A number of motifs appear throughout these essays, including the politics of separation, the persistence of racist discourse in North America (and of attempts to counter it), the role of education in informing public debate, the existence of communally-held social values in Canada, the necessity of the arts, the power of language, and the relation between social choice and indeterminacy.
The first essay, 'Giddy Limits,' ranges the most widely, drawing on examples from history and literature, geography and popular culture. It elucidates the politics of various recurrent rhetorical strategies in Canadian cultural commentary. The second essay, 'The Edge of Everything,' pursues a series of specific applications of 'border rhetoric' (including irony, national policies, and oppositional strategies) to Canada-US relations. The third essay, 'The Centre of Somewhere Else,' looks in part at the rhetoric of two contemporary writers (Seattle's David Guterson and Victoria's Jack Hodgins) in relation to the 1859 Pig War and to curricular reform. This final essay demonstrates further how the large issues raised in the first two essays resonate both in historical narrative and in contemporary social and cultural practice.
Marcinko was almost inhumanly tough, and proved it on hair-raising missions across Vietnam and a war-torn world: blowing up supply junks, charging through minefields, jumping at 19,000 feet with a chute that wouldn't open, fighting hand-to-hand in a hellhole
jungle. For the Pentagon, he organized the Navy's first counterterrorist unit: the legendary SEAL TEAM SIX, which went on classified missions from Central America to the Middle East, the North Sea, Africa and beyond.
Then Marcinko was tapped to create Red Cell, a dirty-dozen team of the military's most accomplished and decorated counterterrorists. Their unbelievable job was to test the defenses of the Navy's most secure facilities and installations. The result was predictable: all hell broke loose.
Here is the hero who saw beyond the blood to ultimate justice -- and the decorated warrior who became such a maverick that the Navy brass wanted his head on a pole, and for a time, got it. Richard Marcinko -- ROGUE WARRIOR.
William J. Bennett has collected hundreds of stories in The Book of Virtues, an instructive and inspiring anthology that will help children understand and develop character -- and help adults teach them. From the Bible to American history, from Greek mythology to English poetry, from fairy tales to modern fiction, these stories are a rich mine of moral literacy, a reliable moral reference point that will help anchor our children and ourselves in our culture, our history, and our traditions -- the sources of the ideals by which we wish to live our lives. Complete with instructive introductions and notes, The Book of Virtues is a book the whole family can read and enjoy -- and learn from -- together.
This is Christy Brown's own story. He recounts his childhood struggle to learn to read, write, paint and finally type, with the toe of his left foot. In this manner he wrote his bestseller Down all the Days.
In Reading Like a Writer, Prose invites you to sit by her side and take a guided tour of the tools and the tricks of the masters. She reads the work of the very best writers—Dostoyevsky, Flaubert, Kafka, Austen, Dickens, Woolf, Chekhov—and discovers why their work has endured. She takes pleasure in the long and magnificent sentences of Philip Roth and the breathtaking paragraphs of Isaac Babel; she is deeply moved by the brilliant characterization in George Eliot's Middlemarch. She looks to John Le Carré for a lesson in how to advance plot through dialogue, to Flannery O'Connor for the cunning use of the telling detail, and to James Joyce and Katherine Mansfield for clever examples of how to employ gesture to create character. She cautions readers to slow down and pay attention to words, the raw material out of which literature is crafted.
Written with passion, humor, and wisdom, Reading Like a Writer will inspire readers to return to literature with a fresh eye and an eager heart.
For the first time in one volume, The History of the Hobbit presents the complete unpublished text of the original manuscript of J.R.R.Tolkien’s The Hobbit, accompanied by John Rateliff's lively and informative account of how the book came to be written and published. As well as recording the numerous changes made to the story both before and after publication, it examines – chapter-by-chapter – why those changes were made and how they reflect Tolkien's ever-growing concept of Middle-earth.
The Hobbit was first published on 21 September 1937. Like its successor, The Lord of the Rings, it is a story that "grew in the telling", and many characters and story threads in the published text are completely different from what Tolkien first wrote to read aloud to his young sons as part of their "fireside reads".
As well as reproducing the original version of one of literature's most famous stories, both on its own merits and as the foundation for The Lord of the Rings, this new book includes many little-known illustrations and previously unpublished maps for The Hobbit by Tolkien himself. Also featured are extensive annotations and commentaries on the date of composition, how Tolkien's professional and early mythological writings influenced the story, the imaginary geography he created, and how Tolkien came to revise the book years after publication to accommodate events in The Lord of the Rings.
