More in horror

Vile Things is the ultimate collection of extreme horror with 15 unspeakably gruesome, cringe-worthy, and sometimes disturbingly hilarious tales. and above all else an entertaining and damn good, fun read. The stories, most of which are previously unpublished, include a wide range of subjects: the Jersey Devil, zombies, sadistic Nazis, insatiable ghouls, perverted fishermen, a cult of Basilisk, tequila worms, and much more! 

FANGORIA MAGAZINE REVIEW

"This book is not just your basic horror stories. This is extreme shit...Edited by Cheryl Mullenax, VILE THINGS: EXTREME DEVIATIONS OF HORROR is not for the light horror fan. The stories are not just extreme horror, but also extreme gore and sex…a triple threat of fun in my eyes...This book is a definite for any extreme horror fan. Full of terror, sex, and gore, I don’t recommend this for the faint of heart or for a light read at a beauty salon."

MONSTER LIBRARIAN REVIEW

"Vile Things is one of the stronger horror anthologies I have come across in some time... I would say that while there are definitely some stronger and gorier stories in this collection than in other horror anthologies, Vile Things offers some excellent horror tales and is highly recommended for public libraries." 

RUE MORGUE MAGAZINE REVIEW

"The most striking fiction is often rooted directly in reality, and this is especially true for the stories found in Vile Things. Most of these tales, collected by editor Cheryl Mullenax, begin with plausible, everyday situations and then darken quickly to trap the reader in twisted supernatural plotlines that teem with the imagination's most repulsive creations, including parasitic mutations, a spate of festering fungal rashes and many other rancid and, well, vile things...But dismembered members aside, there are no cheap gross-outs here; even though the focus is clearly on the vile and unpalatable these don't feel like stories that were written with the sole purpose of being labeled "extreme horror" or to merely revel in their graphic, gory descriptions. Simply put, Vile Things is every deviant horror fan's wet dream."

In the past hundred years, since the publication of Bram Stoker's infamous book, no literary figure has enjoyed a more horrific resiliency than Count Dracula. In film, television, novels, and short stories, he keeps coming back to life, fed by the vital imaginative energies of a world-wide audience that cannot seem to resist his abominable charms. Aristocratic and urbane, deeply erotic and profoundly evil, Dracula's bloodsucking savagery has cast a mesmerizing fascination not only over his victims but over his readers as well. And, as Leonard Wolf suggests, "Vampire fiction...exerts an amazing pull on readers for a reason that we may find disturbing. The blood exchange--the taking of blood by the vampire from his or her victim is, all by itself, felt to be a singularly symbolic event. Symbolic and attractive!" Now, in Blood Thirst: One Hundred Years of Vampire Fiction, Leonard Wolf brings together thirty tales in which vampires of all varieties make their ghastly presence felt--male and female, human and non-human, humorous and heroic--all of them kin to the dreadful bat. From Lafcadio Hearn, Mary E. Wilkins-Freeman, Edith Wharton, August Derleth, and Ray Bradbury to such contemporary masters as Anne Rice, Stephen King, Joyce Carol Oates, John Cheever, and Woody Allen, and in settings as diverse as rural New England and outer space, this collection offers readers a dazzling compendium of vampire stories. Wolf organizes the collection into six categories--The Classic Adventure Tale, The Psychic Vampire, The Science Fiction Vampire, The Non-Human Vampire, The Comic Vampire, and The Heroic Vampire--which allows readers to see the many guises Dracula's descendants have assumed and the many ways they can be interpreted. In his penetrating introduction, Wolf argues that such an arrangement enables us to see the evolution of the vampire from an unmitigated evil to a creature we are more likely to identify with. "In a century in which God and Satan have become increasingly irrelevant in the popular arts, there has been an accompanying secularization of the vampire idea. And, as the stories in Blood Thirst will show, sympathy for the vampire has grown as we have become increasingly interested in the workings of the mind." Indeed, the vampire's ability to change over time, to draw into itself such a richness of symbolic meanings, to conjure itself into so many diabolical shapes, may account for the enduring appeal of the literature written about it. Here, then, is a definitive collection for aficionados and novices alike, and whether readers find the vampires who inhabit these pages sympathetic or horrific, psychologically intriguing or spiritually repellent, morbidly seductive or comically absurd, Blood Thirst gives us all something to sink our teeth into.
David Wong has updated the Lovecraft tradition and infused it with humor that rather than lessening the horror, increases it dramatically. Every time I set the book down down, I was wary that something really was afoot, that there were creatures I couldn't see, and that because I suspected this, I was next. Engaging, comic, and terrifying.-- Joe Garden, Features Editor, The Onion
"Wong is like a mash-up of Douglass Adams and Stephen King... 'page-turner' is an understatement."
--Don Coscarelli, director, Phantasm I-V, Bubba Ho-tep

"That rarest of things--a genuinely scary story."--David Wellington, author of Monster Island, Vampire Zero

"JOHN DIES AT THE END has a cult following for a reason: it's horrific, thought-provoking, and hilarious all at once. This is one of the most entertaining and addictive novels I've ever read."--Jacob Kier, Publisher, Permuted Press

STOP. You should not have touched this flyer with your bare hands. NO, don't put it down. It's too late. They're watching you. My name is David Wong. My best friend is John. Those names are fake. You might want to change yours. You may not want to know about the things you'll read on these pages, about the sauce, about Korrok, about the invasion, and the future. But it's too late. You touched the book. You're in the game. You're under the eye. The only defense is knowledge. You need to read this book, to the end. Even the part with the bratwurst. Why? You just have to trust me.

