Lucy Goes to the Beach
by Michael Gilbert
Lucy’s back again. Solving another big mystery, but this time in the white, sandy beaches of the mighty Atlantic Ocean. After forming a friendship with the lifeguard, Lucy soon realizes her new friend has been betrayed by the very same girl she helped. Can Lucy now save her new friend’s job from the suspicious blame of her accuser or is this new friend as trustworthy as Lucy first believed?However, the only way to find out is to read further into the exciting new adventures of young Detective Lucy.
Whereas some towns people say he just packed up and left others speak of only his ghost but for our young detective Lucy no search is too big and no adventure too small.
Now hold on for the ride as America’s new favorite girl detective brings her daring discoveries straight to your own home.
Handsome, young, Muslim, and married to two women living in one house along with his mother, Umma, and sister, Naja: can Midnight manage all that he has on his plate? He is surrounded by Americans who don’t share or understand his faith or culture, and adults who are offended by his maturity, intelligence, and his natural ability to make his hard work turn into real money. He is calm, confident, and cool, Ninja-trained and powerful, but one moment of rage throws this Brooklyn youth into a dark world of dirty police, gangs, guns, drugs, prisons, and dangerous inmates. Everything he ever believed, every dollar he ever earned, and all of the women he ever loved—including his mother—are at risk.
Will his manhood be taken, broken, or altered? Can he maintain his faith? Outnumbered, overruled, and deeply envied—how can he possibly survive? Will the streets convert him? What can he keep? What must he lose?
They call them Travelers. They move from city to city, panhandling, committing no crimes—they just like to stay on the move. And now somebody is killing them.
Lucas Davenport’s adopted daughter, Letty, is home from college when she gets a phone call from a woman Traveler she’d befriended in San Francisco. The woman thinks somebody’s killing her friends, she’s afraid she knows who it is, and now her male companion has gone missing. She’s hiding out in North Dakota, and she doesn’t know what to do.
Letty tells Lucas she’s going to get her, and, though he suspects Letty’s getting played, he volunteers to go with her. When he hears the woman’s story, though, he begins to think there’s something in it. Little does he know. In the days to come, he will embark upon an odyssey through a subculture unlike any he has ever seen, a trip that will not only put the two of them in danger—but just may change the course of his life.
From the Hardcover edition.
After the events in Gathering Prey, Lucas Davenport finds himself in a very unusual situation—no longer employed by the Minnesota BCA. His friend the governor is just cranking up a presidential campaign, though, and he invites Lucas to come along as part of his campaign staff. “Should be fun!” he says, and it kind of is—until they find they have a shadow: an armed man intent on killing the governor...and anyone who gets in the way.
Ten people, each with something to hide and something to fear, are invited to a isolated mansion on Indian Island by a host who, surprisingly, fails to appear. On the island they are cut off from everything but each other and the inescapable shadows of their own past lives. One by one, the guests share the darkest secrets of their wicked pasts. And one by one, they die…
Which among them is the killer and will any of them survive?
The night after the fourth of July, Layton Carlson Jr., of Red Wing, Minnesota, finally got lucky. And unlucky.
He’d picked the perfect spot to lose his virginity to his girlfriend, an abandoned farmyard in the middle of cornfields: nice, private, and quiet. The only problem was . . . something smelled bad—like, really bad. He mentioned it to a county deputy he knew, and when the cop took a look, he found a body stuffed down a cistern. And then another, and another.
By the time Lucas Davenport was called in, the police were up to fifteen bodies and counting. And as if that wasn’t bad enough, when Lucas began to investigate, he made some disturbing discoveries of his own. The victims had been killed over a great many years, one every summer, regular as clockwork. How could this have happened without anybody noticing?
Because one thing was for sure: the killer had to live close by. He was probably even someone they saw every day. . . .
In Southeast Minnesota, down on the Mississippi, a school board meeting is coming to an end. The board chairman announces that the rest of the meeting will be closed, due to personnel issues. “Issues” is correct. The proposal up for a vote before them is whether to authorize the killing of a local reporter. The vote is four to one in favor.
