In this brilliant interdisciplinary work, Katharina Vester examines how cookbooks became a way for women to participate in nation-building before they had access to the vote or public office, for Americans to distinguish themselves from Europeans, for middle-class authors to assert their class privileges, for men to claim superiority over women in the kitchen, and for lesbian authors to insert themselves into the heteronormative economy of culinary culture. A Taste of Power engages in close reading of a wide variety of sources and genres to uncover the intersections of food, politics, and privilege in American culture.
Since its publication in 1996, Holy Land has become an American classic. In "quick, translucent prose" (Michiko Kakutani, New York Times) that is at once lyrical and unsentimental, D. J. Waldie recounts growing up in Lakewood, California, a prototypical post-World War II suburb. Laid out in 316 sections as carefully measured as a grid of tract houses, Holy Land is by turns touching, eerie, funny, and encyclopedic in its handling of what was gained and lost when thousands of blue-collar families were thrown together in the suburbs of the 1950s. An intensely realized and wholly original memoir about the way in which a place can shape a life, Holy Land is ultimately about the resonance of choices—how wide a street should be, what to name a park—and the hopes that are realized in the habits of everyday life.
The strains can be felt within the Hickam home, where a beleaguered HomerSr. is resorting to a daring but risky plan to keep the mine alive, and his wife Elsie is feeling increasingly isolated from both her family and the townspeople. And Sonny, despite a blossoming relationship with a local girl whose dreams are as big as his, finds his own mood repeatedly darkened by an unexplainable sadness.
Eager to rally the town's spirits and make her son's final holiday season at home a memorable one, Elsie enlists Sonny and the Rocket Boys' aid in making the Coalwood Christmas Pageant the best ever. But trouble at the mine and the arrival of a beautiful young outsider threaten to tear the community apart when it most needs to come together. And when disaster strikes at home, and Elsie's beloved pet squirrel escapes under his watch, Sonny realizes that helping his town and redeeming himself in his mother's eyes may be a bigger-and more rewarding-challenge than he has ever faced.
The result is pure storytelling magic- a tale of small-town parades and big-hearted preachers, the timeless love of families and unforgettable adventures of boyhood friends-that could only come from the man who brought the world Rocket Boys
From the Hardcover edition.
A foreign correspondent on a simple story becomes, over time and in the pages of this book, a lover of Haiti, pursuing the heart of this beautiful and confounding land into its darkest corners and brightest clearings. Farewell, Fred Voodoo is a journey into the depths of the human soul as well as a vivid portrayal of the nation’s extraordinary people and their uncanny resilience. Haiti has found in Amy Wilentz an author of astonishing wit, sympathy, and eloquence.
Storyville's founding was envisioned as a reform measure, an effort by the city's business elite to curb and contain prostitution -- namely, to segregate it. In 1890, the Louisiana legislature passed the Separate Car Act, which, when challenged by New Orleans's Creoles of color, led to the landmark Plessy v. Ferguson decision in 1896, constitutionally sanctioning the enactment of "separate but equal" laws. The concurrent partitioning of both prostitutes and blacks worked only to reinforce Storyville's libidinous license and turned sex across the color line into a more lucrative commodity.
By looking at prostitution through the lens of patriarchy and demonstrating how gendered racial ideologies proved crucial to the remaking of southern society in the aftermath of the Civil War, Landau reveals how Storyville's salacious and eccentric subculture played a significant role in the way New Orleans constructed itself during the New South era.
Originally published by the U.S. Army to provide an overview of the country's terrain, ethnic groups, and history for American troops and now updated and expanded for the general public, Afghanistan Declassified fills in these gaps. Historian Brian Glyn Williams, who has traveled to Afghanistan frequently over the past decade, provides essential background to the war, tracing the rise, fall, and reemergence of the Taliban. Special sections deal with topics such as the CIA's Predator drone campaign in the Pakistani tribal zones, the spread of suicide bombing from Iraq to the Afghan theater of operations, and comparisons between the Soviet and U.S. experiences in Afghanistan.
To Williams, a historian of Central Asia, Afghanistan is not merely a theater in the war on terror. It is a primeval, exciting, and beautiful land; not only a place of danger and turmoil but also one of hospitable villagers and stunning landscapes, of great cultural diversity and richness. Williams brings the country to life through his own travel experiences—from living with Northern Alliance Uzbek warlords to working on a major NATO base. National heroes are introduced, Afghanistan's varied ethnic groups are explored, key battles—both ancient and current—are retold, and this land that many see as only a frightening setting for prolonged war emerges in three dimensions.