The important thing is this: The drug is called Soy Sauce and it gives users a window into another dimension. John and I never had the chance to say no. You still do. I'm sorry to have involved you in this, I really am. But as you read about these terrible events and the very dark epoch the world is about to enter as a result, it is crucial you keep one thing in mind: None of this was my fault.

H. P. Lovecraft was the eerily prescient genius who first electrified readers in Weird Tales magazine. His tales changed the face of horror forever and inspired the bloodcurdling offerings of a new generation. These brilliant dark visionaries forge grisly trails through previously uncharted realms of mortal terror.
 
THE PLAIN OF SOUND by Ramsey Campbell: In the beginning they could find no source for the throbbing vibrations; in the end they could find no escape.
THE HORROR ON THE BEACH by Alan Dean Foster: Along the coast of Santa Barbara, the mighty Pacific Ocean can no longer contain—or conceal—an ancient, insatiable evil stirring in its depths.
THE KISS OF BUGG-SHASH by Brian Lumley: It mattered not how innocent the students’ motives seemed; the demon had been summoned, and the price had to be paid—every last red drop of it.
THE FISHERS FROM OUTSIDE by Lin Carter: A man obsessed with unlocking the secrets of a race older than time would not be disappointed—doomed perhaps, devoured possibly, but definitely not disappointed.
 
AND TWENTY-ONE MORE TALES OF FEAR . . .
 
THE STONE ON THE ISLAND by Ramsey Campbell
THE STATEMENT OF ONE JOHN GIBSON by Brian Lumley
DEMONIACAL by David Sutton
THE SLITHERER FROM THE SLIME by H. P. Lowcraft
THE DOOM OF YAKTHOOB by Lin Carter
THE KEEPER OF THE FLAME by Gary Myers
DEAD GIVEAWAY by J. Vernon Shea
THOSE WHO WAIT by James Wade
THE KEEPER OF DARK POINT by John Glasby
THE BLACK MIRROR by John Glasby
I’VE COME TO TALK WITH YOU AGAIN by Karl Edward Wagner
THE HOWLER IN THE DARK by Richard L. Tierney
THE WHISPERERS by Richard A. Lupoff
LIGHTS! CAMERA! SHUB-NIGGURATH! by Richard A. Lupoff
SAUCERS FROM YADDITH by Robert M. Price
VASTARIEN by Thomas Ligotti
THE MADNESS OUT OF SPACE by Peter H. Cannon
ALIAH WARDEN by Roger Johnson
THE LAST SUPPER by Donald R. Burleson
THE CHURCH AT GARLOCK’S BEND by David Kaufman
THE SPHERES BEYOND SOUND (THRENODY) by Mark Rainey
Ramsey Campbell is perhaps the world's most decorated author of horror fiction. He has won four World Fantasy Awards, ten British Fantasy Awards, three Bram Stoker Awards, and the Horror Writers' Association's Lifetime Achievement Award.

Three decades into his career, Campbell paused to review his body of short fiction and selected the stories that were, to his mind, the very best of his works. Alone With the Horrors collects nearly forty tales from the first thirty years of Campbell's writing. Included here are "In the Bag," which won the British Fantasy Award, and two World Fantasy Award-winning stories, "The Chimney" and the classic "Mackintosh Willy."

Campbell crowns the book with a length preface which traces his early publication history, discusses his youthful correspondence with August Derleth, illuminates the influence of H.P. Lovecraft on his early work, and gives an account of the creation of each story and the author's personal assessment of the works' flaws and virtues.

In its first publication, a decade ago, Alone With the Horrors won both the Bram Stoker Award and the World Fantasy Award. For this new edition, Campbell has added one of his very first published stories, a Lovecraftian classic, "The Tower from Yuggoth." From this early, Cthulhian tale, to later works that showcase Campbell's growing mastery of mood and character, Alone With the Horrors provides readers with a close look at a powerful writer's development of his craft.



At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

©2019 GoogleSite Terms of ServicePrivacyDevelopersArtistsAbout Google|Location: United StatesLanguage: English (United States)
By purchasing this item, you are transacting with Google Payments and agreeing to the Google Payments Terms of Service and Privacy Notice.