Like Christopher Tolkien’s The History of The Lord of the Rings before it, this is a thoughtful yet exhaustive examination of one of the most treasured stories in English literature. Long overdue for a classic book now celebrating 75 years in print, this companion edition offers fascinating new insights for those who have grown up with this enchanting tale, and will delight those who are about to enter Bilbo's round door for the first time.
Murders at Gabriel's Trails: The Complete 5 Part Series includes all suspenseful urban stories packed with intertwining stories of lust, revenge, shocking twists of fate and even murder, all rooting from one single source of questionable love!
Even better is the unreleased bonus story titled Sins of Bain which is included in this complete collection that takes readers into the mind and make of the mysterious, powerful, and intriguing character named Bain from where this story begins! Read a summary of the suspense Murders at Gabriel's Trails below!
Follow the lives of individuals who come from different sides of the trails as they collide, and the truth becomes blurred with lies, revenge, betrayals, and murder when a wealthy, underage, teenage girl gets involved with a street savvy gangster. When the love affair goes wrong, it unleashes a brutal fury on the streets of the roughest neighborhood around - Gabriel's Trails.
Everything isn't always cut and dry in Gabriel's Trails, and even the innocent don't stand a chance.
The Dark Tower series is the backbone of Stephen King's legendary career. Eight books and more than three thousand pages make up this bestselling fantasy epic.
The Complete Concordance is an entertaining and incredibly useful guide to Stephen King’s epic Dark Tower series, covering books I-VII and The Wind Through the Keyhole, and is the definitive encyclopedic reference book that provides readers with everything they need to navigate their way through the series. With hundreds of characters, Mid-World geography, High Speech lexicon, and extensive cross-references, this comprehensive handbook is essential for any Dark Tower fan.
-Characters and Genealogies
-Magical Objects and Forces
-Mid-World and Our World Places
-Portals and Magical Places
-Mid-, End-, and Our World Maps
-Timeline for the Dark Tower Series
-Mid-World Rhymes, Songs, and Prayers
-Political and Cultural References
-References to Stephen King’s Own Work
Sayre Street Books offers the world's greatest literature in easy to navigate, beautifully designed digital editions.
One minute Mia Quinn is in her basement, chatting on the phone with a colleague at the prosecutor’s office. The next minute she hears a gunshot over the line, and Mia listens in horror as her colleague and friend Colleen bleeds to death.
Mia’s a natural for heading up the murder investigation, but these days it’s all she can do to hold her life together. As a new widow with a pile of debts, a troubled teenaged son, and a four-year-old who wakes up screaming at night, she needs more time with her family, not less—and working Colleen’s case will be especially demanding. But Colleen was her friend, and she needs to keep her job. So Mia reluctantly teams up with detective Charlie Carlson to investigate. But the deeper they dig, the more complications unfold—even the unsettling possibility that someone may be coming after her.
Lis Wiehl’s signature plot twists and relatable characters shine in this absorbing series debut . . . with an intriguing cameo from her best-selling Triple Threat series.
“A stunning crime series debut . . . Smart, suspenseful, and full of twists that only an insider like Wiehl could pull off .” —Linda Fairstein, New York Times best-selling author
Contributors include Russell Banks, Donald Barthelme, Rick Bass, Richard Bausch, Charles Baxter, Amy Bloom, T.C. Boyle, Kevin Brockmeier, Robert Olen Butler, Sandra Cisneros, Peter Ho Davies, Janet Desaulniers, Junot Diaz, Anthony Doerr, Stuart Dybek, Deborah Eisenberg, Richard Ford, Mary Gaitskill, Dagoberto Gilb, Ron Hansen, A.M. Homes, Mary Hood, Denis Johnson, Edward P. Jones, Thom Jones, Jamaica Kincaid, Jhumpa Lahiri, David Leavitt, Kelly Link, Reginald McKnight, David Means, Susan Minot , Rick Moody, Bharati Mukherjee, Antonya Nelson, Joyce Carol Oates, Tim O’Brien, Daniel Orozco, Julie Orringer, ZZ Packer, Annie Proulx, Stacey Richter, George Saunders, Joan Silber, Leslie Marmon Silko, Susan Sontag, Amy Tan, Melanie Rae Thon, Alice Walker, and Steve Yarbrough.
In A Moveable Feast, Hemingway speaks of sitting in a café in Paris and writing about what he knew best—and when it came time to stop, he “did not want to leave the river.” The story was the unforgettable classic “Big Two-Hearted River,” and from its first words we do not want to leave the river either. He also wrote articles for The Toronto Star on fishing in Canada and Europe and, later, articles for Esquire about his growing passion for big-game fishing. Two of his last books, The Old Man and the Sea and Islands in the Stream, celebrate his vast knowledge of the ocean and his affection for its great denizens.