The key to understanding how the North Korean people live, the authors argue, is to realize that their only allowed role is to support Kim Jong-un, whose grandfather founded the country in the late 1940s. Still a cypher, Kim Jong-un, as did his father before him, controls his people by keeping them isolated and banning most foreigners. North Koreans remain hungry and oppressed, yet the outside world is slowly filtering in, and the book concludes by urging the United States to flood North Korea with information so that its people can make decisions based on truth rather than their dictator's ubiquitous propaganda.
But like many stories of lionized athletes who rise to the status of legend, there was a fall—and in the case of Billy Cannon, also redemption. For the first time, Charles N. deGravelles reveals in full the thrilling highs and unexpected lows of Cannon’s life, in Billy Cannon: A Long, Long Run.
Through conversations with Cannon, deGravelles follows the athlete-turned-reformer from his boyhood in a working-class Baton Rouge neighborhood to his sudden rush of fame as the leading high school running back in the country. Personal and previously unpublished stories about Cannon’s glory days at LSU and his stellar but controversial career in the pros, as well as details of his indictment for counterfeiting and his post-release work as staff dentist at Louisiana State Penitentiary at Angola, unfold in a riveting biography characterized by uncanny success, deep internal struggles, and a champion’s spirit that pushed through it all.
Contributions by: Amitav Acharya, Sebastian Bersick, Nayan Chanda, Ralph A. Cossa, Michael Green, Samuel S. Kim, Edward J. Lincoln, Martha Brill Olcott, T.V. Paul, Phillip C. Saunders, David Shambaugh, Sheldon W. Simon, Scott Snyder, Robert Sutter, Hugh White, and Michael Yahuda
Not long after they took up swamp living, Gwen and Calvin met a young photographer named C. C. Lockwood, who shared their "back to the earth" values. His photographs of the couple going about their daily routine were published in National Geographic magazine, bringing them unexpected fame. More than a quarter of a century later, after Gwen and Calvin had long since parted, one of Lockwood's photos of them appeared in a National Geographic collector's edition entitled 100 Best Pictures Unpublished -- and kindled the interest of a new generation.
With quiet wisdom, Gwen recounts her eight-year voyage of discovery -- about swamp life, wildlife, and herself. A keen observer of both the natural world and the ways of human beings, she transports readers to an unfamiliar and exotic place.
Contrary to popular myth, the Wild West was not a glamorous land where chivalry and courage were the custom and a man died with his boots on. It was a land of incredible hardships—brutal weather, hunger and disease, and the constant threat of violent death. Everyone carried a six-shooter, neutrality was impossible, and violence unavoidable; lawmen and shooter, neutrality was impossible, and violence unavoidable; lawmen and outlaws lived side by side, and often there was no telling one from the other. Into this land came pioneers lured by promises of great fortunes, ex-Confederate soldiers embittered by the outcome of the war, greedy cattle barons, and merchant princes. It was truly an explosive mixture.
Included in this volume are all the great Western legends—Billy the Kid, Jesse and Frank James, Butch Cassidy, the Sundance Kid, Wyatt Earp, Doc Holliday, Judge Roy Bean, "Wild Bill Hickock—and a host of lesser-known figures who, though they may have missed notoriety, were equally lethal. In addition to alphabetical listings, it offers two glossaries listing the lawmen and outlaws for quick reference, a wonderful photo and illustration appendix, and an extensive bibliography of books on the American West.
These new realities in Latin America call for a new introduction to its history and culture, which Latin America at 200 amply provides. Taking a reader-friendly approach that focuses on the big picture and uses concrete examples, Phillip Berryman highlights what Latin Americans are doing to overcome extreme poverty and underdevelopment. He starts with issues facing cities, then considers agriculture and farming, business, the environment, inequality and class, race and ethnicity, gender, and religion. His survey of Latin American history leads into current issues in economics, politics and governance, and globalization. Berryman also acknowledges the ongoing challenges facing Latin Americans, especially crime and corruption, and the efforts being made to combat them. Based on decades of experience, research, and travel, as well as recent studies from the World Bank and other agencies, Latin America at 200 will be essential both as a classroom text and as an introduction for general readers.
Have you ever enjoyed a slam or two and thought, "I could do this," but felt apprehensive staring at that empty mic—or worse, you climbed up on stage and struggled?
