't be long before they are the ones pointing to the picture and telling you what it is. The author Katy Gleit wrote this book for her own two grandchildren Dani and Deia: In "Your Body: 100 Illustrated Fun Facts " your children are given a well-selected knowledge along with entertaining information about the human body. In addition, a set of wonderful pictures show exactly what a human body looks like.
Why do clouds sometimes look like cotton wool in landscape paintings? And why do mountains sometimes end up resembling pointed cones topped with cream?
Available in Kindle, large and small editions, this art book aims to offer guidance on overcoming common 'peeves' in landscape art.
If the issue persists, the problem is likely to become a creative block. This is where this book comes in.
With no-nonsense and at times direct advice, each issue is tackled in-depth: a diagnostic of the problem, suggested solutions in the form of recommended art materials and remedial painting exercises, as well as an oil painting demonstration.
In total, 26 common “peeves” associated with landscape painting are tackled within this book, including why shadows look like black splodges, trees like lollypops and why flowers look garish. In five clear sections, a myriad of other matters relating to landscape painting are explained, such as the colour theory, the rules of perspectives and introductory chapters on the essentials of oil painting, in total, with countless colour illustrations and diagrams.
Dimensions of large edition: 10x8in and 84 pages.
The author has taught oil painting and life drawing in Warwickshire. She obtained her Bachelor of Arts degree from Kingston University in Surrey and a PCET Teaching qualification from Warwick University.
The book is structured in three main blocks. The first part contains the different techniques and materials we have at our disposal in order to be able to represent as many different effects as it is necessary.
The second block walks us through a greatly visual and detailed description of the different processes and materials involved in representing these effects on different types of locomotives and wagons. A variety of techniques and work carried out by some of the best European and American modellers.
On the third section we will see how to weather railway buildings and rail station structures and their elements. This goes together with a chapter full of real reference pictures of trains from around the world that will really delight the reader and push many to start with the hobby.