Also published as The Indigo Necklace Murders
“Appealing background, pleasingly described; some family skeletons;
bitter-sweet romance, and customarily deft Abbott sleuthing.”—The Saturday Review
Lieutenant Pat Abbott and his lovable but
slightly rattle-brained wife, Jean, have become about the most popular couple
in murder fiction today. In The Indigo Necklace, Frances Crane takes them to
New Orleans, where a huge wartime population has overflowed into the famous
French quarter, steeped in tradition and old-world ceremony. When murder is
done amidst these incongruous elements, it takes ingenious sleuthing indeed to
unravel the crime!
Pat Abbott and his Jean are paying guests
of a proud old Creole family, luxuriating in the charm of their surroundings,
when Jean discovers a body at her very doorstep. Before the Lieutenant unmasks
the murderer, the Abbotts meet a fascinating array of aristocrats and
scoundrels, including a police chief, drawn from life, who will become a
permanent member of the Abbott troupe—if Mrs. Crane's publishers and audience
have anything to say.
“The plot of The Indigo
Necklace is good, and the writing is considerably above the average.”—The Montreal Gazette
“One of the year’s best.”—The Boston
Included floor plans have been redrawn for improved legibility.
From the Jacket: San Francisco is the locale of this fast-paced mystery by the author of The Indigo Necklace and The Man in Gray—San Francisco of the fabulously steep hills, the fog drifting in over the bay, the excellent restaurants and the exotic dives. On one of its hills, in a muffling fog, Pat and Jean Abbott, Mrs. Crane’s delightful sleuthing couple, see a car crash into a hydrant, and it's no surprise to anyone when a murdered man is found slumped behind the wheel. The dead man, however, is the estranged husband of a very good friend of the Abbotts, Nancy Leland. Because Nancy is suspected of the murder, the Abbotts are from then on involved in two more murders, mayhem and a few other slightly illegal activities. A grim chain of apparently unrelated clues leads them to the murderer, and to a solution of more than passing interest to the Federal Bureau of Narcotics.”
When some new neighbors move in near the San Francisco home of Pat and Jean Abbott they seem to be a very strange family indeed, and soon they present as puzzling and as nasty a series of attempted murders and suspicious deaths as one could find in the annals of crime. First a child is found dead (suffocation? poison? or both?). Pat Abbott is engaged by one of the grown daughters to investigate, but Homicide is called in, in the person of the saturnine Inspector Sam Bradish and his imperturbable sergeant, Cohen.
There are plenty of suspects, for, they find, nearly every one of the Alby family had both motive and opportunity for killing the child. There are various attempts upon the lives of the people involved, including the lovelorn Rona, second wife of Dr. Alby, she of the amber eyes, who would readily sacrifice a fortune for the sleek Don Quayle, who isn’t quite so insensible to the uses of money. Then there is the attempt to kill the elder sister and Rona’s wild swing when she takes a shot at Pat Abbott.
Finally Pat uncovers the ugly story of an earlier murder, and the pattern begins to take form. In his masterly reconstruction of the series of crimes, Pat takes a knife thrust which is not serious but which puts the final confirmation on his deductions.
Action, Jean’s bright chatter, interesting people—a thoroughly readable and absorbing murder mystery.
“The Hollywood-cum-Santa Fe artists, both screwy and sensible, in
the desert are all neatly caught in the lively style given to Mrs. Pat to
narrate. Grade: A”—The Saturday Review
“Plenty of excitement.”—Kirkus
From the jacket: “Time was,” said the sheriff of Santa Maria, “when
murder was murder in this country. ... But now we got artists and writers and
therefore psychology. It's enough to ruin the country.”
It was lucky for Sheriff Trask that Pat Abbott and his lively wife,
Jeanie, were vacationing in the little New Mexican artists’ colony the day a psychotic
war veteran and a gangster's widow arrived on the Plaza. By an unlikely
coincidence they were the former spouses of friends of the Abbotts who had just
announced their engagement. Gilbert Mason, a Hollywood writer with a penchant
for seeing the worst, pointed out to Jeanie that it looked as if there would be
no marriage, for the widow packed a gun.
The first day of tension exploded into murder and kidnapping, both
crimes committed almost simultaneously, as if they had been masterminded to
confuse pursuit. Immediately everyone began to act out of character. Competent
Vanessa Wells, a writer who had lived alone and liked it for years, turned
nervous and absent-minded. Gilbert Mason, a confirmed gossip, acted as if he
knew more than he told. The gangster's widow and her apelike retainer became
good Samaritans. And the handsome war veteran, who'd always looked after
himself, began to plot his own downfall.
Through the exciting adventure Mrs. Crane conveys the many aspects
of the New Mexican landscape, using the charm of Spanish-Indian culture, the
backbiting of bohemia, and the terrifying, cruel loneliness of the desert to
enhance the suspense.
In exotic Tangier, the well-known husband
and wife team of Pat and Jean Abbott discover that international drug
trafficking, plus greed and intrigue, invariably spell catastrophe for those
And very bad luck for a number of
free-loading beachcombers and expatriates who’d just about convinced themselves
that they never had it so good.
The Man in Gray was published in the United
Kingdom as The Gray Stranger
“ ‘Now, what’s an enologist?’ I asked the
dog. In reply he began to bark furiously and rushed at the front door. He
yowled as if in panic.”
An enologist is one who studies wine.