Let Marc Kelly Smith, the founder of Slam Poetry, teach you everything you need to be a confident performer, from writing a powerful poem, to stage techniques, to going on tour (if that's where your muse leads you).
Take the Mic is filled with insider tips, backstage advice, and tons of examples of slam poems that wake up an audience. With this book, you'll also be able to link to the PoetrySpeaks.com community to listen to samples, meet poets, and unearth inspirations for your next performance.
The Ultimate Guide to Writing and Performing with Power
Take the Mic is an essential guide for lifting your poetry from the page to the stage. Marc Kelly Smith (So What!), grand founder of the Slam movement, serves as you personal coach, showing you how to craft stage-worthy verse and deliver a poetry performance that shakes the rafters and sparks thunderous applause. In Take the Mic, you discover how to...Pen poetry that's conducive to on-stage performance Overcome stage fright Practice powerful performance techniques Rehearse like a pro Shape a loose collection of poems into a killer set Connect with your audience — heart and soul Master the art of self-promotion Schedule your own slam poetry tour Transform your hobby into paying gigs Act professional to establish a solid reputation in the Slam community
Take the Mic is packed with practical exercises you can do alone or in class to hone your skills and transform your body, mind, voice, verse, and spirit into an engaging stage presence.
You'll also find a brief history of slam, the rules and regulations that govern official slam competitions, and a list of PSI (Poetry Slam, Inc.) Certified Slams, so no matter where you are, you always have a place to Take the Mic!
This compelling book provides a vivid firsthand account of the student demonstrations and massacre in Tiananmen Square in 1989. Uniquely placed as a Western observer drawn into active participation through Chinese friends in the uprising, Philip J Cunningham offers a remarkable day-by-day account of Beijing students desperately trying to secure the most coveted political real estate in China in the face of ever more daunting government countermoves. Tiananmen Moon takes the reader into the thick of the 1989 protests while also following the parallel response of an unprepared but resourceful Western media.
Cunningham recounts rare vignettes about life in Tiananmen Square under student leadership, including a near riot when a reporter is mistaken for Gorbachev, the saga of a tearful leader who quits and dictates her last will and testament to the author, and a dramatic account of futile resistance in the face of an unforgiving crackdown. He chronicles the opportunistic and awkward tango between naive student activists and jaded foreign journalists, in which, after a month of mutual courting, the tables turn and the now-savvy students watch the journalists, seduced and confused, run circles just trying to keep up.
During the hunger strike under the light of a full moon, China bares its conflicted soul to the world, the mournful cry for reform amplified by the footsteps of a million peaceful marchers. This remarkable testament to a searing month that changed China forever serves as a witness to the rise and fall of an uprising, capturing the plaintive and lyrical beauty of a dream that endures and continues to haunt the country today.
Drawing on material from a multitude of sources, including the work of archaeologists and scholars, Lewis chronologically traces the political, economical, social, and cultural development of the Middle East, from Hellenization in antiquity to the impact of westernization on Islamic culture. Meticulously researched, this enlightening narrative explores the patterns of history that have repeated themselves in the Middle East.
From the ancient conflicts to the current geographical and religious disputes between the Arabs and the Israelis, Lewis examines the ability of this region to unite and solve its problems and asks if, in the future, these unresolved conflicts will ultimately lead to the ethnic and cultural factionalism that tore apart the former Yugoslavia.
Elegantly written, scholarly yet accessible, The Middle East is the most comprehensive single volume history of the region ever written from the world’s foremost authority on the Middle East.
Building on the success of his extraordinary debut—the critically acclaimed, #1 “men’s interest” bestseller A Night in the Barracks—former U.S. Marine Alex Buchman presents a spellbinding, startlingly unique collection of erotic memoirs by or about “bad boys” in the Armed Forces.
Buchman’s radical approach to an otherwise rigidly formulaic sub-genre: he does the legion of purportedly “true confessions” books with a military theme one better: the first-person narratives he has assembled actually are true.
Boldly defying the conventions of gay male “one-handed reading,” the unembellished chronicles Buchman brings us from the intensely homoerotic secret world of men in uniform are more erotically charged than any porn-by-numbers fantasy.
The theme of Barracks Bad Boys is trouble. All-too-true stories of criminally sexy soldiers and sailors in trouble, who cause trouble, or who just plain are trouble.
