In 1980, the author was starting his first year at the Ontario College of Art when printmaking instructor Bill Poole approached him with a crazy idea: to create ninety-six wood engravings for Poole's limited, letterpress edition of Alice's Adventures in Wonderland. This 2011 edition celebrates Alice's adventures with wood engravings.
From great works of the Italian Renaissance to masterpieces from the Impressionist movement, the Dover Masterworks series offers more experienced colorists the opportunity to re-create some of the world's most famous paintings.
The illustrations are printed on only one side of perforated pages, making it easy for artists to remove and display their finished pieces.
The original paintings are included in full color on the inside covers for reference.
The present volume reproduces with excellent clarity all 135 plates that Doré produced for The Inferno, Purgatory, and Paradise. From the depths of hell onto the mountain of purgatory and up to the empyrean realms of paradise, Doré's illustrations depict the passion and grandeur of Dante's masterpiece in such famous scenes as the embarkation of the souls for hell, Paolo and Francesca (four plates), the forest of suicides, Thaïs the harlot, Bertram de Born holding his severed head aloft, Ugolino (four plates), the emergence of Dante and Virgil from hell, the ascent up the mountain, the flight of the eagle, Arachne, the lustful sinners being purged in the seventh circle, the appearance of Beatrice, the planet Mercury, and the first splendors of paradise, Christ on the cross, the stairway of Saturn, the final vision of the Queen of Heaven, and many more.
Each plate is accompanied by appropriate lines from the Henry Wadsworth Longfellow translation of Dante's work.
Belgian-born Frans Masereel (1889–1972) was one of the greatest woodcut artists of the twentieth century. Ingeniously portraying the human experience through dramatic art, this novel-without-words — crafted from 167 intricate woodcuts — is considered to be the Flemish artist's masterpiece.
A feast for the eyes and the imagination, this powerful visual narrative details the life of an ordinary man. From the first bustling frame to the last haunting image, we are deeply drawn into the hero's day-to-day encounters, and discover a spirit in quest — one that we can profoundly relate to, emotionally and intellectually. Through each extraordinarily vivid depiction, readers feel the hero's happiness, grief, awe, and despair.
When singer, musician, and broadcast journalist Malka Marom had the opportunity to interview Joni Mitchell in 1973, she was eager to reconnect with the performer she'd first met late one night in 1966 at a Yorkville coffeehouse. More conversations followed over the next four decades of friendship, and it was only after Joni and Malka completed their most recent recorded interview, in 2012, that Malka discovered the heart of their discussions: the creative process.
In Joni Mitchell: In Her Own Words, Joni and Malka follow this thread through seven decades of life and art, discussing the influence of Joni's childhood, love and loss, playing dives and huge festivals, acclaim and criticism, poverty and affluence, glamorous triumphs and tragic mistakes . . . This riveting narrative, told in interviews, lyrics, paintings, and photographs, is shared in the hope of illuminating a timeless body of work and inspiring others.
Did you know that the Japanese language has a word to express the way sunlight filters through the leaves of trees? Or that there’s a Finnish word for the distance a reindeer can travel before needing to rest?
Lost in Translation brings to life more than fifty words that don’t have direct English translations with charming illustrations of their tender, poignant, and humorous definitions. Often these words provide insight into the cultures they come from, such as the Brazilian Portuguese word for running your fingers through a lover’s hair, the Italian word for being moved to tears by a story, or the Swedish word for a third cup of coffee.
In this clever and beautifully rendered exploration of the subtleties of communication, you’ll find new ways to express yourself while getting lost in the artistry of imperfect translation.
From the Hardcover edition.
Get ready for a behind-the-scenes look at the painting tools, methods, and inspirations of one of the top artists working in the growing field of Pop Surrealism. For the first time, beloved best-selling author and artist Camilla d’Errico pulls back the curtain to give you exclusive insights on topics from the paints and brushes she uses and her ideal studio setup, to the dreams, notions, and pop culture icons that fuel the creation of her hauntingly beautiful Pop Surrealist paintings.
With step-by-step examples covering major subject areas such as humans, animals, melting effects, and twisting reality (essential for Pop Surrealism!), Pop Painting gives you the sensation of sitting by Camilla’s side as she takes her paintings from idea to finished work. This front row seat reveals how a leading artist dreams, paints, and creates a successful body of work. For fans of Camilla and the underground art scene, aspiring artists looking to express their ideals in paint, and experienced artists wanting to incorporate the Pop Surrealist style into their work, Pop Painting is a one-of-a-kind, must-have guide.
From the Trade Paperback edition.