Daniel Vincent Willoz was one who studied wine until someone put a murderous
end to his enological practices. As is often the case, Willoz spent too much
time on enology and too little on toxicology. The good news is that Jean and
Pat Abbott are present to solve this fiendishly complex murder puzzle set in
Pat and Jean Abbott find it impossible to obtain information from the people at the ranch; their host’s vengeful mother, Georgina Mackenzie, resents intrusion into the lives of her eccentric protégés. It soon becomes clear to the Abbotts that Mrs. Mackenzie’s handsome Navajo chauffeur and bodyguard actively resents their presence at the Ruby X.
As they drive away in low gear, Pat attempts to negotiate the treacherous hill from the ranch to the Rio Grande. The gorge below seems like a gruesome black gash. Then, without warning, their car plummets madly toward the river’s brink, crashing to a dizzy, roaring halt.
Jack Ivers, an urban sophisticate with a particular fondness for wealthy women, lies peacefully in his bed, dead. This scenario is greatly convenient for the woman who finds him, as she was on the scene to kill him herself. More curious, the thirteen red tulips she noticed entering Ivers’ home had been replaced by thirteen white tulips before she made her exit.
A number of people had good reason to want Jack Ivers dead, and naturally it falls to Jean and Pat Abbott to solve the confounding case.
“Amusing and sophisticated.”—The [London] Star
“Fashion hints all over place. Smooth.”—The Saturday Review
“…has an authentic-seeming San Francisco background for the activities of its two happily married young sleuths and their dachshund, and is strong on personal relations, colour, dress and dialogue, and very nearly as strong on clues.”—The Sphere
“Brightly-told excitement, with good dressing and good food as you go along.”—Lady
Handsome, young, Muslim, and married to two women living in one house along with his mother, Umma, and sister, Naja: can Midnight manage all that he has on his plate? He is surrounded by Americans who don’t share or understand his faith or culture, and adults who are offended by his maturity, intelligence, and his natural ability to make his hard work turn into real money. He is calm, confident, and cool, Ninja-trained and powerful, but one moment of rage throws this Brooklyn youth into a dark world of dirty police, gangs, guns, drugs, prisons, and dangerous inmates. Everything he ever believed, every dollar he ever earned, and all of the women he ever loved—including his mother—are at risk.
Will his manhood be taken, broken, or altered? Can he maintain his faith? Outnumbered, overruled, and deeply envied—how can he possibly survive? Will the streets convert him? What can he keep? What must he lose?
They call them Travelers. They move from city to city, panhandling, committing no crimes—they just like to stay on the move. And now somebody is killing them.
Lucas Davenport’s adopted daughter, Letty, is home from college when she gets a phone call from a woman Traveler she’d befriended in San Francisco. The woman thinks somebody’s killing her friends, she’s afraid she knows who it is, and now her male companion has gone missing. She’s hiding out in North Dakota, and she doesn’t know what to do.
Letty tells Lucas she’s going to get her, and, though he suspects Letty’s getting played, he volunteers to go with her. When he hears the woman’s story, though, he begins to think there’s something in it. Little does he know. In the days to come, he will embark upon an odyssey through a subculture unlike any he has ever seen, a trip that will not only put the two of them in danger—but just may change the course of his life.
From the Hardcover edition.
After the events in Gathering Prey, Lucas Davenport finds himself in a very unusual situation—no longer employed by the Minnesota BCA. His friend the governor is just cranking up a presidential campaign, though, and he invites Lucas to come along as part of his campaign staff. “Should be fun!” he says, and it kind of is—until they find they have a shadow: an armed man intent on killing the governor...and anyone who gets in the way.
Ten people, each with something to hide and something to fear, are invited to a isolated mansion on Indian Island by a host who, surprisingly, fails to appear. On the island they are cut off from everything but each other and the inescapable shadows of their own past lives. One by one, the guests share the darkest secrets of their wicked pasts. And one by one, they die…
Which among them is the killer and will any of them survive?
The night after the fourth of July, Layton Carlson Jr., of Red Wing, Minnesota, finally got lucky. And unlucky.
He’d picked the perfect spot to lose his virginity to his girlfriend, an abandoned farmyard in the middle of cornfields: nice, private, and quiet. The only problem was . . . something smelled bad—like, really bad. He mentioned it to a county deputy he knew, and when the cop took a look, he found a body stuffed down a cistern. And then another, and another.
By the time Lucas Davenport was called in, the police were up to fifteen bodies and counting. And as if that wasn’t bad enough, when Lucas began to investigate, he made some disturbing discoveries of his own. The victims had been killed over a great many years, one every summer, regular as clockwork. How could this have happened without anybody noticing?
Because one thing was for sure: the killer had to live close by. He was probably even someone they saw every day. . . .
In Southeast Minnesota, down on the Mississippi, a school board meeting is coming to an end. The board chairman announces that the rest of the meeting will be closed, due to personnel issues. “Issues” is correct. The proposal up for a vote before them is whether to authorize the killing of a local reporter. The vote is four to one in favor.
Meanwhile, not far away, Virgil Flowers is helping out a friend by looking into a dognapping, which seems to be turning into something much bigger and uglier—a team of dognappers supplying medical labs—when he gets a call from Lucas Davenport. A murdered body has been found—and the victim is a local reporter. . . .
From the Hardcover edition.