The unvarnished accounts of romance with baby-faced deserters bound for the brig make for riveting reading. Equally gripping is the disarmingly candid pillow talk of young military men whose trouble runs deeper than mere “unauthorized absence” or “indecent acts.”
Some of the surprises you’ll encounter in Barracks Bad Boys include: a straight, married soldier’s detailed description of his one and only sexual experience with another man a seasoned military chaser’s review of his all-time favorite sailor-hustlers a dazed gay studies author’s “I should have known better” journal documenting how young sailors half his age seduced him, gave him street drugs, and pressured him to videotape them performing lewd acts Editor Buchman’s own offbeat and powerful story of being taken by surprise by the sexual advance of a Marine sergeant who began rubbing Buchman’s chest and asking him if he felt an “urge to be evil . . .” By turns hair-raising and wrenching, poignant and laugh-out-loud funny, these authentic accounts of sex in the Armed Forces are sure to elicit one universal reaction: no one could make this up!
Barracks Bad Boys is compulsory reading for anyone interested in men in uniform; human sexuality in the military; and cutting-edge nonfiction literary erotica.
The loamy black “muck” that surrounds Belle Glade, Florida once built an empire for Big Sugar and provided much of the nation's vegetables, often on the backs of roving, destitute migrants. Many of these were children who honed their skills along the field rows and started one of the most legendary football programs in America. Belle Glade’s high school team, the Glades Central Raiders, has sent an extraordinary number of players to the National Football League – 27 since 1985, with five of those drafted in the first round.
The industry that gave rise to the town and its team also spawned the chronic poverty, teeming migrant ghettos, and violence that cripples futures before they can ever begin. Muck City tells the story of quarterback Mario Rowley, whose dream is to win a championship for his deceased parents and quiet the ghosts that haunt him; head coach Jessie Hester, the town’s first NFL star, who returns home to “win kids, not championships”; and Jonteria Willliams, who must build her dream of becoming a doctor in one of the poorest high schools in the nation. For boys like Mario, being a Raider is a one-shot window for escape and a college education. Without football, Jonteria and the rest must make it on brains and fortitude alone. For the coach, good intentions must battle a town’s obsession to win above all else.
Beyond the Friday night lights, this book is an engrossing portrait of a community mired in a shameful past and uncertain future, but with the fierce will to survive, win, and escape to a better life.
Water war as a concept may not mesh with the conventional construct of warfare, especially for those who plan with tanks, combat planes, and attack submarines as weapons. Yet armies don’t necessarily have to march to battle to seize or defend water resources. Water wars—in a political, diplomatic, or economic sense—are already being waged between riparian neighbors in many parts of the world, fueling cycles of bitter recrimination, exacerbating water challenges, and fostering mistrust that impedes broader regional cooperation and integration. The danger is that these water wars could escalate to armed conflict or further limit already stretched food and energy production.
Writing in a direct, nontechnical, and engaging style, Brahma Chellaney draws on a wide range of research from scientific and policy fields to examine the different global linkages between water and peace. Offering a holistic picture and integrated solutions, his book has become the recognized authority on the most precious natural resource of this century and how we can secure humankind’s water future.
This new edition explores emerging themes, as well as ongoing issues that continue to besiege survivors. The book has been updated and revised throughout—from data about recovery efforts and environmental conditions, to discussions of major social issues in education, health care, the economy, and crime. The authors thoroughly review the important topic of recovery, both in New Orleans and in the wider area of the Mississippi Gulf Coast. This new edition features a new chapter focused on the Katrina experience for people in the primary impact area, or "ground zero," five years after the storm. This chapter uncovers many challenges in overcoming the critical problems caused by the storm of the century.
From this important update of the acclaimed first edition, it is apparent that "the storm is not over," as Katrina continues to generate political, economic, community, and personal controversy.
Denmark is the country of the moment. Recently named the happiest nation in the world, it’s the home of The Killing and Noma, the world’s best (and most eccentric) restaurant. We wear their sweaters, watch their thrillers, and covet their cool modern design, but how much do we really know about the Danes themselves? Part reportage, part travelogue, How to Be Danish fills in the gaps—an introduction to contemporary Danish culture that spans politics, television, food, architecture, and design.
Describing Dante's descent into Hell with Virgil as a guide, Inferno depicts a cruel underworld in which desperate figures are condemned to eternal damnation for committing one or more of seven deadly sins. As he descends through nine concentric circles of increasingly agonising torture, Dante encounters many doomed souls before he is finally ready to meet the ultimate evil in the heart of Hell: Satan himself.
