In the year 1844, modern civilization had not yet set in, and Subiaco was, within, what it still appears to be from without, a somewhat gloomy stronghold of the Middle Ages, rearing its battlements and towers in a shadowy gorge, above a mountain torrent, inhabited by primitive and passionate people, dominated by ecclesiastical institutions, and, though distinctly Roman, a couple of hundred years behind Rome itself in all matters ethic and ¾sthetic. It was still the scene of the Santacroce murder, which really decided Beatrice Cenci's fate; it was still the gathering place of highwaymen and outlaws, whose activity found an admirable field through all the region of hill and plain between the Samnite range and the sea, while the almost inaccessible fortresses of the higher mountains, towards Trevi and the Serra di Sant' Antonio, offered a safe refuge from the halfhearted pursuit of Pope Gregory's lazy soldiers.Ê
Mrs. Sam Wyndham was never very popular. That is to say, she was not one of those women who are seemingly never spoken ill of, and are invited as a matter of course, or rather as an element of success, to every dinner, musical party, and dance in the season.
Women did not all regard her with envy, all young men did not think she was capital fun, nor did all old men come and confide to her the weaknesses of their approaching second childhood. She was not invariably quoted as the standard authority on dress, classical music, and Boston literature, and it was not an unpardonable heresy to say that some other women might be, had been, or could be, more amusing in ordinary conversation. Nevertheless, Mrs. Sam Wyndham held a position in Boston which Boston acknowledged, and which Boston insisted that foreigners such as New Yorkers, Philadelphians and the like, should acknowledge also in that spirit of reverence which is justly due to a descent on both sides from several signers of the Declaration of Independence, and to the wife of one of the ruling financial spirits of the aristocratic part of Boston business.
As a matter of fact, Mrs. Wyndham was about forty years of age, as all her friends of course knew; for it is as easy for a Bostonian to conceal a question of age as for a crowned head. In a place where one half of society calls the other half cousin, and went to school with it, every one knows and accurately remembers just how old everybody else is. But Mrs. Wyndham might have passed for younger than she was among the world at large, for she was fresh to look at, and of good figure and complexion. Her black hair showed no signs of turning gray, and her dark eyes were bright and penetrating still. There were lines in her face, those microscopic lines that come so abundantly to American women in middle age, speaking of a certain restless nervousness that belongs to them especially; but on the whole Mrs. Sam Wyndham was fair to see, having a dignity of carriage and a grace of ease about her that at once gave the impression of a woman thoroughly equal to the part she had to play in the world, and not by any means incapable of enjoying it.
I came busting into the world during one of New York's worst snowstorms, so my mother named me Winter.
Ghetto-born, Winter is the young, wealthy daughter of a prominent Brooklyn drug-dealing family. Quick-witted, sexy, and business-minded, she knows and loves the streets like the curves of her own body. But when a cold Winter wind blows her life in a direction she doesn't want to go, her street smarts and seductive skills are put to the test of a lifetime. Unwilling to lose, this ghetto girl will do anything to stay on top.
The Coldest Winter Ever marks the debut of a gifted storyteller. You will never forget this Winter's tale.
"Everyone wanted to believe that endless love was possible. She'd believed in it once, too, back when she was eighteen."
In the spring of 1984, high school students Amanda Collier and Dawson Cole fell deeply, irrevocably in love. Though they were from opposite sides of the tracks, their love for one another seemed to defy the realities of life in the small town of Oriental, North Carolina. But as the summer of their senior year came to a close, unforeseen events would tear the young couple apart, setting them on radically divergent paths.
Now, twenty-five years later, Amanda and Dawson are summoned back to Oriental for the funeral of Tuck Hostetler, the mentor who once gave shelter to their high school romance. Neither has lived the life they imagined . . . and neither can forget the passionate first love that forever changed their lives. As Amanda and Dawson carry out the instructions Tuck left behind for them, they realize that everything they thought they knew -- about Tuck, about themselves, and about the dreams they held dear -- was not as it seemed. Forced to confront painful memories, the two former lovers will discover undeniable truths about the choices they have made. And in the course of a single, searing weekend, they will ask of the living, and the dead: Can love truly rewrite the past?
