Jon is massively strange. He wears 1950s clothes, has a side-parting and a twitch. The kids at school call him 'Slackjaw'. When Luke discovers his secret, Jon changes his life in more ways than he can imagine.
Luke and Jon is a coming of age novel about family, bereavement and how lives can change forever in a single second. Written with great power, warmth and humour, it signals a hugely engaging and original new voice. Compelling and emotionally acute, it is a unique debut.
Donald Bailey is sixteen. He can't forget the trouble that happened when he was eight, when the police were called. His mother can't forget either and even leaving their home town doesn't help. Then Donald befriends Jake, who is eight years old and terrifyingly vulnerable. As he tries to protect him, Donald fails to see the most obvious danger. And that the trouble might be closer than
Following Robert Williams's prize-winning debut Luke and Jon, How the Trouble Started is a dark, gripping novel about childhood, morality and the loneliness of children and adults. Told with Robert Williams's characteristic warmth, humanity and deceptively light touch, it is a story about how our best and worst intentions can lead us astray, and the moments we can never leave behind.
The volume includes an introduction by Rebecca Zorach and two final, synoptic essays, as well as contributions from some of the most prominent thinkers on Renaissance art including Stephen Campbell, Michael Cole, Frederika Jakobs, Claire Farago, and Matt Kavaler.
In the late 20th and early 21st century, diverse forms of commonplace and popular art appeared to be coalescing into a formidable faction of new painted realism. The new school of imagery was a product of art that didn’t fit comfortably into the accepted definition of fine art. It embraced some of the figurative graphics that formal art academia tended to reject: comic books, movie posters, trading cards, surfer art, hot rod illustration, to mention a few.
This alternative art movement found its most apt participant in one of America’s most controversial underground artists, the painter, Robert Williams. It was this artist who brought the term “lowbrow” into the fine arts lexicon, with his groundbreaking 1979 book, The Lowbrow Art of Robt. Williams. Williams pursued a career as a fine arts painter years before joining the art studio of Ed “Big Daddy” Roth in the mid-1960s. From this position he moved into the rebellious, anti-war circles of early underground comix, as one of the celebrated ZAP cartoonists.
Featuring an introductory essay by Coagula Art Journal founder Mat Gleason along with a new art manifesto and foreword by Williams himself, as well as tons of rare photos and ephemera.
The Nortons sell their town-house and set up home in an isolated barn. Secluded deep in the forest, they are finally approaching peace - until one night a group of men comes through the trees, ready to upend their lives and threaten everything they've built.
Into the Trees is the story of four dispossessed people, drawn to the forest in search of something they lack and finding their lives intertwining in ways they could never have imagined. In hugely evocative and lyrical writing, Robert Williams lays bare their emotional lives, set against the intense and mysterious backdrop of the forest. Compelling and haunting, Into the Trees is a magisterial novel.