Hemingway on Fishing is an encompassing, diverse, and fascinating assemblage. From the early Nick Adams stories and the memorable chapters on fishing the Irati River in The Sun Also Rises to such late novels as Islands in the Stream, this collection traces the evolution of a great writer’s passion, the range of his interests, and the sure use he made of fishing, transforming it into the stuff of great literature.
Anglers and lovers of great writing alike will welcome this important collection.
In Letters from the Earth, Twain presents himself as the Father of History -- reviewing and interpreting events from the Garden of Eden through the Fall and the Flood, translating the papers of Adam and his descendants through the generations. First published fifty years after his death, this eclectic collection is vintage Twain: sharp, witty, imaginative, complex, and wildly funny.
When it was first published in 1970, The Black Woman introduced readers to an astonishing new wave of voices that demanded to be heard. In this groundbreaking volume of original essays, poems, and stories, a chorus of outspoken women -- many who would become leaders in their fields: bestselling novelist Alice Walker, poets Audre Lorde and Nikki Giovanni, writer Paule Marshall, activist Grace Lee Boggs, and musician Abbey Lincoln among them -- tackled issues surrounding race and sex, body image, the economy, politics, labor, and much more. Their words still resonate with truth, relevance, and insight today.
Taking his title from Richard Wright’s poem "The FB Eye Blues," Maxwell details how the FBI threatened the international travels of African American writers and prepared to jail dozens of them in times of national emergency. All the same, he shows that the Bureau’s paranoid style could prompt insightful criticism from Hoover’s ghostreaders and creative replies from their literary targets. For authors such as Claude McKay, James Baldwin, and Sonia Sanchez, the suspicion that government spy-critics tracked their every word inspired rewarding stylistic experiments as well as disabling self-censorship.
Illuminating both the serious harms of state surveillance and the ways in which imaginative writing can withstand and exploit it, F.B. Eyes is a groundbreaking account of a long-hidden dimension of African American literature.
Altogether there are more than forty stories, providing a rich and varied literary feast and showing Dylan Thomas in all his intriguing variety-somber fantasist, joyous word-spinner, comedian of smalltown Wales. The book includes an entertaining, informative reflection on Thomas by another Welsh poet and storyteller, Leslie Norris, as well as a brief listing of publication details by Professor Walford Davies, editor of Dylan Thomas: Early Prose Works.
Twenty-three young people, ages ten through eighteen, recount in vivid detail the horrors they lived through, day after day. As powerful as The Diary of Anne Frank and Zlata's Diary, here are children's experiences—all written with an unguarded eloquence that belies their years. The diarists include a Hungarian girl, selected by Mengele to be put in a line of prisoners who were tortured and murdered; a Danish Christian boy executed by the Nazis for his partisan work; and a twelve-year-old Dutch boy who lived through the Blitzkrieg in Rotterdam. In the Janowska death camp, eleven-year-old Pole Janina Heshele so inspired her fellow prisoners with the power of her poetry that they found a way to save her from the Nazi ovens. Mary Berg was imprisoned at sixteen in the Warsaw ghetto even though her mother was American and Christian. She left an eyewitness record of ghetto atrocities, a diary she was able to smuggle out of captivity. Moshe Flinker, a sixteen-year-old Netherlander, was betrayed by an informer who led the Gestapo to his family's door; Moshe and his parents died in Auschwitz in 1944. They come from Czechoslovakia, Austria, Israel, Poland, Holland, Belgium, Hungary, Lithuania, Russia, England, and Denmark. They write in spare, searing prose of life in ghettos and concentration camps, of bombings and Blitzkriegs, of fear and courage, tragedy and transcendence. Their voices and their vision ennoble us all.
Bordo also shows how generations of polemicists, biographers, novelists, and filmmakers imagined and re-imagined Anne: whore, martyr, cautionary tale, proto “mean girl,” feminist icon, and everything in between. In this lively book, Bordo steps off the well-trodden paths of Tudoriana to expertly tease out the human being behind the competing mythologies.
Suitable for use by students, tutors, writers’ groups or writers working alone, this book offers:a practical and inspiring section on the creative process, showing you how to stimulate your creativity and use your memory and experience in inventive ways in-depth coverage of the most popular forms of writing, in extended sections on fiction, poetry and life writing, including biography and autobiography, giving you practice in all three forms so that you might discover and develop your particular strengths a sensible, up-to-date guide to going public, to help you to edit your work to a professional standard and to identify and approach suitable publishers a distinctive collection of exciting exercises, spread throughout the workbook to spark your imagination and increase your technical flexibility and control a substantial array of illuminating readings, bringing together extracts from contemporary and classic writings in order to demonstrate a range of techniques that you can use or adapt in your own work.