One of the best-loved stories of all time, To Kill a Mockingbird has been translated into more than forty languages, sold more than thirty million copies worldwide, served as the basis for an enormously popular motion picture, and was voted one of the best novels of the twentieth century by librarians across the country. A gripping, heart-wrenching, and wholly remarkable tale of coming-of-age in a South poisoned by virulent prejudice, it views a world of great beauty and savage inequities through the eyes of a young girl, as her father-a crusading local lawyer-risks everything to defend a black man unjustly accused of a terrible crime.
“I just love the world of Patrick Rothfuss.” —Lin-Manuel Miranda • “He’s bloody good, this Rothfuss guy.” —George R. R. Martin • “Rothfuss has real talent.” —Terry Brooks
OVER 1 MILLION COPIES SOLD!
DAY ONE: THE NAME OF THE WIND
My name is Kvothe.
I have stolen princesses back from sleeping barrow kings. I burned down the town of Trebon. I have spent the night with Felurian and left with both my sanity and my life. I was expelled from the University at a younger age than most people are allowed in. I tread paths by moonlight that others fear to speak of during day. I have talked to Gods, loved women, and written songs that make the minstrels weep.
You may have heard of me.
So begins a tale unequaled in fantasy literature—the story of a hero told in his own voice. It is a tale of sorrow, a tale of survival, a tale of one man’s search for meaning in his universe, and how that search, and the indomitable will that drove it, gave birth to a legend.
Praise for The Kingkiller Chronicle:
“The best epic fantasy I read last year.... He’s bloody good, this Rothfuss guy.”
—George R. R. Martin, New York Times-bestselling author of A Song of Ice and Fire
“Rothfuss has real talent, and his tale of Kvothe is deep and intricate and wondrous.”
—Terry Brooks, New York Times-bestselling author of Shannara
"It is a rare and great pleasure to find a fantasist writing...with true music in the words."
—Ursula K. Le Guin, award-winning author of Earthsea
"The characters are real and the magic is true.”
—Robin Hobb, New York Times-bestselling author of Assassin’s Apprentice
"Masterful.... There is a beauty to Pat's writing that defies description."
—Brandon Sanderson, New York Times-bestselling author of Mistborn
“Orwell saw, to his credit, that the act of falsifying reality is only secondarily a way of changing perceptions. It is, above all, a way of asserting power.”—The New Yorker
In 1984, London is a grim city in the totalitarian state of Oceania where Big Brother is always watching you and the Thought Police can practically read your mind. Winston Smith is a man in grave danger for the simple reason that his memory still functions. Drawn into a forbidden love affair, Winston finds the courage to join a secret revolutionary organization called The Brotherhood, dedicated to the destruction of the Party. Together with his beloved Julia, he hazards his life in a deadly match against the powers that be.
Lionel Trilling said of Orwell’s masterpiece, “1984 is a profound, terrifying, and wholly fascinating book. It is a fantasy of the political future, and like any such fantasy, serves its author as a magnifying device for an examination of the present.” Though the year 1984 now exists in the past, Orwell’s novel remains an urgent call for the individual willing to speak truth to power.
At last, mega-bestselling author Sister Souljah delivers the stunning sequel to The Coldest Winter Ever. Fierce, raw, and filled with adventure and emotional intensity, A Deeper Love Inside is an unforgettable coming-of-age story in the words of Porsche Santiaga, Winter’s younger sister.
Sharp-tongued, quick-witted Porsche worships her sister Winter. Cut from the same cloth as her father, Ricky Santiaga, Porsche is also a natural-born hustler. Passionate and loyal to the extreme, she refuses to accept her new life in group homes, foster care, and juvenile detention after her family is torn apart. Porsche—unique, young, and beautiful—cries as much as she fights and uses whatever she has to reclaim her status. Unselfish, she pushes to get back everything that ever belonged to her wealthy, loving family.
In A Deeper Love Inside, readers will encounter their favorite characters from The Coldest Winter Ever, including Winter and Midnight. Sister Souljah’s soulful writing will again move your heart and open your eyes to a shocking reality.
“An impressive work of mythic magnitude that may turn out to be Stephen King’s greatest literary achievement” (The Atlanta Journal-Constitution), The Gunslinger is the first volume in the epic Dark Tower Series.