This magnificent collection displays more than eighty of Arthur Rackham's most beguiling illustrations. These phantasmagoric renderings spring from such literary legends as Rip Van Winkle, A Midsummer Night's Dream, Alice's Adventures in Wonderland, Aesop's Fables, Puck of Pook's Hill, Peter Pan in Kensington Gardens, and A Wonder Book. From the loveliest fairy to the most grotesque goblin, Rackham's art captures the wonder, innocence, and adventure that forever stir the human heart.
This enchanting compilation of 59 full-color illustrations draws upon Nielsen's images from scores of beloved tales, from the nasty characters in "Rumpelstiltskin" to the mysterious and magical figures in "The Blue Belt," "The Hardy Tin Soldier," "The Nightingale," "The Real Princess," "Hansel and Gretel," "Snowdrop," and many more.
Certain to delight fans of fairy tales, this dazzling collection will also thrill lovers of fine art, as well as Nielsen admirers.
Ai Weiwei - artist, architect, curator, publisher, poet and urbanist - extended the notion of art and is one of the world's most significant creative and cultural figures. In this series of interviews, conducted over several years with the curator Hans Ulrich Obrist, he discusses the many dimensions of his artistic life, ranging over subjects including ceramics, blogging, nature, philosophy and the myriad influences that have fed into his work. He also talks candidly about his father, his childhood spent in exile and his criticism of the Chinese state.
Together, these extraordinary discussions give a unique insight into the outstanding complexity of Ai Weiwei's thought and work, and are an essential reminder of the need for personal, political and artistic freedom.
Joe Fig asked a wide range of celebrated artists these and many other questions during the illuminating studio visits documented in Inside the Artist's Studio—the follow-up to his acclaimed 2009 book, Inside the Painter's Studio. In this remarkable collection, twenty-four painters, video and mixed-media artists, sculptors, and photographers reveal highly idiosyncratic production tools and techniques, as well as quotidian habits and strategies for getting work done: the music they listen to; the hours they keep; and the relationships with gallerists and curators, friends, family, and fellow artists that sustain them outside the studio.
Now available in a compact, accessible format, this beautifully illustrated book is the most comprehensive account ever published in English of one of the most fascinating and influential nineteenth-century painters.
“This is a model of interpretative art history, taking in a good deal of German Romantic philosophy, but founded always on the immediate experience of the picture. . . . It is rare to find a scholar so obviously in sympathy with his subject.”—Independent
--Kirkus Reviews (starred review)
"Spanning worlds, generations, cultures and environments, each of Meno's short stories in this stellar collection explores depression, loneliness and insanity in the world . . ."
--Publishers Weekly (starred review)
"Eclectic, funny, constantly surprising—these are the things a short story collection should be allowed to be, and Joe Meno's Demons in the Spring absolutely is . . . a rich, unforgettable stew of a book."
The limited-edition hardcover of Demons in the Spring was a finalist for the 2009 Story Prize, a Kirkus Reviews Best Book of 2008, a Time Out Chicago Best Book of 2008, and it drew starred reviews in Publishers Weekly and Kirkus Reviews. It is a collection of twenty short stories with illustrations by twenty artists from the fine art, graphic art, and comic book worlds.
Joe Meno is the best-selling author of five novels, including the smash hits Hairstyles of the Damned and The Boy Detective Fails (both published by Akashic Books), and two story collections. He was the winner of the 2003 Nelson Algren Award for short fiction and is a professor of creative writing at Columbia College in Chicago.
Steven Naifeh and Gregory White Smith galvanized readers with their astonishing Jackson Pollock: An American Saga, winner of the Pulitzer Prize for biography, a book acclaimed for its miraculous research and overwhelming narrative power. Now Naifeh and Smith have written another tour de force—an exquisitely detailed, compellingly readable, and ultimately heartbreaking portrait of creative genius Vincent van Gogh.
Working with the full cooperation of the Van Gogh Museum in Amsterdam, Naifeh and Smith have accessed a wealth of previously untapped materials. While drawing liberally from the artist’s famously eloquent letters, they have also delved into hundreds of unpublished family correspondences, illuminating with poignancy the wanderings of Van Gogh’s troubled, restless soul. Naifeh and Smith bring a crucial understanding to the larger-than-life mythology of this great artist—his early struggles to find his place in the world; his intense relationship with his brother Theo; his impetus for turning to brush and canvas; and his move to Provence, where in a brief burst of incandescent productivity he painted some of the best-loved works in Western art.
The authors also shed new light on many unexplored aspects of Van Gogh’s inner world: his deep immersion in literature and art; his erratic and tumultuous romantic life; and his bouts of depression and mental illness.