Two children from Sierra Leone, Liberty and A’shai, are brought together by chance only to be forced apart by the most inevitable and tragic fate. Ashley and JaQuavis bring us this classic love story set against modern life’s most horrifying realities. Liberty is dying of a fatal heart condition, though she desperately wants to survive until her 25th birthday when her sister has promised to visit her. A’shai blames himself for not protecting Liberty, but all Liberty asks is for A’shai to tell her a story, to help her remember what brought them to this point. He knows that this is the last story he will ever tell and the last she will ever hear. As Liberty lies dying, A’shai walks her though their past, reliving their ill-fated journeys through the streets. Their story will take them from an arranged marriage, through Mexico’s drug cartel, child brothels, hustling in Detroit, to escaping the high-powered heads of L.A.’s underworld. But ultimately, this is a story of love and redemption that will leave you breathless from the unpredictable and mind-blowing ending.
“The murderer is with us—on the train now . . .”
Just after midnight, the famous Orient Express is stopped in its tracks by a snowdrift. By morning, the millionaire Samuel Edward Ratchett lies dead in his compartment, stabbed a dozen times, his door locked from the inside. Without a shred of doubt, one of his fellow passengers is the murderer.
Isolated by the storm, detective Hercule Poirot must find the killer among a dozen of the dead man's enemies, before the murderer decides to strike again.
“What more . . . can a mystery addict desire?”—New York Times
Now Bosch's ballistics match indicates that her death was not random violence, but something more personal, and connected to a deeper intrigue. Like an investigator combing through the wreckage after a plane crash, Bosch searches for the "black box," the one piece of evidence that will pull the case together.
Riveting and relentlessly paced, THE BLACK BOX leads Harry Bosch, "one of the greats of crime fiction" (New York Daily News), into one of his most fraught and perilous cases.
The first storm comes from, of all places, the Minnesota zoo. Two large, and very rare, Amur tigers have vanished from their cage, and authorities are worried sick that they’ve been stolen for their body parts. Traditional Chinese medicine prizes those parts for home remedies, and people will do extreme things to get what they need. Some of them are a great deal more extreme than others—as Virgil is about to find out.
Then there’s the homefront. Virgil’s relationship with his girlfriend Frankie has been getting kind of serious, but when Frankie’s sister Sparkle moves in for the summer, the situation gets a lot more complicated. For one thing, her research into migrant workers is about to bring her up against some very violent people who emphatically do not want to be researched. For another…she thinks Virgil’s kind of cute.
“You mess around with Sparkle,” Frankie told Virgil, “you could get yourself stabbed.”
“She carries a knife?”
“No, but I do.”
Forget a storm—this one’s a tornado.
From the Hardcover edition.
Not even Emmy's ex-boyfriend, field agent Harrison "Books" Bookman, will believe her that hundreds of kidnappings, rapes, and murders are all connected. That is, until Emmy finds a piece of evidence he can't afford to ignore. More murders are reported by the day--and they're all inexplicable. No motives, no murder weapons, no suspects. Could one person really be responsible for these unthinkable crimes?
INVISIBLE is James Patterson's scariest, most chilling stand-alone thriller yet.
Putting out chaos with gasoline is one play that even the women of the Dirty South can't control. One merciless kill vaults good-girl-gone-bad Ta’Shara into gangland's power elite—but an enemy she doesn't see is targeting everything she can't afford to lose. For former Vice Lord chief Lucifer, taking back her power means all-out war on her lethal lover, no matter what the cost. Gorgeous Cleo at last has her sister's killer in her sights—if she can survive one deadly game too many. And as Queen G LeShelle’s lies finally choke-hold her life, trusting someone more vicious than her husband Python may be the last mistake she'll ever make. Now these king divas will leave nothing standing—because if they can't reign, no one will…
Defense attorney Mickey Haller returns with a haunting case in the gripping new thriller from #1 New York Times bestselling author Michael Connelly.
Mickey Haller gets the text, "Call me ASAP - 187," and the California penal code for murder immediately gets his attention. Murder cases have the highest stakes and the biggest paydays, and they always mean Haller has to be at the top of his game.
When Mickey learns that the victim was his own former client, a prostitute he thought he had rescued and put on the straight and narrow path, he knows he is on the hook for this one. He soon finds out that she was back in LA and back in the life. Far from saving her, Mickey may have been the one who put her in danger.
Haunted by the ghosts of his past, Mickey must work tirelessly and bring all his skill to bear on a case that could mean his ultimate redemption or proof of his ultimate guilt. The Gods of Guilt shows once again why "Michael Connelly excels, easily surpassing John Grisham in the building of courtroom suspense" (Los Angeles Times).
If the question of who's to blame for teenage atrocity intrigues news-watching voyeurs, it tortures our narrator, Eva Khatchadourian. Two years before the opening of the novel, her son, Kevin, murdered seven of his fellow high school students, a cafeteria worker, and the much-beloved teacher who had tried to befriend him. Because his sixteenth birthday arrived two days after the killings, he received a lenient sentence and is currently in a prison for young offenders in upstate New York.
In relating the story of Kevin's upbringing, Eva addresses her estranged husband, Frank, through a series of startingly direct letters. Fearing that her own shortcomings may have shaped what her son became, she confesses to a deep, long-standing ambivalence about both motherhood in general—and Kevin in particular. How much is her fault?