Meanwhile, not far away, Virgil Flowers is helping out a friend by looking into a dognapping, which seems to be turning into something much bigger and uglier—a team of dognappers supplying medical labs—when he gets a call from Lucas Davenport. A murdered body has been found—and the victim is a local reporter. . . .
From the Hardcover edition.
Two children from Sierra Leone, Liberty and A’shai, are brought together by chance only to be forced apart by the most inevitable and tragic fate. Ashley and JaQuavis bring us this classic love story set against modern life’s most horrifying realities. Liberty is dying of a fatal heart condition, though she desperately wants to survive until her 25th birthday when her sister has promised to visit her. A’shai blames himself for not protecting Liberty, but all Liberty asks is for A’shai to tell her a story, to help her remember what brought them to this point. He knows that this is the last story he will ever tell and the last she will ever hear. As Liberty lies dying, A’shai walks her though their past, reliving their ill-fated journeys through the streets. Their story will take them from an arranged marriage, through Mexico’s drug cartel, child brothels, hustling in Detroit, to escaping the high-powered heads of L.A.’s underworld. But ultimately, this is a story of love and redemption that will leave you breathless from the unpredictable and mind-blowing ending.
“The murderer is with us—on the train now . . .”
Just after midnight, the famous Orient Express is stopped in its tracks by a snowdrift. By morning, the millionaire Samuel Edward Ratchett lies dead in his compartment, stabbed a dozen times, his door locked from the inside. Without a shred of doubt, one of his fellow passengers is the murderer.
Isolated by the storm, detective Hercule Poirot must find the killer among a dozen of the dead man's enemies, before the murderer decides to strike again.
“What more . . . can a mystery addict desire?”—New York Times
Now Bosch's ballistics match indicates that her death was not random violence, but something more personal, and connected to a deeper intrigue. Like an investigator combing through the wreckage after a plane crash, Bosch searches for the "black box," the one piece of evidence that will pull the case together.
Riveting and relentlessly paced, THE BLACK BOX leads Harry Bosch, "one of the greats of crime fiction" (New York Daily News), into one of his most fraught and perilous cases.
The first storm comes from, of all places, the Minnesota zoo. Two large, and very rare, Amur tigers have vanished from their cage, and authorities are worried sick that they’ve been stolen for their body parts. Traditional Chinese medicine prizes those parts for home remedies, and people will do extreme things to get what they need. Some of them are a great deal more extreme than others—as Virgil is about to find out.
Then there’s the homefront. Virgil’s relationship with his girlfriend Frankie has been getting kind of serious, but when Frankie’s sister Sparkle moves in for the summer, the situation gets a lot more complicated. For one thing, her research into migrant workers is about to bring her up against some very violent people who emphatically do not want to be researched. For another…she thinks Virgil’s kind of cute.
“You mess around with Sparkle,” Frankie told Virgil, “you could get yourself stabbed.”
“She carries a knife?”
“No, but I do.”
Forget a storm—this one’s a tornado.
From the Hardcover edition.
Not even Emmy's ex-boyfriend, field agent Harrison "Books" Bookman, will believe her that hundreds of kidnappings, rapes, and murders are all connected. That is, until Emmy finds a piece of evidence he can't afford to ignore. More murders are reported by the day--and they're all inexplicable. No motives, no murder weapons, no suspects. Could one person really be responsible for these unthinkable crimes?
INVISIBLE is James Patterson's scariest, most chilling stand-alone thriller yet.
At once wildly original and stuffed with irresistible nostalgia, READY PLAYER ONE is a spectacularly genre-busting, ambitious, and charming debut—part quest novel, part love story, and part virtual space opera set in a universe where spell-slinging mages battle giant Japanese robots, entire planets are inspired by Blade Runner, and flying DeLoreans achieve light speed.
It’s the year 2045, and the real world is an ugly place.
Like most of humanity, Wade Watts escapes his grim surroundings by spending his waking hours jacked into the OASIS, a sprawling virtual utopia that lets you be anything you want to be, a place where you can live and play and fall in love on any of ten thousand planets.
