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Felix Cohen, the lawyer and scholar who wrote TheHandbook of Federal Indian Law (1942), was enormously influential in American Indian policy making. Yet histories of the Indian New Deal, a 1934 program of Franklin D. Roosevelt’s New Deal, neglect Cohen and instead focus on John Collier, commissioner of Indian affairs within the Department of the Interior (DOI). Alice Beck Kehoe examines why Cohen, who, as DOI assistant solicitor, wrote the legislation for the Indian Reorganization Act (1934) and Indian Claims Commission Act (1946), has received less attention. Even more neglected was the contribution that Cohen’s wife, Lucy Kramer Cohen, an anthropologist trained by Franz Boas, made to the process.

Kehoe argues that, due to anti-Semitism in 1930s America, Cohen could not speak for his legislation before Congress, and that Collier, an upper-class WASP, became the spokesman as well as the administrator. According to the author, historians of the Indian New Deal have not given due weight to Cohen’s work, nor have they recognized its foundation in his liberal secular Jewish culture. Both Felix and Lucy Cohen shared a belief in the moral duty of mitzvah, creating a commitment to the “true and the just” that was rooted in their Jewish intellectual and moral heritage, and their Social Democrat principles.

A Passion for the True and Just takes a fresh look at the Indian New Deal and the radical reversal of US Indian policies it caused, moving from ethnocide to retention of Indian homelands. Shifting attention to the Jewish tradition of moral obligation that served as a foundation for Felix and Lucy Kramer Cohen (and her professor Franz Boas), the book discusses Cohen’s landmark contributions to the principle of sovereignty that so significantly influenced American legal philosophy.
From its inception in 1966, the Canadian Seasonal Agricultural Worker Program (SAWP) has grown to employ approximately 20,000 workers annually, the majority from Mexico. The program has been hailed as a model that alleviates human rights concerns because, under contract, SAWP workers travel legally, receive health benefits, contribute to pensions, are represented by Canadian consular officials, and rate the program favorably. Tomorrow We're All Going to the Harvest takes us behind the ideology and examines the daily lives of SAWP workers from Tlaxcala, Mexico (one of the leading sending states), observing the great personal and family price paid in order to experience a temporary rise in a standard of living. The book also observes the disparities of a gutted Mexican countryside versus the flourishing agriculture in Canada, where farm labor demand remains high.

Drawn from extensive surveys and nearly two hundred interviews, ethnographic work in Ontario (destination of over 77 percent of migrants in the author's sample), and quantitative data, this is much more than a case study; it situates the Tlaxcala-Canada exchange within the broader issues of migration, economics, and cultural currents. Bringing to light the historical genesis of "complementary" labor markets and the contradictory positioning of Mexican government representatives, Leigh Binford also explores the language barriers and nonexistent worker networks in Canada, as well as the physical realities of the work itself, making this book a complete portrait of a provocative segment of migrant labor.

For skeptics, art lovers, and the millions of us who visit art galleries every year—and are confused—What Are You Looking At? by former director of London’s Tate Gallery Will Gompertz is a wonderfully lively, accessible narrative history of Modern Art, from Impressionism to the present day.

What is modern art? Who started it? Why do we either love it or loathe it? And why is it such big money? Join BBC Arts Editor Will Gompertz on a dazzling tour that will change the way you look at modern art forever. From Monet's water lilies to Van Gogh's sunflowers, from Warhol's soup cans to Hirst's pickled shark, hear the stories behind the masterpieces, meet the artists as they really were, and discover the real point of modern art.

You will learn: not all conceptual art is bollocks; Picasso is king (but Cézanne is better); Pollock is no drip; Dali painted with his moustache; a urinal changed the course of art; why your 5-year-old really couldn't do it. Refreshing, irreverent and always straightforward, What Are You Looking At? cuts through the pretentious art speak and asks all the basic questions that you were too afraid to ask. Your next trip to the art gallery is going to be a little less intimidating and a lot more interesting.