We Need To Talk About Kevin offers no at explanations for why so many white, well-to-do adolescents—whether in Pearl, Paducah, Springfield, or Littleton—have gone nihilistically off the rails while growing up in the most prosperous country in history. Instead, Lionel Shriver tells a compelling, absorbing, and resonant story with an explosive, haunting ending. She considers motherhood, marriage, family, career—while framing these horrifying tableaus of teenage carnage as metaphors for the larger tragedy of a country where everything works, nobody starves, and anything can be bought but a sense of purpose.
He never looks for trouble...
But trouble never stops looking for him.
Ex-military policeman Jack Reacher isn’t in the small town of Margrave, Georgia for less than an hour before he’s arrested for murder. Not much of a welcome. All Reacher knows is that he didn’t kill anybody. At least not lately. But he doesn’t stand a chance of convincing anyone. Not a chance in hell...
When a woman is kidnapped off a Chicago street in broad daylight, Jack Reacher is unlucky enough to be taken with her. They’re at the mercy of a group of men demanding an impossible ransom. Because Reacher’s female companion is worth more than he imagines. Now he has to save them both—from the inside out—or die trying…
Reacher’s anonymity in Florida is shattered by an investigator who’s looking for him. But soon after his arrival, the man is murdered. Retracing the PI’s trail back to New York, Reacher wants to find out who was looking for him—and why. But he never expected the reasons to be so personal...or lethal.
Across the country, women are being murdered, victims of a disciplined and clever killer who leaves no evidence, no fatal wounds, no signs of struggle, and no apparent motive. They are truly perfect crimes. In fact, there’s only one thing that links the victims...Jack Reacher.
Thumbing across the scorched Texas desert, Jack Reacher has nowhere to go and all the time in the world to get there. Cruising the same stretch of two-lane blacktop is Carmen Greer. For Reacher, a lift comes with a hitch. Carmen’s got a wild story—about her husband, her family, and a hometown that’s pure gothic. She’s also got a plan for all of them. And now Reacher’s part of it...
Skilled, cautious, and anonymous, Jack Reacher is perfect for the job: assassinate the vice president of the United States. In theory, that is. A female Secret Service agent wants Reacher to find the holes in her system, and fast—because a covert group already has the vice president in their sights. And they've planned for everything...except for Reacher.
DNA from a 1989 rape and murder matches a 29-year-old convicted rapist. Was he an eight-year-old killer or has something gone terribly wrong in the new Regional Crime Lab? The latter possibility could compromise all of the lab's DNA cases currently in court.
Then Bosch and his partner are called to a death scene fraught with internal politics. Councilman Irvin Irving's son jumped or was pushed from a window at the Chateau Marmont. Irving, Bosch's longtime nemesis, has demanded that Harry handle the investigation.
Relentlessly pursuing both cases, Bosch makes two chilling discoveries: a killer operating unknown in the city for as many as three decades, and a political conspiracy that goes back into the dark history of the police department.
An explosive Lucas Davenport thriller from #1 New York Times bestselling author John Sandford.
All hell has broken loose in the capital. An influential state senator has been caught with something very, very nasty on his office computer. The governor can’t believe it—the senator’s way too smart for that, even if he is from the other party. Something’s not right.
As Davenport investigates, the trail leads to a political fixer who has disappeared, then—troublingly—to the Minneapolis police department itself, and most unsettling of all, to a woman who could give Machiavelli lessons in manipulation. She has very definite ideas about the way the world should work—along with the money, ruthlessness, and cold-blooded will to make it happen.
From the Paperback edition.
Meet Dexter Morgan, a polite wolf in sheep’s clothing. He’s handsome and charming, but something in his past has made him abide by a different set of rules. He’s a serial killer whose one golden rule makes him immensely likeable: he only kills bad people. And his job as a blood splatter expert for the Miami police department puts him in the perfect position to identify his victims. But when a series of brutal murders bearing a striking similarity to his own style start turning up, Dexter is caught between being flattered and being frightened–of himself or some other fiend.
This edition includes an excerpt from Jeff Lindsay's Dexter's Final Cut.
Elvis Cole and Joe Pike keep their promises. Even if it could get them killed...
Elvis Cole is hired to find a woman who’s disappeared, a seemingly ordinary case, until he learns the missing woman is an explosives expert and worked for a Defense Department contractor. Meanwhile, LAPD K-9 Officer Scott James and his patrol dog, Maggie, track a fugitive to a house filled with explosives—and a dead body. As the two cases intertwine, they all find themselves up against shadowy arms dealers and corrupt officials, and the very woman they promised to save may be the cause of their own deaths.
Tayshawn Torres is a child born in the slums and cursed by the sins of his parents. His mother is a notorious drug addict and whore, more concerned with getting her next high than she is with his well-being. His stepfather hates him so much, that he literally treats him like an animal. Tayshawn is forced to sleep in a cage and scavenge for scraps of food wherever he can find them. Because of his squalid appearance, he is also the object of ridicule by all of the neighborhood kids who have given him the nickname, Animal. The only person to ever show him even the slightest bit of kindness is his older brother, Justice. Justice keeps him out of harm's way the best he can. However, when Justice is taken from his life, Tayshawn finds he is alone in the streets. With his guardian angel gone, he is now at the mercy of the world Justice tried to protect him from. Tayshawn quickly learns that if he is to survive the jungle, he will have to adapt. Love and companionship constantly elude Tayshawn, but death and heartache cling to him like a second skin. Gradually, the layers of the frightened child he had been are stripped away until there is nothing left of Tayshawn, and all that remains is, Animal.