And like most of humanity, Wade dreams of being the one to discover the ultimate lottery ticket that lies concealed within this virtual world. For somewhere inside this giant networked playground, OASIS creator James Halliday has hidden a series of fiendish puzzles that will yield massive fortune—and remarkable power—to whoever can unlock them.
For years, millions have struggled fruitlessly to attain this prize, knowing only that Halliday’s riddles are based in the pop culture he loved—that of the late twentieth century. And for years, millions have found in this quest another means of escape, retreating into happy, obsessive study of Halliday’s icons. Like many of his contemporaries, Wade is as comfortable debating the finer points of John Hughes’s oeuvre, playing Pac-Man, or reciting Devo lyrics as he is scrounging power to run his OASIS rig.
And then Wade stumbles upon the first puzzle.
Suddenly the whole world is watching, and thousands of competitors join the hunt—among them certain powerful players who are willing to commit very real murder to beat Wade to this prize. Now the only way for Wade to survive and preserve everything he knows is to win. But to do so, he may have to leave behind his oh-so-perfect virtual existence and face up to life—and love—in the real world he’s always been so desperate to escape.
A world at stake.
A quest for the ultimate prize.
Are you ready?
Putting out chaos with gasoline is one play that even the women of the Dirty South can't control. One merciless kill vaults good-girl-gone-bad Ta’Shara into gangland's power elite—but an enemy she doesn't see is targeting everything she can't afford to lose. For former Vice Lord chief Lucifer, taking back her power means all-out war on her lethal lover, no matter what the cost. Gorgeous Cleo at last has her sister's killer in her sights—if she can survive one deadly game too many. And as Queen G LeShelle’s lies finally choke-hold her life, trusting someone more vicious than her husband Python may be the last mistake she'll ever make. Now these king divas will leave nothing standing—because if they can't reign, no one will…
Defense attorney Mickey Haller returns with a haunting case in the gripping new thriller from #1 New York Times bestselling author Michael Connelly.
Mickey Haller gets the text, "Call me ASAP - 187," and the California penal code for murder immediately gets his attention. Murder cases have the highest stakes and the biggest paydays, and they always mean Haller has to be at the top of his game.
When Mickey learns that the victim was his own former client, a prostitute he thought he had rescued and put on the straight and narrow path, he knows he is on the hook for this one. He soon finds out that she was back in LA and back in the life. Far from saving her, Mickey may have been the one who put her in danger.
Haunted by the ghosts of his past, Mickey must work tirelessly and bring all his skill to bear on a case that could mean his ultimate redemption or proof of his ultimate guilt. The Gods of Guilt shows once again why "Michael Connelly excels, easily surpassing John Grisham in the building of courtroom suspense" (Los Angeles Times).
If the question of who's to blame for teenage atrocity intrigues news-watching voyeurs, it tortures our narrator, Eva Khatchadourian. Two years before the opening of the novel, her son, Kevin, murdered seven of his fellow high school students, a cafeteria worker, and the much-beloved teacher who had tried to befriend him. Because his sixteenth birthday arrived two days after the killings, he received a lenient sentence and is currently in a prison for young offenders in upstate New York.
In relating the story of Kevin's upbringing, Eva addresses her estranged husband, Frank, through a series of startingly direct letters. Fearing that her own shortcomings may have shaped what her son became, she confesses to a deep, long-standing ambivalence about both motherhood in general—and Kevin in particular. How much is her fault?
We Need To Talk About Kevin offers no at explanations for why so many white, well-to-do adolescents—whether in Pearl, Paducah, Springfield, or Littleton—have gone nihilistically off the rails while growing up in the most prosperous country in history. Instead, Lionel Shriver tells a compelling, absorbing, and resonant story with an explosive, haunting ending. She considers motherhood, marriage, family, career—while framing these horrifying tableaus of teenage carnage as metaphors for the larger tragedy of a country where everything works, nobody starves, and anything can be bought but a sense of purpose.