This new edition of Inferno includes explanatory notes and an illustration of Dante's plan of hell. Robin Kirkpatrick's masterful translation is also available in a bilingual Penguin edition, with the original Italian on facing pages, and in a complete edition of The Divine Comedy with an introduction and other editorial materials.
Dante Alighieri was born in 1265. He studied at the university of Bologna, married at the age of twenty and had four children. His first major work was La Vita Nuova (1292), a tribute to Beatrice Portinari, the great love of his life who had died two years earlier. In 1302, Dante's political activism resulted in his being exiled from Florence. After years of wandering, he settled in Ravenna and in about 1307 began writing The Divine Comedy. Dante died in 1321.
Robin Kirkpatrick is a poet and widely-published Dante scholar. He has taught courses on Dante's Divine Comedy in Hong Kong, Dublin and Cambridge, where is Fellow of Robinson College and Professor of Italian and English Literatures.
'The perfect balance of tightness and colloquialism...likely to be the best modern version of Dante' - Bernard O'Donoghue
In today’s sexual world, both straight and gay and lesbian communities still often refuse to accept the reality of bisexuality. Bi Men: Coming Out Every Which Way confronts head-on the limiting views that bisexuality is a transitional phase of sexual evolution or a simple refusal to accept being either homosexual or straight. This pioneering collection of moving personal essays by bisexual men and those who love them explores what it means to be bisexual in today’s monosexually oriented society.
The millennial shift in sexual perspectives draws more and more men to come out as being attracted to both women and men. Bisexual and bi-curious men will find comfort and camaraderie in these stories about coming out, its impact on family and marriage, evolving perspectives on bisexuals within the LGBT community, and the building of acceptance and affirmation for bisexuality and polyamory.
The nearly three dozen essays in Bi Men: Coming Out Every Which Way are told in the honest words of bisexuals, confirming the validity of their place in the world while illustrating that there are more bi men than anyone ever realized. These diverse and pioneering men’s stories reveal a long-disguised and unconventional truth—that bisexuality is a valid lifestyle that does not threaten either sexual camp. Each contributor to this collection affirms the innate fluidity of self, sexuality, family, and community, and proclaims that sexuality is truly diverse in its predispositions and creativity.
Bi Men: Coming Out Every Which Way separates its essays into four parts:
coming out and personal realization of bisexual nature
bisexuality’s effects on family and marriage
an examination of the shifting viewpoints of bisexuality within gay communities
ways in which bisexuals can affirm and respect their own desires and celebrate their sexual selvesThese intimate stories address: biphobia
the impact on marriage
coming out to self, spouse, and family
political and community issues
religious and spiritual concernsBi Men: Coming Out Every Which Way is a vibrant, reassuring call to bisexuals, the bi-curious, or anybody who knows and loves a bisexual/bi-curious man, to read and more completely understand the unique issues of being bisexual while providing the ultimate affirmation of bisexuality’s existence.
Gwen Roland’s debut novel, set in 1907 in a secluded part of Louisiana, follows young adults Loyce Snellgrove, her cousin Lafayette “Fate” Landry, and his friend Valzine Broussard as they navigate between revelations about the past and tensions in the present. Forces large and small—the tragedies of the Civil War, the hardships of swamp life, family secrets, as well as unfailing humor—create a prismatic depiction of Louisiana folklife at the turn of the twentieth century and provide a realistic setting for this enchanting drama.
Roland anchors her work in historical fact and weaves a superb tale of vivid characters. In Postmark Bayou Chene, she uses the captivating voice that described the beauty and challenges of the swamp to legions of readers in her autobiographical Atchafalaya Houseboat. Her ear for dialogue and eye for detail bring the now-vanished community of Bayou Chene and the realities of love and loss on the river back to life in a well-crafted, bittersweet tribute.
"The magnificence of Hold It 'Til It Hurts is not only in the prose and the story but also in the book's great big beating heart. These complex and compelling characters and the wizardry of Johnson's storytelling will dazzle and move you from first page to last. Novels don't teach us how to live but Hold It 'Til It Hurts will make you hush and wonder."--Anthony Swofford, author of Jarhead
"This rich and sophisticated first novel brings together pleasures rarely found in one book: Hold It 'Til It Hurts is a novel about war that goes in search of passionate love, a dreamy thriller, a sprawling mystery, a classical quest for a lost brother in which the shadowy quarry is clearly the seeker’s own self, and a meditation on family and racial identity that makes its forerunners in American fiction look innocent by comparison."--Jaimy Gordon, National Book Award winner for Lord of Misrule
When Achilles Conroy and his brother Troy return from a tour of duty in Afghanistan, their white mother presents them with the key to their past: envelopes containing details about their respective birth parents. After Troy disappears, Achilles--always his brother’s keeper--embarks on a harrowing journey in search of Troy, an experience that will change him forever.