A #1 national bestseller, The Gunslinger introduces readers to one of Stephen King’s most powerful creations, Roland of Gilead: The Last Gunslinger. He is a haunting figure, a loner on a spellbinding journey into good and evil. In his desolate world, which mirrors our own in frightening ways, Roland tracks The Man in Black, encounters an enticing woman named Alice, and begins a friendship with the boy from New York named Jake.
Inspired in part by the Robert Browning narrative poem, “Childe Roland to the Dark Tower Came,” The Gunslinger is “a compelling whirlpool of a story that draws one irretrievable to its center” (Milwaukee Sentinel). It is “brilliant and fresh…and will leave you panting for more” (Booklist).
The critically acclaimed debut novel from Stephen Chbosky, Perks follows observant “wallflower” Charlie as he charts a course through the strange world between adolescence and adulthood. First dates, family drama, and new friends. Sex, drugs, and The Rocky Horror Picture Show. Devastating loss, young love, and life on the fringes. Caught between trying to live his life and trying to run from it, Charlie must learn to navigate those wild and poignant roller-coaster days known as growing up.
A #1 New York Times best seller for more than a year, an American Library Association Best Book for Young Adults (2000) and Best Book for Reluctant Readers (2000), and with millions of copies in print, this novel for teen readers (or “wallflowers” of more-advanced age) will make you laugh, cry, and perhaps feel nostalgic for those moments when you, too, tiptoed onto the dance floor of life.
The debut psychological thriller that will forever change the way you look at other people's lives.
“Nothing is more addicting than The Girl on the Train.”—Vanity Fair
“The Girl on the Train has more fun with unreliable narration than any chiller since Gone Girl. . . . [It] is liable to draw a large, bedazzled readership.”—The New York Times
“Marries movie noir with novelistic trickery. . . hang on tight. You'll be surprised by what horrors lurk around the bend.”—USA Today
“Like its train, the story blasts through the stagnation of these lives in suburban London and the reader cannot help but turn pages.”—The Boston Globe
“Gone Girl fans will devour this psychological thriller.”—People
EVERY DAY THE SAME
Rachel takes the same commuter train every morning and night. Every day she rattles down the track, flashes past a stretch of cozy suburban homes, and stops at the signal that allows her to daily watch the same couple breakfasting on their deck. She’s even started to feel like she knows them. Jess and Jason, she calls them. Their life—as she sees it—is perfect. Not unlike the life she recently lost.
And then she sees something shocking. It’s only a minute until the train moves on, but it’s enough. Now everything’s changed. Unable to keep it to herself, Rachel goes to the police. But is she really as unreliable as they say? Soon she is deeply entangled not only in the investigation but in the lives of everyone involved. Has she done more harm than good?
From the highly acclaimed, multiple award-winning Anthony Doerr, the beautiful, stunningly ambitious instant New York Times bestseller about a blind French girl and a German boy whose paths collide in occupied France as both try to survive the devastation of World War II.
Marie-Laure lives with her father in Paris near the Museum of Natural History, where he works as the master of its thousands of locks. When she is six, Marie-Laure goes blind and her father builds a perfect miniature of their neighborhood so she can memorize it by touch and navigate her way home. When she is twelve, the Nazis occupy Paris and father and daughter flee to the walled citadel of Saint-Malo, where Marie-Laure’s reclusive great-uncle lives in a tall house by the sea. With them they carry what might be the museum’s most valuable and dangerous jewel.
In a mining town in Germany, the orphan Werner grows up with his younger sister, enchanted by a crude radio they find. Werner becomes an expert at building and fixing these crucial new instruments, a talent that wins him a place at a brutal academy for Hitler Youth, then a special assignment to track the resistance. More and more aware of the human cost of his intelligence, Werner travels through the heart of the war and, finally, into Saint-Malo, where his story and Marie-Laure’s converge.
Doerr’s “stunning sense of physical detail and gorgeous metaphors” (San Francisco Chronicle) are dazzling. Deftly interweaving the lives of Marie-Laure and Werner, he illuminates the ways, against all odds, people try to be good to one another. Ten years in the writing, a National Book Award finalist, All the Light We Cannot See is a magnificent, deeply moving novel from a writer “whose sentences never fail to thrill” (Los Angeles Times).