With his offbeat humor, down-to-earth storytelling, and flair for odd details that spark insights, Will Gompertz is the perfect tour guide for modern art. His book doesn’t tell us if a work of art is good; it gives us the knowledge to decide for ourselves.
An essential handbook for students and professionals on writing eloquently, accurately, and originally about contemporary art How to Write About Contemporary Art is the definitive guide to writing engagingly about the art of our time. Invaluable for students, arts professionals and other aspiring writers, the book first navigates readers through the key elements of style and content, from the aims and structure of a piece to its tone and language. Brimming with practical tips that range across the complete spectrum of art-writing, the second part of the book is organized around its specific forms, including academic essays; press releases and news articles; texts for auction and exhibition catalogues, gallery guides and wall labels; op-ed journalism and exhibition reviews; and writing for websites and blogs.

In counseling the reader against common pitfalls—such as jargon and poor structure—Gilda Williams points instead to the power of close looking and research, showing how to deploy language effectively; how to develop new ideas; and how to construct compelling texts. More than 30 illustrations throughout support closely analysed case studies of the best writing, in Source Texts by 64 authors, including Claire Bishop, Thomas Crow, T.J. Demos, Okwui Enwezor, Dave Hickey, John Kelsey, Chris Kraus, Rosalind Krauss, Stuart Morgan, Hito Steyerl, and Adam Szymczyk.

Supplemented by a general bibliography, advice on the use and misuse of grammar, and tips on how to construct your own contemporary art library, How to Write About Contemporary Art is the essential handbook for all those interested in communicating about the art of today.
Stretching from the years during the Second World War when young couples jitterbugged across the dance floor at the Zenda Ballroom, through the early 1950s when honking tenor saxophones could be heard at the Angelus Hall, to the Spanish-language cosmopolitanism of the late 1950s and 1960s, Mexican American Mojo is a lively account of Mexican American urban culture in wartime and postwar Los Angeles as seen through the evolution of dance styles, nightlife, and, above all, popular music. Revealing the links between a vibrant Chicano music culture and postwar social and geographic mobility, Anthony Macías shows how by participating in jazz, the zoot suit phenomenon, car culture, rhythm and blues, rock and roll, and Latin music, Mexican Americans not only rejected second-class citizenship and demeaning stereotypes, but also transformed Los Angeles.

Macías conducted numerous interviews for Mexican American Mojo, and the voices of little-known artists and fans fill its pages. In addition, more famous musicians such as Ritchie Valens and Lalo Guerrero are considered anew in relation to their contemporaries and the city. Macías examines language, fashion, and subcultures to trace the history of hip and cool in Los Angeles as well as the Chicano influence on urban culture. He argues that a grass-roots “multicultural urban civility” that challenged the attempted containment of Mexican Americans and African Americans emerged in the neighborhoods, schools, nightclubs, dance halls, and auditoriums of mid-twentieth-century Los Angeles. So take a little trip with Macías, via streetcar or freeway, to a time when Los Angeles had advanced public high school music programs, segregated musicians’ union locals, a highbrow municipal Bureau of Music, independent R & B labels, and robust rock and roll and Latin music scenes.

Food activism is core to the contemporary study of food - there are numerous foodscapes which exist within the umbrella definition of food activism from farmer's markets, organic food movements to Fair Trade. This highly original book focuses on one key emerging foodscape dominating the Italian alternative food network (AFN) scene: GAS (gruppi di acquisto solidale or solidarity-based purchase groups) and explores the innovative social dynamics underlying these networks and the reasons behind their success.

Based on a detailed 'insider' ethnography, this study interprets the principles behind these movements and key themes such as collective buying, relationships with local producers and consumers, financial management, to the everyday political and practical negotiation involving GAS groups. Vitally, the author demonstrates how GAS processes are key to providing survival strategies for small farms, local food chains and sustainable agriculture as a whole.
Beyond Alternative Food Networks offers a fresh and engaged approach to this area, demonstrating the capacity for individuals to join organised forms of alternative political ecologies and impact upon their local food systems and practices. These social groups help to create new economic circuits that help promote sustainability, both for the environment and labor practices.