The evidence is irrefutable: In sixteen New York Times bestsellers over the course of as many years, Kathy Reichs has proven herself “a genius at building suspense” (New York Daily News). In forensic anthropologist Temperance Brennan, Reichs has created a detective fiction heroine who’s brilliant to the bone. “Every minute in the morgue with Tempe is golden,” says The New York Times Book Review. In the acclaimed author’s thrilling new novel, Brennan is at the top of her game in a battle of wits against the most monstrous adversary she has ever encountered.
Unexpectedly called in to the Charlotte PD’s Cold Case Unit, Dr. Temperance Brennan wonders why she’s been asked to meet with a homicide cop who’s a long way from his own jurisdiction. The shocking answer: Two child murders, separated by thousands of miles, have one thing in common—the killer. Years ago, Anique Pomerleau kidnapped and murdered a string of girls in Canada, then narrowly eluded capture. It was a devastating defeat for her pursuers, Brennan and police detective Andrew Ryan. Now, as if summoned from their nightmares, Pomerleau has resurfaced in the United States, linked to victims in Vermont and North Carolina. When another child is snatched, the reign of terror promises to continue—unless Brennan can rise to the challenge and make good on her second chance to stop a psychopath.
But Brennan will have to draw her bitter ex-partner out of exile, keep the local police and feds from one another’s throats, and face more than just her own demons as she stalks the deadliest of predators into the darkest depths of madness.
In Bones Never Lie, Kathy Reichs never fails to satisfy readers looking for psychological suspense that’s more than skin-deep.
Don’t miss Kathy Reichs’s short story “Swamp Bones” in the back of the book.
“Kathy Reichs writes smart—no, make that brilliant—mysteries that are as realistic as nonfiction and as fast-paced as the best thrillers about Jack Reacher, or Alex Cross.”—James Patterson
“Nobody does forensics thrillers like Kathy Reichs. She’s the real deal.”—David Baldacci
“Kathy Reichs continues to be one of the most distinctive and talented writers in the genre. Her legion of readers worldwide will agree with me when I declare that the more books she writes, the more enthusiastic fans she’ll garner.”—Sandra Brown
“Each book in Kathy Reichs’s fantastic Temperance Brennan series is better than the last. They’re filled with riveting twists and turns—and no matter how many books she writes, I just can’t get enough!”—Lisa Scottoline
“I love Kathy Reichs—always scary, always suspenseful, and I always learn something.”—Lee Child
“Reichs, a forensic anthropologist, makes her crime novels intriguingly realistic.”—Entertainment Weekly
“Tempe Brennan is the lab lady most likely to dethrone Patricia Cornwell’s Kay Scarpetta.”—USA Today
“Reichs always delivers a pulse-pounding story.”—Publishers Weekly
But she's fighting for her life in more ways than one: if and when she recovers, she'll stand trial for three murders. With the help of Mikael Blomkvist, she'll need to identify those in authority who have allowed the vulnerable, like herself, to suffer abuse and violence. And, on her own, she'll seek revenge--against the man who tried to killer her and against the corrupt government institutions that nearly destroyed her life.
Look for The Girl Who Takes an Eye for an Eye featuring Lisbeth Salander, coming September 12th.
With its brilliant and brutal portrayal of the Corleone family, The Godfather burned its way into our national consciousness. This unforgettable saga of crime and corruption, passion and loyalty continues to stand the test of time, as the definitive novel of the Mafia underworld.
A number-one New York Times bestseller in 1969, Mario Puzo’s epic was turned into the incomparable film of the same name, directed by Francis Ford Coppola, which won the Academy Award for Best Picture. It is the original classic that has been often imitated, but never matched. A tale of family and society, law and order, obedience and rebellion, it reveals the dark passions of human nature played out against a backdrop of the American dream.
With an Introduction by Robert Smith Thompson and Anthony Puzo
and an Afterword by Peter Bart
Memphis is the crime capital of America, and no one knows that better than the women born and raised on its mean streets. It's put sisters Ta'Shara and LeShelle on opposite sides of the street game, where blood means nothing and loyalty doesn't last long. It's also got Yolanda, an ambitious drug mule, and Melanie, a police detective, caught up with the same man--the notorious hustler Python. These four women think they've got the game figured out, but the one man they have in common will have them living double lives and wondering who will come out on top. Forget what you heard about East Coast/West Coast, 'cause real vendettas are born in the Dirty South.
"Diamond's ear for street talk comes across loud and clear. . .a violent and profane tale, which launches a gritty new series. The divas here are realistic characters, and the pacing zooms. . .one of the best constructed street lit stories of 2010." --Library Journal
"A nonstop, hard-hitting page-turner." --Tu-Shonda L. Whitaker
Then a particularly nasty psychopath starts cutting a trail through Miami — a killer whose twisted techniques leave even Dexter speechless. When his sister Deborah, a tough-as-nails cop, is drawn into the case, it becomes clear that Dexter will have to do come out of hiding and hunt the monster down. Unless, of course, the killer finds him first. . .
This edition includes an excerpt from Jeff Lindsay's Dexter's Final Cut.
Five figures gather round a shallow grave. They had all taken turns to dig. An adult-sized hole would have taken longer. An innocent life had been taken but the pact had been made. Their secrets would be buried, bound in blood …
Years later, a headmistress is found brutally strangled, the first in a spate of gruesome murders which shock the Black Country.