Creative Writing: A Workbook with Readings presents a unique opportunity to benefit from the advice and experience of a team of published authors who have also taught successful writing courses at a wide range of institutions, helping large numbers of new writers to develop their talents as well as their abilities to evaluate and polish their work to professional standards. These institutions include Lancaster University and the University of East Anglia, renowned as consistent producers of published writers.
We all need refreshers every now and then. Whether you are a student trying to cram for that big final, or someone just trying to understand a book more, BookCaps can help. We are a small, but growing company, and are adding titles every month.
These six new chapters are "Popular Culture," "Diversity," "Imperialism/Nationalism," "Desire," "Ethics," and "Class," by John Fiske, Louis Menand, Seamus Deane, Judith Butler, Geoffrey Galt Harpham, and Daniel T. O'Hara, respectively. Each new essay adopts the approach that has won this book such widespread acclaim: each provides a concise history of a literary term, critically explores the issues and questions the term raises, and then puts theory into practice by showing the reading strategies the term permits.
Exploring the concepts that shape the way we read, the essays combine to provide an extraordinary introduction to the work of literature and literary study, as the nation's most distinguished scholars put the tools of critical practice vividly to use.
ABOUT THE BOOK
The Screwtape Letters, a satirical novel that focuses on the religious struggle of one unnamed man, is one of the most influential works of C.S. Lewis. The story unfolds through the eyes of Screwtape, a highly placed under-secretary to Lucifer, affectionately known as ‘Our Father Below’.
Through a series of letters addressed his nephew, Wormwood, a young demon tasked only with securing the hellish eternity of the anonymous man, Screwtape bestows knowledge on how to capture a soul. Throughout his letters to Wormwood, we learn that the religious peaks and valleys of Wormwood’s patient are set against the backdrop of wartime England.
Originally published in book form in early 1942, World War II plays a big part in the novel. Screwtape himself does not pay much heed to war and advises his nephew to do the same, but the human patient faces seemingly endless German bombing raids and the uncomfortable daily reminder that he is mortal and can die at just about any moment. The war, in fact, ultimately plays a pivotal role in sealing the patient’s eternity.
Henrietta Lacks was full life, but she died in 1951, her body consumed by tumors that had started in her cervix. She was buried in an unmarked grave and even though she was greatly loved, no one talked much about Henrietta after she died. The winds of time would have quickly swept away all signs of this vivacious woman had it not been for one thing: her cells were immortal.
Updated with a new preface by the author that addresses many of the provocative arguments raised by its initial publication, Professing Literature remains an essential history of literary pedagogy and a critical classic.
“Graff’s history. . . is a pathbreaking investigation showing how our institutions shape literary thought and proposing how they might be changed.”— The Norton Anthology of Theory and Criticism
This product is not associated with the Cthulhu Wars tabletop game by Petersen Games, LLC; PetersenGames.com
In closely analyzing the political and spiritual uses of black theatre during the Progressive Era, Mitchell demonstrates that audiences were shown affective ties in black families, a subject often erased in mainstream images of African Americans. Examining lynching plays as archival texts that embody and reflect broad networks of sociocultural activism and exchange in the lives of black Americans, Mitchell finds that audiences were rehearsing and improvising new ways of enduring in the face of widespread racial terrorism. Images of the black soldier, lawyer, mother, and wife helped readers assure each other that they were upstanding individuals who deserved the right to participate in national culture and politics. These powerful community coping efforts helped African Americans band together and withstand the nation's rejection of them as viable citizens.
Ann Romines interweaves personal observation with scholarly analysis to address these questions. Writing from a feminist perspective and drawing on resources of gender studies, cultural studies, and new historicist reading, she examines both the content of the novels and the process of their creation. She explores the relationship between mother and daughter working as collaborative authors and calls into question our assumptions about plot, juvenile fiction, and constructions of gender on the nineteenth-century frontier and in the Depression years when the Little House books were written.
This is a book that will appeal both to scholars and to general readers who might welcome an engaging and accessible companion volume to the Little House novels.
Moving seamlessly across genres and disciplines, Dayan considers legal practices and spiritual beliefs from medieval England, the North American colonies, and the Caribbean that have survived in our legal discourse, and she explores the civil deaths of felons and slaves through lawful repression. Tracing the legacy of slavery in the United States in the structures of the contemporary American prison system and in the administrative detention of ghostly supermax facilities, she also demonstrates how contemporary jurisprudence regarding cruel and unusual punishment prepared the way for abuses in Abu Ghraib and Guantánamo.
Using conventional historical and legal sources to answer unconventional questions, The Law Is a White Dog illuminates stark truths about civil society's ability to marginalize, exclude, and dehumanize.