Heartbreaking, intimate, and at times disturbing, Hold It ’Til It Hurts is a modern-day odyssey through war, adventure, disaster, and love, and explores how people who do not define themselves by race make sense of a world that does.
T. Geronimo Johnson was born in New Orleans, Louisiana. His fiction and poetry have appeared in Best New American Voices, Indiana Review, Los Angeles Review of Books, and Illuminations, among others. A graduate of the Iowa Writers' Workshop and a former Stegner Fellow at Stanford University, Johnson teaches writing at the University of California-Berkeley. Hold It 'Til It Hurts is his first book.
Describing the interplay between general imperial policies, and greater realities and developments in Somaliland, the focus of the book remains on the mechanism by which the Protectorate was operated. The regime that developed was, in the end, a highly autocratic despotism, generally benign but occasionally predatory. Independence, when it arrived, was, in retrospect, a tragedy. Somaliland was absorbed into Somalia and a governmental style which suited the conditions of the Protectorate was dissolved into something very different. Since the collapse of Somalia, re-emergent Somaliland appears to be attempting to re-connect to a past remembered as something of a golden age.
Highly topical, as Somaliland is re-emerging, this book is an invaluable resource for students and scholars of African History, Imperial History and British History.
“How lucky the young poet who discovers this wisest and most lighthearted of manuals.”—James Merrill
“Marvelously comprehensive, clarifying and useful, and a delight to read.”—John Reardon, Los Angeles Times Book Review
“A virtuoso performance and a mandatory text for poetry readers and practioners alike.”—ALA Booklist
Situated in lofty, often inaccessible mountains between the Red Sea and the Blue Nile, and extending far into the Horn of Africa, it is a complex and mysterious country which as always exercised an extraordinary fascination for the outside world. The book begins with an introduction which gives a brief history of Ethiopia in this period, and describes the role of photography at this time. The richly captured images of Ethiopia Photographed bear witness to many personalities and places not previously seen and, in many cases, now lost for all time but for the photogenic memories recorded here.
Kwon and Chung make an innovative contribution to comparative socialism and postsocialism as well as to the anthropology of the state. Their pioneering work is essential for all readers interested in understanding North Korea’s past and future, the destiny of charismatic power in modern politics, the role of art in enabling this power.
Setting Qing dynasty culture in historical and global perspective, Smith shows how the Chinese of the era viewed the world; how their outlook was expressed in their institutions, material culture, and customs; and how China’s preoccupation with order, unity, and harmony contributed to the civilization’s remarkable cohesiveness and continuity. Nuanced and wide-ranging, his authoritative book provides an essential introduction to late imperial Chinese culture and society.
Dr. Hawa Abdi, "the Mother Teresa of Somalia" and Nobel Peace Prize nominee, is the founder of a massive camp for internally displaced people located a few miles from war-torn Mogadishu, Somalia. Since 1991, when the Somali government collapsed, famine struck, and aid groups fled, she has dedicated herself to providing help for people whose lives have been shattered by violence and poverty. She turned her 1300 acres of farmland into a camp that has numbered up to 90,000 displaced people, ignoring the clan lines that have often served to divide the country. She inspired her daughters, Deqo and Amina, to become doctors. Together, they have saved tens of thousands of lives in her hospital, while providing an education to hundreds of displaced children.
In 2010, Dr. Abdi was kidnapped by radical insurgents, who also destroyed much of her hospital, simply because she was a woman. She, along with media pressure, convinced the rebels to let her go, and she demanded and received a written apology.
Dr. Abdi's story of incomprehensible bravery and perseverance will inspire readers everywhere.
Gregory Orr draws from a generous array of sources. He weaves discussions of work by Keats, Dickinson, and Whitman with quotes from three-thousand-year-old Egyptian poems, Inuit songs, and Japanese love poems to show that writing personal lyric has helped poets throughout history to process emotional and experiential turmoil, from individual stress to collective grief. More specifically, he considers how the acts of writing, reading, and listening to lyric bring ordering powers to the chaos that surrounds us. Moving into more contemporary work, Orr looks at the poetry of Sylvia Plath, Stanley Kunitz, and Theodore Roethke, poets who relied on their own work to get through painful psychological experiences.