But when human remains are discovered at a former children’s home, disturbing secrets are also unearthed. D.I. Kim Stone fast realises she’s on the hunt for a twisted individual whose killing spree spans decades.
As the body count rises, Kim needs to stop the murderer before they strike again. But to catch the killer, can Kim confront the demons of her own past before it’s too late?
Fans of Rachel Abbott, Val McDermid and Mark Billingham will be gripped by this exceptional new voice in British crime fiction.
Watch out for more from D.I. Kim Stone
A Detective hiding dark secrets, Kim Stone will stop at nothing to protect the innocent. Silent Scream is the first book in the series – watch out for EVIL GAMES – also out now.
What people are saying about Silent Scream
'I absolutely loved it! ... This one is one of the best crime thrillers I've read in a long time, and that includes mainstream authors such as James Patterson! I would seriously put this book in the same league.' Fiona’s Book Reviews
‘I have not been so impressed by a debut novel in a long time, and I'm actually now itching for more from D.I. Kim Stone and the rest of her squad… D.I. Kim Stone is like the British Jane Rizzoli. She's so ballsy and doesn't understand the meaning of the word no. I LOVE heroines who just do what they want and sod the consequences and Kim did that, right from the beginning as people keep turning up dead, people who are all connected to a children's home that burned down… If you were ever wondering how to write a gripping, wholly engaging crime novel, just have a read of Silent Scream and marvel at how Angela Marsons has done it. I can't wait for the second book, because this one was a top-notch crime thriller.’ Leah Loves
'I don't think I've been so hooked by a new author since the discovery of Mark Edwards or Mark Billingham… Silent Scream gets 5 stars from me - if you finish a crime thriller feeling like you just need to have a lie-down and a cup of tea to get your breath back, then the writer has done their job. Angela Marsons, I still don't have my breath back.’ Reading Room with a View
‘Normally when I see everybody rating a book five stars I think 'Is it really that good?' Silent Scream is that good, and then some… The only problem Angela now faces is keeping up this standard as the series progresses, but if she does than she's going to be an author to watch and a huge star within the genre.’ Book Addict Shaun
‘I started reading ‘Silent Scream’ thinking I would just read a few chapters. I ended up reading it all… I love it when an author chooses a dark topic and does it incredibly well… An excellent read and one I would happily recommend.’ Northern Crime
‘This is a fantastic debut novel by Marsons. The blurb said that if you were a fan of Val McDermid and Mark Billingham you would love this book and being a huge fan of both I thought I would give it a go and I was pleasantly surprised… With lots of twists and turns this is a real page turner and I would highly recommend it.’ The Laughing Librarian
‘It's highly unusual for me to find a book that leads me to put my life on hold. But Angela Marson's Silent Scream has led me to virtually abandon work for the last day, even with deadlines looming, leaving my house a mess and the ironing pile untouched… ticks all the boxes for a 5* rating from me: a well written flowing story; strong but vulnerable protagonist; fast pace; intrigue; twists and turns until several final OMG moments; plenty of action; and the revealing of a brutal murderer.’ Off the Shelf
After years of war on the streets the man known only as Animal is finally able to hang up his guns. He's paid his debt to society for the crimes he's committed, and thanks to the sacrifice made by the father he barely knew, old scores have been settled. For the first time in his life he's able to find the peace that had eluded him for so long, and settle down with his wife Gucci and their son T.J. Animal's future is looking bright, that is, until someone from his past resurfaces with a shocking revelation. When Animal's former lover, Red Sonja, shows up on his doorstep with a little girl, claiming Animal is the father, he and Gucci immediately fear it’s a ploy for money. But Red Sonja has come to collect a debt of a different kind, one that can only be paid in blood. A powerful man is hunting Red Sonja and her daughter, Celeste, and she calls on Animal to stop him, permanently. Animal is forced to break the promise he made to his wife upon his release from prison and once again picks up his guns. To keep his daughter and her mother safe, Animal sets out on a mission of murder, but this isn’t just any man Red Sonja has sent him after, it's one of the most powerful drug dealers in the country…her father.
FBI Special Agent Griffin Hammersmith, last seen in Backfire, has been recruited by Dillon Savich to join his unit in Washington, D.C. Savich sees something special in Hammersmith, an almost preternatural instinct for tracking criminals.
While on his way to D.C., Hammersmith plans to visit his sister, Delsey, a student at Stanislaus School of Music in Maestro, Virginia. Before he arrives, he gets a phone call that Delsey was found naked, unconscious, and covered with blood after a wild party. The blood isn't hers—so who does it belong to?
Meanwhile, back in D.C., Savich and Sherlock have their hands full when the grandson of former chairman of the Federal Reserve Bank is found murdered, every bone in his body broken, and frozen at the foot of the Lincoln Memorial.
Was Savich right—is Griffin gifted with a unique ability to "see" how criminals think? And will he figure out who was behind the attempt on Delsey's life—before it's too late?
Mikael Blomkvist, crusading publisher of the magazine Millennium, has decided to run a story that will expose an extensive sex trafficking operation. On the eve of its publication, the two reporters responsible for the article are murdered, and the fingerprints found on the murder weapon belong to his friend, the troubled genius hacker Lisbeth Salander. Blomkvist, convinced of Salander’s innocence, plunges into an investigation. Meanwhile, Salander herself is drawn into a murderous game of cat and mouse, which forces her to face her dark past.