Beyond Alternative Food Networks provides original insight and in-depth analysis of the alternative food network now thriving in Italy, and highlights ways such networks become embedded in active citizenship practices, cooperative relationships, and social networks.
The leading art critic of the Victorian era, John Ruskin created a large body of work, writing influential essays and treatises on subjects as varied as geology, architecture, ornithology, literature, education, botany and political economy, to name but a few. This comprehensive eBook presents the complete published works of John Ruskin, with numerous illustrations, rare texts appearing in digital print for the first time, informative introductions and the usual Delphi bonus material. (Version 1)

* Beautifully illustrated with images relating to Ruskin’s life and works
* Concise introductions to the famous art books and other texts
* ALL the art criticism and published prose works, with individual contents tables
* Images of how the books were first printed, giving your eReader a taste of the original texts
* Excellent formatting of the texts
* Famous works such as MODERN PAINTERS and THE STONES OF VENICE are fully illustrated with their original artwork
* The complete poetry is presented in the scholarly Cook and Wedderburn edition
* Special alphabetical contents tables for the poetry - easily locate the poems you want to read
* The complete letters of the FORS CLAVIGERA with footnotes (Cook and Wedderburn), including the famous Whistler pamphlet – first time in digital print
* All the travel books
* Includes Ruskin’s rare autobiography PRAETERITA (Cook and Wedderburn), accompanied with the scarce DILECTA
* Special criticism section, with essays evaluating Ruskin’s contribution to literature and art criticism
* Features a bonus biography - discover Ruskin’s literary life
* Even offers a special illustrated section on Ruskin’s paintings
* Scholarly ordering of texts into chronological order and literary genres

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CONTENTS:

The Art Criticism
MODERN PAINTERS
THE SEVEN LAMPS OF ARCHITECTURE
PRE-RAPHAELITISM
GIOTTO AND HIS WORKS IN PADUA
LECTURES ON ARCHITECTURE AND PAINTING DELIVERED AT EDINBURGH IN NOVEMBER, 1853
LETTERS TO THE “TIMES” ON THE TURNER BEQUEST 1856, 1857
NOTES ON THE TURNER GALLERY AT MARLBOROUGH HOUSE
THE ELEMENTS OF DRAWING
A JOY FOR EVER
THE TWO PATHS
THE ELEMENTS OF PERSPECTIVE
SESAME AND LILIES
LECTURES ON ART DELIVERED BEFORE THE UNIVERSITY OF OXFORD IN HILARY TERM, 1870
ARATRA PENTELICI
THE EAGLE’S NEST
THE POETRY OF ARCHITECTURE
ARIADNE FLORENTINA
FRONDES AGRESTES
VAL D’ARNO
NOTES BY MR. RUSKIN ON HIS DRAWINGS BY THE LATE J. M. W. TURNER
THE LAWS OF FÉSOLE
NOTES ON SAMUEL PROUT AND WILLIAM HUNT
CIRCULAR RESPECTING MEMORIAL STUDIES OF ST. MARK’S, VENICE
THE ART OF ENGLAND
THE PLEASURES OF ENGLAND
FINAL LECTURES AT OXFORD
LECTURES ON LANDSCAPE
LECTURES AND NOTES FOR LECTURES ON GREEK ART AND MYTHOLOGY

The Travel Books
THE STONES OF VENICE
MORNINGS IN FLORENCE
ST. MARK’S REST
‘OUR FATHERS HAVE TOLD US’

Other Prose Works
THE KING OF THE GOLDEN RIVER
THE HARBOURS OF ENGLAND
‘UNTO THIS LAST’
THE ETHICS OF THE DUST
THE CROWN OF WILD OLIVE
TIME AND TIDE BY WEARE AND TYNE
LEONI: A LEGEND OF ITALY
THE QUEEN OF THE AIR
FORS CLAVIGERA
MUNERA PULVERIS
LOVE’S MEINIE
PROSERPINA
ELEMENTS OF ENGLISH PROSODY
ARROWS OF THE CHACE
THE STORM CLOUD OF THE NINETEENTH CENTURY
ON THE OLD ROAD
PRAETERITA
HORTUS INCLUSUS
RUSKINIANA

The Poetry
INTRODUCTION TO RUSKIN’S POETRY by E. T. Cook
THE POEMS: TABLE OF CONTENTS
LIST OF POEMS IN ALPHABETICAL ORDER

The Paintings
RUSKIN’S PAINTINGS

The Criticism
RUSKIN by G. K. Chesterton
RUSKIN by Henry Major Tomlinson
RUSKIN AS POET by W. H. Davenport Adams
CONTEMPORARY NOTES ON WHISTLER vs. RUSKIN by Henry James
RUSKIN by Virginia Woolf

The Biography
THE LIFE OF JOHN RUSKIN by W. G. Collingwood

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