Though countless books have been written about Van Gogh, and though the broad outlines of his tragedy have long inhabited popular culture, no serious, ambitious examination of his life has been attempted in more than seventy years. Naifeh and Smith have re-created Van Gogh’s life with an astounding vividness and psychological acuity that bring a completely new and sympathetic understanding to this unique artistic genius whose signature images of sunflowers and starry nights have won a permanent place in the human imagination.
From the Hardcover edition.
Vasari says, and rightly, in his Life of Leonardo, "that he laboured much more by his word than in fact or by deed", and the biographer evidently had in his mind the numerous works in Manuscript which have been preserved to this day. To us, now, it seems almost inexplicable that these valuable and interesting original texts should have remained so long unpublished, and indeed forgotten. It is certain that during the XVIth and XVIIth centuries their exceptional value was highly appreciated. This is proved not merely by the prices which they commanded, but also by the exceptional interest which has been attached to the change of ownership of merely a few pages of Manuscript.
That, notwithstanding this eagerness to possess the Manuscripts, their contents remained a mystery, can only be accounted for by the many and great difficulties attending the task of deciphering them. The handwriting is so peculiar that it requires considerable practice to read even a few detached phrases, much more to solve with any certainty the numerous difficulties of alternative readings, and to master the sense as a connected whole. Vasari observes with reference to Leonardos writing: "he wrote backwards, in rude characters, and with the left hand, so that any one who is not practised in reading them, cannot understand them".
In a blend of outrageous egotism and unconventional humor, Dalí presents 50 "secrets" for mastering the art of painting: "the secret of sleeping while awake," "the secret of the periods of carnal abstinence and indulgence to be observed by the painter," "the secret of the painter's pointed mustaches," "the secret of learning to paint before knowing how to draw," "the secret of the painter's marriage," "the secret of the reason why a great draughtsman should draw while completely naked," and many other Daliesque prescriptions for artistic success.
Illustrated with the artist's own drawings, this volume is a fascinating mixture of serious artistic advice, lively personal anecdotes, and academic craftsmanship. It is, according to the San Francisco Chronicle, "in lay-out and clarity of design . . . a remarkable work of art in itself." Especially esteemed for its insights into modern art, 50 Secrets of Magic Craftsmanship is indispensable reading for any student of Surrealism or 20th century painting.
Poet Robert Lowell died of a heart attack, clutching a portrait of his lover, Caroline Blackwood, painted by her ex-husband, Lucian Freud. Lowell was on his way to see his own ex-wife, Elizabeth Hardwick, who was a longtime friend of Mary McCarthy. McCarthy left the father of her child to marry Edmund Wilson, who had encouraged her writing, and had also brought critical attention to the fiction of Anaïs Nin . . . whom he later bedded. And so it goes, the long chain of love, affections, and artistic influences among writers, musicians, and artists that weaves its way through the The Art of the Affair--from Frida Kahlo to Colette to Hemingway to Dali; from Coco Chanel to Stravinsky to Miles Davis to Orson Welles.
Scrupulously researched but playfully prurient, cleverly designed and colorfully illustrated, it's the perfect gift for your literary lover--and the perfect read for any good-natured gossip-monger.
Although there is a vast specialized literature on the Nuremberg master, The Essential Dürer fills the need for a foundational book that covers the major aspects of his career. The essays included in this book, written by leading scholars from the United States and Germany, provide an accessible, up-to-date examination of Dürer's art and person as well as his posthumous fame. The essays address an array of topics, from separate and detailed studies of his paintings, drawings, printmaking, and sculpture, to broader concerns such as his visits to and interactions with Venice and the Netherlands, his personal relationships, and his relationships with other artists. Collectively these stimulating essays explore the brilliance of Dürer's creativity and the impact he had on his world, exposing him as an artist fully engaged with the tumultuous intellectual and religious challenges of his time.
Chronicler and confidant of Muhammad Ali, Neiman also traveled with Sinatra, cavorted with Dalí and Warhol, watched afternoon soaps with Dizzy Gillespie, played in Sly Stallone’s Rocky movies, exchanged quips with Nixon, smoked cigars with Castro, and experienced the terrorist attacks at the Munich Olympics alongside Peter Jennings, Howard Cosell, and Jim McKay. And then there was his half-century relationship with Hugh Hefner as principle artistic contributor to Playboy, setting up studios in London and Paris to cover his Playboy beat, “Man at His Leisure,” and his creation of the Femlin, the iconic Playboy nymphette.
With his life’s work, and in All Told, LeRoy Neiman captured sports heroes, movie stars, presidents, dishwashers, jet-setters, jockeys, and more than a few Bunnies at the Playboy Mansion—a panoramic record of society like no other.