Today they started killing people.
A modern-day Bonnie and Clyde are on the run through rural Minnesota—victim by victim they’re having the time of their lives. But when Bureau of Criminal Apprehension investigator Virgil Flowers joins the hunt for the thrill-hungry kids, things take a shocking detour.
On a frigid New Year’s Eve in Minneapolis, a young woman is found brutally murdered—the ninth so far this year in a string of grisly slayings. Homicide detectives Sam Kovac and Nikki Liska fear that it’s the work of a serial killer they call Doc Holiday, a transient who has brought his gruesome game to a new and more terrifying level. But as Kovac and Liska uncover the truth, they find that the monsters in the ninth girl’s life may live closer to home. And even as another young woman disappears, they have to ask the question: Which is the greater evil—the devil you know or the devil you don’t?
Joe Pickett always liked Butch Roberson—a hardworking local business-owner whose daughter is friends with his own. Little does he know that when Butch says he is heading into the mountains to scout elk, he is actually going on the run.
Two EPA employees have been murdered, and all signs point to Butch as the killer. Soon, Joe hears of the land Butch and his wife had bought to retire on—until they are told the EPA declared it a wetland—and the penalties they charged Butch until the family was torn apart by debt. Finally, it seems, the man just cracked.
It’s an awful story. But is it the whole story? The more Joe investigates, the more he begins to wonder—and the more he finds himself in the middle of a war in which he must choose sides.
In "Christmas Even," the case of a burglar killed in mid-heist leads Bosch to retrace a link to his past. In "Father's Day," Bosch investigates a young boy's seemingly accidental death and confronts his own fears as a father. In "Angle of Investigation," Bosch delves into one of the first homicides he ever worked back as a uniformed rookie patrolman, a case that was left unsolved for decades.
Together, these gripping stories span Bosch's controversial career at the LAPD, and show the evolution of the haunted, legendary investigator he would become. Utterly unputdownable, they are proof that "Connelly never stops doling out the suspense....Once it grabs you in those first few pages, it won't let go of you" (Boston Globe).
Cleary, North Carolina, is a sleepy mountain town—the kind of place where criminal activity is usually limited to parking violations. Not so, lately. Four women have disappeared from Cleary over the past two years. And there’s always a blue ribbon left near the spot where each of the women was last seen. There are no bodies, no other clues, and no suspicion as to who their abductor might be. And now, another woman has disappeared without a trace.
It is to this backdrop that Lilly Martin returns to close the sale of her mountain cabin, marking the end of her turbulent eight-year marriage to Dutch Burton, Cleary’s chief of police. Dutch’s reluctance to let her go isn’t Lilly’s only obstacle. As she’s trying to outrun a snowstorm, her car skids on the icy road and strikes a man who emerges from the woods on foot. She recognizes the injured man as Ben Tierney, whom she’d met the previous summer. They’re forced to wait out the storm in the cabin, but as the hours of their confinement mount, Lilly begins to wonder if the greatest danger to her safety isn’t the blizzard outside, but the mysterious man right beside her.
Is Ben Tierney the feared abductor? Or is he who he claims to be...her rescuer from harm and from the tragedy that haunts her?
The compelling characters, sexual tension, and stunning plot twists in Sandra Brown’s Chill Factor combine to create a page-turner that will keep readers guessing until the very end.
Joe Pickett had good reason to dislike Dallas Cates, and now he has even more—Joe’s eighteen-year-old daughter, April, has run off with him. And then comes even worse news: She has been found in a ditch along the highway—alive, but just barely, the victim of blunt force trauma. Cates denies having anything to do with it, but Joe knows in his gut who’s responsible. What he doesn’t know is the kind of danger he’s about to encounter. Cates is bad enough, but Cates’s family is like none Joe has ever met.
In the Missouri Ozarks, some things aren't talked about … even abuse. But prosecutor Elsie Arnold is determined to change that.
When she is assigned to prosecute a high-profile incest case in which a father is accused of abusing his three young daughters, Elsie is ready to become the Ozarks' avenging angel.
But as Elsie sinks her teeth into the case, everything begins to turn sour. The star witness goes missing; the girls refuse to talk about their father, who terrorizes the courtroom from the moment he enters; and Elsie begins to suspect that their tough-as-nails mother has ulterior motives. To make matters worse, Elsie receives gruesome threats from local extremists, warning her to mind her own business.
While Elsie swears not to let a sex offender walk, she realizes the odds—and maybe the town—are against her, and her life begins to crumble. But amidst all of the conflict, the safety of three young girls hangs in the balance ...
A powerful debut, with the haunting atmosphere of Winter's Bone and the page-turning suspense of Alafair Burke's thrillers.
The girl's smashed-in face stared unseeing up to the blue sky, soil spilling out of her mouth. A hundred flies hovered above the bloodied mess.
Westerley research facility is not for the faint-hearted. A 'body farm' investigating human decomposition, its inhabitants are corpses in various states of decay. But when Detective Kim Stone and her team discover the fresh body of a young woman, it seems a killer has discovered the perfect cover to bury their crime.
Then a second girl is attacked and left for dead, her body drugged and mouth filled with soil. It's clear to Stone and the team that a serial killer is at work, but just how many bodies will they uncover? And who is next?
As local reporter, Tracy Frost, disappears, the stakes are raised. The past seems to hold the key to the killer's secrets, but can Kim uncover the truth before a twisted, damaged mind claims another victim?