As a poet who has experienced considerable trauma--especially as a child--Orr refers to the damaging experiences of his past and to the role poetry played in his ability to recover and survive. His personal narrative makes all the more poignant and vivid Orr's claims for lyric poetry's power as a tool for healing. Poetry as Survival is a memorable and inspiring introduction to lyric poetry's capacity to help us find safety and comfort in a threatening world.
"In his work a continent awakens to consciousness." So wrote the Swedish Academy in awarding the Nobel Prize to Pablo Neruda, the author of more than thirty-five books of poetry and one of Latin America's most revered writers, lionized during his lifetime as "the people's poet."
This selection of Neruda's poetry, the most comprehensive single volume available in English, presents nearly six hundred poems, scores of them in new and sometimes multiple translations, and many accompanied by the Spanish original. In his introduction, Ilan Stavans situates Neruda in his native milieu as well as in a contemporary English-language one, and a group of new translations by leading poets testifies to Neruda's enduring, vibrant legacy among English-speaking writers and readers today.
Filled with slapstick humor, musical wizardry, and religious imagery, Tyler Perry’s films have inspired legions of fans, and yet critics often dismiss them or demean their audience. Tyler Perry’s America takes the films seriously in their own right. After providing essential background information on Perry’s life and film career, the book looks at what the films reveal about post–civil rights America and why they inspire so many people. The book examines the way the films explore social class in America—featuring characters from super-rich Wesley Deeds to homeless Lindsey Wakefield—and the way Perry both celebrates upward mobility and critiques soulless wealth. The book discusses the way religion fills the films—from gospel music to biblical quotes, the power of sexuality, and more. Lee also devotes a chapter to Madea, one of Perry’s most controversial and complicated characters.
Tyler Perry’s America is a thought-provoking examination of this powerhouse filmmaker which highlights the way Perry’s films appeal to viewers by connecting a rich African-American folk-cultural past with the promise of modern sophistication.
This anthology embraces a wide variety of compositions: it ranges from song-poems of the Pele and Hiiaka cycle and the pre-Christian Shark Hula for Ka-lani-opuu to postmissionary chants and gospel hymns. These later selections date from the reign of Ka-mehameha III (1825-1854) to that of Queen Liliu-o-ka-lani (1891-1893) and comprise the major portion of the book. They include, along with heroic chants celebrating nineteenth-century Hawaiian monarchs, a number of works composed by commoners for commoners, such as Bill the Ice Skater, Mr. Thurston's Water-Drinking Brigade, and The Song of the Chanter Kaehu. Kaehu was a distinguished leper-poet who ended his days at the settlement-hospital on Molokai.
The Marrano phenomenon is employed here, in the domain of modern philosophical thought, where an analogous tendency can be seen: the clash of an open idiom and a secret meaning, which transforms both the medium and the message. Focussing on key figures of late modern, twentieth century Jewish thought; Hermann Cohen, Gershom Scholem, Walter Benjamin, Franz Rosenzweig, Theodor Adorno, Ernst Bloch, Jacob Taubes, Emmanuel Levinas and Jacques Derrida, this book demonstrates how their respective manners of conceptualization swerve from the philosophical mainstream along the Marrano ‘secret curve.’
Analysing their unique contribution to the ‘unfinished project of modernity,’ including issues of the future of the Enlightenment, modern nihilism and post-secular negotiation with religious heritage, this book will be essential reading for students and researchers with an interest in Jewish Studies and Philosophy.
Highlighting a theory that describes the benefit of encountering ugly objects in art and nature, eighteenth-century German Jewish philosopher Moses Mendelssohn recasts ugliness as a positive force for moral education and social progress. According to his theory, ugly objects cause us to think more and thus exercise—and expand—our mental abilities. Known as ugly himself, he was nevertheless portrayed in portraits and in physiognomy as an image of wisdom, gentility, and tolerance. That seeming contradiction—an ugly object (Mendelssohn) made beautiful—illustrates his theory’s possibility: ugliness itself is a positive, even redeeming characteristic of great opportunity.
Presenting a novel approach to eighteenth century aesthetics, this book will be of interest to students and scholars in the fields of Jewish Studies, Philosophy and History.