The latest utterly addictive thriller from the No.1 bestseller Angela Marsons.
What readers are saying about Play Dead:
I read this book in one sitting, yes it really was that good: the perfect crime thriller, well plotted, great characters, suspense and the most deviant and chilling serial killer Utterly gripping and it's certainly going to be in my top reads of 2016 5 stars out of 5 plus a glass of wine (to steady my nerves, after reading such a heart-pounding crime thriller).' The Book Review Cafe
'Wow wow wow I absolutely freaking loved it and without a shadow of doubt this is the best one yet with this one being more gritty and tense. You crime book fans are seriously going to love it. If you haven't read any yet this can be read as a standalone although I would advise reading the series. It's too good not to miss... I cannot recommend this book enough it's flippin fantastic or like they say in the Black Country Supa' smashin' great read!' Chelle's book reviews
'Hooks you and reels you in. Life gets put on hold until you've finished the latest offering in her AMAZING Kim Stone series. Utterly fantastic.' Reading Room with a View
'Wow. Give me a minute while I catch my breath, because I've just finished the latest Angela Marson's book. Ingest it by any means, just make sure you do. It is a riveting, blood-tingling, pulse pounding read that will take you on the journey that will play on your mind long after you've finished reading.' Caroline-Writes
'This may well be the best thriller I have ever read. I could hardly breathe with the suspense and it was definitely a hardship to wrench myself away from the action.' Redheaded Bookworm
'I defy anyone to turn away from the page. I was glued to this book a truly gripping and ,at times, terrifying story.' Book Addict Shaun
'Can I give 6 stars? The best book I've read all year so far ÄDark, intense, spine-tingling and absolutely perfect.' The Bookshelf Blog
'A thrilling, tense and nail biting read' Best Crime Books & More
'Wow, I didn't think Angela Marsons DI Kim Stone series could get any better, but this one really has blown me away! Fast paced and tension filled, I loved every second of this rollercoaster of a ride. How soon can the next one be released? A highly recommended 5 star read.' Cal Turner Reviews
'Play Dead is fast paced, has a complex mystery, and great, well-developed characters. I did not want to put it down (so I just kept reading).' Bibliophile and avid reader
Nine months ago, a shocking assault by unidentified men killed Scott James' partner, Stephanie, nearly killed him, and left him enraged, ashamed, and ready to explode. He is unfit for duty—until he meets his new partner.
Maggie is not doing so well, either. A German shepherd who survived two tours in Afghanistan sniffing explosives before losing her handler, her PTSD is as bad as Scott’s.
They are each other’s last chance. And they’re about to investigate the one case no one wants them to touch: identifying the men who murdered Stephanie. But what they find could ultimately break them both.
One of Booklist's 10 Best Crime Fiction Books of the Year
Two people are found hanging naked from a tree in the woods of northern Minnesota. What makes the situation particularly sensitive is the bodies are of a black man and a white woman. Lynching is the word everyone’s trying not to say, but as Lucas Davenport begins to discover, the murders are not at all what they appear to be. And there is worse to come—much, much worse.
“All but impossible to put down.”—The Washington Post
“Fast paced and full of surprises, this may be Sandford’s best novel yet.”—Library Journal
From the Paperback edition.
In De'nesha Diamond's explosive series, the fiercest ride-or-die chicks in Memphis are battling alongside--and against--their ruthless men to be the last diva standing. . .
On these Dirty South streets, revenge is sweet opportunity. Now the women who help rule the hood are out to take ultimate control. Merciless lieutenant Lucifer drops as many bodies as she can to avenge a devastating shooting and consolidate her new power. Loyal gang member Essence discovers friendship has lethal limits when she falls for her best friend's man. Ever-ambitious Yolanda is angling hard to go from a king hustler's baby mama to his one and only. But Queen G LeShelle will betray any trust and take out any obstacle to make the game hers alone. And when these four women push their vendettas past the point of no return, it's a war only the most deadly diva will survive. . .
"The raw prose will burn itself in readers' minds, leaving them screaming for the next installment." --Library Journal
"These women will have readers turning pages. . .a suspenseful and entertaining book full of deceit and revenge." --APOOO BookClub
For Paris Gibson, her popular late-night radio show is both an escape and her one real contact with the outside world. To her loyal listeners, she is a wise and trusted friend who not only takes their requests but listens to their problems and occasionally dispenses advice.
Paris’s world of isolation is shattered when one listener—a man who identifies himself only as “Valentino”—tells her that the girl he loves jilted him because of Paris's on-air advice. Now he intends to exact his revenge: first he plans to kill the girl—then he will come after Paris.
Joined by the Austin police department, Paris plunges into a race against time in an effort to find Valentino before he can carry out his threat. To her dismay, she finds that she must now work with crime psychologist Dean Malloy, a man with whom she shares a history. His presence arouses old passions, forcing Paris to confront painful memories that she had come to Austin to forget.
As the clock ticks down and Valentino’s threats come closer to becoming reality, Paris finds herself forced to deal with a killer who may not be a stranger at all.
Tense and compelling right up to the chilling climax, Hello, Darkness is suspense at its very best, by the author USA TODAY dubbed “a masterful storyteller, carefully crafting tales that keep readers on the edge of their seats.”
Filled with the rich characterization and exceptional drama that are his hallmarks, Mortal Prey proves that John Sandford just keeps getting better.